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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #153A7F it is the complementary color #EAC580. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #153A7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #153A7F shade: #1A3A7A, #2B4C8D, #3C5EA0, #4D70B3 and #5E82C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #153A7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #153A7F shade: #153A7F, #04286C, #001659, #000446 and #000033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #153A7F shade: #14397F, #141D7F, #28147F, #45147F and #62147F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #153A7F shade: #14397F, #141D7F and #14147F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #153A7F shade matches the following richer shades: #14397F and #08368B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #153A7F shade: #14397F, #203D73, #2C4167, #38445B and #44484F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #153A7F shade: #14727F, #14567F, #14397F, #141D7F and #28147F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #153A7F shade: #091938, #0E295B, #14397F, #1A4AA2 and #205AC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #153A7F shade: #153A7F, #6F147F and #647F14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #153A7F shade: #153A7F, #7F1439 and #397F14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #153A7F shade: #153A7F, #6F147F, #7F5914 and #247F14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #153A7F shade: #153A7F, #7F146F, #7F5914 and #147F24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 54 / 0 / 50

HEX #153A7F

RGB 21 58 127

HSL 219.06, 0.72%, 0.29%

LAB 25.92, 14.5, -42.72

 

Complementary color

CMYK 0 / 16 / 45 / 8

HEX #EAC580

RGB 234 197 128

HSL 39.06, 0.72%, 0.71%

LAB 81.28, 4.28, 39.4

 

CMYK 79 / 52 / 0 / 52

HEX #1A3A7A

RGB 26 58 122

HSL 220, 0.65%, 0.29%

LAB 25.72, 13.02, -39.88

 

CMYK 70 / 46 / 0 / 45

HEX #2B4C8D

RGB 43 76 141

HSL 219.8, 0.53%, 0.36%

LAB 33.15, 10.77, -39.7

 

CMYK 63 / 41 / 0 / 37

HEX #3C5EA0

RGB 60 94 160

HSL 219.6, 0.45%, 0.43%

LAB 40.42, 9.12, -39.52

 

CMYK 57 / 37 / 0 / 30

HEX #4D70B3

RGB 77 112 179

HSL 219.41, 0.4%, 0.5%

LAB 47.52, 7.86, -39.37

 

CMYK 53 / 34 / 0 / 22

HEX #5E82C6

RGB 94 130 198

HSL 219.23, 0.48%, 0.57%

LAB 54.47, 6.88, -39.26

 

CMYK 83 / 54 / 0 / 50

HEX #153A7F

RGB 21 58 127

HSL 219.06, 0.72%, 0.29%

LAB 25.92, 14.5, -42.72

 

CMYK 96 / 63 / 0 / 58

HEX #04286C

RGB 4 40 108

HSL 219.23, 0.93%, 0.22%

LAB 18.48, 17.97, -42.71

 

CMYK 100 / 75 / 0 / 65

HEX #001659

RGB 0 22 89

HSL 225.17, 1%, 0.17%

LAB 11.24, 22.66, -42.02

 

CMYK 100 / 94 / 0 / 73

HEX #000446

RGB 0 4 70

HSL 236.57, 1%, 0.14%

LAB 4.78, 25.19, -39.58

 

CMYK 100 / 100 / 0 / 80

HEX #000033

RGB 0 0 51

HSL 240, 1%, 0.1%

LAB 2.16, 15.17, -30.07

 

CMYK 84 / 55 / 0 / 50

HEX #14397F

RGB 20 57 127

HSL 219.25, 0.73%, 0.29%

LAB 25.59, 15.11, -43.25

 

CMYK 84 / 77 / 0 / 50

HEX #141D7F

RGB 20 29 127

HSL 234.95, 0.73%, 0.29%

LAB 18.19, 34.31, -55.37

 

CMYK 69 / 84 / 0 / 50

HEX #28147F

RGB 40 20 127

HSL 251.21, 0.73%, 0.29%

LAB 17.84, 40.91, -55.9

 

CMYK 46 / 84 / 0 / 50

HEX #45147F

RGB 69 20 127

HSL 267.48, 0.73%, 0.29%

LAB 21.2, 44.5, -50.25

 

CMYK 23 / 84 / 0 / 50

HEX #62147F

RGB 98 20 127

HSL 283.74, 0.73%, 0.29%

LAB 25.65, 49.36, -42.8

 

CMYK 84 / 55 / 0 / 50

HEX #14397F

RGB 20 57 127

HSL 219.25, 0.73%, 0.29%

LAB 25.59, 15.11, -43.25

 

CMYK 84 / 77 / 0 / 50

HEX #141D7F

RGB 20 29 127

HSL 234.95, 0.73%, 0.29%

LAB 18.19, 34.31, -55.37

 

CMYK 84 / 84 / 0 / 50

HEX #14147F

RGB 20 20 127

HSL 240, 0.73%, 0.29%

LAB 16.41, 39.41, -58.32

 

CMYK 84 / 55 / 0 / 50

HEX #14397F

RGB 20 57 127

HSL 219.25, 0.73%, 0.29%

LAB 25.59, 15.11, -43.25

 

CMYK 94 / 61 / 0 / 45

HEX #08368B

RGB 8 54 139

HSL 218.93, 0.89%, 0.29%

LAB 25.42, 21.41, -51.02

 

CMYK 84 / 55 / 0 / 50

HEX #14397F

RGB 20 57 127

HSL 219.25, 0.73%, 0.29%

LAB 25.59, 15.11, -43.25

 

