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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C88EEA it is the complementary color #377115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C88EEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C88EEA shade: #CD8EE5, #DEA0F8, #EFB2FF, #FFC4FF and #FFD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C88EEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C88EEA shade: #C88EEA, #B77CD7, #A66AC4, #9558B1 and #84469E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C88EEA shade: #C88EEA, #E18EEA, #EA8EDA, #EA8EC2 and #EA8EA9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C88EEA shade: #C88EEA, #AF8EEA, #978EEA and #8E8EEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C88EEA shade matches the following richer shades: #C88EEA and #CB84F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C88EEA shade: #C88EEA, #C599DF, #C3A4D4, #C0AFCA and #BDB9BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C88EEA shade: #968EEA, #AE8EEA, #C78EEA, #DF8EEA and #EA8EDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C88EEA shade: #A649DD, #B76CE4, #C88EEA, #D9B1F0 and #EAD4F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C88EEA shade: #C88EEA, #EA8E9F and #8EEAA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C88EEA shade: #C88EEA, #EAC78E and #8EEAC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C88EEA shade: #C88EEA, #EA8E9F, #B2EA8E and #8EEAD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C88EEA shade: #C88EEA, #EA998E, #B2EA8E and #8EDFEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 39 / 0 / 8

HEX #C88EEA

RGB 200 142 234

HSL 277.83, 0.69%, 0.74%

LAB 67.7, 38.35, -38.05

 

Complementary color

CMYK 51 / 0 / 81 / 56

HEX #377115

RGB 55 113 21

HSL 97.83, 0.69%, 0.26%

LAB 42.27, -35.61, 41.75

 

CMYK 10 / 38 / 0 / 10

HEX #CD8EE5

RGB 205 142 229

HSL 283.45, 0.63%, 0.73%

LAB 68.01, 38.8, -34.78

 

CMYK 10 / 35 / 0 / 3

HEX #DEA0F8

RGB 222 160 248

HSL 282.27, 0.86%, 0.8%

LAB 74.48, 38.07, -35

 

CMYK 6 / 30 / 0 / 0

HEX #EFB2FF

RGB 239 178 255

HSL 287.53, 1%, 0.85%

LAB 80.41, 35.04, -29.48

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 15 / 39 / 0 / 8

HEX #C88EEA

RGB 200 142 234

HSL 277.83, 0.69%, 0.74%

LAB 67.7, 38.35, -38.05

 

CMYK 15 / 42 / 0 / 16

HEX #B77CD7

RGB 183 124 215

HSL 278.9, 0.53%, 0.66%

LAB 61.12, 39.12, -37.9

 

CMYK 15 / 46 / 0 / 23

HEX #A66AC4

RGB 166 106 196

HSL 280, 0.43%, 0.59%

LAB 54.45, 39.93, -37.74

 

CMYK 16 / 50 / 0 / 31

HEX #9558B1

RGB 149 88 177

HSL 281.12, 0.36%, 0.52%

LAB 47.68, 40.76, -37.55

 

CMYK 16 / 56 / 0 / 38

HEX #84469E

RGB 132 70 158

HSL 282.27, 0.39%, 0.45%

LAB 40.82, 41.55, -37.28

 

CMYK 15 / 39 / 0 / 8

HEX #C88EEA

RGB 200 142 234

HSL 277.83, 0.69%, 0.74%

LAB 67.7, 38.35, -38.05

 

CMYK 4 / 39 / 0 / 8

HEX #E18EEA

RGB 225 142 234

HSL 294.13, 0.69%, 0.74%

LAB 70.38, 45.77, -33.68

 

CMYK 0 / 39 / 7 / 8

HEX #EA8EDA

RGB 234 142 218

HSL 310.43, 0.69%, 0.74%

LAB 70.8, 45.67, -24.14

 

CMYK 0 / 39 / 17 / 8

HEX #EA8EC2

RGB 234 142 194

HSL 326.09, 0.69%, 0.74%

LAB 69.99, 41.79, -12.07

 

CMYK 0 / 39 / 28 / 8

HEX #EA8EA9

RGB 234 142 169

HSL 342.39, 0.69%, 0.74%

LAB 69.26, 38.19, 0.8

 

CMYK 15 / 39 / 0 / 8

HEX #C88EEA

RGB 200 142 234

HSL 277.83, 0.69%, 0.74%

LAB 67.7, 38.35, -38.05

 

CMYK 25 / 39 / 0 / 8

HEX #AF8EEA

RGB 175 142 234

HSL 261.52, 0.69%, 0.74%

LAB 65.28, 31.11, -42.02

 

CMYK 35 / 39 / 0 / 8

HEX #978EEA

RGB 151 142 234

HSL 245.87, 0.69%, 0.74%

LAB 63.23, 24.51, -45.38

 

CMYK 39 / 39 / 0 / 8

HEX #8E8EEA

RGB 142 142 234

HSL 240, 0.69%, 0.74%

LAB 62.54, 22.16, -46.51

 

CMYK 15 / 39 / 0 / 8

HEX #C88EEA

RGB 200 142 234

HSL 277.83, 0.69%, 0.74%

LAB 67.7, 38.35, -38.05

 

CMYK 17 / 46 / 0 / 4

HEX #CB84F5

RGB 203 132 245

HSL 277.7, 0.85%, 0.74%

LAB 66.36, 46.9, -46.18

 

CMYK 15 / 39 / 0 / 8

HEX #C88EEA

RGB 200 142 234

HSL 277.83, 0.69%, 0.74%

LAB 67.7, 38.35, -38.05

 

