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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE61DC it is the complementary color #119E23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE61DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE61DC shade: #F361D7, #FF73EA, #FF85FD, #FF97FF and #FFA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE61DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE61DC shade: #EE61DC, #DD4FC9, #CC3DB6, #BB2BA3 and #AA1990

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE61DC shade: #EE62DC, #EE62B6, #EE6290, #EE626A and #EE6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE61DC shade: #EE62DC, #DA62EE, #B462EE, #8E62EE and #6862EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE61DC shade matches the following richer shades: #EE62DC and #FC54E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE61DC shade: #EE62DC, #E070D2, #D27EC7, #C48CBD and #B69AB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE61DC shade: #B462EE, #D962EE, #EE62DE, #EE62B8 and #EE6293

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE61DC shade: #E518CB, #EA3CD4, #EE62DC, #F287E4 and #F6ACEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE61DC shade: #EE61DC, #EE8E62 and #62EEC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE61DC shade: #EE61DC, #DEEE62 and #62DEEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE61DC shade: #EE61DC, #EE8E62, #62EE72 and #62C2EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE61DC shade: #EE61DC, #EEB862, #62EE72 and #6297EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 8 / 7

HEX #EE61DC

RGB 238 97 220

HSL 307.66, 0.81%, 0.66%

LAB 63.26, 68.51, -36.87

 

Complementary color

CMYK 89 / 0 / 78 / 38

HEX #119E23

RGB 17 158 35

HSL 127.66, 0.81%, 0.34%

LAB 56.78, -57.66, 50.73

 

CMYK 0 / 60 / 12 / 5

HEX #F361D7

RGB 243 97 215

HSL 311.51, 0.86%, 0.67%

LAB 63.76, 69.04, -33.22

 

CMYK 0 / 55 / 8 / 0

HEX #FF73EA

RGB 255 115 234

HSL 309, 1%, 0.73%

LAB 69.08, 67.4, -35.4

 

CMYK 0 / 48 / 1 / 0

HEX #FF85FD

RGB 255 133 253

HSL 300.98, 1%, 0.76%

LAB 72.98, 62.26, -39.75

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 59 / 8 / 7

HEX #EE61DC

RGB 238 97 220

HSL 307.66, 0.81%, 0.66%

LAB 63.26, 68.51, -36.87

 

CMYK 0 / 64 / 9 / 13

HEX #DD4FC9

RGB 221 79 201

HSL 308.45, 0.68%, 0.59%

LAB 57.25, 68.57, -35.68

 

CMYK 0 / 70 / 11 / 20

HEX #CC3DB6

RGB 204 61 182

HSL 309.23, 0.58%, 0.52%

LAB 51.33, 68.23, -34.19

 

CMYK 0 / 77 / 13 / 27

HEX #BB2BA3

RGB 187 43 163

HSL 310, 0.63%, 0.45%

LAB 45.55, 67.28, -32.26

 

CMYK 0 / 85 / 15 / 33

HEX #AA1990

RGB 170 25 144

HSL 310.76, 0.74%, 0.38%

LAB 40.01, 65.4, -29.71

 

CMYK 0 / 59 / 8 / 7

HEX #EE62DC

RGB 238 98 220

HSL 307.71, 0.8%, 0.66%

LAB 63.41, 68.09, -36.63

 

CMYK 0 / 59 / 24 / 7

HEX #EE62B6

RGB 238 98 182

HSL 324, 0.8%, 0.66%

LAB 61.9, 62.58, -17.44

 

CMYK 0 / 59 / 39 / 7

HEX #EE6290

RGB 238 98 144

HSL 340.29, 0.8%, 0.66%

LAB 60.72, 58.04, 2.69

 

CMYK 0 / 59 / 55 / 7

HEX #EE626A

RGB 238 98 106

HSL 356.57, 0.8%, 0.66%

LAB 59.85, 54.61, 23.49

 

CMYK 0 / 59 / 59 / 7

HEX #EE6262

RGB 238 98 98

HSL 0, 0.8%, 0.66%

LAB 59.7, 54.03, 27.89

 

CMYK 0 / 59 / 8 / 7

HEX #EE62DC

RGB 238 98 220

HSL 307.71, 0.8%, 0.66%

LAB 63.41, 68.09, -36.63

 

CMYK 8 / 59 / 0 / 7

HEX #DA62EE

RGB 218 98 238

HSL 291.43, 0.8%, 0.66%

LAB 61.49, 66.11, -49.88

 

CMYK 24 / 59 / 0 / 7

HEX #B462EE

RGB 180 98 238

HSL 275.14, 0.8%, 0.66%

LAB 56.7, 57, -57.8

 

CMYK 40 / 59 / 0 / 7

HEX #8E62EE

RGB 142 98 238

HSL 258.86, 0.8%, 0.66%

LAB 52.57, 48.43, -64.65

 

CMYK 56 / 59 / 0 / 7

HEX #6862EE

RGB 104 98 238

HSL 242.57, 0.8%, 0.66%

LAB 49.32, 40.99, -70.08

 

CMYK 0 / 59 / 8 / 7

HEX #EE62DC

RGB 238 98 220

HSL 307.71, 0.8%, 0.66%

LAB 63.41, 68.09, -36.63

 

CMYK 0 / 67 / 8 / 1

HEX #FC54E7

RGB 252 84 231

HSL 307.5, 0.97%, 0.66%

LAB 64, 78.62, -41.7

 

CMYK 0 / 59 / 8 / 7

HEX #EE62DC

RGB 238 98 220

HSL 307.71, 0.8%, 0.66%

LAB 63.41, 68.09, -36.63

 