CMYK 72 / 47 / 0 / 55

HEX #203D73

RGB 32 61 115

HSL 219.04, 0.56%, 0.29%

LAB 26.4, 8.98, -34.34

 

CMYK 57 / 37 / 0 / 60

HEX #2C4167

RGB 44 65 103

HSL 218.64, 0.4%, 0.29%

LAB 27.56, 4.19, -24.8

 

CMYK 38 / 25 / 0 / 64

HEX #38445B

RGB 56 68 91

HSL 219.43, 0.24%, 0.29%

LAB 28.72, 1.64, -15.21

 

CMYK 14 / 9 / 0 / 69

HEX #44484F

RGB 68 72 79

HSL 218.18, 0.07%, 0.29%

LAB 30.47, 0.03, -4.74

 

CMYK 84 / 10 / 0 / 50

HEX #14727F

RGB 20 114 127

HSL 187.29, 0.73%, 0.29%

LAB 43.82, -20.74, -14.56

 

CMYK 84 / 32 / 0 / 50

HEX #14567F

RGB 20 86 127

HSL 202.99, 0.73%, 0.29%

LAB 34.67, -4.47, -28.72

 

CMYK 84 / 55 / 0 / 50

HEX #14397F

RGB 20 57 127

HSL 219.25, 0.73%, 0.29%

LAB 25.59, 15.11, -43.25

 

CMYK 84 / 77 / 0 / 50

HEX #141D7F

RGB 20 29 127

HSL 234.95, 0.73%, 0.29%

LAB 18.19, 34.31, -55.37

 

CMYK 69 / 84 / 0 / 50

HEX #28147F

RGB 40 20 127

HSL 251.21, 0.73%, 0.29%

LAB 17.84, 40.91, -55.9

 

CMYK 84 / 55 / 0 / 78

HEX #091938

RGB 9 25 56

HSL 219.57, 0.72%, 0.13%

LAB 9.31, 6.48, -22.17

 

CMYK 85 / 55 / 0 / 64

HEX #0E295B

RGB 14 41 91

HSL 218.96, 0.73%, 0.21%

LAB 17.62, 10.65, -32.92

 

CMYK 84 / 55 / 0 / 50

HEX #14397F

RGB 20 57 127

HSL 219.25, 0.73%, 0.29%

LAB 25.59, 15.11, -43.25

 

CMYK 84 / 54 / 0 / 36

HEX #1A4AA2

RGB 26 74 162

HSL 218.82, 0.72%, 0.37%

LAB 33.41, 18.24, -52.05

 

CMYK 84 / 55 / 0 / 22

HEX #205AC6

RGB 32 90 198

HSL 219.04, 0.72%, 0.45%

LAB 40.73, 22.3, -61.4

 

CMYK 83 / 54 / 0 / 50

HEX #153A7F

RGB 21 58 127

HSL 219.06, 0.72%, 0.29%

LAB 25.92, 14.5, -42.72

 

CMYK 13 / 84 / 0 / 50

HEX #6F147F

RGB 111 20 127

HSL 291.03, 0.73%, 0.29%

LAB 27.88, 51.82, -39.09

 

CMYK 21 / 0 / 84 / 50

HEX #647F14

RGB 100 127 20

HSL 75.14, 0.73%, 0.29%

LAB 49.42, -24.56, 49.57

 

CMYK 83 / 54 / 0 / 50

HEX #153A7F

RGB 21 58 127

HSL 219.06, 0.72%, 0.29%

LAB 25.92, 14.5, -42.72

 

CMYK 0 / 84 / 55 / 50

HEX #7F1439

RGB 127 20 57

HSL 339.25, 0.73%, 0.29%

LAB 27.59, 46.08, 6.62

 

CMYK 55 / 0 / 84 / 50

HEX #397F14

RGB 57 127 20

HSL 99.25, 0.73%, 0.29%

LAB 47.1, -40.75, 46.61

 

CMYK 83 / 54 / 0 / 50

HEX #153A7F

RGB 21 58 127

HSL 219.06, 0.72%, 0.29%

LAB 25.92, 14.5, -42.72

 

CMYK 13 / 84 / 0 / 50

HEX #6F147F

RGB 111 20 127

HSL 291.03, 0.73%, 0.29%

LAB 27.88, 51.82, -39.09

 

CMYK 0 / 30 / 84 / 50

HEX #7F5914

RGB 127 89 20

HSL 38.69, 0.73%, 0.29%

LAB 40.75, 9.34, 42.83

 

CMYK 72 / 0 / 84 / 50

HEX #247F14

RGB 36 127 20

HSL 111.03, 0.73%, 0.29%

LAB 46.45, -46.09, 45.77

 

CMYK 83 / 54 / 0 / 50

HEX #153A7F

RGB 21 58 127

HSL 219.06, 0.72%, 0.29%

LAB 25.92, 14.5, -42.72

 

CMYK 0 / 84 / 13 / 50

HEX #7F146F

RGB 127 20 111

HSL 308.97, 0.73%, 0.29%

LAB 29.81, 52.47, -25.67

 

CMYK 0 / 30 / 84 / 50

HEX #7F5914

RGB 127 89 20

HSL 38.69, 0.73%, 0.29%

LAB 40.75, 9.34, 42.83

 

CMYK 84 / 0 / 72 / 50

HEX #147F24

RGB 20 127 36

HSL 128.97, 0.73%, 0.29%

LAB 46.25, -47.42, 39.65

 

Description

Color code: HEX #153A7F | qconv.com Color code: HEX #153A7F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 58 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 58 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 54 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 54% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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