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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC40D4 it is the complementary color #13BF2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC40D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC40D4 shade: #F140CF, #FF52E2, #FF64F5, #FF76FF and #FF88FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC40D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC40D4 shade: #EC40D4, #DB2EC1, #CA1CAE, #B90A9B and #A80088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC40D4 shade: #EC40D4, #EC40A6, #EC4077, #EC4049 and #EC4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC40D4 shade: #EC40D4, #D540EC, #A740EC, #7940EC and #4B40EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC40D4 shade matches the following richer shades: #EC40D4 and #FD2FE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC40D4 shade: #EC40D4, #DB51C8, #CA62BB, #B973AF and #A884A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC40D4 shade: #A740EC, #D540EC, #EC40D5, #EC40A7 and #EC4079

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC40D4 shade: #C613AD, #E81BCB, #EC40D4, #EF66DC and #F38BE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC40D4 shade: #EC40D4, #EC7940 and #40ECBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC40D4 shade: #EC40D4, #D5EC40 and #40D5EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC40D4 shade: #EC40D4, #EC7940, #40EC57 and #40B3EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC40D4 shade: #EC40D4, #ECAD40, #40EC57 and #407FEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 10 / 7

HEX #EC40D4

RGB 236 64 212

HSL 308.37, 0.82%, 0.59%

LAB 58.28, 78.87, -40.17

 

Complementary color

CMYK 90 / 0 / 77 / 25

HEX #13BF2B

RGB 19 191 43

HSL 128.37, 0.82%, 0.41%

LAB 67.71, -66.74, 58.78

 

CMYK 0 / 73 / 14 / 5

HEX #F140CF

RGB 241 64 207

HSL 311.53, 0.86%, 0.6%

LAB 58.86, 79.27, -36.37

 

CMYK 0 / 68 / 11 / 0

HEX #FF52E2

RGB 255 82 226

HSL 310.06, 1%, 0.66%

LAB 63.99, 79.29, -38.9

 

CMYK 0 / 61 / 4 / 0

HEX #FF64F5

RGB 255 100 245

HSL 303.87, 1%, 0.7%

LAB 67.25, 75.43, -44.32

 

CMYK 0 / 54 / 0 / 0

HEX #FF76FF

RGB 255 118 255

HSL 300, 1%, 0.73%

LAB 70.48, 69.48, -44.74

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 0 / 73 / 10 / 7

HEX #EC40D4

RGB 236 64 212

HSL 308.37, 0.82%, 0.59%

LAB 58.28, 78.87, -40.17

 

CMYK 0 / 79 / 12 / 14

HEX #DB2EC1

RGB 219 46 193

HSL 309.02, 0.71%, 0.52%

LAB 52.8, 77.56, -38.09

 

CMYK 0 / 86 / 14 / 21

HEX #CA1CAE

RGB 202 28 174

HSL 309.66, 0.76%, 0.45%

LAB 47.55, 75.4, -35.45

 

CMYK 0 / 95 / 16 / 27

HEX #B90A9B

RGB 185 10 155

HSL 310.29, 0.9%, 0.38%

LAB 42.61, 72.09, -32.1

 

CMYK 0 / 100 / 19 / 34

HEX #A80088

RGB 168 0 136

HSL 311.43, 1%, 0.33%

LAB 38.03, 67.43, -27.93

 

CMYK 0 / 73 / 10 / 7

HEX #EC40D4

RGB 236 64 212

HSL 308.37, 0.82%, 0.59%

LAB 58.28, 78.87, -40.17

 

CMYK 0 / 73 / 30 / 7

HEX #EC40A6

RGB 236 64 166

HSL 324.42, 0.82%, 0.59%

LAB 56.34, 72.94, -16.67

 

CMYK 0 / 73 / 50 / 7

HEX #EC4077

RGB 236 64 119

HSL 340.81, 0.82%, 0.59%

LAB 54.9, 68.33, 9

 

CMYK 0 / 73 / 69 / 7

HEX #EC4049

RGB 236 64 73

HSL 356.86, 0.82%, 0.59%

LAB 54.01, 65.38, 35.01

 

CMYK 0 / 73 / 73 / 7

HEX #EC4040

RGB 236 64 64

HSL 0, 0.82%, 0.59%

LAB 53.89, 64.99, 39.99

 

CMYK 0 / 73 / 10 / 7

HEX #EC40D4

RGB 236 64 212

HSL 308.37, 0.82%, 0.59%

LAB 58.28, 78.87, -40.17

 

CMYK 10 / 73 / 0 / 7

HEX #D540EC

RGB 213 64 236

HSL 291.98, 0.82%, 0.59%

LAB 55.96, 77.84, -57.62

 

CMYK 29 / 73 / 0 / 7

HEX #A740EC

RGB 167 64 236

HSL 275.93, 0.82%, 0.59%

LAB 49.42, 69.11, -68.49

 

CMYK 49 / 73 / 0 / 7

HEX #7940EC

RGB 121 64 236

HSL 259.88, 0.82%, 0.59%

LAB 43.93, 61.45, -77.68

 

CMYK 68 / 73 / 0 / 7

HEX #4B40EC

RGB 75 64 236

HSL 243.84, 0.82%, 0.59%

LAB 39.95, 55.63, -84.37

 

CMYK 0 / 73 / 10 / 7

HEX #EC40D4

RGB 236 64 212

HSL 308.37, 0.82%, 0.59%

LAB 58.28, 78.87, -40.17

 

CMYK 0 / 81 / 11 / 1

HEX #FD2FE0

RGB 253 47 224

HSL 308.45, 0.98%, 0.59%

LAB 60.16, 88.34, -43.81

 

