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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBCA90 it is the complementary color #14356F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBCA90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBCA90 shade: #F0CA8B, #FFDC9E, #FFEEB1, #FFFFC4 and #FFFFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBCA90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBCA90 shade: #EBCA90, #DAB87D, #C9A66A, #B89457 and #A78244

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBCA90 shade: #EAC98E, #EAB08E, #EA978E and #EA8E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBCA90 shade: #EAC98E, #EAE18E, #DAEA8E, #C1EA8E and #A8EA8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBCA90 shade matches the following richer shades: #EAC98E and #F5CC84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBCA90 shade: #EAC98E, #DFC699, #D4C3A4, #CAC0AF and #BFBDB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBCA90 shade: #EA988E, #EAB08E, #EAC88E, #EAE18E and #DBEA8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBCA90 shade: #DDA749, #E4B86C, #EAC98E, #F0D9B1 and #F7EAD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBCA90 shade: #EBCA90, #9EEA8E and #A48EEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBCA90 shade: #EBCA90, #8EEAC8 and #C88EEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBCA90 shade: #EBCA90, #9EEA8E, #8EB0EA and #DB8EEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBCA90 shade: #EBCA90, #8EEA9B, #8EB0EA and #EA8EDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 39 / 8

HEX #EBCA90

RGB 235 202 144

HSL 38.24, 0.69%, 0.74%

LAB 82.87, 3.75, 33.26

 

Complementary color

CMYK 82 / 52 / 0 / 56

HEX #14356F

RGB 20 53 111

HSL 218.24, 0.69%, 0.26%

LAB 23.14, 11.23, -37.04

 

CMYK 0 / 16 / 42 / 6

HEX #F0CA8B

RGB 240 202 139

HSL 37.43, 0.77%, 0.74%

LAB 83.25, 5.18, 36.42

 

CMYK 0 / 14 / 38 / 0

HEX #FFDC9E

RGB 255 220 158

HSL 38.35, 1%, 0.81%

LAB 89.35, 3.8, 34.95

 

CMYK 0 / 7 / 31 / 0

HEX #FFEEB1

RGB 255 238 177

HSL 46.92, 1%, 0.85%

LAB 94.13, -3.12, 31.66

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 0 / 14 / 39 / 8

HEX #EBCA90

RGB 235 202 144

HSL 38.24, 0.69%, 0.74%

LAB 82.87, 3.75, 33.26

 

CMYK 0 / 16 / 43 / 15

HEX #DAB87D

RGB 218 184 125

HSL 38.06, 0.56%, 0.67%

LAB 76.48, 4.36, 34.48

 

CMYK 0 / 17 / 47 / 21

HEX #C9A66A

RGB 201 166 106

HSL 37.89, 0.47%, 0.6%

LAB 69.99, 5.07, 35.77

 

CMYK 0 / 20 / 53 / 28

HEX #B89457

RGB 184 148 87

HSL 37.73, 0.41%, 0.53%

LAB 63.39, 5.91, 37.12

 

CMYK 0 / 22 / 59 / 35

HEX #A78244

RGB 167 130 68

HSL 37.58, 0.42%, 0.46%

LAB 56.68, 6.92, 38.51

 

CMYK 0 / 14 / 39 / 8

HEX #EAC98E

RGB 234 201 142

HSL 38.48, 0.69%, 0.74%

LAB 82.5, 3.65, 33.79

 

CMYK 0 / 25 / 39 / 8

HEX #EAB08E

RGB 234 176 142

HSL 22.17, 0.69%, 0.74%

LAB 76.37, 16.82, 25.64

 

CMYK 0 / 35 / 39 / 8

HEX #EA978E

RGB 234 151 142

HSL 5.87, 0.69%, 0.74%

LAB 70.58, 30.12, 17.72

 

CMYK 0 / 39 / 39 / 8

HEX #EA8E8E

RGB 234 142 142

HSL 0, 0.69%, 0.74%

LAB 68.6, 34.86, 14.97

 

CMYK 0 / 14 / 39 / 8

HEX #EAC98E

RGB 234 201 142

HSL 38.48, 0.69%, 0.74%

LAB 82.5, 3.65, 33.79

 

CMYK 0 / 4 / 39 / 8

HEX #EAE18E

RGB 234 225 142

HSL 54.13, 0.69%, 0.74%

LAB 88.59, -8.63, 41.68

 

CMYK 7 / 0 / 39 / 8

HEX #DAEA8E

RGB 218 234 142

HSL 70.43, 0.69%, 0.74%

LAB 89.72, -19.24, 42.88

 

CMYK 18 / 0 / 39 / 8

HEX #C1EA8E

RGB 193 234 142

HSL 86.74, 0.69%, 0.74%

LAB 88.03, -28.51, 40.37

 

CMYK 28 / 0 / 39 / 8

HEX #A8EA8E

RGB 168 234 142

HSL 103.04, 0.69%, 0.74%

LAB 86.57, -37.25, 38.19

 

CMYK 0 / 14 / 39 / 8

HEX #EAC98E

RGB 234 201 142

HSL 38.48, 0.69%, 0.74%

LAB 82.5, 3.65, 33.79

 

CMYK 0 / 17 / 46 / 4

HEX #F5CC84

RGB 245 204 132

HSL 38.23, 0.85%, 0.74%

LAB 84.1, 5.42, 41.17

 

CMYK 0 / 14 / 39 / 8

HEX #EAC98E

RGB 234 201 142

HSL 38.48, 0.69%, 0.74%

LAB 82.5, 3.65, 33.79

 

