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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E982D1 it is the complementary color #167D2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E982D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E982D1 shade: #EE82CC, #FF94DF, #FFA6F2, #FFB8FF and #FFCAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E982D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E982D1 shade: #E982D1, #D870BE, #C75EAB, #B64C98 and #A53A85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E982D1 shade: #E881D0, #E881B4, #E88198 and #E88181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E982D1 shade: #E881D0, #E581E8, #C981E8, #AD81E8 and #9181E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E982D1 shade matches the following richer shades: #E881D0 and #F475D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E982D1 shade: #E881D0, #DC8DCA, #D099C3, #C4A5BD and #B8B1B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E982D1 shade: #C881E8, #E381E8, #E881D2, #E881B6 and #E8819B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E982D1 shade: #DC3BB6, #E25EC3, #E881D0, #EFA4DD and #F5C7EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E982D1 shade: #E982D1, #E8AC81 and #81E8D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E982D1 shade: #E982D1, #D2E881 and #81D2E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E982D1 shade: #E982D1, #E8AC81, #81E897 and #81BDE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E982D1 shade: #E982D1, #E8CB81, #81E897 and #819EE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 10 / 9

HEX #E982D1

RGB 233 130 209

HSL 313.98, 0.7%, 0.71%

LAB 67.94, 49.98, -23.54

 

Complementary color

CMYK 82 / 0 / 63 / 51

HEX #167D2E

RGB 22 125 46

HSL 133.98, 0.7%, 0.29%

LAB 45.68, -45.32, 34.46

 

CMYK 0 / 45 / 14 / 7

HEX #EE82CC

RGB 238 130 204

HSL 318.89, 0.76%, 0.72%

LAB 68.39, 50.73, -20.01

 

CMYK 0 / 42 / 13 / 0

HEX #FF94DF

RGB 255 148 223

HSL 317.94, 1%, 0.79%

LAB 74.68, 50, -20.76

 

CMYK 0 / 35 / 5 / 0

HEX #FFA6F2

RGB 255 166 242

HSL 308.76, 1%, 0.83%

LAB 79.01, 43.95, -24.49

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 0 / 44 / 10 / 9

HEX #E982D1

RGB 233 130 209

HSL 313.98, 0.7%, 0.71%

LAB 67.94, 49.98, -23.54

 

CMYK 0 / 48 / 12 / 15

HEX #D870BE

RGB 216 112 190

HSL 315, 0.57%, 0.64%

LAB 61.57, 50.68, -22.79

 

CMYK 0 / 53 / 14 / 22

HEX #C75EAB

RGB 199 94 171

HSL 316, 0.48%, 0.57%

LAB 55.16, 51.33, -21.9

 

CMYK 0 / 58 / 16 / 29

HEX #B64C98

RGB 182 76 152

HSL 316.98, 0.42%, 0.51%

LAB 48.74, 51.84, -20.81

 

CMYK 0 / 65 / 19 / 35

HEX #A53A85

RGB 165 58 133

HSL 317.94, 0.48%, 0.44%

LAB 42.34, 52.08, -19.43

 

CMYK 0 / 44 / 10 / 9

HEX #E881D0

RGB 232 129 208

HSL 313.98, 0.69%, 0.71%

LAB 67.58, 50.01, -23.54

 

CMYK 0 / 44 / 22 / 9

HEX #E881B4

RGB 232 129 180

HSL 330.29, 0.69%, 0.71%

LAB 66.64, 45.73, -9.27

 

CMYK 0 / 44 / 34 / 9

HEX #E88198

RGB 232 129 152

HSL 346.6, 0.69%, 0.71%

LAB 65.84, 42.04, 5.4

 

CMYK 0 / 44 / 44 / 9

HEX #E88181

RGB 232 129 129

HSL 0, 0.69%, 0.71%

LAB 65.31, 39.48, 17.66

 

CMYK 0 / 44 / 10 / 9

HEX #E881D0

RGB 232 129 208

HSL 313.98, 0.69%, 0.71%

LAB 67.58, 50.01, -23.54

 

CMYK 1 / 44 / 0 / 9

HEX #E581E8

RGB 229 129 232

HSL 298.25, 0.69%, 0.71%

LAB 68.16, 53.23, -36

 

CMYK 13 / 44 / 0 / 9

HEX #C981E8

RGB 201 129 232

HSL 281.94, 0.69%, 0.71%

LAB 64.92, 45.2, -41.29

 

CMYK 25 / 44 / 0 / 9

HEX #AD81E8

RGB 173 129 232

HSL 265.63, 0.69%, 0.71%

LAB 62.01, 37.36, -46.07

 

CMYK 38 / 44 / 0 / 9

HEX #9181E8

RGB 145 129 232

HSL 249.32, 0.69%, 0.71%

LAB 59.48, 29.93, -50.24

 

CMYK 0 / 44 / 10 / 9

HEX #E881D0

RGB 232 129 208

HSL 313.98, 0.69%, 0.71%

LAB 67.58, 50.01, -23.54

 

CMYK 0 / 52 / 12 / 4

HEX #F475D7

RGB 244 117 215

HSL 313.7, 0.85%, 0.71%

LAB 67.17, 60.5, -27.93

 

CMYK 0 / 44 / 10 / 9

HEX #E881D0

RGB 232 129 208

HSL 313.98, 0.69%, 0.71%

LAB 67.58, 50.01, -23.54

 

CMYK 0 / 36 / 8 / 14

HEX #DC8DCA

RGB 220 141 202

HSL 313.67, 0.53%, 0.71%

LAB 68.41, 38.99, -19.07

 