CMYK 0 / 73 / 10 / 7

HEX #EC40D4

RGB 236 64 212

HSL 308.37, 0.82%, 0.59%

LAB 58.28, 78.87, -40.17

 

CMYK 0 / 63 / 9 / 14

HEX #DB51C8

RGB 219 81 200

HSL 308.26, 0.66%, 0.59%

LAB 57.19, 67.12, -35.24

 

CMYK 0 / 51 / 7 / 21

HEX #CA62BB

RGB 202 98 187

HSL 308.65, 0.5%, 0.59%

LAB 56.96, 52.88, -28.33

 

CMYK 0 / 38 / 5 / 27

HEX #B973AF

RGB 185 115 175

HSL 308.57, 0.33%, 0.59%

LAB 57.72, 36.73, -20.45

 

CMYK 0 / 21 / 3 / 34

HEX #A884A3

RGB 168 132 163

HSL 308.33, 0.17%, 0.59%

LAB 59.41, 19.18, -11.19

 

CMYK 29 / 73 / 0 / 7

HEX #A740EC

RGB 167 64 236

HSL 275.93, 0.82%, 0.59%

LAB 49.42, 69.11, -68.49

 

CMYK 10 / 73 / 0 / 7

HEX #D540EC

RGB 213 64 236

HSL 291.98, 0.82%, 0.59%

LAB 55.96, 77.84, -57.62

 

CMYK 0 / 73 / 10 / 7

HEX #EC40D5

RGB 236 64 213

HSL 308.02, 0.82%, 0.59%

LAB 58.32, 79.01, -40.67

 

CMYK 0 / 73 / 29 / 7

HEX #EC40A7

RGB 236 64 167

HSL 324.07, 0.82%, 0.59%

LAB 56.38, 73.06, -17.2

 

CMYK 0 / 73 / 49 / 7

HEX #EC4079

RGB 236 64 121

HSL 340.12, 0.82%, 0.59%

LAB 54.95, 68.5, 7.88

 

CMYK 0 / 90 / 13 / 22

HEX #C613AD

RGB 198 19 173

HSL 308.38, 0.82%, 0.43%

LAB 46.3, 75.89, -36.88

 

CMYK 0 / 88 / 13 / 9

HEX #E81BCB

RGB 232 27 203

HSL 308.49, 0.82%, 0.51%

LAB 54.29, 85.12, -41.35

 

CMYK 0 / 73 / 10 / 7

HEX #EC40D4

RGB 236 64 212

HSL 308.37, 0.82%, 0.59%

LAB 58.28, 78.87, -40.17

 

CMYK 0 / 57 / 8 / 6

HEX #EF66DC

RGB 239 102 220

HSL 308.32, 0.81%, 0.67%

LAB 64.18, 66.64, -35.42

 

CMYK 0 / 43 / 6 / 5

HEX #F38BE5

RGB 243 139 229

HSL 308.08, 0.81%, 0.75%

LAB 71.67, 51.81, -28.77

 

CMYK 0 / 73 / 10 / 7

HEX #EC40D4

RGB 236 64 212

HSL 308.37, 0.82%, 0.59%

LAB 58.28, 78.87, -40.17

 

CMYK 0 / 49 / 73 / 7

HEX #EC7940

RGB 236 121 64

HSL 19.88, 0.82%, 0.59%

LAB 63.24, 40.35, 50.25

 

CMYK 73 / 0 / 19 / 7

HEX #40ECBE

RGB 64 236 190

HSL 163.95, 0.82%, 0.59%

LAB 84.38, -53.64, 9.98

 

CMYK 0 / 73 / 10 / 7

HEX #EC40D4

RGB 236 64 212

HSL 308.37, 0.82%, 0.59%

LAB 58.28, 78.87, -40.17

 

CMYK 10 / 0 / 73 / 7

HEX #D5EC40

RGB 213 236 64

HSL 68.02, 0.82%, 0.59%

LAB 89.16, -28.31, 75.43

 

CMYK 73 / 10 / 0 / 7

HEX #40D5EC

RGB 64 213 236

HSL 188.02, 0.82%, 0.59%

LAB 78.89, -31.06, -22.53

 

CMYK 0 / 73 / 10 / 7

HEX #EC40D4

RGB 236 64 212

HSL 308.37, 0.82%, 0.59%

LAB 58.28, 78.87, -40.17

 

CMYK 0 / 49 / 73 / 7

HEX #EC7940

RGB 236 121 64

HSL 19.88, 0.82%, 0.59%

LAB 63.24, 40.35, 50.25

 

CMYK 73 / 0 / 63 / 7

HEX #40EC57

RGB 64 236 87

HSL 128.02, 0.82%, 0.59%

LAB 82.79, -71.48, 58.26

 

CMYK 73 / 24 / 0 / 7

HEX #40B3EC

RGB 64 179 236

HSL 199.88, 0.82%, 0.59%

LAB 69.03, -13.76, -37.7

 

CMYK 0 / 73 / 10 / 7

HEX #EC40D4

RGB 236 64 212

HSL 308.37, 0.82%, 0.59%

LAB 58.28, 78.87, -40.17

 

CMYK 0 / 27 / 73 / 7

HEX #ECAD40

RGB 236 173 64

HSL 38.02, 0.82%, 0.59%

LAB 74.88, 13.13, 62.23

 

CMYK 73 / 0 / 63 / 7

HEX #40EC57

RGB 64 236 87

HSL 128.02, 0.82%, 0.59%

LAB 82.79, -71.48, 58.26

 

CMYK 73 / 46 / 0 / 7

HEX #407FEC

RGB 64 127 236

HSL 218.02, 0.82%, 0.59%

LAB 54.37, 16.37, -60.9

 

Description

Color code: HEX #EC40D4 | qconv.com Color code: HEX #EC40D4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 64 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 64 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 10 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 10% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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