CMYK 0 / 11 / 31 / 13

HEX #DFC699

RGB 223 198 153

HSL 38.57, 0.52%, 0.74%

LAB 80.95, 2.22, 25.81

 

CMYK 0 / 8 / 23 / 17

HEX #D4C3A4

RGB 212 195 164

HSL 38.75, 0.36%, 0.74%

LAB 79.45, 1.08, 17.76

 

CMYK 0 / 5 / 13 / 21

HEX #CAC0AF

RGB 202 192 175

HSL 37.78, 0.2%, 0.74%

LAB 78.08, 0.63, 9.82

 

CMYK 0 / 1 / 3 / 25

HEX #BFBDB9

RGB 191 189 185

HSL 40, 0.04%, 0.74%

LAB 76.66, -0.03, 2.26

 

CMYK 0 / 35 / 39 / 8

HEX #EA988E

RGB 234 152 142

HSL 6.52, 0.69%, 0.74%

LAB 70.8, 29.59, 18.03

 

CMYK 0 / 25 / 39 / 8

HEX #EAB08E

RGB 234 176 142

HSL 22.17, 0.69%, 0.74%

LAB 76.37, 16.82, 25.64

 

CMYK 0 / 15 / 39 / 8

HEX #EAC88E

RGB 234 200 142

HSL 37.83, 0.69%, 0.74%

LAB 82.25, 4.17, 33.46

 

CMYK 0 / 4 / 39 / 8

HEX #EAE18E

RGB 234 225 142

HSL 54.13, 0.69%, 0.74%

LAB 88.59, -8.63, 41.68

 

CMYK 6 / 0 / 39 / 8

HEX #DBEA8E

RGB 219 234 142

HSL 69.78, 0.69%, 0.74%

LAB 89.79, -18.86, 42.98

 

CMYK 0 / 24 / 67 / 13

HEX #DDA749

RGB 221 167 73

HSL 38.11, 0.69%, 0.58%

LAB 71.89, 10.41, 54.76

 

CMYK 0 / 19 / 53 / 11

HEX #E4B86C

RGB 228 184 108

HSL 38, 0.69%, 0.66%

LAB 77.2, 6.82, 44.28

 

CMYK 0 / 14 / 39 / 8

HEX #EAC98E

RGB 234 201 142

HSL 38.48, 0.69%, 0.74%

LAB 82.5, 3.65, 33.79

 

CMYK 0 / 10 / 26 / 6

HEX #F0D9B1

RGB 240 217 177

HSL 38.1, 0.68%, 0.82%

LAB 87.64, 1.95, 22.62

 

CMYK 0 / 5 / 14 / 3

HEX #F7EAD4

RGB 247 234 212

HSL 37.71, 0.69%, 0.9%

LAB 93.18, 0.83, 12.25

 

CMYK 0 / 14 / 39 / 8

HEX #EBCA90

RGB 235 202 144

HSL 38.24, 0.69%, 0.74%

LAB 82.87, 3.75, 33.26

 

CMYK 32 / 0 / 39 / 8

HEX #9EEA8E

RGB 158 234 142

HSL 109.57, 0.69%, 0.74%

LAB 86.04, -40.54, 37.41

 

CMYK 30 / 39 / 0 / 8

HEX #A48EEA

RGB 164 142 234

HSL 254.35, 0.69%, 0.74%

LAB 64.31, 28.03, -43.61

 

CMYK 0 / 14 / 39 / 8

HEX #EBCA90

RGB 235 202 144

HSL 38.24, 0.69%, 0.74%

LAB 82.87, 3.75, 33.26

 

CMYK 39 / 0 / 15 / 8

HEX #8EEAC8

RGB 142 234 200

HSL 157.83, 0.69%, 0.74%

LAB 86.39, -35.02, 7.93

 

CMYK 15 / 39 / 0 / 8

HEX #C88EEA

RGB 200 142 234

HSL 277.83, 0.69%, 0.74%

LAB 67.7, 38.35, -38.05

 

CMYK 0 / 14 / 39 / 8

HEX #EBCA90

RGB 235 202 144

HSL 38.24, 0.69%, 0.74%

LAB 82.87, 3.75, 33.26

 

CMYK 32 / 0 / 39 / 8

HEX #9EEA8E

RGB 158 234 142

HSL 109.57, 0.69%, 0.74%

LAB 86.04, -40.54, 37.41

 

CMYK 39 / 25 / 0 / 8

HEX #8EB0EA

RGB 142 176 234

HSL 217.83, 0.69%, 0.74%

LAB 71.38, 2.78, -32.7

 

CMYK 6 / 39 / 0 / 8

HEX #DB8EEA

RGB 219 142 234

HSL 290.22, 0.69%, 0.74%

LAB 69.72, 43.98, -34.76

 

CMYK 0 / 14 / 39 / 8

HEX #EBCA90

RGB 235 202 144

HSL 38.24, 0.69%, 0.74%

LAB 82.87, 3.75, 33.26

 

CMYK 39 / 0 / 34 / 8

HEX #8EEA9B

RGB 142 234 155

HSL 128.48, 0.69%, 0.74%

LAB 85.49, -43.47, 29.98

 

CMYK 39 / 25 / 0 / 8

HEX #8EB0EA

RGB 142 176 234

HSL 217.83, 0.69%, 0.74%

LAB 71.38, 2.78, -32.7

 

CMYK 0 / 39 / 5 / 8

HEX #EA8EDE

RGB 234 142 222

HSL 307.83, 0.69%, 0.74%

LAB 70.95, 46.35, -26.12

 

Description

Color code: HEX #EBCA90 | qconv.com Color code: HEX #EBCA90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 202 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 202 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 39 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 39% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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