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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 59 182 it is the complementary color RGB 35 196 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 59 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 59 182 shade: RGB 225 59 177, RGB 242 77 196, RGB 255 95 215, RGB 255 113 234 and RGB 255 131 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 59 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 59 182 shade: RGB 220 59 182, RGB 203 41 163, RGB 186 23 144, RGB 169 5 125 and RGB 152 0 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 59 182 shade: RGB 220 59 182, RGB 220 59 139, RGB 220 59 96 and RGB 220 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 59 182 shade: RGB 220 59 182, RGB 215 59 220, RGB 171 59 220, RGB 128 59 220 and RGB 85 59 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 59 182 shade matches the following richer shades: RGB 220 59 182 and RGB 239 41 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 59 182 shade: RGB 220 59 182, RGB 202 78 172, RGB 183 97 163, RGB 164 115 153 and RGB 146 134 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 59 182 shade: RGB 172 59 220, RGB 215 59 220, RGB 220 59 183, RGB 220 59 140 and RGB 220 59 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 59 182 shade: RGB 168 29 135, RGB 203 35 163, RGB 220 59 182, RGB 226 94 195 and RGB 232 130 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 59 182 shade: RGB 220 59 182, RGB 220 129 59 and RGB 59 220 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 59 182 shade: RGB 220 59 182, RGB 183 220 59 and RGB 59 183 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 59 182 shade: RGB 220 59 182, RGB 220 129 59, RGB 59 220 97 and RGB 59 150 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 59 182 shade: RGB 220 59 182, RGB 220 177 59, RGB 59 220 97 and RGB 59 102 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 17 / 14

HEX #DC3BB6

RGB 220 59 182

HSL 314.16, 0.7%, 0.55%

LAB 53.73, 72.64, -30.24

 

Complementary color

CMYK 82 / 0 / 63 / 23

HEX #23C449

RGB 35 196 73

HSL 134.16, 0.7%, 0.45%

LAB 69.7, -64.09, 49.41

 

CMYK 0 / 74 / 21 / 12

HEX #E13BB1

RGB 225 59 177

HSL 317.35, 0.73%, 0.56%

LAB 54.35, 73.16, -26.3

 

CMYK 0 / 68 / 19 / 5

HEX #F24DC4

RGB 242 77 196

HSL 316.73, 0.86%, 0.63%

LAB 60.04, 73.79, -28.24

 

CMYK 0 / 63 / 16 / 0

HEX #FF5FD7

RGB 255 95 215

HSL 315, 1%, 0.69%

LAB 65.24, 72.94, -30.79

 

CMYK 0 / 56 / 8 / 0

HEX #FF71EA

RGB 255 113 234

HSL 308.87, 1%, 0.72%

LAB 68.76, 68.28, -35.9

 

CMYK 0 / 49 / 1 / 0

HEX #FF83FD

RGB 255 131 253

HSL 300.97, 1%, 0.76%

LAB 72.62, 63.21, -40.31

 

CMYK 0 / 73 / 17 / 14

HEX #DC3BB6

RGB 220 59 182

HSL 314.16, 0.7%, 0.55%

LAB 53.73, 72.64, -30.24

 

CMYK 0 / 80 / 20 / 20

HEX #CB29A3

RGB 203 41 163

HSL 314.81, 0.66%, 0.48%

LAB 48.17, 71.37, -27.96

 

CMYK 0 / 88 / 23 / 27

HEX #BA1790

RGB 186 23 144

HSL 315.46, 0.78%, 0.41%

LAB 42.86, 69.15, -25.03

 

CMYK 0 / 97 / 26 / 34

HEX #A9057D

RGB 169 5 125

HSL 316.1, 0.94%, 0.34%

LAB 37.89, 65.71, -21.3

 

CMYK 0 / 100 / 30 / 40

HEX #98006A

RGB 152 0 106

HSL 318.16, 1%, 0.3%

LAB 33.38, 60.6, -16.53

 

