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Color name
CMYK 0 / 38 / 5 / 27

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 38 / 5 / 27 it is the complementary color CMYK 51 / 0 / 44 / 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 38 / 5 / 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 38 / 5 / 27 shade: CMYK 0 / 40 / 10 / 25, CMYK 0 / 36 / 8 / 18, CMYK 0 / 33 / 7 / 12, CMYK 0 / 30 / 5 / 5 and CMYK 0 / 27 / 3 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 38 / 5 / 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 38 / 5 / 27 shade: CMYK 0 / 38 / 5 / 27, CMYK 0 / 43 / 7 / 34, CMYK 0 / 48 / 9 / 40, CMYK 0 / 55 / 11 / 47 and CMYK 0 / 64 / 14 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 38 / 5 / 27 shade: CMYK 0 / 38 / 5 / 27, CMYK 0 / 38 / 15 / 27, CMYK 0 / 38 / 25 / 27, CMYK 0 / 38 / 36 / 27 and CMYK 0 / 38 / 38 / 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 38 / 5 / 27 shade: CMYK 0 / 38 / 5 / 27, CMYK 5 / 38 / 0 / 27, CMYK 16 / 38 / 0 / 27, CMYK 26 / 38 / 0 / 27 and CMYK 36 / 38 / 0 / 27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 38 / 5 / 27 shade matches the following richer shades: CMYK 0 / 38 / 5 / 27, CMYK 0 / 52 / 6 / 21, CMYK 0 / 63 / 8 / 14, CMYK 0 / 73 / 9 / 7 and CMYK 0 / 81 / 10 / 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 38 / 5 / 27 shade: CMYK 0 / 38 / 5 / 27, CMYK 0 / 22 / 3 / 34, CMYK 0 / 3 / 1 / 40, CMYK 18 / 0 / 16 / 35 and CMYK 35 / 0 / 31 / 29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 38 / 5 / 27 shade: CMYK 16 / 38 / 0 / 27, CMYK 5 / 38 / 0 / 27, CMYK 0 / 38 / 4 / 27, CMYK 0 / 38 / 15 / 27 and CMYK 0 / 38 / 25 / 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 38 / 5 / 27 shade: CMYK 0 / 51 / 7 / 43, CMYK 0 / 49 / 6 / 33, CMYK 0 / 38 / 5 / 27, CMYK 0 / 29 / 4 / 22 and CMYK 0 / 20 / 3 / 16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 38 / 5 / 27 shade: CMYK 0 / 38 / 5 / 27, CMYK 0 / 26 / 38 / 27 and CMYK 38 / 0 / 11 / 27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 38 / 5 / 27 shade: CMYK 0 / 38 / 5 / 27, CMYK 4 / 0 / 38 / 27 and CMYK 38 / 4 / 0 / 27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 38 / 5 / 27 shade: CMYK 0 / 38 / 5 / 27, CMYK 0 / 26 / 38 / 27, CMYK 38 / 0 / 34 / 27 and CMYK 38 / 12 / 0 / 27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 38 / 5 / 27 shade: CMYK 0 / 38 / 5 / 27, CMYK 0 / 15 / 38 / 27, CMYK 38 / 0 / 34 / 27 and CMYK 38 / 23 / 0 / 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 5 / 27

HEX #BA73B1

RGB 186 115 177

HSL 307.61, 0.34%, 0.59%

LAB 57.92, 37.42, -21.29

 

Complementary color

CMYK 51 / 0 / 44 / 45

HEX #458C4E

RGB 69 140 78

HSL 127.61, 0.34%, 0.41%

LAB 52.48, -36.18, 26.4

 

CMYK 0 / 40 / 10 / 25

HEX #BF73AC

RGB 191 115 172

HSL 315, 0.37%, 0.6%

LAB 58.34, 38.18, -17.72

 

CMYK 0 / 36 / 8 / 18

HEX #D085BF

RGB 208 133 191

HSL 313.6, 0.44%, 0.67%

LAB 64.92, 37.42, -18.34

 

CMYK 0 / 33 / 7 / 12

HEX #E197D2

RGB 225 151 210

HSL 312.16, 0.55%, 0.74%

LAB 71.41, 36.69, -18.89

 

CMYK 0 / 30 / 5 / 5

HEX #F2A9E5

RGB 242 169 229

HSL 310.68, 0.74%, 0.81%

LAB 77.82, 35.99, -19.4

 

CMYK 0 / 27 / 3 / 0

HEX #FFBBF8

RGB 255 187 248

HSL 306.18, 1%, 0.87%

LAB 83.75, 34.05, -20.52

 

CMYK 0 / 38 / 5 / 27

HEX #BA73B1

RGB 186 115 177

HSL 307.61, 0.34%, 0.59%

LAB 57.92, 37.42, -21.29

 

