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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E874EB it is the complementary color #178B14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E874EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E874EB shade: #ED74E6, #FE86F9, #FF98FF, #FFAAFF and #FFBCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E874EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E874EB shade: #E874EB, #D762D8, #C650C5, #B53EB2 and #A42C9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E874EB shade: #E874EB, #EB74CE, #EB74AE, #EB748E and #EB7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E874EB shade: #E874EB, #C874EB, #A874EB, #8874EB and #7474EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E874EB shade matches the following richer shades: #E874EB and #F467F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E874EB shade: #E874EB, #DC81DE, #CF8ED1, #C39BC4 and #B7A7B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E874EB shade: #A874EB, #C774EB, #E774EB, #EB74CF and #EB74AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E874EB shade: #DC2CE0, #E250E6, #E874EB, #EE98F0 and #F4BCF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E874EB shade: #E874EB, #EB8874 and #74EBB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E874EB shade: #E874EB, #EBE774 and #74EBE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E874EB shade: #E874EB, #EB8874, #78EB74 and #74D7EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E874EB shade: #E874EB, #EBAB74, #78EB74 and #74B3EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 51 / 0 / 8

HEX #E874EB

RGB 232 116 235

HSL 298.49, 0.75%, 0.69%

LAB 66.25, 60.92, -40.6

 

Complementary color

CMYK 83 / 0 / 86 / 45

HEX #178B14

RGB 23 139 20

HSL 118.49, 0.75%, 0.31%

LAB 50.33, -52.16, 49.24

 

CMYK 0 / 51 / 3 / 7

HEX #ED74E6

RGB 237 116 230

HSL 303.47, 0.77%, 0.69%

LAB 66.68, 61.42, -37.11

 

CMYK 0 / 47 / 2 / 0

HEX #FE86F9

RGB 254 134 249

HSL 302.5, 0.98%, 0.76%

LAB 72.87, 60.83, -37.76

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 0 / 26 / 0 / 0

HEX #FFBCFF

RGB 255 188 255

HSL 300, 1%, 0.87%

LAB 84.2, 34.77, -23.56

 

CMYK 1 / 51 / 0 / 8

HEX #E874EB

RGB 232 116 235

HSL 298.49, 0.75%, 0.69%

LAB 66.25, 60.92, -40.6

 

CMYK 0 / 55 / 0 / 15

HEX #D762D8

RGB 215 98 216

HSL 299.49, 0.6%, 0.62%

LAB 60.02, 61.43, -39.92

 

CMYK 0 / 60 / 1 / 22

HEX #C650C5

RGB 198 80 197

HSL 300.51, 0.51%, 0.55%

LAB 53.79, 61.75, -39.07

 

CMYK 0 / 66 / 2 / 29

HEX #B53EB2

RGB 181 62 178

HSL 301.51, 0.49%, 0.48%

LAB 47.6, 61.74, -37.96

 

CMYK 0 / 73 / 3 / 36

HEX #A42C9F

RGB 164 44 159

HSL 302.5, 0.58%, 0.41%

LAB 41.53, 61.2, -36.46

 

CMYK 1 / 51 / 0 / 8

HEX #E874EB

RGB 232 116 235

HSL 298.49, 0.75%, 0.69%

LAB 66.25, 60.92, -40.6

 

CMYK 0 / 51 / 12 / 8

HEX #EB74CE

RGB 235 116 206

HSL 314.62, 0.75%, 0.69%

LAB 65.44, 56.96, -25.66

 

CMYK 0 / 51 / 26 / 8

HEX #EB74AE

RGB 235 116 174

HSL 330.76, 0.75%, 0.69%

LAB 64.33, 52.33, -9.27

 

CMYK 0 / 51 / 40 / 8

HEX #EB748E

RGB 235 116 142

HSL 346.89, 0.75%, 0.69%

LAB 63.43, 48.44, 7.69

 

CMYK 0 / 51 / 51 / 8

HEX #EB7474

RGB 235 116 116

HSL 0, 0.75%, 0.69%

LAB 62.86, 45.89, 21.73

 

CMYK 1 / 51 / 0 / 8

HEX #E874EB

RGB 232 116 235

HSL 298.49, 0.75%, 0.69%

LAB 66.25, 60.92, -40.6

 

CMYK 15 / 51 / 0 / 8

HEX #C874EB

RGB 200 116 235

HSL 282.35, 0.75%, 0.69%

LAB 62.31, 52.32, -47.06

 

CMYK 29 / 51 / 0 / 8

HEX #A874EB

RGB 168 116 235

HSL 266.22, 0.75%, 0.69%

LAB 58.8, 43.94, -52.85

 

CMYK 42 / 51 / 0 / 8

HEX #8874EB

RGB 136 116 235

HSL 250.08, 0.75%, 0.69%

LAB 55.81, 36.1, -57.8

 

CMYK 51 / 51 / 0 / 8

HEX #7474EB

RGB 116 116 235

HSL 240, 0.75%, 0.69%

LAB 54.24, 31.68, -60.4

 

CMYK 1 / 51 / 0 / 8

HEX #E874EB

RGB 232 116 235

HSL 298.49, 0.75%, 0.69%

LAB 66.25, 60.92, -40.6

 

CMYK 2 / 58 / 0 / 3

HEX #F467F8

RGB 244 103 248

HSL 298.34, 0.91%, 0.69%

LAB 66.3, 72.03, -47.58

 

CMYK 1 / 51 / 0 / 8

HEX #E874EB

RGB 232 116 235

HSL 298.49, 0.75%, 0.69%

LAB 66.25, 60.92, -40.6

 

