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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDE889 it is the complementary color #121776. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDE889. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDE889 shade: #F2E884, #FFFA97, #FFFFAA, #FFFFBD and #FFFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDE889. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDE889 shade: #EDE889, #DCD676, #CBC463, #BAB250 and #A9A03D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDE889 shade: #EDE887, #EDCC87, #EDB187, #ED9587 and #ED8787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDE889 shade: #EDE887, #D6ED87, #BBED87, #9FED87 and #87ED8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDE889 shade matches the following richer shades: #EDE887 and #F8F27C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDE889 shade: #EDE887, #E1DD92, #D6D39D, #CBC9A8 and #C0BFB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDE889 shade: #EDB187, #EDCC87, #EDE887, #D7ED87 and #BBED87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDE889 shade: #E2DA3F, #E7E163, #EDE887, #F2EEAB and #F7F5CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDE889 shade: #EDE889, #87ED96 and #BF87ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDE889 shade: #EDE889, #87EDE8 and #E887ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDE889 shade: #EDE889, #87ED96, #878CED and #ED87DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDE889 shade: #EDE889, #87EDB5, #878CED and #ED87BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 42 / 7

HEX #EDE889

RGB 237 232 137

HSL 57, 0.74%, 0.73%

LAB 90.56, -11.48, 46.68

 

Complementary color

CMYK 85 / 81 / 0 / 54

HEX #121776

RGB 18 23 118

HSL 237, 0.74%, 0.27%

LAB 15.74, 34.53, -53.66

 

CMYK 0 / 4 / 45 / 5

HEX #F2E884

RGB 242 232 132

HSL 54.55, 0.81%, 0.73%

LAB 90.9, -10.01, 49.6

 

CMYK 0 / 2 / 41 / 0

HEX #FFFA97

RGB 255 250 151

HSL 57.12, 1%, 0.8%

LAB 96.77, -11.99, 47.98

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 0 / 2 / 42 / 7

HEX #EDE889

RGB 237 232 137

HSL 57, 0.74%, 0.73%

LAB 90.56, -11.48, 46.68

 

CMYK 0 / 3 / 46 / 14

HEX #DCD676

RGB 220 214 118

HSL 56.47, 0.59%, 0.66%

LAB 84.29, -11.04, 47.85

 

CMYK 0 / 3 / 51 / 20

HEX #CBC463

RGB 203 196 99

HSL 55.96, 0.5%, 0.59%

LAB 77.92, -10.51, 49.02

 

CMYK 0 / 4 / 57 / 27

HEX #BAB250

RGB 186 178 80

HSL 55.47, 0.43%, 0.52%

LAB 71.46, -9.88, 50.14

 

CMYK 0 / 5 / 64 / 34

HEX #A9A03D

RGB 169 160 61

HSL 55, 0.47%, 0.45%

LAB 64.89, -9.1, 51.11

 

CMYK 0 / 2 / 43 / 7

HEX #EDE887

RGB 237 232 135

HSL 57.06, 0.74%, 0.73%

LAB 90.54, -11.68, 47.62

 

CMYK 0 / 14 / 43 / 7

HEX #EDCC87

RGB 237 204 135

HSL 40.59, 0.74%, 0.73%

LAB 83.41, 2.54, 38.62

 

CMYK 0 / 25 / 43 / 7

HEX #EDB187

RGB 237 177 135

HSL 24.71, 0.74%, 0.73%

LAB 76.8, 16.71, 30

 

CMYK 0 / 37 / 43 / 7

HEX #ED9587

RGB 237 149 135

HSL 8.24, 0.74%, 0.73%

LAB 70.35, 31.55, 21.32

 

CMYK 0 / 43 / 43 / 7

HEX #ED8787

RGB 237 135 135

HSL 0, 0.74%, 0.73%

LAB 67.34, 38.85, 17.19

 

CMYK 0 / 2 / 43 / 7

HEX #EDE887

RGB 237 232 135

HSL 57.06, 0.74%, 0.73%

LAB 90.54, -11.68, 47.62

 

CMYK 10 / 0 / 43 / 7

HEX #D6ED87

RGB 214 237 135

HSL 73.53, 0.74%, 0.73%

LAB 90.14, -22.98, 46.76

 

CMYK 21 / 0 / 43 / 7

HEX #BBED87

RGB 187 237 135

HSL 89.41, 0.74%, 0.73%

LAB 88.39, -32.93, 44.19

 

CMYK 33 / 0 / 43 / 7

HEX #9FED87

RGB 159 237 135

HSL 105.88, 0.74%, 0.73%

LAB 86.84, -42.5, 41.91

 

CMYK 43 / 0 / 42 / 7

HEX #87ED8A

RGB 135 237 138

HSL 121.76, 0.74%, 0.73%

LAB 85.78, -49.42, 38.85

 

CMYK 0 / 2 / 43 / 7

HEX #EDE887

RGB 237 232 135

HSL 57.06, 0.74%, 0.73%

LAB 90.54, -11.68, 47.62

 

CMYK 0 / 2 / 50 / 3

HEX #F8F27C

RGB 248 242 124

HSL 57.1, 0.9%, 0.73%

LAB 93.85, -13.29, 57.04

 

CMYK 0 / 2 / 43 / 7

HEX #EDE887

RGB 237 232 135

HSL 57.06, 0.74%, 0.73%

LAB 90.54, -11.68, 47.62

 

CMYK 0 / 2 / 35 / 12

HEX #E1DD92

RGB 225 221 146

HSL 56.96, 0.57%, 0.73%

LAB 86.9, -9.66, 37.35

 