CMYK 0 / 43 / 7 / 34

HEX #A9619E

RGB 169 97 158

HSL 309.17, 0.3%, 0.52%

LAB 51.21, 38.19, -20.71

 

CMYK 0 / 48 / 9 / 40

HEX #984F8B

RGB 152 79 139

HSL 310.68, 0.32%, 0.45%

LAB 44.42, 38.95, -20.03

 

CMYK 0 / 55 / 11 / 47

HEX #873D78

RGB 135 61 120

HSL 312.16, 0.38%, 0.38%

LAB 37.56, 39.63, -19.17

 

CMYK 0 / 64 / 14 / 54

HEX #762B65

RGB 118 43 101

HSL 313.6, 0.47%, 0.32%

LAB 30.69, 40.08, -18.01

 

CMYK 0 / 38 / 5 / 27

HEX #B972B0

RGB 185 114 176

HSL 307.61, 0.34%, 0.59%

LAB 57.54, 37.46, -21.3

 

CMYK 0 / 38 / 15 / 27

HEX #B9729D

RGB 185 114 157

HSL 323.66, 0.34%, 0.59%

LAB 56.86, 34.17, -11.36

 

CMYK 0 / 38 / 25 / 27

HEX #B9728A

RGB 185 114 138

HSL 339.72, 0.34%, 0.59%

LAB 56.27, 31.22, -1.2

 

CMYK 0 / 38 / 36 / 27

HEX #B97277

RGB 185 114 119

HSL 355.77, 0.34%, 0.59%

LAB 55.77, 28.63, 9.15

 

CMYK 0 / 38 / 38 / 27

HEX #B97272

RGB 185 114 114

HSL 0, 0.34%, 0.59%

LAB 55.65, 28.02, 11.9

 

CMYK 0 / 38 / 5 / 27

HEX #B972B0

RGB 185 114 176

HSL 307.61, 0.34%, 0.59%

LAB 57.54, 37.46, -21.3

 

CMYK 5 / 38 / 0 / 27

HEX #AF72B9

RGB 175 114 185

HSL 291.55, 0.34%, 0.59%

LAB 56.73, 35.96, -27.81

 

CMYK 16 / 38 / 0 / 27

HEX #9C72B9

RGB 156 114 185

HSL 275.49, 0.34%, 0.59%

LAB 54.66, 30.02, -31.18

 

CMYK 26 / 38 / 0 / 27

HEX #8972B9

RGB 137 114 185

HSL 259.44, 0.34%, 0.59%

LAB 52.79, 24.23, -34.24

 

CMYK 36 / 38 / 0 / 27

HEX #7672B9

RGB 118 114 185

HSL 243.38, 0.34%, 0.59%

LAB 51.14, 18.74, -36.95

 

CMYK 0 / 38 / 5 / 27

HEX #B972B0

RGB 185 114 176

HSL 307.61, 0.34%, 0.59%

LAB 57.54, 37.46, -21.3

 

CMYK 0 / 52 / 6 / 21

HEX #CA61BD

RGB 202 97 189

HSL 307.43, 0.5%, 0.59%

LAB 56.86, 53.7, -29.63

 

CMYK 0 / 63 / 8 / 14

HEX #DB51CA

RGB 219 81 202

HSL 307.39, 0.66%, 0.59%

LAB 57.28, 67.43, -36.24

 

CMYK 0 / 73 / 9 / 7

HEX #EC40D6

RGB 236 64 214

HSL 307.67, 0.82%, 0.59%

LAB 58.37, 79.15, -41.16

 

CMYK 0 / 81 / 10 / 1

HEX #FD2FE3

RGB 253 47 227

HSL 307.57, 0.98%, 0.59%

LAB 60.3, 88.74, -45.27

 

CMYK 0 / 38 / 5 / 27

HEX #B972B0

RGB 185 114 176

HSL 307.61, 0.34%, 0.59%

LAB 57.54, 37.46, -21.3

 

CMYK 0 / 22 / 3 / 34

HEX #A983A4

RGB 169 131 164

HSL 307.89, 0.18%, 0.59%

LAB 59.3, 20.29, -11.92

 

CMYK 0 / 3 / 1 / 40

HEX #989497

RGB 152 148 151

HSL 315, 0.02%, 0.59%

LAB 61.73, 2.04, -1.07

 

CMYK 18 / 0 / 16 / 35

HEX #87A58B

RGB 135 165 139

HSL 128, 0.14%, 0.59%

LAB 64.9, -15.6, 10.08

 

CMYK 35 / 0 / 31 / 29

HEX #76B67E

RGB 118 182 126

HSL 127.5, 0.3%, 0.59%

LAB 68.62, -32.17, 22.2

 

CMYK 16 / 38 / 0 / 27

HEX #9C72B9

RGB 156 114 185

HSL 275.49, 0.34%, 0.59%

LAB 54.66, 30.02, -31.18

 

