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Color name
HEX #EA8747

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA8747 it is the complementary color #1578B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA8747. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA8747 shade: #EF8742, #FF9955, #FFAB68, #FFBD7B and #FFCF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA8747. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA8747 shade: #EA8747, #D97534, #C86321, #B7510E and #A63F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA8747 shade: #EA8747, #EA5B47 and #EA4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA8747 shade: #EA8747, #EAB347, #EADF47, #C9EA47 and #9DEA47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA8747 shade matches the following richer shades: #EA8747 and #FB8336

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA8747 shade: #EA8747, #DA8B57, #C98E68, #B99278 and #A89589

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA8747 shade: #EA475F, #EA5A47, #EA8547, #EAB147 and #EADD47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA8747 shade: #C95C16, #E66F22, #EA8747, #EE9F6C and #F2B791

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA8747 shade: #EA8747, #8BEA47 and #474AEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA8747 shade: #EA8747, #47EA85 and #8547EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA8747 shade: #EA8747, #8BEA47, #47ACEA and #A647EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA8747 shade: #EA8747, #5AEA47, #47ACEA and #D747EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 70 / 8

HEX #EA8747

RGB 234 135 71

HSL 23.56, 0.8%, 0.6%

LAB 65.96, 32.72, 49.7

 

Complementary color

CMYK 89 / 35 / 0 / 28

HEX #1578B8

RGB 21 120 184

HSL 203.56, 0.8%, 0.4%

LAB 48.33, -3.06, -41.11

 

CMYK 0 / 44 / 72 / 6

HEX #EF8742

RGB 239 135 66

HSL 23.93, 0.84%, 0.6%

LAB 66.57, 34.47, 52.95

 

CMYK 0 / 40 / 67 / 0

HEX #FF9955

RGB 255 153 85

HSL 24, 1%, 0.67%

LAB 72.69, 32.51, 51.11

 

CMYK 0 / 33 / 59 / 0

HEX #FFAB68

RGB 255 171 104

HSL 26.62, 1%, 0.7%

LAB 76.91, 24.35, 46.61

 

CMYK 0 / 26 / 52 / 0

HEX #FFBD7B

RGB 255 189 123

HSL 30, 1%, 0.74%

LAB 81.34, 16.42, 42.45

 

CMYK 0 / 19 / 44 / 0

HEX #FFCF8E

RGB 255 207 142

HSL 34.51, 1%, 0.78%

LAB 85.93, 8.81, 38.63

 

CMYK 0 / 42 / 70 / 8

HEX #EA8747

RGB 234 135 71

HSL 23.56, 0.8%, 0.6%

LAB 65.96, 32.72, 49.7

 

CMYK 0 / 46 / 76 / 15

HEX #D97534

RGB 217 117 52

HSL 23.64, 0.68%, 0.53%

LAB 59.64, 34.39, 51.36

 

CMYK 0 / 51 / 84 / 22

HEX #C86321

RGB 200 99 33

HSL 23.71, 0.72%, 0.46%

LAB 53.29, 36.21, 52.72

 

CMYK 0 / 56 / 92 / 28

HEX #B7510E

RGB 183 81 14

HSL 23.79, 0.86%, 0.39%

LAB 46.95, 38.18, 53.16

 

CMYK 0 / 62 / 100 / 35

HEX #A63F00

RGB 166 63 0

HSL 22.77, 1%, 0.33%

LAB 40.67, 40.18, 51.67

 

CMYK 0 / 42 / 70 / 8

HEX #EA8747

RGB 234 135 71

HSL 23.56, 0.8%, 0.6%

LAB 65.96, 32.72, 49.7

 

CMYK 0 / 61 / 70 / 8

HEX #EA5B47

RGB 234 91 71

HSL 7.36, 0.8%, 0.6%

LAB 57.49, 54.17, 40.16

 

CMYK 0 / 70 / 70 / 8

HEX #EA4747

RGB 234 71 71

HSL 0, 0.8%, 0.6%

LAB 54.51, 62.24, 36.66

 

CMYK 0 / 42 / 70 / 8

HEX #EA8747

RGB 234 135 71

HSL 23.56, 0.8%, 0.6%

LAB 65.96, 32.72, 49.7

 

CMYK 0 / 24 / 70 / 8

HEX #EAB347

RGB 234 179 71

HSL 39.75, 0.8%, 0.6%

LAB 76.18, 9.46, 60.58

 

CMYK 0 / 5 / 70 / 8

HEX #EADF47

RGB 234 223 71

HSL 55.95, 0.8%, 0.6%

LAB 87.35, -13.11, 71.84

 

CMYK 14 / 0 / 70 / 8

HEX #C9EA47

RGB 201 234 71

HSL 72.15, 0.8%, 0.6%

LAB 87.83, -31.79, 71.49

 

CMYK 33 / 0 / 70 / 8

HEX #9DEA47

RGB 157 234 71

HSL 88.34, 0.8%, 0.6%

LAB 85.23, -48.21, 68.03

 

CMYK 0 / 42 / 70 / 8

HEX #EA8747

RGB 234 135 71

HSL 23.56, 0.8%, 0.6%

LAB 65.96, 32.72, 49.7

 

CMYK 0 / 48 / 78 / 2

HEX #FB8336

RGB 251 131 54

HSL 23.45, 0.96%, 0.6%

LAB 67.28, 40.75, 59.57

 

CMYK 0 / 42 / 70 / 8

HEX #EA8747

RGB 234 135 71

HSL 23.56, 0.8%, 0.6%

LAB 65.96, 32.72, 49.7

 

