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Color name
HEX #EAC580

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAC580 it is the complementary color #153A7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAC580. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAC580 shade: #EFC57B, #FFD78E, #FFE9A1, #FFFBB4 and #FFFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAC580. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAC580 shade: #EAC580, #D9B36D, #C8A15A, #B78F47 and #A67D34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAC580 shade: #EAC57F, #EAA87F, #EA8B7F and #EA7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAC580 shade: #EAC57F, #EAE17F, #D6EA7F, #B9EA7F and #9CEA7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAC580 shade matches the following richer shades: #EAC57F and #F6C873

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAC580 shade: #EAC57F, #DEC18B, #D2BD97, #C6BAA3 and #BAB6AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAC580 shade: #EA8C7F, #EAA87F, #EAC57F, #EAE17F and #D6EA7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAC580 shade: #DEA438, #E4B45C, #EAC57F, #F0D5A3 and #F5E5C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAC580 shade: #EAC580, #8FEA7F and #9A7FEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAC580 shade: #EAC580, #7FEAC5 and #C57FEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAC580 shade: #EAC580, #8FEA7F, #7FA5EA and #DA7FEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAC580 shade: #EAC580, #7FEA8F, #7FA5EA and #EA7FDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 45 / 8

HEX #EAC580

RGB 234 197 128

HSL 39.06, 0.72%, 0.71%

LAB 81.28, 4.28, 39.4

 

Complementary color

CMYK 83 / 54 / 0 / 50

HEX #153A7F

RGB 21 58 127

HSL 219.06, 0.72%, 0.29%

LAB 25.92, 14.5, -42.72

 

CMYK 0 / 18 / 49 / 6

HEX #EFC57B

RGB 239 197 123

HSL 38.28, 0.78%, 0.71%

LAB 81.68, 5.81, 42.54

 

CMYK 0 / 16 / 44 / 0

HEX #FFD78E

RGB 255 215 142

HSL 38.76, 1%, 0.78%

LAB 87.88, 4.69, 41.14

 

CMYK 0 / 9 / 37 / 0

HEX #FFE9A1

RGB 255 233 161

HSL 45.96, 1%, 0.82%

LAB 92.62, -2.48, 37.74

 

CMYK 0 / 2 / 29 / 0

HEX #FFFBB4

RGB 255 251 180

HSL 56.8, 1%, 0.85%

LAB 97.45, -9.23, 34.59

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 16 / 45 / 8

HEX #EAC580

RGB 234 197 128

HSL 39.06, 0.72%, 0.71%

LAB 81.28, 4.28, 39.4

 

CMYK 0 / 18 / 50 / 15

HEX #D9B36D

RGB 217 179 109

HSL 38.89, 0.59%, 0.64%

LAB 74.89, 5.03, 40.69

 

CMYK 0 / 20 / 55 / 22

HEX #C8A15A

RGB 200 161 90

HSL 38.73, 0.5%, 0.57%

LAB 68.39, 5.9, 42.03

 

CMYK 0 / 22 / 61 / 28

HEX #B78F47

RGB 183 143 71

HSL 38.57, 0.44%, 0.5%

LAB 61.8, 6.93, 43.37

 

CMYK 0 / 25 / 69 / 35

HEX #A67D34

RGB 166 125 52

HSL 38.42, 0.52%, 0.43%

LAB 55.1, 8.17, 44.64

 

CMYK 0 / 16 / 46 / 8

HEX #EAC57F

RGB 234 197 127

HSL 39.25, 0.72%, 0.71%

LAB 81.27, 4.18, 39.89

 

CMYK 0 / 28 / 46 / 8

HEX #EAA87F

RGB 234 168 127

HSL 22.99, 0.72%, 0.71%

LAB 74.21, 19.49, 30.78

 

CMYK 0 / 41 / 46 / 8

HEX #EA8B7F

RGB 234 139 127

HSL 6.73, 0.72%, 0.71%

LAB 67.64, 34.84, 22.01

 

CMYK 0 / 46 / 46 / 8

HEX #EA7F7F

RGB 234 127 127

HSL 0, 0.72%, 0.71%

LAB 65.12, 41.04, 18.57

 

CMYK 0 / 16 / 46 / 8

HEX #EAC57F

RGB 234 197 127

HSL 39.25, 0.72%, 0.71%

LAB 81.27, 4.18, 39.89

 

CMYK 0 / 4 / 46 / 8

HEX #EAE17F

RGB 234 225 127

HSL 54.95, 0.72%, 0.71%

LAB 88.39, -10.14, 48.78

 

CMYK 9 / 0 / 46 / 8

HEX #D6EA7F

RGB 214 234 127

HSL 71.21, 0.72%, 0.71%

LAB 89.24, -22.37, 49.48

 

CMYK 21 / 0 / 46 / 8

HEX #B9EA7F

RGB 185 234 127

HSL 87.48, 0.72%, 0.71%

LAB 87.34, -33.19, 46.71

 

CMYK 33 / 0 / 46 / 8

HEX #9CEA7F

RGB 156 234 127

HSL 103.74, 0.72%, 0.71%

LAB 85.73, -43.2, 44.36

 

CMYK 0 / 16 / 46 / 8

HEX #EAC57F

RGB 234 197 127

HSL 39.25, 0.72%, 0.71%

LAB 81.27, 4.18, 39.89

 

CMYK 0 / 19 / 53 / 4

HEX #F6C873

RGB 246 200 115

HSL 38.93, 0.88%, 0.71%

LAB 82.99, 6.39, 48.27

 

CMYK 0 / 16 / 46 / 8

HEX #EAC57F

RGB 234 197 127

HSL 39.25, 0.72%, 0.71%

LAB 81.27, 4.18, 39.89

 

