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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 237 175 135 it is the complementary color RGB 18 80 120. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 237 175 135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 237 175 135 shade: RGB 242 175 130, RGB 255 193 149, RGB 255 211 168, RGB 255 229 187 and RGB 255 247 206

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 237 175 135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 237 175 135 shade: RGB 237 175 135, RGB 220 157 116, RGB 203 139 97, RGB 186 121 78 and RGB 169 103 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 237 175 135 shade: RGB 237 175 135, RGB 237 147 135 and RGB 237 135 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 237 175 135 shade: RGB 237 175 135, RGB 237 202 135, RGB 237 230 135, RGB 216 237 135 and RGB 189 237 135

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 237 175 135 shade matches the following richer shades: RGB 237 175 135 and RGB 248 172 124

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 237 175 135 shade: RGB 237 175 135, RGB 225 177 146, RGB 214 179 157, RGB 203 182 168 and RGB 192 184 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 237 175 135 shade: RGB 237 135 150, RGB 237 147 135, RGB 237 174 135, RGB 237 201 135 and RGB 237 228 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 237 175 135 shade: RGB 226 127 63, RGB 231 151 99, RGB 237 175 135, RGB 242 199 171 and RGB 247 223 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 237 175 135 shade: RGB 237 175 135, RGB 177 237 135 and RGB 135 136 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 237 175 135 shade: RGB 237 175 135, RGB 135 237 174 and RGB 174 135 237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 237 175 135 shade: RGB 237 175 135, RGB 177 237 135, RGB 135 198 237 and RGB 194 135 237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 237 175 135 shade: RGB 237 175 135, RGB 147 237 135, RGB 135 198 237 and RGB 225 135 237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 43 / 7

HEX #EDAF87

RGB 237 175 135

HSL 23.53, 0.74%, 0.73%

LAB 76.32, 17.77, 29.36

 

Complementary color

CMYK 85 / 33 / 0 / 53

HEX #125078

RGB 18 80 120

HSL 203.53, 0.74%, 0.27%

LAB 32.31, -3.66, -28.12

 

CMYK 0 / 28 / 46 / 5

HEX #F2AF82

RGB 242 175 130

HSL 24.11, 0.81%, 0.73%

LAB 76.77, 19.24, 32.7

 

CMYK 0 / 24 / 42 / 0

HEX #FFC195

RGB 255 193 149

HSL 24.91, 1%, 0.79%

LAB 82.68, 16.81, 30.76

 

CMYK 0 / 17 / 34 / 0

HEX #FFD3A8

RGB 255 211 168

HSL 29.66, 1%, 0.83%

LAB 87.33, 9.58, 27.09

 

CMYK 0 / 10 / 27 / 0

HEX #FFE5BB

RGB 255 229 187

HSL 37.06, 1%, 0.87%

LAB 92.08, 2.71, 23.75

 

CMYK 0 / 3 / 19 / 0

HEX #FFF7CE

RGB 255 247 206

HSL 50.2, 1%, 0.9%

LAB 96.92, -3.78, 20.7

 

CMYK 0 / 26 / 43 / 7

HEX #EDAF87

RGB 237 175 135

HSL 23.53, 0.74%, 0.73%

LAB 76.32, 17.77, 29.36

 

CMYK 0 / 29 / 47 / 14

HEX #DC9D74

RGB 220 157 116

HSL 23.65, 0.6%, 0.66%

LAB 69.89, 18.69, 30.72

 

CMYK 0 / 32 / 52 / 20

HEX #CB8B61

RGB 203 139 97

HSL 23.77, 0.5%, 0.59%

LAB 63.36, 19.74, 32.2

 

CMYK 0 / 35 / 58 / 27

HEX #BA794E

RGB 186 121 78

HSL 23.89, 0.44%, 0.52%

LAB 56.75, 20.95, 33.8

 

CMYK 0 / 39 / 65 / 34

HEX #A9673B

RGB 169 103 59

HSL 24, 0.48%, 0.45%

LAB 50.04, 22.35, 35.54

 

