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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDCC87 it is the complementary color #123378. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDCC87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDCC87 shade: #F2CC82, #FFDE95, #FFF0A8, #FFFFBB and #FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDCC87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDCC87 shade: #EDCC87, #DCBA74, #CBA861, #BA964E and #A9843B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDCC87 shade: #EDCC87, #EDB087, #ED9587 and #ED8787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDCC87 shade: #EDCC87, #EDE787, #D7ED87, #BBED87 and #A0ED87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDCC87 shade matches the following richer shades: #EDCC87 and #F8D07C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDCC87 shade: #EDCC87, #E1C892, #D6C49D, #CBC0A8 and #C0BCB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDCC87 shade: #ED9487, #EDAF87, #EDCB87, #EDE687 and #D8ED87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDCC87 shade: #E2AD3F, #E7BC63, #EDCC87, #F2DBAB and #F7EACE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDCC87 shade: #EDCC87, #94ED87 and #A287ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDCC87 shade: #EDCC87, #87EDCB and #CB87ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDCC87 shade: #EDCC87, #94ED87, #87A9ED and #DF87ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDCC87 shade: #EDCC87, #87ED98, #87A9ED and #ED87DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 43 / 7

HEX #EDCC87

RGB 237 204 135

HSL 40.59, 0.74%, 0.73%

LAB 83.41, 2.54, 38.62

 

Complementary color

CMYK 85 / 58 / 0 / 53

HEX #123378

RGB 18 51 120

HSL 220.59, 0.74%, 0.27%

LAB 23.18, 16.25, -42.74

 

CMYK 0 / 16 / 46 / 5

HEX #F2CC82

RGB 242 204 130

HSL 39.64, 0.81%, 0.73%

LAB 83.8, 4.04, 41.73

 

CMYK 0 / 13 / 42 / 0

HEX #FFDE95

RGB 255 222 149

HSL 41.32, 1%, 0.79%

LAB 89.71, 1.81, 39.97

 

CMYK 0 / 6 / 34 / 0

HEX #FFF0A8

RGB 255 240 168

HSL 49.66, 1%, 0.83%

LAB 94.49, -5.2, 36.67

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 14 / 43 / 7

HEX #EDCC87

RGB 237 204 135

HSL 40.59, 0.74%, 0.73%

LAB 83.41, 2.54, 38.62

 

CMYK 0 / 15 / 47 / 14

HEX #DCBA74

RGB 220 186 116

HSL 40.38, 0.6%, 0.66%

LAB 77.04, 3.21, 39.88

 

CMYK 0 / 17 / 52 / 20

HEX #CBA861

RGB 203 168 97

HSL 40.19, 0.5%, 0.59%

LAB 70.57, 4, 41.18

 

CMYK 0 / 19 / 58 / 27

HEX #BA964E

RGB 186 150 78

HSL 40, 0.44%, 0.52%

LAB 64, 4.92, 42.51

 

CMYK 0 / 22 / 65 / 34

HEX #A9843B

RGB 169 132 59

HSL 39.82, 0.48%, 0.45%

LAB 57.32, 6.03, 43.81

 

CMYK 0 / 14 / 43 / 7

HEX #EDCC87

RGB 237 204 135

HSL 40.59, 0.74%, 0.73%

LAB 83.41, 2.54, 38.62

 

CMYK 0 / 26 / 43 / 7

HEX #EDB087

RGB 237 176 135

HSL 24.12, 0.74%, 0.73%

LAB 76.56, 17.24, 29.68

 

CMYK 0 / 37 / 43 / 7

HEX #ED9587

RGB 237 149 135

HSL 8.24, 0.74%, 0.73%

LAB 70.35, 31.55, 21.32

 

CMYK 0 / 43 / 43 / 7

HEX #ED8787

RGB 237 135 135

HSL 0, 0.74%, 0.73%

LAB 67.34, 38.85, 17.19

 

CMYK 0 / 14 / 43 / 7

HEX #EDCC87

RGB 237 204 135

HSL 40.59, 0.74%, 0.73%

LAB 83.41, 2.54, 38.62

 

CMYK 0 / 3 / 43 / 7

HEX #EDE787

RGB 237 231 135

HSL 56.47, 0.74%, 0.73%

LAB 90.28, -11.18, 47.3

 

CMYK 9 / 0 / 43 / 7

HEX #D7ED87

RGB 215 237 135

HSL 72.94, 0.74%, 0.73%

LAB 90.21, -22.6, 46.86

 

CMYK 21 / 0 / 43 / 7

HEX #BBED87

RGB 187 237 135

HSL 89.41, 0.74%, 0.73%

LAB 88.39, -32.93, 44.19

 

CMYK 32 / 0 / 43 / 7

HEX #A0ED87

RGB 160 237 135

HSL 105.29, 0.74%, 0.73%

LAB 86.89, -42.17, 41.98

 

CMYK 0 / 14 / 43 / 7

HEX #EDCC87

RGB 237 204 135

HSL 40.59, 0.74%, 0.73%

LAB 83.41, 2.54, 38.62

 

CMYK 0 / 16 / 50 / 3

HEX #F8D07C

RGB 248 208 124

HSL 40.65, 0.9%, 0.73%

LAB 85.26, 3.82, 46.67

 

CMYK 0 / 14 / 43 / 7

HEX #EDCC87

RGB 237 204 135

HSL 40.59, 0.74%, 0.73%

LAB 83.41, 2.54, 38.62

 

CMYK 0 / 11 / 35 / 12

HEX #E1C892

RGB 225 200 146

HSL 41.01, 0.57%, 0.73%

LAB 81.51, 1.1, 30.26

 