CMYK 0 / 36 / 60 / 15

HEX #DA8B57

RGB 218 139 87

HSL 23.82, 0.64%, 0.6%

LAB 65.01, 25.1, 39.97

 

CMYK 0 / 29 / 48 / 21

HEX #C98E68

RGB 201 142 104

HSL 23.51, 0.47%, 0.6%

LAB 63.97, 17.94, 29.12

 

CMYK 0 / 21 / 35 / 27

HEX #B99278

RGB 185 146 120

HSL 24, 0.32%, 0.6%

LAB 63.53, 11, 19.38

 

CMYK 0 / 11 / 18 / 34

HEX #A89589

RGB 168 149 137

HSL 23.23, 0.15%, 0.6%

LAB 63.03, 5.03, 8.9

 

CMYK 0 / 70 / 59 / 8

HEX #EA475F

RGB 234 71 95

HSL 351.17, 0.8%, 0.6%

LAB 54.89, 63.58, 23.2

 

CMYK 0 / 62 / 70 / 8

HEX #EA5A47

RGB 234 90 71

HSL 6.99, 0.8%, 0.6%

LAB 57.33, 54.6, 39.97

 

CMYK 0 / 43 / 70 / 8

HEX #EA8547

RGB 234 133 71

HSL 22.82, 0.8%, 0.6%

LAB 65.53, 33.76, 49.23

 

CMYK 0 / 24 / 70 / 8

HEX #EAB147

RGB 234 177 71

HSL 39.02, 0.8%, 0.6%

LAB 75.69, 10.51, 60.07

 

CMYK 0 / 6 / 70 / 8

HEX #EADD47

RGB 234 221 71

HSL 55.21, 0.8%, 0.6%

LAB 86.83, -12.12, 71.32

 

CMYK 0 / 54 / 89 / 21

HEX #C95C16

RGB 201 92 22

HSL 23.46, 0.8%, 0.44%

LAB 51.98, 39.89, 55.71

 

CMYK 0 / 52 / 85 / 10

HEX #E66F22

RGB 230 111 34

HSL 23.57, 0.8%, 0.52%

LAB 60.17, 41.99, 59.98

 

CMYK 0 / 42 / 70 / 8

HEX #EA8747

RGB 234 135 71

HSL 23.56, 0.8%, 0.6%

LAB 65.96, 32.72, 49.7

 

CMYK 0 / 33 / 55 / 7

HEX #EE9F6C

RGB 238 159 108

HSL 23.54, 0.79%, 0.68%

LAB 72.27, 24.15, 38.42

 

CMYK 0 / 24 / 40 / 5

HEX #F2B791

RGB 242 183 145

HSL 23.51, 0.79%, 0.76%

LAB 78.92, 16.57, 27.61

 

CMYK 0 / 42 / 70 / 8

HEX #EA8747

RGB 234 135 71

HSL 23.56, 0.8%, 0.6%

LAB 65.96, 32.72, 49.7

 

CMYK 41 / 0 / 70 / 8

HEX #8BEA47

RGB 139 234 71

HSL 94.97, 0.8%, 0.6%

LAB 84.38, -54.22, 66.88

 

CMYK 70 / 68 / 0 / 8

HEX #474AEA

RGB 71 74 234

HSL 238.9, 0.8%, 0.6%

LAB 41.5, 49.06, -80.69

 

CMYK 0 / 42 / 70 / 8

HEX #EA8747

RGB 234 135 71

HSL 23.56, 0.8%, 0.6%

LAB 65.96, 32.72, 49.7

 

CMYK 70 / 0 / 43 / 8

HEX #47EA85

RGB 71 234 133

HSL 142.82, 0.8%, 0.6%

LAB 82.85, -63.46, 37.15

 

CMYK 43 / 70 / 0 / 8

HEX #8547EA

RGB 133 71 234

HSL 262.82, 0.8%, 0.6%

LAB 46.22, 59.58, -72.75

 

CMYK 0 / 42 / 70 / 8

HEX #EA8747

RGB 234 135 71

HSL 23.56, 0.8%, 0.6%

LAB 65.96, 32.72, 49.7

 

CMYK 41 / 0 / 70 / 8

HEX #8BEA47

RGB 139 234 71

HSL 94.97, 0.8%, 0.6%

LAB 84.38, -54.22, 66.88

 

CMYK 70 / 26 / 0 / 8

HEX #47ACEA

RGB 71 172 234

HSL 202.82, 0.8%, 0.6%

LAB 67.12, -9.69, -39.58

 

CMYK 29 / 70 / 0 / 8

HEX #A647EA

RGB 166 71 234

HSL 274.97, 0.8%, 0.6%

LAB 50.16, 65.64, -66.17

 

CMYK 0 / 42 / 70 / 8

HEX #EA8747

RGB 234 135 71

HSL 23.56, 0.8%, 0.6%

LAB 65.96, 32.72, 49.7

 

CMYK 62 / 0 / 70 / 8

HEX #5AEA47

RGB 90 234 71

HSL 113.01, 0.8%, 0.6%

LAB 82.63, -67.52, 64.53

 

CMYK 70 / 26 / 0 / 8

HEX #47ACEA

RGB 71 172 234

HSL 202.82, 0.8%, 0.6%

LAB 67.12, -9.69, -39.58

 

CMYK 8 / 70 / 0 / 8

HEX #D747EA

RGB 215 71 234

HSL 293.01, 0.8%, 0.6%

LAB 56.97, 75.53, -54.86

 

Description

Color code: HEX #EA8747 | qconv.com Color code: HEX #EA8747 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 135 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 135 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 70 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 70% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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