CMYK 12 / 31 / 0 / 13

HEX #C599DF

RGB 197 153 223

HSL 277.71, 0.52%, 0.74%

LAB 69.46, 29.1, -29.3

 

CMYK 8 / 23 / 0 / 17

HEX #C3A4D4

RGB 195 164 212

HSL 278.75, 0.36%, 0.74%

LAB 71.49, 20.12, -20.15

 

CMYK 5 / 13 / 0 / 21

HEX #C0AFCA

RGB 192 175 202

HSL 277.78, 0.2%, 0.74%

LAB 73.63, 11.08, -11.47

 

CMYK 1 / 3 / 0 / 25

HEX #BDB9BF

RGB 189 185 191

HSL 280, 0.04%, 0.74%

LAB 75.62, 2.52, -2.54

 

CMYK 36 / 39 / 0 / 8

HEX #968EEA

RGB 150 142 234

HSL 245.22, 0.69%, 0.74%

LAB 63.15, 24.24, -45.51

 

CMYK 26 / 39 / 0 / 8

HEX #AE8EEA

RGB 174 142 234

HSL 260.87, 0.69%, 0.74%

LAB 65.19, 30.83, -42.16

 

CMYK 15 / 39 / 0 / 8

HEX #C78EEA

RGB 199 142 234

HSL 277.17, 0.69%, 0.74%

LAB 67.6, 38.05, -38.22

 

CMYK 5 / 39 / 0 / 8

HEX #DF8EEA

RGB 223 142 234

HSL 292.83, 0.69%, 0.74%

LAB 70.16, 45.17, -34.04

 

CMYK 0 / 39 / 6 / 8

HEX #EA8EDC

RGB 234 142 220

HSL 309.13, 0.69%, 0.74%

LAB 70.87, 46.01, -25.13

 

CMYK 25 / 67 / 0 / 13

HEX #A649DD

RGB 166 73 221

HSL 277.7, 0.69%, 0.58%

LAB 49.61, 61.97, -59.71

 

CMYK 20 / 53 / 0 / 11

HEX #B76CE4

RGB 183 108 228

HSL 277.5, 0.69%, 0.66%

LAB 58.41, 50.48, -49.46

 

CMYK 15 / 39 / 0 / 8

HEX #C88EEA

RGB 200 142 234

HSL 277.83, 0.69%, 0.74%

LAB 67.7, 38.35, -38.05

 

CMYK 10 / 26 / 0 / 6

HEX #D9B1F0

RGB 217 177 240

HSL 278.1, 0.68%, 0.82%

LAB 77.57, 25.75, -25.95

 

CMYK 5 / 14 / 0 / 3

HEX #EAD4F7

RGB 234 212 247

HSL 277.71, 0.69%, 0.9%

LAB 87.63, 13.85, -14.33

 

CMYK 15 / 39 / 0 / 8

HEX #C88EEA

RGB 200 142 234

HSL 277.83, 0.69%, 0.74%

LAB 67.7, 38.35, -38.05

 

CMYK 0 / 39 / 32 / 8

HEX #EA8E9F

RGB 234 142 159

HSL 348.91, 0.69%, 0.74%

LAB 69, 36.89, 6.03

 

CMYK 39 / 0 / 31 / 8

HEX #8EEAA2

RGB 142 234 162

HSL 133.04, 0.69%, 0.74%

LAB 85.61, -42.3, 26.57

 

CMYK 15 / 39 / 0 / 8

HEX #C88EEA

RGB 200 142 234

HSL 277.83, 0.69%, 0.74%

LAB 67.7, 38.35, -38.05

 

CMYK 0 / 15 / 39 / 8

HEX #EAC78E

RGB 234 199 142

HSL 37.17, 0.69%, 0.74%

LAB 82, 4.69, 33.13

 

CMYK 39 / 0 / 15 / 8

HEX #8EEAC7

RGB 142 234 199

HSL 157.17, 0.69%, 0.74%

LAB 86.37, -35.23, 8.42

 

CMYK 15 / 39 / 0 / 8

HEX #C88EEA

RGB 200 142 234

HSL 277.83, 0.69%, 0.74%

LAB 67.7, 38.35, -38.05

 

CMYK 0 / 39 / 32 / 8

HEX #EA8E9F

RGB 234 142 159

HSL 348.91, 0.69%, 0.74%

LAB 69, 36.89, 6.03

 

CMYK 24 / 0 / 39 / 8

HEX #B2EA8E

RGB 178 234 142

HSL 96.52, 0.69%, 0.74%

LAB 87.13, -33.83, 39.03

 

CMYK 39 / 0 / 7 / 8

HEX #8EEAD9

RGB 142 234 217

HSL 168.91, 0.69%, 0.74%

LAB 86.8, -31.31, -0.38

 

CMYK 15 / 39 / 0 / 8

HEX #C88EEA

RGB 200 142 234

HSL 277.83, 0.69%, 0.74%

LAB 67.7, 38.35, -38.05

 

CMYK 0 / 35 / 39 / 8

HEX #EA998E

RGB 234 153 142

HSL 7.17, 0.69%, 0.74%

LAB 71.03, 29.06, 18.34

 

CMYK 24 / 0 / 39 / 8

HEX #B2EA8E

RGB 178 234 142

HSL 96.52, 0.69%, 0.74%

LAB 87.13, -33.83, 39.03

 

CMYK 39 / 5 / 0 / 8

HEX #8EDFEA

RGB 142 223 234

HSL 187.17, 0.69%, 0.74%

LAB 84.21, -21.96, -13.19

 

Description

Color code: HEX #C88EEA | qconv.com Color code: HEX #C88EEA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 142 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 142 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 39 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 39% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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