CMYK 0 / 50 / 6 / 12

HEX #E070D2

RGB 224 112 210

HSL 307.5, 0.64%, 0.66%

LAB 63.42, 56.32, -31.16

 

CMYK 0 / 40 / 5 / 18

HEX #D27EC7

RGB 210 126 199

HSL 307.86, 0.48%, 0.66%

LAB 63.96, 43.17, -24.29

 

CMYK 0 / 29 / 4 / 23

HEX #C48CBD

RGB 196 140 189

HSL 307.5, 0.32%, 0.66%

LAB 65.09, 29.25, -17.07

 

CMYK 0 / 15 / 2 / 29

HEX #B69AB2

RGB 182 154 178

HSL 308.57, 0.16%, 0.66%

LAB 66.73, 14.59, -8.6

 

CMYK 24 / 59 / 0 / 7

HEX #B462EE

RGB 180 98 238

HSL 275.14, 0.8%, 0.66%

LAB 56.7, 57, -57.8

 

CMYK 9 / 59 / 0 / 7

HEX #D962EE

RGB 217 98 238

HSL 291, 0.8%, 0.66%

LAB 61.36, 65.87, -50.1

 

CMYK 0 / 59 / 7 / 7

HEX #EE62DE

RGB 238 98 222

HSL 306.86, 0.8%, 0.66%

LAB 63.5, 68.4, -37.61

 

CMYK 0 / 59 / 23 / 7

HEX #EE62B8

RGB 238 98 184

HSL 323.14, 0.8%, 0.66%

LAB 61.97, 62.84, -18.48

 

CMYK 0 / 59 / 38 / 7

HEX #EE6293

RGB 238 98 147

HSL 339, 0.8%, 0.66%

LAB 60.8, 58.36, 1.07

 

CMYK 0 / 90 / 11 / 10

HEX #E518CB

RGB 229 24 203

HSL 307.61, 0.81%, 0.5%

LAB 53.62, 84.97, -42.44

 

CMYK 0 / 74 / 9 / 8

HEX #EA3CD4

RGB 234 60 212

HSL 307.59, 0.81%, 0.58%

LAB 57.54, 79.62, -41.36

 

CMYK 0 / 59 / 8 / 7

HEX #EE62DC

RGB 238 98 220

HSL 307.71, 0.8%, 0.66%

LAB 63.41, 68.09, -36.63

 

CMYK 0 / 44 / 6 / 5

HEX #F287E4

RGB 242 135 228

HSL 307.85, 0.8%, 0.74%

LAB 70.74, 53.34, -29.67

 

CMYK 0 / 30 / 4 / 4

HEX #F6ACEC

RGB 246 172 236

HSL 308.11, 0.8%, 0.82%

LAB 79.13, 36.93, -21.16

 

CMYK 0 / 59 / 8 / 7

HEX #EE61DC

RGB 238 97 220

HSL 307.66, 0.81%, 0.66%

LAB 63.26, 68.51, -36.87

 

CMYK 0 / 40 / 59 / 7

HEX #EE8E62

RGB 238 142 98

HSL 18.86, 0.8%, 0.66%

LAB 68.32, 32.33, 38.78

 

CMYK 59 / 0 / 17 / 7

HEX #62EEC6

RGB 98 238 198

HSL 162.86, 0.8%, 0.66%

LAB 85.92, -47.29, 8.1

 

CMYK 0 / 59 / 8 / 7

HEX #EE61DC

RGB 238 97 220

HSL 307.66, 0.81%, 0.66%

LAB 63.26, 68.51, -36.87

 

CMYK 7 / 0 / 59 / 7

HEX #DEEE62

RGB 222 238 98

HSL 66.86, 0.8%, 0.66%

LAB 90.58, -23.66, 64.28

 

CMYK 59 / 7 / 0 / 7

HEX #62DEEE

RGB 98 222 238

HSL 186.86, 0.8%, 0.66%

LAB 82.39, -29.84, -18.21

 

CMYK 0 / 59 / 8 / 7

HEX #EE61DC

RGB 238 97 220

HSL 307.66, 0.81%, 0.66%

LAB 63.26, 68.51, -36.87

 

CMYK 0 / 40 / 59 / 7

HEX #EE8E62

RGB 238 142 98

HSL 18.86, 0.8%, 0.66%

LAB 68.32, 32.33, 38.78

 

CMYK 59 / 0 / 52 / 7

HEX #62EE72

RGB 98 238 114

HSL 126.86, 0.8%, 0.66%

LAB 84.46, -62.61, 48.47

 

CMYK 59 / 18 / 0 / 7

HEX #62C2EE

RGB 98 194 238

HSL 198.86, 0.8%, 0.66%

LAB 74.42, -15.77, -30.36

 

CMYK 0 / 59 / 8 / 7

HEX #EE61DC

RGB 238 97 220

HSL 307.66, 0.81%, 0.66%

LAB 63.26, 68.51, -36.87

 

CMYK 0 / 23 / 59 / 7

HEX #EEB862

RGB 238 184 98

HSL 36.86, 0.8%, 0.66%

LAB 78.08, 10.16, 50.49

 

CMYK 59 / 0 / 52 / 7

HEX #62EE72

RGB 98 238 114

HSL 126.86, 0.8%, 0.66%

LAB 84.46, -62.61, 48.47

 

CMYK 59 / 37 / 0 / 7

HEX #6297EE

RGB 98 151 238

HSL 217.29, 0.8%, 0.66%

LAB 62.43, 8.11, -49.08

 

Description

Color code: HEX #EE61DC | qconv.com Color code: HEX #EE61DC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 97 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 97 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 8 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 8% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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