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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47EA85 it is the complementary color #B8157A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47EA85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47EA85 shade: #4CEA80, #5DFC93, #6EFFA6, #7FFFB9 and #90FFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47EA85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47EA85 shade: #47EA85, #36D872, #25C65F, #14B44C and #03A239

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47EA85 shade: #47EA85, #47EA59, #61EA47, #8DEA47 and #B9EA47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47EA85 shade: #47EA85, #47EAB1, #47EADD, #47CBEA and #479FEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47EA85 shade matches the following richer shades: #47EA85 and #36FB81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47EA85 shade: #47EA85, #57DA89, #68C98D, #78B991 and #89A895

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47EA85 shade: #62EA47, #47EA57, #47EA83, #47EAAE and #47EADA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47EA85 shade: #16C95A, #22E66C, #47EA85, #6CEE9E and #91F2B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47EA85 shade: #47EA85, #478EEA and #EA474C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47EA85 shade: #47EA85, #8347EA and #EA8347

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47EA85 shade: #47EA85, #478EEA, #EA47AE and #EAA347

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47EA85 shade: #47EA85, #475DEA, #EA47AE and #EAD447

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 43 / 8

HEX #47EA85

RGB 71 234 133

HSL 142.82, 0.8%, 0.6%

LAB 82.85, -63.46, 37.15

 

Complementary color

CMYK 0 / 89 / 34 / 28

HEX #B8157A

RGB 184 21 122

HSL 322.82, 0.8%, 0.4%

LAB 41.42, 66.51, -13.75

 

CMYK 68 / 0 / 45 / 8

HEX #4CEA80

RGB 76 234 128

HSL 139.75, 0.79%, 0.61%

LAB 82.88, -63.45, 39.68

 

CMYK 63 / 0 / 42 / 1

HEX #5DFC93

RGB 93 252 147

HSL 140.38, 0.96%, 0.68%

LAB 88.95, -63.85, 38.25

 

CMYK 57 / 0 / 35 / 0

HEX #6EFFA6

RGB 110 255 166

HSL 143.17, 1%, 0.72%

LAB 90.59, -58.33, 31.07

 

CMYK 50 / 0 / 27 / 0

HEX #7FFFB9

RGB 127 255 185

HSL 147.19, 1%, 0.75%

LAB 91.48, -51.02, 22.77

 

CMYK 44 / 0 / 20 / 0

HEX #90FFCC

RGB 144 255 204

HSL 152.43, 1%, 0.78%

LAB 92.49, -43.14, 14.56

 

CMYK 70 / 0 / 43 / 8

HEX #47EA85

RGB 71 234 133

HSL 142.82, 0.8%, 0.6%

LAB 82.85, -63.46, 37.15

 

CMYK 75 / 0 / 47 / 15

HEX #36D872

RGB 54 216 114

HSL 142.22, 0.68%, 0.53%

LAB 76.75, -62.72, 38.68

 

CMYK 81 / 0 / 52 / 22

HEX #25C65F

RGB 37 198 95

HSL 141.61, 0.69%, 0.46%

LAB 70.6, -61.59, 40.27

 

CMYK 89 / 0 / 58 / 29

HEX #14B44C

RGB 20 180 76

HSL 141, 0.8%, 0.39%

LAB 64.41, -59.94, 41.9

 

CMYK 98 / 0 / 65 / 36

HEX #03A239

RGB 3 162 57

HSL 140.38, 0.96%, 0.32%

LAB 58.18, -57.62, 43.45

 

CMYK 70 / 0 / 43 / 8

HEX #47EA85

RGB 71 234 133

HSL 142.82, 0.8%, 0.6%

LAB 82.85, -63.46, 37.15

 

CMYK 70 / 0 / 62 / 8

HEX #47EA59

RGB 71 234 89

HSL 126.63, 0.8%, 0.6%

LAB 82.33, -69.51, 56.94

 

