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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F34E00 it is the complementary color #0CB1FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F34E00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F34E00 shade: #F84E00, #FF600E, #FF7221, #FF8434 and #FF9647

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F34E00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F34E00 shade: #F34E00, #E23C00, #D12A00, #C01800 and #AF0600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F34E00 shade: #F44E00, #F40C00 and #F40000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F34E00 shade: #F44E00, #F49000, #F4D200, #D4F400 and #92F400

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F34E00 shade matches the following richer shades: #F44E00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F34E00 shade: #F44E00, #E05513, #CD5C27, #B9633B and #A56A4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F34E00 shade: #F40035, #F40C00, #F44D00, #F48E00 and #F4D000

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F34E00 shade: #A23400, #CB4100, #F44E00, #FF661F and #FF8248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F34E00 shade: #F34E00, #76F400 and #0014F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F34E00 shade: #F34E00, #00F44D and #4D00F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F34E00 shade: #F34E00, #76F400, #00A7F4 and #7E00F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F34E00 shade: #F34E00, #2CF400, #00A7F4 and #C700F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 100 / 5

HEX #F34E00

RGB 243 78 0

HSL 19.26, 1%, 0.48%

LAB 56.59, 60.83, 67.28

 

Complementary color

CMYK 95 / 31 / 0 / 0

HEX #0CB1FF

RGB 12 177 255

HSL 199.26, 1%, 0.52%

LAB 68.56, -9.83, -48.8

 

CMYK 0 / 69 / 100 / 3

HEX #F84E00

RGB 248 78 0

HSL 18.87, 1%, 0.49%

LAB 57.47, 62.45, 68.21

 

CMYK 0 / 62 / 95 / 0

HEX #FF600E

RGB 255 96 14

HSL 20.41, 1%, 0.53%

LAB 61.36, 57.7, 68.35

 

CMYK 0 / 55 / 87 / 0

HEX #FF7221

RGB 255 114 33

HSL 21.89, 1%, 0.56%

LAB 64.49, 49.95, 65.37

 

CMYK 0 / 48 / 80 / 0

HEX #FF8434

RGB 255 132 52

HSL 23.65, 1%, 0.6%

LAB 68.03, 41.73, 61.3

 

CMYK 0 / 41 / 72 / 0

HEX #FF9647

RGB 255 150 71

HSL 25.76, 1%, 0.64%

LAB 71.91, 33.35, 56.88

 

CMYK 0 / 68 / 100 / 5

HEX #F34E00

RGB 243 78 0

HSL 19.26, 1%, 0.48%

LAB 56.59, 60.83, 67.28

 

CMYK 0 / 73 / 100 / 11

HEX #E23C00

RGB 226 60 0

HSL 15.93, 1%, 0.44%

LAB 51.15, 61.9, 62.95

 

CMYK 0 / 80 / 100 / 18

HEX #D12A00

RGB 209 42 0

HSL 12.06, 1%, 0.41%

LAB 45.92, 62.27, 58.75

 

CMYK 0 / 88 / 100 / 25

HEX #C01800

RGB 192 24 0

HSL 7.5, 1%, 0.38%

LAB 40.99, 61.64, 54.69

 

CMYK 0 / 97 / 100 / 31

HEX #AF0600

RGB 175 6 0

HSL 2.06, 1%, 0.34%

LAB 36.45, 59.69, 50.7

 

CMYK 0 / 68 / 100 / 4

HEX #F44E00

RGB 244 78 0

HSL 19.18, 1%, 0.48%

LAB 56.76, 61.16, 67.47

 

CMYK 0 / 95 / 100 / 4

HEX #F40C00

RGB 244 12 0

HSL 2.95, 1%, 0.48%

LAB 51.26, 76.6, 65.12

 

CMYK 0 / 100 / 100 / 4

HEX #F40000

RGB 244 0 0

HSL 0, 1%, 0.48%

LAB 50.96, 77.48, 65.01

 

CMYK 0 / 68 / 100 / 4

HEX #F44E00

RGB 244 78 0

HSL 19.18, 1%, 0.48%

LAB 56.76, 61.16, 67.47

 

CMYK 0 / 41 / 100 / 4

HEX #F49000

RGB 244 144 0

HSL 35.41, 1%, 0.48%

LAB 68.88, 30.31, 74.39

 

CMYK 0 / 14 / 100 / 4

HEX #F4D200

RGB 244 210 0

HSL 51.64, 1%, 0.48%

LAB 84.65, -4.08, 85.06

 

CMYK 13 / 0 / 100 / 4

HEX #D4F400

RGB 212 244 0

HSL 67.87, 1%, 0.48%

LAB 91.1, -33.9, 88.62

 

CMYK 40 / 0 / 100 / 4

HEX #92F400

RGB 146 244 0

HSL 84.1, 1%, 0.48%

LAB 87.39, -58.27, 84.17

 

CMYK 0 / 68 / 100 / 4

HEX #F44E00

RGB 244 78 0

HSL 19.18, 1%, 0.48%

LAB 56.76, 61.16, 67.47

 

CMYK 0 / 68 / 100 / 4

HEX #F44E00

RGB 244 78 0

HSL 19.18, 1%, 0.48%

LAB 56.76, 61.16, 67.47

 

CMYK 0 / 62 / 92 / 12

HEX #E05513

RGB 224 85 19

HSL 19.32, 0.84%, 0.48%

LAB 54.44, 51.69, 60.11

 

