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Color name
RGB 198 80 197

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 80 197 it is the complementary color RGB 57 175 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 80 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 80 197 shade: RGB 203 80 192, RGB 220 98 211, RGB 237 116 230, RGB 254 134 249 and RGB 255 152 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 80 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 80 197 shade: RGB 198 80 197, RGB 181 62 178, RGB 164 44 159, RGB 147 26 140 and RGB 130 8 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 80 197 shade: RGB 198 81 197, RGB 198 81 166, RGB 198 81 134, RGB 198 81 103 and RGB 198 81 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 80 197 shade: RGB 198 81 197, RGB 168 81 198, RGB 136 81 198, RGB 105 81 198 and RGB 81 81 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 80 197 shade matches the following richer shades: RGB 198 81 197, RGB 217 63 216, RGB 235 44 234 and RGB 254 26 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 80 197 shade: RGB 198 81 197, RGB 180 100 179, RGB 161 118 161, RGB 143 137 143 and RGB 124 155 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 80 197 shade: RGB 136 81 198, RGB 167 81 198, RGB 198 81 198, RGB 198 81 167 and RGB 198 81 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 80 197 shade: RGB 149 48 148, RGB 180 58 179, RGB 198 81 197, RGB 208 112 208 and RGB 218 144 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 80 197 shade: RGB 198 80 197, RGB 198 105 81 and RGB 81 198 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 80 197 shade: RGB 198 80 197, RGB 198 198 81 and RGB 81 198 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 80 197 shade: RGB 198 80 197, RGB 198 105 81, RGB 81 198 81 and RGB 81 175 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 80 197 shade: RGB 198 80 197, RGB 198 140 81, RGB 81 198 81 and RGB 81 140 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 1 / 22

HEX #C650C5

RGB 198 80 197

HSL 300.51, 0.51%, 0.55%

LAB 53.79, 61.75, -39.07

 

Complementary color

CMYK 67 / 0 / 67 / 31

HEX #39AF3A

RGB 57 175 58

HSL 120.51, 0.51%, 0.45%

LAB 63.21, -55.44, 48.77

 

CMYK 0 / 61 / 5 / 20

HEX #CB50C0

RGB 203 80 192

HSL 305.37, 0.54%, 0.55%

LAB 54.28, 62.19, -35.37

 

CMYK 0 / 55 / 4 / 14

HEX #DC62D3

RGB 220 98 211

HSL 304.43, 0.64%, 0.62%

LAB 60.48, 61.9, -36.34

 

CMYK 0 / 51 / 3 / 7

HEX #ED74E6

RGB 237 116 230

HSL 303.47, 0.77%, 0.69%

LAB 66.68, 61.42, -37.11

 

CMYK 0 / 47 / 2 / 0

HEX #FE86F9

RGB 254 134 249

HSL 302.5, 0.98%, 0.76%

LAB 72.87, 60.83, -37.76

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 60 / 1 / 22

HEX #C650C5

RGB 198 80 197

HSL 300.51, 0.51%, 0.55%

LAB 53.79, 61.75, -39.07

 

CMYK 0 / 66 / 2 / 29

HEX #B53EB2

RGB 181 62 178

HSL 301.51, 0.49%, 0.48%

LAB 47.6, 61.74, -37.96

 

CMYK 0 / 73 / 3 / 36

HEX #A42C9F

RGB 164 44 159

HSL 302.5, 0.58%, 0.41%

LAB 41.53, 61.2, -36.46

 

CMYK 0 / 82 / 5 / 42

HEX #931A8C

RGB 147 26 140

HSL 303.47, 0.7%, 0.34%

LAB 35.67, 59.77, -34.38

 

CMYK 0 / 94 / 7 / 49

HEX #820879

RGB 130 8 121

HSL 304.43, 0.88%, 0.27%

LAB 30.16, 56.96, -31.46

 

CMYK 0 / 59 / 1 / 22

HEX #C651C5

RGB 198 81 197

HSL 300.51, 0.51%, 0.55%

LAB 53.94, 61.31, -38.82

 