CMYK 5 / 38 / 0 / 27

HEX #AF72B9

RGB 175 114 185

HSL 291.55, 0.34%, 0.59%

LAB 56.73, 35.96, -27.81

 

CMYK 0 / 38 / 4 / 27

HEX #B972B1

RGB 185 114 177

HSL 306.76, 0.34%, 0.59%

LAB 57.58, 37.64, -21.81

 

CMYK 0 / 38 / 15 / 27

HEX #B9729E

RGB 185 114 158

HSL 322.82, 0.34%, 0.59%

LAB 56.9, 34.33, -11.89

 

CMYK 0 / 38 / 25 / 27

HEX #B9728B

RGB 185 114 139

HSL 338.87, 0.34%, 0.59%

LAB 56.3, 31.36, -1.74

 

CMYK 0 / 51 / 7 / 43

HEX #924888

RGB 146 72 136

HSL 308.11, 0.34%, 0.43%

LAB 42.04, 40.21, -21.96

 

CMYK 0 / 49 / 6 / 33

HEX #AC57A1

RGB 172 87 161

HSL 307.76, 0.34%, 0.51%

LAB 49.69, 44.95, -24.79

 

CMYK 0 / 38 / 5 / 27

HEX #B972B0

RGB 185 114 176

HSL 307.61, 0.34%, 0.59%

LAB 57.54, 37.46, -21.3

 

CMYK 0 / 29 / 4 / 22

HEX #C78EC0

RGB 199 142 192

HSL 307.37, 0.34%, 0.67%

LAB 65.98, 29.72, -17.39

 

CMYK 0 / 20 / 3 / 16

HEX #D5AACF

RGB 213 170 207

HSL 308.37, 0.34%, 0.75%

LAB 74.45, 21.89, -12.79

 

CMYK 0 / 38 / 5 / 27

HEX #BA73B1

RGB 186 115 177

HSL 307.61, 0.34%, 0.59%

LAB 57.92, 37.42, -21.29

 

CMYK 0 / 26 / 38 / 27

HEX #B98972

RGB 185 137 114

HSL 19.44, 0.34%, 0.59%

LAB 61.15, 15.25, 19.5

 

CMYK 38 / 0 / 11 / 27

HEX #72B9A5

RGB 114 185 165

HSL 163.1, 0.34%, 0.59%

LAB 70.17, -26.95, 3.13

 

CMYK 0 / 38 / 5 / 27

HEX #BA73B1

RGB 186 115 177

HSL 307.61, 0.34%, 0.59%

LAB 57.92, 37.42, -21.29

 

CMYK 4 / 0 / 38 / 27

HEX #B1B972

RGB 177 185 114

HSL 66.76, 0.34%, 0.59%

LAB 73.06, -13.88, 35.1

 

CMYK 38 / 4 / 0 / 27

HEX #72B1B9

RGB 114 177 185

HSL 186.76, 0.34%, 0.59%

LAB 68.41, -18.1, -10.48

 

CMYK 0 / 38 / 5 / 27

HEX #BA73B1

RGB 186 115 177

HSL 307.61, 0.34%, 0.59%

LAB 57.92, 37.42, -21.29

 

CMYK 0 / 26 / 38 / 27

HEX #B98972

RGB 185 137 114

HSL 19.44, 0.34%, 0.59%

LAB 61.15, 15.25, 19.5

 

CMYK 38 / 0 / 34 / 27

HEX #72B97B

RGB 114 185 123

HSL 127.61, 0.34%, 0.59%

LAB 69.26, -35.35, 24.64

 

CMYK 38 / 12 / 0 / 27

HEX #72A3B9

RGB 114 163 185

HSL 198.59, 0.34%, 0.59%

LAB 64.38, -10.67, -16.53

 

CMYK 0 / 38 / 5 / 27

HEX #BA73B1

RGB 186 115 177

HSL 307.61, 0.34%, 0.59%

LAB 57.92, 37.42, -21.29

 

CMYK 0 / 15 / 38 / 27

HEX #B99E72

RGB 185 158 114

HSL 37.18, 0.34%, 0.59%

LAB 66.51, 3.67, 26.69

 

CMYK 38 / 0 / 34 / 27

HEX #72B97B

RGB 114 185 123

HSL 127.61, 0.34%, 0.59%

LAB 69.26, -35.35, 24.64

 

CMYK 38 / 23 / 0 / 27

HEX #728EB9

RGB 114 142 185

HSL 216.34, 0.34%, 0.59%

LAB 58.44, 1.07, -25.61

 

Description

Color code: CMYK 0 / 38 / 5 / 27 | qconv.com Color code: CMYK 0 / 38 / 5 / 27 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 115 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 115 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 5 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 5% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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