CMYK 0 / 26 / 43 / 7

HEX #EDAF87

RGB 237 175 135

HSL 23.53, 0.74%, 0.73%

LAB 76.32, 17.77, 29.36

 

CMYK 0 / 38 / 43 / 7

HEX #ED9387

RGB 237 147 135

HSL 7.06, 0.74%, 0.73%

LAB 69.91, 32.6, 20.72

 

CMYK 0 / 43 / 43 / 7

HEX #ED8787

RGB 237 135 135

HSL 0, 0.74%, 0.73%

LAB 67.34, 38.85, 17.19

 

CMYK 0 / 26 / 43 / 7

HEX #EDAF87

RGB 237 175 135

HSL 23.53, 0.74%, 0.73%

LAB 76.32, 17.77, 29.36

 

CMYK 0 / 15 / 43 / 7

HEX #EDCA87

RGB 237 202 135

HSL 39.41, 0.74%, 0.73%

LAB 82.91, 3.57, 37.98

 

CMYK 0 / 3 / 43 / 7

HEX #EDE687

RGB 237 230 135

HSL 55.88, 0.74%, 0.73%

LAB 90.02, -10.68, 46.98

 

CMYK 9 / 0 / 43 / 7

HEX #D8ED87

RGB 216 237 135

HSL 72.35, 0.74%, 0.73%

LAB 90.28, -22.22, 46.97

 

CMYK 20 / 0 / 43 / 7

HEX #BDED87

RGB 189 237 135

HSL 88.24, 0.74%, 0.73%

LAB 88.51, -32.21, 44.37

 

CMYK 0 / 26 / 43 / 7

HEX #EDAF87

RGB 237 175 135

HSL 23.53, 0.74%, 0.73%

LAB 76.32, 17.77, 29.36

 

CMYK 0 / 31 / 50 / 3

HEX #F8AC7C

RGB 248 172 124

HSL 23.23, 0.9%, 0.73%

LAB 76.63, 22.64, 35.8

 

CMYK 0 / 26 / 43 / 7

HEX #EDAF87

RGB 237 175 135

HSL 23.53, 0.74%, 0.73%

LAB 76.32, 17.77, 29.36

 

CMYK 0 / 21 / 35 / 12

HEX #E1B192

RGB 225 177 146

HSL 23.54, 0.57%, 0.73%

LAB 75.78, 13.24, 22.53

 

CMYK 0 / 16 / 27 / 16

HEX #D6B39D

RGB 214 179 157

HSL 23.16, 0.41%, 0.73%

LAB 75.43, 9.35, 15.95

 

CMYK 0 / 10 / 17 / 20

HEX #CBB6A8

RGB 203 182 168

HSL 24, 0.25%, 0.73%

LAB 75.44, 5.21, 9.85

 

CMYK 0 / 4 / 7 / 25

HEX #C0B8B3

RGB 192 184 179

HSL 23.08, 0.09%, 0.73%

LAB 75.29, 1.94, 3.53

 

CMYK 0 / 43 / 37 / 7

HEX #ED8796

RGB 237 135 150

HSL 351.18, 0.74%, 0.73%

LAB 67.68, 40.5, 9.24

 

CMYK 0 / 38 / 43 / 7

HEX #ED9387

RGB 237 147 135

HSL 7.06, 0.74%, 0.73%

LAB 69.91, 32.6, 20.72

 

CMYK 0 / 27 / 43 / 7

HEX #EDAE87

RGB 237 174 135

HSL 22.94, 0.74%, 0.73%

LAB 76.09, 18.3, 29.05

 

CMYK 0 / 15 / 43 / 7

HEX #EDC987

RGB 237 201 135

HSL 38.82, 0.74%, 0.73%

LAB 82.66, 4.09, 37.65

 

CMYK 0 / 4 / 43 / 7

HEX #EDE487

RGB 237 228 135

HSL 54.71, 0.74%, 0.73%

LAB 89.51, -9.68, 46.34

 