CMYK 0 / 73 / 17 / 14

HEX #DC3BB6

RGB 220 59 182

HSL 314.16, 0.7%, 0.55%

LAB 53.73, 72.64, -30.24

 

CMYK 0 / 73 / 37 / 14

HEX #DC3B8B

RGB 220 59 139

HSL 330.19, 0.7%, 0.55%

LAB 52.07, 67.48, -7.42

 

CMYK 0 / 73 / 56 / 14

HEX #DC3B60

RGB 220 59 96

HSL 346.21, 0.7%, 0.55%

LAB 50.91, 63.71, 16.82

 

CMYK 0 / 73 / 73 / 14

HEX #DC3B3B

RGB 220 59 59

HSL 0, 0.7%, 0.55%

LAB 50.29, 61.64, 37.93

 

CMYK 0 / 73 / 17 / 14

HEX #DC3BB6

RGB 220 59 182

HSL 314.16, 0.7%, 0.55%

LAB 53.73, 72.64, -30.24

 

CMYK 2 / 73 / 0 / 14

HEX #D73BDC

RGB 215 59 220

HSL 298.14, 0.7%, 0.55%

LAB 54.81, 77.17, -50.42

 

CMYK 22 / 73 / 0 / 14

HEX #AB3BDC

RGB 171 59 220

HSL 281.74, 0.7%, 0.55%

LAB 48.2, 68.47, -61.37

 

CMYK 42 / 73 / 0 / 14

HEX #803BDC

RGB 128 59 220

HSL 265.71, 0.7%, 0.55%

LAB 42.59, 60.77, -70.74

 

CMYK 61 / 73 / 0 / 14

HEX #553BDC

RGB 85 59 220

HSL 249.69, 0.7%, 0.55%

LAB 38.25, 54.52, -78.03

 

CMYK 0 / 73 / 17 / 14

HEX #DC3BB6

RGB 220 59 182

HSL 314.16, 0.7%, 0.55%

LAB 53.73, 72.64, -30.24

 

CMYK 0 / 83 / 20 / 6

HEX #EF29C0

RGB 239 41 192

HSL 314.24, 0.86%, 0.55%

LAB 55.83, 82.68, -32.52

 

CMYK 0 / 73 / 17 / 14

HEX #DC3BB6

RGB 220 59 182

HSL 314.16, 0.7%, 0.55%

LAB 53.73, 72.64, -30.24

 

CMYK 0 / 61 / 15 / 21

HEX #CA4EAC

RGB 202 78 172

HSL 314.52, 0.54%, 0.55%

LAB 52.93, 59.64, -25.88

 

CMYK 0 / 47 / 11 / 28

HEX #B761A3

RGB 183 97 163

HSL 313.95, 0.37%, 0.55%

LAB 53.23, 43.57, -20.39

 

CMYK 0 / 30 / 7 / 36

HEX #A47399

RGB 164 115 153

HSL 313.47, 0.21%, 0.55%

LAB 54.51, 25.55, -12.83

 

CMYK 0 / 8 / 2 / 43

HEX #92868F

RGB 146 134 143

HSL 315, 0.05%, 0.55%

LAB 57.22, 6.21, -3.19

 

CMYK 22 / 73 / 0 / 14

HEX #AC3BDC

RGB 172 59 220

HSL 282.11, 0.7%, 0.55%

LAB 48.34, 68.66, -61.14

 

CMYK 2 / 73 / 0 / 14

HEX #D73BDC

RGB 215 59 220

HSL 298.14, 0.7%, 0.55%

LAB 54.81, 77.17, -50.42

 

CMYK 0 / 73 / 17 / 14

HEX #DC3BB7

RGB 220 59 183

HSL 313.79, 0.7%, 0.55%

LAB 53.77, 72.77, -30.76

 

CMYK 0 / 73 / 36 / 14

HEX #DC3B8C

RGB 220 59 140

HSL 329.81, 0.7%, 0.55%

LAB 52.1, 67.58, -7.96

 

CMYK 0 / 73 / 56 / 14

HEX #DC3B61

RGB 220 59 97

HSL 345.84, 0.7%, 0.55%

LAB 50.93, 63.78, 16.25

 