CMYK 0 / 1 / 27 / 16

HEX #D6D39D

RGB 214 211 157

HSL 56.84, 0.41%, 0.73%

LAB 83.61, -7.43, 27.19

 

CMYK 0 / 1 / 17 / 20

HEX #CBC9A8

RGB 203 201 168

HSL 56.57, 0.25%, 0.73%

LAB 80.35, -4.82, 16.77

 

CMYK 0 / 1 / 7 / 25

HEX #C0BFB3

RGB 192 191 179

HSL 55.38, 0.09%, 0.73%

LAB 77.11, -1.79, 6.17

 

CMYK 0 / 25 / 43 / 7

HEX #EDB187

RGB 237 177 135

HSL 24.71, 0.74%, 0.73%

LAB 76.8, 16.71, 30

 

CMYK 0 / 14 / 43 / 7

HEX #EDCC87

RGB 237 204 135

HSL 40.59, 0.74%, 0.73%

LAB 83.41, 2.54, 38.62

 

CMYK 0 / 2 / 43 / 7

HEX #EDE887

RGB 237 232 135

HSL 57.06, 0.74%, 0.73%

LAB 90.54, -11.68, 47.62

 

CMYK 9 / 0 / 43 / 7

HEX #D7ED87

RGB 215 237 135

HSL 72.94, 0.74%, 0.73%

LAB 90.21, -22.6, 46.86

 

CMYK 21 / 0 / 43 / 7

HEX #BBED87

RGB 187 237 135

HSL 89.41, 0.74%, 0.73%

LAB 88.39, -32.93, 44.19

 

CMYK 0 / 4 / 72 / 11

HEX #E2DA3F

RGB 226 218 63

HSL 57.06, 0.74%, 0.57%

LAB 85.34, -14.33, 72.47

 

CMYK 0 / 3 / 57 / 9

HEX #E7E163

RGB 231 225 99

HSL 57.27, 0.73%, 0.65%

LAB 87.84, -13.66, 61.01

 

CMYK 0 / 2 / 43 / 7

HEX #EDE887

RGB 237 232 135

HSL 57.06, 0.74%, 0.73%

LAB 90.54, -11.68, 47.62

 

CMYK 0 / 2 / 29 / 5

HEX #F2EEAB

RGB 242 238 171

HSL 56.62, 0.73%, 0.81%

LAB 93, -8.73, 33

 

CMYK 0 / 1 / 17 / 3

HEX #F7F5CE

RGB 247 245 206

HSL 57.07, 0.72%, 0.89%

LAB 95.8, -5.63, 19.05

 

CMYK 0 / 2 / 42 / 7

HEX #EDE889

RGB 237 232 137

HSL 57, 0.74%, 0.73%

LAB 90.56, -11.48, 46.68

 

CMYK 43 / 0 / 37 / 7

HEX #87ED96

RGB 135 237 150

HSL 128.82, 0.74%, 0.73%

LAB 85.97, -47.57, 33.1

 

CMYK 19 / 43 / 0 / 7

HEX #BF87ED

RGB 191 135 237

HSL 272.94, 0.74%, 0.73%

LAB 65.37, 40.21, -43.42

 

CMYK 0 / 2 / 42 / 7

HEX #EDE889

RGB 237 232 137

HSL 57, 0.74%, 0.73%

LAB 90.56, -11.48, 46.68

 

CMYK 43 / 0 / 2 / 7

HEX #87EDE8

RGB 135 237 232

HSL 177.06, 0.74%, 0.73%

LAB 87.75, -30.94, -6.9

 

CMYK 2 / 43 / 0 / 7

HEX #E887ED

RGB 232 135 237

HSL 297.06, 0.74%, 0.73%

LAB 69.89, 51.98, -36.02

 

CMYK 0 / 2 / 42 / 7

HEX #EDE889

RGB 237 232 137

HSL 57, 0.74%, 0.73%

LAB 90.56, -11.48, 46.68

 

CMYK 43 / 0 / 37 / 7

HEX #87ED96

RGB 135 237 150

HSL 128.82, 0.74%, 0.73%

LAB 85.97, -47.57, 33.1

 

CMYK 43 / 41 / 0 / 7

HEX #878CED

RGB 135 140 237

HSL 237.06, 0.74%, 0.73%

LAB 61.67, 22.41, -49.58

 

CMYK 0 / 43 / 7 / 7

HEX #ED87DD

RGB 237 135 221

HSL 309.41, 0.74%, 0.73%

LAB 69.86, 50.66, -27.21

 

CMYK 0 / 2 / 42 / 7

HEX #EDE889

RGB 237 232 137

HSL 57, 0.74%, 0.73%

LAB 90.56, -11.48, 46.68

 

CMYK 43 / 0 / 24 / 7

HEX #87EDB5

RGB 135 237 181

HSL 147.06, 0.74%, 0.73%

LAB 86.53, -42.08, 18

 

CMYK 43 / 41 / 0 / 7

HEX #878CED

RGB 135 140 237

HSL 237.06, 0.74%, 0.73%

LAB 61.67, 22.41, -49.58

 

CMYK 0 / 43 / 19 / 7

HEX #ED87BF

RGB 237 135 191

HSL 327.06, 0.74%, 0.73%

LAB 68.82, 45.92, -12.11

 

Description

Color code: HEX #EDE889 | qconv.com Color code: HEX #EDE889 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 232 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 232 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 42 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 42% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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