CMYK 0 / 13 / 37 / 13

HEX #DEC18B

RGB 222 193 139

HSL 39.04, 0.56%, 0.71%

LAB 79.35, 2.76, 31

 

CMYK 0 / 10 / 28 / 18

HEX #D2BD97

RGB 210 189 151

HSL 38.64, 0.4%, 0.71%

LAB 77.48, 1.67, 21.95

 

CMYK 0 / 6 / 18 / 22

HEX #C6BAA3

RGB 198 186 163

HSL 39.43, 0.23%, 0.71%

LAB 75.93, 0.43, 13.19

 

CMYK 0 / 2 / 6 / 27

HEX #BAB6AF

RGB 186 182 175

HSL 38.18, 0.07%, 0.71%

LAB 74.18, 0.15, 4.05

 

CMYK 0 / 40 / 46 / 8

HEX #EA8C7F

RGB 234 140 127

HSL 7.29, 0.72%, 0.71%

LAB 67.86, 34.32, 22.3

 

CMYK 0 / 28 / 46 / 8

HEX #EAA87F

RGB 234 168 127

HSL 22.99, 0.72%, 0.71%

LAB 74.21, 19.49, 30.78

 

CMYK 0 / 16 / 46 / 8

HEX #EAC57F

RGB 234 197 127

HSL 39.25, 0.72%, 0.71%

LAB 81.27, 4.18, 39.89

 

CMYK 0 / 4 / 46 / 8

HEX #EAE17F

RGB 234 225 127

HSL 54.95, 0.72%, 0.71%

LAB 88.39, -10.14, 48.78

 

CMYK 9 / 0 / 46 / 8

HEX #D6EA7F

RGB 214 234 127

HSL 71.21, 0.72%, 0.71%

LAB 89.24, -22.37, 49.48

 

CMYK 0 / 26 / 75 / 13

HEX #DEA438

RGB 222 164 56

HSL 39.04, 0.72%, 0.55%

LAB 71.12, 11.59, 61.21

 

CMYK 0 / 21 / 60 / 11

HEX #E4B45C

RGB 228 180 92

HSL 38.82, 0.72%, 0.63%

LAB 76.01, 7.68, 50.72

 

CMYK 0 / 16 / 46 / 8

HEX #EAC57F

RGB 234 197 127

HSL 39.25, 0.72%, 0.71%

LAB 81.27, 4.18, 39.89

 

CMYK 0 / 11 / 32 / 6

HEX #F0D5A3

RGB 240 213 163

HSL 38.96, 0.72%, 0.79%

LAB 86.38, 2.21, 28.19

 

CMYK 0 / 7 / 19 / 4

HEX #F5E5C6

RGB 245 229 198

HSL 39.57, 0.7%, 0.87%

LAB 91.47, 0.57, 17.09

 

CMYK 0 / 16 / 45 / 8

HEX #EAC580

RGB 234 197 128

HSL 39.06, 0.72%, 0.71%

LAB 81.28, 4.28, 39.4

 

CMYK 39 / 0 / 46 / 8

HEX #8FEA7F

RGB 143 234 127

HSL 111.03, 0.72%, 0.71%

LAB 85.11, -47.32, 43.45

 

CMYK 34 / 46 / 0 / 8

HEX #9A7FEA

RGB 154 127 234

HSL 255.14, 0.72%, 0.71%

LAB 59.88, 33.92, -50.66

 

CMYK 0 / 16 / 45 / 8

HEX #EAC580

RGB 234 197 128

HSL 39.06, 0.72%, 0.71%

LAB 81.28, 4.28, 39.4

 

CMYK 46 / 0 / 16 / 8

HEX #7FEAC5

RGB 127 234 197

HSL 159.25, 0.72%, 0.71%

LAB 85.7, -39.49, 8.43

 

CMYK 16 / 46 / 0 / 8

HEX #C57FEA

RGB 197 127 234

HSL 279.25, 0.72%, 0.71%

LAB 64.15, 45.56, -43.63

 

CMYK 0 / 16 / 45 / 8

HEX #EAC580

RGB 234 197 128

HSL 39.06, 0.72%, 0.71%

LAB 81.28, 4.28, 39.4

 

CMYK 39 / 0 / 46 / 8

HEX #8FEA7F

RGB 143 234 127

HSL 111.03, 0.72%, 0.71%

LAB 85.11, -47.32, 43.45

 

CMYK 46 / 29 / 0 / 8

HEX #7FA5EA

RGB 127 165 234

HSL 218.69, 0.72%, 0.71%

LAB 67.55, 5.15, -38.72

 

CMYK 7 / 46 / 0 / 8

HEX #DA7FEA

RGB 218 127 234

HSL 291.03, 0.72%, 0.71%

LAB 66.54, 51.47, -39.72

 

CMYK 0 / 16 / 45 / 8

HEX #EAC580

RGB 234 197 128

HSL 39.06, 0.72%, 0.71%

LAB 81.28, 4.28, 39.4

 

CMYK 46 / 0 / 39 / 8

HEX #7FEA8F

RGB 127 234 143

HSL 128.97, 0.72%, 0.71%

LAB 84.66, -49.64, 34.84

 

CMYK 46 / 29 / 0 / 8

HEX #7FA5EA

RGB 127 165 234

HSL 218.69, 0.72%, 0.71%

LAB 67.55, 5.15, -38.72

 

CMYK 0 / 46 / 7 / 8

HEX #EA7FDA

RGB 234 127 218

HSL 308.97, 0.72%, 0.71%

LAB 67.82, 53.26, -28.71

 

Description

Color code: HEX #EAC580 | qconv.com Color code: HEX #EAC580 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 197 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 197 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 45 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 45% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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