CMYK 0 / 83 / 20 / 34

HEX #A81D87

RGB 168 29 135

HSL 314.24, 0.71%, 0.39%

LAB 39.5, 62.86, -25.01

 

CMYK 0 / 83 / 20 / 20

HEX #CB23A3

RGB 203 35 163

HSL 314.29, 0.71%, 0.47%

LAB 47.68, 72.78, -28.72

 

CMYK 0 / 73 / 17 / 14

HEX #DC3BB6

RGB 220 59 182

HSL 314.16, 0.7%, 0.55%

LAB 53.73, 72.64, -30.24

 

CMYK 0 / 58 / 14 / 11

HEX #E25EC3

RGB 226 94 195

HSL 314.09, 0.69%, 0.63%

LAB 59.99, 62.77, -27.94

 

CMYK 0 / 44 / 10 / 9

HEX #E882D0

RGB 232 130 208

HSL 314.12, 0.69%, 0.71%

LAB 67.78, 49.5, -23.23

 

CMYK 0 / 73 / 17 / 14

HEX #DC3BB6

RGB 220 59 182

HSL 314.16, 0.7%, 0.55%

LAB 53.73, 72.64, -30.24

 

CMYK 0 / 41 / 73 / 14

HEX #DC813B

RGB 220 129 59

HSL 26.09, 0.7%, 0.55%

LAB 62.7, 29.61, 51.39

 

CMYK 73 / 0 / 12 / 14

HEX #3BDCC1

RGB 59 220 193

HSL 169.94, 0.7%, 0.55%

LAB 79.59, -46.89, 1.49

 

CMYK 0 / 73 / 17 / 14

HEX #DC3BB6

RGB 220 59 182

HSL 314.16, 0.7%, 0.55%

LAB 53.73, 72.64, -30.24

 

CMYK 17 / 0 / 73 / 14

HEX #B7DC3B

RGB 183 220 59

HSL 73.79, 0.7%, 0.55%

LAB 82.68, -33.05, 70.17

 

CMYK 73 / 17 / 0 / 14

HEX #3BB7DC

RGB 59 183 220

HSL 193.79, 0.7%, 0.55%

LAB 69.44, -21.71, -28.33

 

CMYK 0 / 73 / 17 / 14

HEX #DC3BB6

RGB 220 59 182

HSL 314.16, 0.7%, 0.55%

LAB 53.73, 72.64, -30.24

 

CMYK 0 / 41 / 73 / 14

HEX #DC813B

RGB 220 129 59

HSL 26.09, 0.7%, 0.55%

LAB 62.7, 29.61, 51.39

 

CMYK 73 / 0 / 56 / 14

HEX #3BDC61

RGB 59 220 97

HSL 134.16, 0.7%, 0.55%

LAB 77.86, -65.84, 48.19

 

CMYK 73 / 32 / 0 / 14

HEX #3B96DC

RGB 59 150 220

HSL 206.09, 0.7%, 0.55%

LAB 59.81, -3.73, -43.34

 

CMYK 0 / 73 / 17 / 14

HEX #DC3BB6

RGB 220 59 182

HSL 314.16, 0.7%, 0.55%

LAB 53.73, 72.64, -30.24

 

CMYK 0 / 20 / 73 / 14

HEX #DCB13B

RGB 220 177 59

HSL 43.98, 0.7%, 0.55%

LAB 74.17, 3.96, 62.95

 

CMYK 73 / 0 / 56 / 14

HEX #3BDC61

RGB 59 220 97

HSL 134.16, 0.7%, 0.55%

LAB 77.86, -65.84, 48.19

 

CMYK 73 / 54 / 0 / 14

HEX #3B66DC

RGB 59 102 220

HSL 223.98, 0.7%, 0.55%

LAB 46.45, 25.6, -64.7

 

Description

Color code: RGB 220 59 182 | qconv.com Color code: RGB 220 59 182 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 59 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 59 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 17 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 17% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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