CMYK 0 / 26 / 6 / 18

HEX #D099C3

RGB 208 153 195

HSL 314.18, 0.37%, 0.71%

LAB 69.56, 27.29, -13.56

 

CMYK 0 / 16 / 4 / 23

HEX #C4A5BD

RGB 196 165 189

HSL 313.55, 0.21%, 0.71%

LAB 71.09, 15.47, -8.07

 

CMYK 0 / 4 / 1 / 28

HEX #B8B1B7

RGB 184 177 183

HSL 308.57, 0.05%, 0.71%

LAB 72.93, 3.59, -2.18

 

CMYK 14 / 44 / 0 / 9

HEX #C881E8

RGB 200 129 232

HSL 281.36, 0.69%, 0.71%

LAB 64.81, 44.92, -41.47

 

CMYK 2 / 44 / 0 / 9

HEX #E381E8

RGB 227 129 232

HSL 297.09, 0.69%, 0.71%

LAB 67.92, 52.65, -36.39

 

CMYK 0 / 44 / 9 / 9

HEX #E881D2

RGB 232 129 210

HSL 312.82, 0.69%, 0.71%

LAB 67.66, 50.33, -24.54

 

CMYK 0 / 44 / 22 / 9

HEX #E881B6

RGB 232 129 182

HSL 329.13, 0.69%, 0.71%

LAB 66.7, 46.02, -10.3

 

CMYK 0 / 44 / 33 / 9

HEX #E8819B

RGB 232 129 155

HSL 344.85, 0.69%, 0.71%

LAB 65.92, 42.4, 3.81

 

CMYK 0 / 73 / 17 / 14

HEX #DC3BB6

RGB 220 59 182

HSL 314.16, 0.7%, 0.55%

LAB 53.73, 72.64, -30.24

 

CMYK 0 / 58 / 14 / 11

HEX #E25EC3

RGB 226 94 195

HSL 314.09, 0.69%, 0.63%

LAB 59.99, 62.77, -27.94

 

CMYK 0 / 44 / 10 / 9

HEX #E881D0

RGB 232 129 208

HSL 313.98, 0.69%, 0.71%

LAB 67.58, 50.01, -23.54

 

CMYK 0 / 31 / 8 / 6

HEX #EFA4DD

RGB 239 164 221

HSL 314.4, 0.7%, 0.79%

LAB 76.14, 36.28, -17.62

 

CMYK 0 / 19 / 4 / 4

HEX #F5C7EA

RGB 245 199 234

HSL 314.35, 0.7%, 0.87%

LAB 85.1, 21.98, -11.12

 

CMYK 0 / 44 / 10 / 9

HEX #E982D1

RGB 233 130 209

HSL 313.98, 0.7%, 0.71%

LAB 67.94, 49.98, -23.54

 

CMYK 0 / 26 / 44 / 9

HEX #E8AC81

RGB 232 172 129

HSL 25.05, 0.69%, 0.71%

LAB 74.98, 16.77, 30.68

 

CMYK 44 / 0 / 8 / 9

HEX #81E8D5

RGB 129 232 213

HSL 168.93, 0.69%, 0.71%

LAB 85.6, -34.51, -0.11

 

CMYK 0 / 44 / 10 / 9

HEX #E982D1

RGB 233 130 209

HSL 313.98, 0.7%, 0.71%

LAB 67.94, 49.98, -23.54

 

CMYK 9 / 0 / 44 / 9

HEX #D2E881

RGB 210 232 129

HSL 72.82, 0.69%, 0.71%

LAB 88.45, -22.73, 47.49

 

CMYK 44 / 9 / 0 / 9

HEX #81D2E8

RGB 129 210 232

HSL 192.82, 0.69%, 0.71%

LAB 79.95, -19.12, -18.59

 

CMYK 0 / 44 / 10 / 9

HEX #E982D1

RGB 233 130 209

HSL 313.98, 0.7%, 0.71%

LAB 67.94, 49.98, -23.54

 

CMYK 0 / 26 / 44 / 9

HEX #E8AC81

RGB 232 172 129

HSL 25.05, 0.69%, 0.71%

LAB 74.98, 16.77, 30.68

 

CMYK 44 / 0 / 35 / 9

HEX #81E897

RGB 129 232 151

HSL 132.82, 0.69%, 0.71%

LAB 84.28, -46.96, 30.32

 

CMYK 44 / 19 / 0 / 9

HEX #81BDE8

RGB 129 189 232

HSL 205.05, 0.69%, 0.71%

LAB 74.12, -8.16, -27.46

 

CMYK 0 / 44 / 10 / 9

HEX #E982D1

RGB 233 130 209

HSL 313.98, 0.7%, 0.71%

LAB 67.94, 49.98, -23.54

 

CMYK 0 / 13 / 44 / 9

HEX #E8CB81

RGB 232 203 129

HSL 43.11, 0.69%, 0.71%

LAB 82.62, 0.46, 40.56

 

CMYK 44 / 0 / 35 / 9

HEX #81E897

RGB 129 232 151

HSL 132.82, 0.69%, 0.71%

LAB 84.28, -46.96, 30.32

 

CMYK 44 / 32 / 0 / 9

HEX #819EE8

RGB 129 158 232

HSL 223.11, 0.69%, 0.71%

LAB 65.71, 9.06, -40.49

 

Description

Color code: HEX #E982D1 | qconv.com Color code: HEX #E982D1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 130 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 130 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 10 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 10% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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