CMYK 59 / 0 / 70 / 8

HEX #61EA47

RGB 97 234 71

HSL 110.43, 0.8%, 0.6%

LAB 82.83, -65.94, 64.8

 

CMYK 40 / 0 / 70 / 8

HEX #8DEA47

RGB 141 234 71

HSL 94.23, 0.8%, 0.6%

LAB 84.46, -53.58, 67

 

CMYK 21 / 0 / 70 / 8

HEX #B9EA47

RGB 185 234 71

HSL 78.04, 0.8%, 0.6%

LAB 86.81, -37.99, 70.13

 

CMYK 70 / 0 / 43 / 8

HEX #47EA85

RGB 71 234 133

HSL 142.82, 0.8%, 0.6%

LAB 82.85, -63.46, 37.15

 

CMYK 70 / 0 / 24 / 8

HEX #47EAB1

RGB 71 234 177

HSL 159.02, 0.8%, 0.6%

LAB 83.63, -54.88, 15.73

 

CMYK 70 / 0 / 6 / 8

HEX #47EADD

RGB 71 234 221

HSL 175.21, 0.8%, 0.6%

LAB 84.69, -44.11, -5.85

 

CMYK 70 / 13 / 0 / 8

HEX #47CBEA

RGB 71 203 234

HSL 191.41, 0.8%, 0.6%

LAB 76.06, -25.9, -25.74

 

CMYK 70 / 32 / 0 / 8

HEX #479FEA

RGB 71 159 234

HSL 207.61, 0.8%, 0.6%

LAB 63.41, -2.41, -45.4

 

CMYK 70 / 0 / 43 / 8

HEX #47EA85

RGB 71 234 133

HSL 142.82, 0.8%, 0.6%

LAB 82.85, -63.46, 37.15

 

CMYK 78 / 0 / 49 / 2

HEX #36FB81

RGB 54 251 129

HSL 142.84, 0.96%, 0.6%

LAB 87.66, -72.18, 45.15

 

CMYK 70 / 0 / 43 / 8

HEX #47EA85

RGB 71 234 133

HSL 142.82, 0.8%, 0.6%

LAB 82.85, -63.46, 37.15

 

CMYK 60 / 0 / 37 / 15

HEX #57DA89

RGB 87 218 137

HSL 142.9, 0.64%, 0.6%

LAB 78.45, -53.85, 29.43

 

CMYK 48 / 0 / 30 / 21

HEX #68C98D

RGB 104 201 141

HSL 142.89, 0.47%, 0.6%

LAB 73.96, -42.09, 21.38

 

CMYK 35 / 0 / 22 / 27

HEX #78B991

RGB 120 185 145

HSL 143.08, 0.32%, 0.6%

LAB 69.99, -29.44, 13.84

 

CMYK 18 / 0 / 11 / 34

HEX #89A895

RGB 137 168 149

HSL 143.23, 0.15%, 0.6%

LAB 66.13, -14.55, 6.3

 

CMYK 58 / 0 / 70 / 8

HEX #62EA47

RGB 98 234 71

HSL 110.06, 0.8%, 0.6%

LAB 82.86, -65.71, 64.83

 

CMYK 70 / 0 / 63 / 8

HEX #47EA57

RGB 71 234 87

HSL 125.89, 0.8%, 0.6%

LAB 82.31, -69.72, 57.76

 

CMYK 70 / 0 / 44 / 8

HEX #47EA83

RGB 71 234 131

HSL 142.09, 0.8%, 0.6%

LAB 82.82, -63.79, 38.1

 

CMYK 70 / 0 / 26 / 8

HEX #47EAAE

RGB 71 234 174

HSL 157.91, 0.8%, 0.6%

LAB 83.57, -55.54, 17.21

 

CMYK 70 / 0 / 7 / 8

HEX #47EADA

RGB 71 234 218

HSL 174.11, 0.8%, 0.6%

LAB 84.61, -44.91, -4.39

 