CMYK 0 / 59 / 16 / 22

HEX #C651A6

RGB 198 81 166

HSL 316.41, 0.51%, 0.55%

LAB 52.56, 56.32, -23

 

CMYK 0 / 59 / 32 / 22

HEX #C65186

RGB 198 81 134

HSL 332.82, 0.51%, 0.55%

LAB 51.4, 51.94, -5.83

 

CMYK 0 / 59 / 48 / 22

HEX #C65167

RGB 198 81 103

HSL 348.72, 0.51%, 0.55%

LAB 50.53, 48.57, 11.51

 

CMYK 0 / 59 / 59 / 22

HEX #C65151

RGB 198 81 81

HSL 0, 0.51%, 0.55%

LAB 50.08, 46.74, 24.02

 

CMYK 0 / 59 / 1 / 22

HEX #C651C5

RGB 198 81 197

HSL 300.51, 0.51%, 0.55%

LAB 53.94, 61.31, -38.82

 

CMYK 15 / 59 / 0 / 22

HEX #A851C6

RGB 168 81 198

HSL 284.62, 0.51%, 0.55%

LAB 49.84, 53.9, -46.16

 

CMYK 31 / 59 / 0 / 22

HEX #8851C6

RGB 136 81 198

HSL 268.21, 0.51%, 0.55%

LAB 45.9, 46.06, -52.68

 

CMYK 47 / 59 / 0 / 22

HEX #6951C6

RGB 105 81 198

HSL 252.31, 0.51%, 0.55%

LAB 42.71, 39.09, -57.99

 

CMYK 59 / 59 / 0 / 22

HEX #5151C6

RGB 81 81 198

HSL 240, 0.51%, 0.55%

LAB 40.75, 34.46, -61.25

 

CMYK 0 / 59 / 1 / 22

HEX #C651C5

RGB 198 81 197

HSL 300.51, 0.51%, 0.55%

LAB 53.94, 61.31, -38.82

 

CMYK 0 / 71 / 0 / 15

HEX #D93FD8

RGB 217 63 216

HSL 300.39, 0.67%, 0.55%

LAB 55.34, 75.69, -47.28

 

CMYK 0 / 81 / 0 / 8

HEX #EB2CEA

RGB 235 44 234

HSL 300.31, 0.83%, 0.55%

LAB 57.47, 86.99, -53.89

 

CMYK 0 / 90 / 1 / 0

HEX #FE1AFC

RGB 254 26 252

HSL 300.53, 0.99%, 0.55%

LAB 60.64, 95.73, -58.68

 

CMYK 0 / 59 / 1 / 22

HEX #C651C5

RGB 198 81 197

HSL 300.51, 0.51%, 0.55%

LAB 53.94, 61.31, -38.82

 

CMYK 0 / 44 / 1 / 29

HEX #B464B3

RGB 180 100 179

HSL 300.75, 0.35%, 0.55%

LAB 54.1, 43.9, -28.38

 

CMYK 0 / 27 / 0 / 37

HEX #A176A1

RGB 161 118 161

HSL 300, 0.19%, 0.55%

LAB 55.18, 24.32, -16.49

 

CMYK 0 / 4 / 0 / 44

HEX #8F898F

RGB 143 137 143

HSL 300, 0.03%, 0.55%

LAB 57.76, 3.39, -2.41

 

CMYK 20 / 0 / 20 / 39

HEX #7C9B7C

RGB 124 155 124

HSL 120, 0.13%, 0.55%

LAB 60.94, -17.07, 12.77

 

CMYK 31 / 59 / 0 / 22

HEX #8851C6

RGB 136 81 198

HSL 268.21, 0.51%, 0.55%

LAB 45.9, 46.06, -52.68

 

CMYK 16 / 59 / 0 / 22

HEX #A751C6

RGB 167 81 198

HSL 284.1, 0.51%, 0.55%

LAB 49.71, 53.65, -46.37

 

CMYK 0 / 59 / 0 / 22

HEX #C651C6

RGB 198 81 198

HSL 300, 0.51%, 0.55%

LAB 53.99, 61.49, -39.32

 