CMYK 0 / 55 / 81 / 20

HEX #CD5C27

RGB 205 92 39

HSL 19.16, 0.68%, 0.48%

LAB 52.71, 41.88, 49.92

 

CMYK 0 / 46 / 68 / 27

HEX #B9633B

RGB 185 99 59

HSL 19.05, 0.52%, 0.48%

LAB 51.33, 31.25, 37.6

 

CMYK 0 / 36 / 52 / 35

HEX #A56A4F

RGB 165 106 79

HSL 18.84, 0.35%, 0.48%

LAB 50.54, 20.58, 24.86

 

CMYK 0 / 100 / 78 / 4

HEX #F40035

RGB 244 0 53

HSL 346.97, 1%, 0.48%

LAB 51.26, 78.29, 43.72

 

CMYK 0 / 95 / 100 / 4

HEX #F40C00

RGB 244 12 0

HSL 2.95, 1%, 0.48%

LAB 51.26, 76.6, 65.12

 

CMYK 0 / 68 / 100 / 4

HEX #F44D00

RGB 244 77 0

HSL 18.93, 1%, 0.48%

LAB 56.63, 61.54, 67.4

 

CMYK 0 / 42 / 100 / 4

HEX #F48E00

RGB 244 142 0

HSL 34.92, 1%, 0.48%

LAB 68.45, 31.35, 74.12

 

CMYK 0 / 15 / 100 / 4

HEX #F4D000

RGB 244 208 0

HSL 51.15, 1%, 0.48%

LAB 84.14, -3.07, 84.7

 

CMYK 0 / 68 / 100 / 36

HEX #A23400

RGB 162 52 0

HSL 19.26, 1%, 0.32%

LAB 38.09, 43.68, 49.93

 

CMYK 0 / 68 / 100 / 20

HEX #CB4100

RGB 203 65 0

HSL 19.21, 1%, 0.4%

LAB 47.59, 52.61, 58.86

 

CMYK 0 / 68 / 100 / 4

HEX #F44E00

RGB 244 78 0

HSL 19.18, 1%, 0.48%

LAB 56.76, 61.16, 67.47

 

CMYK 0 / 60 / 88 / 0

HEX #FF661F

RGB 255 102 31

HSL 19.02, 1%, 0.56%

LAB 62.39, 55.35, 64.43

 

CMYK 0 / 49 / 72 / 0

HEX #FF8248

RGB 255 130 72

HSL 19.02, 1%, 0.64%

LAB 67.79, 43.5, 52.03

 

CMYK 0 / 68 / 100 / 5

HEX #F34E00

RGB 243 78 0

HSL 19.26, 1%, 0.48%

LAB 56.59, 60.83, 67.28

 

CMYK 52 / 0 / 100 / 4

HEX #76F400

RGB 118 244 0

HSL 90.98, 1%, 0.48%

LAB 86.28, -66.73, 82.83

 

CMYK 100 / 92 / 0 / 4

HEX #0014F4

RGB 0 20 244

HSL 235.08, 1%, 0.48%

LAB 31.88, 72.99, -102.37

 

CMYK 0 / 68 / 100 / 5

HEX #F34E00

RGB 243 78 0

HSL 19.26, 1%, 0.48%

LAB 56.59, 60.83, 67.28

 

CMYK 100 / 0 / 68 / 4

HEX #00F44D

RGB 0 244 77

HSL 138.93, 1%, 0.48%

LAB 84.61, -79.79, 64.02

 

CMYK 68 / 100 / 0 / 4

HEX #4D00F4

RGB 77 0 244

HSL 258.93, 1%, 0.48%

LAB 34.21, 77.92, -98.4

 

CMYK 0 / 68 / 100 / 5

HEX #F34E00

RGB 243 78 0

HSL 19.26, 1%, 0.48%

LAB 56.59, 60.83, 67.28

 

CMYK 52 / 0 / 100 / 4

HEX #76F400

RGB 118 244 0

HSL 90.98, 1%, 0.48%

LAB 86.28, -66.73, 82.83

 

CMYK 100 / 32 / 0 / 4

HEX #00A7F4

RGB 0 167 244

HSL 198.93, 1%, 0.48%

LAB 65.1, -8.56, -48.29

 

CMYK 48 / 100 / 0 / 4

HEX #7E00F4

RGB 126 0 244

HSL 270.98, 1%, 0.48%

LAB 39.53, 80.74, -89.42

 

CMYK 0 / 68 / 100 / 5

HEX #F34E00

RGB 243 78 0

HSL 19.26, 1%, 0.48%

LAB 56.59, 60.83, 67.28

 

CMYK 82 / 0 / 100 / 4

HEX #2CF400

RGB 44 244 0

HSL 109.18, 1%, 0.48%

LAB 84.61, -80.85, 80.79

 

CMYK 100 / 32 / 0 / 4

HEX #00A7F4

RGB 0 167 244

HSL 198.93, 1%, 0.48%

LAB 65.1, -8.56, -48.29

 

CMYK 18 / 100 / 0 / 4

HEX #C700F4

RGB 199 0 244

HSL 288.93, 1%, 0.48%

LAB 50.3, 88.54, -71.34

 

Description

Color code: HEX #F34E00 | qconv.com Color code: HEX #F34E00 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 78 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 78 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 100 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 100% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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