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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E961E1 it is the complementary color #169E1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E961E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E961E1 shade: #EE61DC, #FF73EF, #FF85FF, #FF97FF and #FFA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E961E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E961E1 shade: #E961E1, #D84FCE, #C73DBB, #B62BA8 and #A51995

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E961E1 shade: #E961E1, #E961BD, #E96198, #E96173 and #E96161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E961E1 shade: #E961E1, #CC61E9, #A861E9, #8361E9 and #6161E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E961E1 shade matches the following richer shades: #E961E1 and #F853EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E961E1 shade: #E961E1, #DB70D4, #CC7EC8, #BE8DBB and #AF9BAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E961E1 shade: #A861E9, #CC61E9, #E961E2, #E961BE and #E9619A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E961E1 shade: #DB1DCF, #E43DDA, #E961E1, #EE86E8 and #F3AAEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E961E1 shade: #E961E1, #E98361 and #61E9BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E961E1 shade: #E961E1, #E2E961 and #61E2E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E961E1 shade: #E961E1, #E98361, #61E968 and #61C7E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E961E1 shade: #E961E1, #E9AC61, #61E968 and #619EE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 3 / 9

HEX #E961E1

RGB 233 97 225

HSL 303.53, 0.76%, 0.65%

LAB 62.77, 68.03, -40.48

 

Complementary color

CMYK 86 / 0 / 81 / 38

HEX #169E1E

RGB 22 158 30

HSL 123.53, 0.76%, 0.35%

LAB 56.8, -57.56, 52.38

 

CMYK 0 / 59 / 8 / 7

HEX #EE61DC

RGB 238 97 220

HSL 307.66, 0.81%, 0.66%

LAB 63.26, 68.51, -36.87

 

CMYK 0 / 55 / 6 / 0

HEX #FF73EF

RGB 255 115 239

HSL 306.86, 1%, 0.73%

LAB 69.29, 68.19, -37.83

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 58 / 3 / 9

HEX #E961E1

RGB 233 97 225

HSL 303.53, 0.76%, 0.65%

LAB 62.77, 68.03, -40.48

 

CMYK 0 / 63 / 5 / 15

HEX #D84FCE

RGB 216 79 206

HSL 304.38, 0.64%, 0.58%

LAB 56.73, 68.12, -39.41

 

CMYK 0 / 69 / 6 / 22

HEX #C73DBB

RGB 199 61 187

HSL 305.22, 0.55%, 0.51%

LAB 50.77, 67.82, -38.04

 

CMYK 0 / 76 / 8 / 29

HEX #B62BA8

RGB 182 43 168

HSL 306.04, 0.62%, 0.44%

LAB 44.94, 66.91, -36.24

 

CMYK 0 / 85 / 10 / 35

HEX #A51995

RGB 165 25 149

HSL 306.86, 0.74%, 0.37%

LAB 39.35, 65.07, -33.85

 

CMYK 0 / 58 / 3 / 9

HEX #E961E1

RGB 233 97 225

HSL 303.53, 0.76%, 0.65%

LAB 62.77, 68.03, -40.48

 

CMYK 0 / 58 / 19 / 9

HEX #E961BD

RGB 233 97 189

HSL 319.41, 0.76%, 0.65%

LAB 61.26, 62.54, -22.48

 

CMYK 0 / 58 / 35 / 9

HEX #E96198

RGB 233 97 152

HSL 335.74, 0.76%, 0.65%

LAB 60.02, 57.81, -3.07

 

CMYK 0 / 58 / 51 / 9

HEX #E96173

RGB 233 97 115

HSL 352.06, 0.76%, 0.65%

LAB 59.08, 54.1, 17.11

 

CMYK 0 / 58 / 58 / 9

HEX #E96161

RGB 233 97 97

HSL 0, 0.76%, 0.65%

LAB 58.73, 52.7, 27.04

 

CMYK 0 / 58 / 3 / 9

HEX #E961E1

RGB 233 97 225

HSL 303.53, 0.76%, 0.65%

LAB 62.77, 68.03, -40.48

 

CMYK 12 / 58 / 0 / 9

HEX #CC61E9

RGB 204 97 233

HSL 287.21, 0.76%, 0.65%

LAB 59.22, 62.21, -50.81

 

CMYK 28 / 58 / 0 / 9

HEX #A861E9

RGB 168 97 233

HSL 271.32, 0.76%, 0.65%

LAB 54.82, 53.56, -58.09

 

CMYK 44 / 58 / 0 / 9

HEX #8361E9

RGB 131 97 233

HSL 255, 0.76%, 0.65%

LAB 50.99, 45.31, -64.46

 

CMYK 58 / 58 / 0 / 9

HEX #6161E9

RGB 97 97 233

HSL 240, 0.76%, 0.65%

LAB 48.23, 38.8, -69.06

 

CMYK 0 / 58 / 3 / 9

HEX #E961E1

RGB 233 97 225

HSL 303.53, 0.76%, 0.65%

LAB 62.77, 68.03, -40.48

 

CMYK 0 / 67 / 4 / 3

HEX #F853EE

RGB 248 83 238

HSL 303.64, 0.92%, 0.65%

LAB 63.6, 79.11, -46.26

 

CMYK 0 / 58 / 3 / 9

HEX #E961E1

RGB 233 97 225

HSL 303.53, 0.76%, 0.65%

LAB 62.77, 68.03, -40.48

 

CMYK 0 / 49 / 3 / 14

HEX #DB70D4

RGB 219 112 212

HSL 303.93, 0.6%, 0.65%

LAB 62.85, 55.23, -33.22

 