CMYK 0 / 59 / 16 / 22

HEX #C651A7

RGB 198 81 167

HSL 315.9, 0.51%, 0.55%

LAB 52.6, 56.47, -23.52

 

CMYK 0 / 59 / 31 / 22

HEX #C65188

RGB 198 81 136

HSL 331.79, 0.51%, 0.55%

LAB 51.46, 52.19, -6.92

 

CMYK 0 / 68 / 1 / 42

HEX #953094

RGB 149 48 148

HSL 300.59, 0.51%, 0.39%

LAB 38.97, 54.37, -34.02

 

CMYK 0 / 68 / 1 / 29

HEX #B43AB3

RGB 180 58 179

HSL 300.49, 0.51%, 0.47%

LAB 46.95, 63.2, -39.58

 

CMYK 0 / 59 / 1 / 22

HEX #C651C5

RGB 198 81 197

HSL 300.51, 0.51%, 0.55%

LAB 53.94, 61.31, -38.82

 

CMYK 0 / 46 / 0 / 18

HEX #D070D0

RGB 208 112 208

HSL 300, 0.51%, 0.63%

LAB 61.27, 51.36, -33.53

 

CMYK 0 / 34 / 0 / 15

HEX #DA90DA

RGB 218 144 218

HSL 300, 0.5%, 0.71%

LAB 69.41, 39.59, -26.43

 

CMYK 0 / 60 / 1 / 22

HEX #C650C5

RGB 198 80 197

HSL 300.51, 0.51%, 0.55%

LAB 53.79, 61.75, -39.07

 

CMYK 0 / 47 / 59 / 22

HEX #C66951

RGB 198 105 81

HSL 12.31, 0.51%, 0.55%

LAB 54.77, 34.75, 30.02

 

CMYK 59 / 0 / 24 / 22

HEX #51C697

RGB 81 198 151

HSL 155.9, 0.51%, 0.55%

LAB 72.48, -44.09, 13.86

 

CMYK 0 / 60 / 1 / 22

HEX #C650C5

RGB 198 80 197

HSL 300.51, 0.51%, 0.55%

LAB 53.79, 61.75, -39.07

 

CMYK 0 / 0 / 59 / 22

HEX #C6C651

RGB 198 198 81

HSL 60, 0.51%, 0.55%

LAB 77.87, -15, 57.09

 

CMYK 59 / 0 / 0 / 22

HEX #51C6C6

RGB 81 198 198

HSL 180, 0.51%, 0.55%

LAB 73.68, -32.4, -9.85

 

CMYK 0 / 60 / 1 / 22

HEX #C650C5

RGB 198 80 197

HSL 300.51, 0.51%, 0.55%

LAB 53.79, 61.75, -39.07

 

CMYK 0 / 47 / 59 / 22

HEX #C66951

RGB 198 105 81

HSL 12.31, 0.51%, 0.55%

LAB 54.77, 34.75, 30.02

 

CMYK 59 / 0 / 59 / 22

HEX #51C651

RGB 81 198 81

HSL 120, 0.51%, 0.55%

LAB 71.37, -55.94, 48.02

 

CMYK 59 / 12 / 0 / 22

HEX #51AFC6

RGB 81 175 198

HSL 191.79, 0.51%, 0.55%

LAB 66.89, -21, -20.09

 

CMYK 0 / 60 / 1 / 22

HEX #C650C5

RGB 198 80 197

HSL 300.51, 0.51%, 0.55%

LAB 53.79, 61.75, -39.07

 

CMYK 0 / 29 / 59 / 22

HEX #C68C51

RGB 198 140 81

HSL 30.26, 0.51%, 0.55%

LAB 62.81, 15.78, 39.89

 

CMYK 59 / 0 / 59 / 22

HEX #51C651

RGB 81 198 81

HSL 120, 0.51%, 0.55%

LAB 71.37, -55.94, 48.02

 

CMYK 59 / 29 / 0 / 22

HEX #518CC6

RGB 81 140 198

HSL 209.74, 0.51%, 0.55%

LAB 56.67, -1.8, -35.86

 

Description

Color code: RGB 198 80 197 | qconv.com Color code: RGB 198 80 197 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 80 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 80 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 1 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 1% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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