CMYK 0 / 44 / 72 / 11

HEX #E27F3F

RGB 226 127 63

HSL 23.56, 0.74%, 0.57%

LAB 63.1, 33.28, 50.16

 

CMYK 0 / 35 / 57 / 9

HEX #E79763

RGB 231 151 99

HSL 23.64, 0.73%, 0.65%

LAB 69.49, 24.87, 39.5

 

CMYK 0 / 26 / 43 / 7

HEX #EDAF87

RGB 237 175 135

HSL 23.53, 0.74%, 0.73%

LAB 76.32, 17.77, 29.36

 

CMYK 0 / 18 / 29 / 5

HEX #F2C7AB

RGB 242 199 171

HSL 23.66, 0.73%, 0.81%

LAB 83.27, 11.27, 19.75

 

CMYK 0 / 10 / 17 / 3

HEX #F7DFCE

RGB 247 223 206

HSL 24.88, 0.72%, 0.89%

LAB 90.32, 5.56, 11.32

 

CMYK 0 / 26 / 43 / 7

HEX #EDAF87

RGB 237 175 135

HSL 23.53, 0.74%, 0.73%

LAB 76.32, 17.77, 29.36

 

CMYK 25 / 0 / 43 / 7

HEX #B1ED87

RGB 177 237 135

HSL 95.29, 0.74%, 0.73%

LAB 87.81, -36.45, 43.33

 

CMYK 43 / 43 / 0 / 7

HEX #8788ED

RGB 135 136 237

HSL 239.41, 0.74%, 0.73%

LAB 60.67, 24.75, -51.17

 

CMYK 0 / 26 / 43 / 7

HEX #EDAF87

RGB 237 175 135

HSL 23.53, 0.74%, 0.73%

LAB 76.32, 17.77, 29.36

 

CMYK 43 / 0 / 27 / 7

HEX #87EDAE

RGB 135 237 174

HSL 142.94, 0.74%, 0.73%

LAB 86.39, -43.41, 21.43

 

CMYK 27 / 43 / 0 / 7

HEX #AE87ED

RGB 174 135 237

HSL 262.94, 0.74%, 0.73%

LAB 63.71, 35.47, -46.15

 

CMYK 0 / 26 / 43 / 7

HEX #EDAF87

RGB 237 175 135

HSL 23.53, 0.74%, 0.73%

LAB 76.32, 17.77, 29.36

 

CMYK 25 / 0 / 43 / 7

HEX #B1ED87

RGB 177 237 135

HSL 95.29, 0.74%, 0.73%

LAB 87.81, -36.45, 43.33

 

CMYK 43 / 16 / 0 / 7

HEX #87C6ED

RGB 135 198 237

HSL 202.94, 0.74%, 0.73%

LAB 77.07, -10.12, -25.61

 

CMYK 18 / 43 / 0 / 7

HEX #C287ED

RGB 194 135 237

HSL 274.71, 0.74%, 0.73%

LAB 65.68, 41.06, -42.91

 

CMYK 0 / 26 / 43 / 7

HEX #EDAF87

RGB 237 175 135

HSL 23.53, 0.74%, 0.73%

LAB 76.32, 17.77, 29.36

 

CMYK 38 / 0 / 43 / 7

HEX #93ED87

RGB 147 237 135

HSL 112.94, 0.74%, 0.73%

LAB 86.27, -46.29, 41.05

 

CMYK 43 / 16 / 0 / 7

HEX #87C6ED

RGB 135 198 237

HSL 202.94, 0.74%, 0.73%

LAB 77.07, -10.12, -25.61

 

CMYK 5 / 43 / 0 / 7

HEX #E187ED

RGB 225 135 237

HSL 292.94, 0.74%, 0.73%

LAB 69.08, 49.95, -37.35

 

Description

Color code: RGB 237 175 135 | qconv.com Color code: RGB 237 175 135 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 175 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 175 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 43 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 43% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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