CMYK 0 / 38 / 2 / 20

HEX #CC7EC8

RGB 204 126 200

HSL 303.08, 0.43%, 0.65%

LAB 63.28, 41.46, -25.94

 

CMYK 0 / 26 / 2 / 25

HEX #BE8DBB

RGB 190 141 187

HSL 303.67, 0.27%, 0.65%

LAB 64.63, 26.3, -16.71

 

CMYK 0 / 11 / 1 / 31

HEX #AF9BAE

RGB 175 155 174

HSL 303, 0.11%, 0.65%

LAB 66.22, 10.81, -7.17

 

CMYK 28 / 58 / 0 / 9

HEX #A861E9

RGB 168 97 233

HSL 271.32, 0.76%, 0.65%

LAB 54.82, 53.56, -58.09

 

CMYK 12 / 58 / 0 / 9

HEX #CC61E9

RGB 204 97 233

HSL 287.21, 0.76%, 0.65%

LAB 59.22, 62.21, -50.81

 

CMYK 0 / 58 / 3 / 9

HEX #E961E2

RGB 233 97 226

HSL 303.09, 0.76%, 0.65%

LAB 62.81, 68.19, -40.97

 

CMYK 0 / 58 / 18 / 9

HEX #E961BE

RGB 233 97 190

HSL 318.97, 0.76%, 0.65%

LAB 61.3, 62.69, -23

 

CMYK 0 / 58 / 34 / 9

HEX #E9619A

RGB 233 97 154

HSL 334.85, 0.76%, 0.65%

LAB 60.07, 58.04, -4.14

 

CMYK 0 / 87 / 5 / 14

HEX #DB1DCF

RGB 219 29 207

HSL 303.79, 0.77%, 0.49%

LAB 52.34, 82.98, -46.89

 

CMYK 0 / 73 / 4 / 11

HEX #E43DDA

RGB 228 61 218

HSL 303.59, 0.76%, 0.57%

LAB 56.97, 78.94, -45.72

 

CMYK 0 / 58 / 3 / 9

HEX #E961E1

RGB 233 97 225

HSL 303.53, 0.76%, 0.65%

LAB 62.77, 68.03, -40.48

 

CMYK 0 / 44 / 3 / 7

HEX #EE86E8

RGB 238 134 232

HSL 303.46, 0.75%, 0.73%

LAB 70.21, 53.34, -32.72

 

CMYK 0 / 30 / 2 / 5

HEX #F3AAEF

RGB 243 170 239

HSL 303.29, 0.75%, 0.81%

LAB 78.48, 37.55, -23.79

 

CMYK 0 / 58 / 3 / 9

HEX #E961E1

RGB 233 97 225

HSL 303.53, 0.76%, 0.65%

LAB 62.77, 68.03, -40.48

 

CMYK 0 / 44 / 58 / 9

HEX #E98361

RGB 233 131 97

HSL 15, 0.76%, 0.65%

LAB 65.29, 36.03, 35.42

 

CMYK 58 / 0 / 20 / 9

HEX #61E9BA

RGB 97 233 186

HSL 159.26, 0.76%, 0.65%

LAB 84.16, -48.07, 11.86

 

CMYK 0 / 58 / 3 / 9

HEX #E961E1

RGB 233 97 225

HSL 303.53, 0.76%, 0.65%

LAB 62.77, 68.03, -40.48

 

CMYK 3 / 0 / 58 / 9

HEX #E2E961

RGB 226 233 97

HSL 63.09, 0.76%, 0.65%

LAB 89.54, -19.74, 63.64

 

CMYK 58 / 3 / 0 / 9

HEX #61E2E9

RGB 97 226 233

HSL 183.09, 0.76%, 0.65%

LAB 83.35, -33.29, -14.12

 

CMYK 0 / 58 / 3 / 9

HEX #E961E1

RGB 233 97 225

HSL 303.53, 0.76%, 0.65%

LAB 62.77, 68.03, -40.48

 

CMYK 0 / 44 / 58 / 9

HEX #E98361

RGB 233 131 97

HSL 15, 0.76%, 0.65%

LAB 65.29, 36.03, 35.42

 

CMYK 58 / 0 / 55 / 9

HEX #61E968

RGB 97 233 104

HSL 123.09, 0.76%, 0.65%

LAB 82.82, -62.28, 51.09

 

CMYK 58 / 15 / 0 / 9

HEX #61C7E9

RGB 97 199 233

HSL 195, 0.76%, 0.65%

LAB 75.62, -20.03, -25.82

 

CMYK 0 / 58 / 3 / 9

HEX #E961E1

RGB 233 97 225

HSL 303.53, 0.76%, 0.65%

LAB 62.77, 68.03, -40.48

 

CMYK 0 / 26 / 58 / 9

HEX #E9AC61

RGB 233 172 97

HSL 33.09, 0.76%, 0.65%

LAB 74.63, 14.36, 46.79

 

CMYK 58 / 0 / 55 / 9

HEX #61E968

RGB 97 233 104

HSL 123.09, 0.76%, 0.65%

LAB 82.82, -62.28, 51.09

 

CMYK 58 / 32 / 0 / 9

HEX #619EE9

RGB 97 158 233

HSL 213.09, 0.76%, 0.65%

LAB 64.06, 2.25, -43.74

 

Description

Color code: HEX #E961E1 | qconv.com Color code: HEX #E961E1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 97 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 97 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 3 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 3% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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