CMYK 1 / 42 / 0 / 13

HEX #DC81DE

RGB 220 129 222

HSL 298.71, 0.58%, 0.69%

LAB 66.66, 48.79, -32.86

 

CMYK 1 / 32 / 0 / 18

HEX #CF8ED1

RGB 207 142 209

HSL 298.21, 0.42%, 0.69%

LAB 67.44, 35.5, -24.57

 

CMYK 1 / 21 / 0 / 23

HEX #C39BC4

RGB 195 155 196

HSL 298.54, 0.26%, 0.69%

LAB 68.77, 21.95, -15.43

 

CMYK 1 / 9 / 0 / 28

HEX #B7A7B8

RGB 183 167 184

HSL 296.47, 0.11%, 0.69%

LAB 70.29, 8.89, -6.62

 

CMYK 29 / 51 / 0 / 8

HEX #A874EB

RGB 168 116 235

HSL 266.22, 0.75%, 0.69%

LAB 58.8, 43.94, -52.85

 

CMYK 15 / 51 / 0 / 8

HEX #C774EB

RGB 199 116 235

HSL 281.85, 0.75%, 0.69%

LAB 62.19, 52.06, -47.25

 

CMYK 2 / 51 / 0 / 8

HEX #E774EB

RGB 231 116 235

HSL 297.98, 0.75%, 0.69%

LAB 66.12, 60.65, -40.81

 

CMYK 0 / 51 / 12 / 8

HEX #EB74CF

RGB 235 116 207

HSL 314.12, 0.75%, 0.69%

LAB 65.48, 57.12, -26.17

 

CMYK 0 / 51 / 26 / 8

HEX #EB74AF

RGB 235 116 175

HSL 330.25, 0.75%, 0.69%

LAB 64.36, 52.46, -9.79

 

CMYK 2 / 80 / 0 / 12

HEX #DC2CE0

RGB 220 44 224

HSL 298.67, 0.74%, 0.53%

LAB 54.45, 82.76, -53.21

 

CMYK 2 / 65 / 0 / 10

HEX #E250E6

RGB 226 80 230

HSL 298.4, 0.75%, 0.61%

LAB 59.54, 73.98, -48.43

 

CMYK 1 / 51 / 0 / 8

HEX #E874EB

RGB 232 116 235

HSL 298.49, 0.75%, 0.69%

LAB 66.25, 60.92, -40.6

 

CMYK 1 / 37 / 0 / 6

HEX #EE98F0

RGB 238 152 240

HSL 298.64, 0.75%, 0.77%

LAB 74.14, 45.59, -31.03

 

CMYK 0 / 23 / 0 / 4

HEX #F4BCF5

RGB 244 188 245

HSL 298.95, 0.74%, 0.85%

LAB 82.8, 29.44, -20.45

 

CMYK 1 / 51 / 0 / 8

HEX #E874EB

RGB 232 116 235

HSL 298.49, 0.75%, 0.69%

LAB 66.25, 60.92, -40.6

 

CMYK 0 / 42 / 51 / 8

HEX #EB8874

RGB 235 136 116

HSL 10.08, 0.75%, 0.69%

LAB 66.92, 35.75, 27.17

 

CMYK 51 / 0 / 22 / 8

HEX #74EBB7

RGB 116 235 183

HSL 153.78, 0.75%, 0.69%

LAB 85.28, -45.52, 15.09

 

CMYK 1 / 51 / 0 / 8

HEX #E874EB

RGB 232 116 235

HSL 298.49, 0.75%, 0.69%

LAB 66.25, 60.92, -40.6

 

CMYK 0 / 2 / 51 / 8

HEX #EBE774

RGB 235 231 116

HSL 57.98, 0.75%, 0.69%

LAB 89.89, -13.7, 55.8

 

CMYK 51 / 0 / 2 / 8

HEX #74EBE7

RGB 116 235 231

HSL 177.98, 0.75%, 0.69%

LAB 86.45, -34.43, -8.37

 

CMYK 1 / 51 / 0 / 8

HEX #E874EB

RGB 232 116 235

HSL 298.49, 0.75%, 0.69%

LAB 66.25, 60.92, -40.6

 

CMYK 0 / 42 / 51 / 8

HEX #EB8874

RGB 235 136 116

HSL 10.08, 0.75%, 0.69%

LAB 66.92, 35.75, 27.17

 

CMYK 49 / 0 / 51 / 8

HEX #78EB74

RGB 120 235 116

HSL 117.98, 0.75%, 0.69%

LAB 84.31, -55.81, 47.51

 

CMYK 51 / 9 / 0 / 8

HEX #74D7EB

RGB 116 215 235

HSL 190.08, 0.75%, 0.69%

LAB 80.91, -23.75, -18.78

 

CMYK 1 / 51 / 0 / 8

HEX #E874EB

RGB 232 116 235

HSL 298.49, 0.75%, 0.69%

LAB 66.25, 60.92, -40.6

 

CMYK 0 / 27 / 51 / 8

HEX #EBAB74

RGB 235 171 116

HSL 27.73, 0.75%, 0.69%

LAB 74.86, 17.26, 37.44

 

CMYK 49 / 0 / 51 / 8

HEX #78EB74

RGB 120 235 116

HSL 117.98, 0.75%, 0.69%

LAB 84.31, -55.81, 47.51

 

CMYK 51 / 24 / 0 / 8

HEX #74B3EB

RGB 116 179 235

HSL 208.24, 0.75%, 0.69%

LAB 70.84, -4.93, -34.2

 

Description

Color code: HEX #E874EB | qconv.com Color code: HEX #E874EB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 116 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 116 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 51 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 51% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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