CMYK 89 / 0 / 55 / 21

HEX #16C95A

RGB 22 201 90

HSL 142.79, 0.8%, 0.44%

LAB 71.34, -64.6, 43.54

 

CMYK 85 / 0 / 53 / 10

HEX #22E66C

RGB 34 230 108

HSL 142.65, 0.8%, 0.52%

LAB 80.75, -70.41, 46.47

 

CMYK 70 / 0 / 43 / 8

HEX #47EA85

RGB 71 234 133

HSL 142.82, 0.8%, 0.6%

LAB 82.85, -63.46, 37.15

 

CMYK 55 / 0 / 34 / 7

HEX #6CEE9E

RGB 108 238 158

HSL 143.08, 0.79%, 0.68%

LAB 85.41, -53.46, 28.13

 

CMYK 40 / 0 / 25 / 5

HEX #91F2B6

RGB 145 242 182

HSL 142.89, 0.79%, 0.76%

LAB 88.4, -41.4, 20.15

 

CMYK 70 / 0 / 43 / 8

HEX #47EA85

RGB 71 234 133

HSL 142.82, 0.8%, 0.6%

LAB 82.85, -63.46, 37.15

 

CMYK 70 / 39 / 0 / 8

HEX #478EEA

RGB 71 142 234

HSL 213.87, 0.8%, 0.6%

LAB 58.63, 7.51, -52.96

 

CMYK 0 / 70 / 68 / 8

HEX #EA474C

RGB 234 71 76

HSL 358.16, 0.8%, 0.6%

LAB 54.58, 62.48, 33.89

 

CMYK 70 / 0 / 43 / 8

HEX #47EA85

RGB 71 234 133

HSL 142.82, 0.8%, 0.6%

LAB 82.85, -63.46, 37.15

 

CMYK 44 / 70 / 0 / 8

HEX #8347EA

RGB 131 71 234

HSL 262.09, 0.8%, 0.6%

LAB 46, 59.23, -73.11

 

CMYK 0 / 44 / 70 / 8

HEX #EA8347

RGB 234 131 71

HSL 22.09, 0.8%, 0.6%

LAB 65.11, 34.8, 48.76

 

CMYK 70 / 0 / 43 / 8

HEX #47EA85

RGB 71 234 133

HSL 142.82, 0.8%, 0.6%

LAB 82.85, -63.46, 37.15

 

CMYK 70 / 39 / 0 / 8

HEX #478EEA

RGB 71 142 234

HSL 213.87, 0.8%, 0.6%

LAB 58.63, 7.51, -52.96

 

CMYK 0 / 70 / 26 / 8

HEX #EA47AE

RGB 234 71 174

HSL 322.09, 0.8%, 0.6%

LAB 57.13, 71.07, -20.16

 

CMYK 0 / 30 / 70 / 8

HEX #EAA347

RGB 234 163 71

HSL 33.87, 0.8%, 0.6%

LAB 72.32, 17.93, 56.54

 

CMYK 70 / 0 / 43 / 8

HEX #47EA85

RGB 71 234 133

HSL 142.82, 0.8%, 0.6%

LAB 82.85, -63.46, 37.15

 

CMYK 70 / 60 / 0 / 8

HEX #475DEA

RGB 71 93 234

HSL 231.9, 0.8%, 0.6%

LAB 45.78, 37.7, -73.67

 

CMYK 0 / 70 / 26 / 8

HEX #EA47AE

RGB 234 71 174

HSL 322.09, 0.8%, 0.6%

LAB 57.13, 71.07, -20.16

 

CMYK 0 / 9 / 70 / 8

HEX #EAD447

RGB 234 212 71

HSL 51.9, 0.8%, 0.6%

LAB 84.5, -7.61, 69.02

 

Description

Color code: HEX #47EA85 | qconv.com Color code: HEX #47EA85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 234 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 234 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 43 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 43% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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