CMYK 0 / 8 / 27 / 16

HEX #D6C49D

RGB 214 196 157

HSL 41.05, 0.41%, 0.73%

LAB 79.73, 0.34, 21.91

 

CMYK 0 / 5 / 17 / 20

HEX #CBC0A8

RGB 203 192 168

HSL 41.14, 0.25%, 0.73%

LAB 78.01, -0.11, 13.49

 

CMYK 0 / 2 / 7 / 25

HEX #C0BCB3

RGB 192 188 179

HSL 41.54, 0.09%, 0.73%

LAB 76.33, -0.2, 5.04

 

CMYK 0 / 38 / 43 / 7

HEX #ED9487

RGB 237 148 135

HSL 7.65, 0.74%, 0.73%

LAB 70.13, 32.08, 21.02

 

CMYK 0 / 26 / 43 / 7

HEX #EDAF87

RGB 237 175 135

HSL 23.53, 0.74%, 0.73%

LAB 76.32, 17.77, 29.36

 

CMYK 0 / 14 / 43 / 7

HEX #EDCB87

RGB 237 203 135

HSL 40, 0.74%, 0.73%

LAB 83.16, 3.06, 38.3

 

CMYK 0 / 3 / 43 / 7

HEX #EDE687

RGB 237 230 135

HSL 55.88, 0.74%, 0.73%

LAB 90.02, -10.68, 46.98

 

CMYK 9 / 0 / 43 / 7

HEX #D8ED87

RGB 216 237 135

HSL 72.35, 0.74%, 0.73%

LAB 90.28, -22.22, 46.97

 

CMYK 0 / 23 / 72 / 11

HEX #E2AD3F

RGB 226 173 63

HSL 40.49, 0.74%, 0.57%

LAB 73.81, 8.83, 61.22

 

CMYK 0 / 19 / 57 / 9

HEX #E7BC63

RGB 231 188 99

HSL 40.45, 0.73%, 0.65%

LAB 78.38, 5.23, 50.19

 

CMYK 0 / 14 / 43 / 7

HEX #EDCC87

RGB 237 204 135

HSL 40.59, 0.74%, 0.73%

LAB 83.41, 2.54, 38.62

 

CMYK 0 / 10 / 29 / 5

HEX #F2DBAB

RGB 242 219 171

HSL 40.56, 0.73%, 0.81%

LAB 88.2, 0.89, 26.53

 

CMYK 0 / 5 / 17 / 3

HEX #F7EACE

RGB 247 234 206

HSL 40.98, 0.72%, 0.89%

LAB 93.05, -0.08, 15.18

 

CMYK 0 / 14 / 43 / 7

HEX #EDCC87

RGB 237 204 135

HSL 40.59, 0.74%, 0.73%

LAB 83.41, 2.54, 38.62

 

CMYK 38 / 0 / 43 / 7

HEX #94ED87

RGB 148 237 135

HSL 112.35, 0.74%, 0.73%

LAB 86.31, -45.98, 41.12

 

CMYK 32 / 43 / 0 / 7

HEX #A287ED

RGB 162 135 237

HSL 255.88, 0.74%, 0.73%

LAB 62.61, 32.22, -47.95

 

CMYK 0 / 14 / 43 / 7

HEX #EDCC87

RGB 237 204 135

HSL 40.59, 0.74%, 0.73%

LAB 83.41, 2.54, 38.62

 

CMYK 43 / 0 / 14 / 7

HEX #87EDCB

RGB 135 237 203

HSL 160, 0.74%, 0.73%

LAB 87.01, -37.57, 7.22

 

CMYK 14 / 43 / 0 / 7

HEX #CB87ED

RGB 203 135 237

HSL 280, 0.74%, 0.73%

LAB 66.63, 43.62, -41.36

 

CMYK 0 / 14 / 43 / 7

HEX #EDCC87

RGB 237 204 135

HSL 40.59, 0.74%, 0.73%

LAB 83.41, 2.54, 38.62

 

CMYK 38 / 0 / 43 / 7

HEX #94ED87

RGB 148 237 135

HSL 112.35, 0.74%, 0.73%

LAB 86.31, -45.98, 41.12

 

CMYK 43 / 29 / 0 / 7

HEX #87A9ED

RGB 135 169 237

HSL 220, 0.74%, 0.73%

LAB 69.21, 5.72, -37.73

 

CMYK 6 / 43 / 0 / 7

HEX #DF87ED

RGB 223 135 237

HSL 291.76, 0.74%, 0.73%

LAB 68.85, 49.37, -37.73

 

CMYK 0 / 14 / 43 / 7

HEX #EDCC87

RGB 237 204 135

HSL 40.59, 0.74%, 0.73%

LAB 83.41, 2.54, 38.62

 

CMYK 43 / 0 / 36 / 7

HEX #87ED98

RGB 135 237 152

HSL 130, 0.74%, 0.73%

LAB 86, -47.25, 32.14

 

CMYK 43 / 29 / 0 / 7

HEX #87A9ED

RGB 135 169 237

HSL 220, 0.74%, 0.73%

LAB 69.21, 5.72, -37.73

 

CMYK 0 / 43 / 7 / 7

HEX #ED87DC

RGB 237 135 220

HSL 310, 0.74%, 0.73%

LAB 69.82, 50.5, -26.71

 

Description

Color code: HEX #EDCC87 | qconv.com Color code: HEX #EDCC87 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 204 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 204 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 43 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 43% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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