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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E86C7D it is the complementary color #179382. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E86C7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E86C7D shade: #ED6C78, #FE7E8B, #FF909E, #FFA2B1 and #FFB4C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E86C7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E86C7D shade: #E86C7D, #D75A6A, #C64857, #B53644 and #A42431

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E86C7D shade: #E86D7E and #E86D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E86C7D shade: #E86D7E, #E86D9F, #E86DC0, #E86DE1 and #CD6DE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E86C7D shade matches the following richer shades: #E86D7E and #F55F74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E86C7D shade: #E86D7E, #DA7B88, #CD8892, #BF969B and #B1A3A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E86C7D shade: #E86DC1, #E86DA0, #E86D7F, #E87B6D and #E89C6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E86C7D shade: #DD263F, #E2495E, #E86D7E, #ED919D and #F3B4BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E86C7D shade: #E86C7D, #E2E86D and #6DB0E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E86C7D shade: #E86C7D, #7FE86D and #6D7FE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E86C7D shade: #E86C7D, #E2E86D, #6DE8D5 and #736DE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E86C7D shade: #E86C7D, #BDE86D, #6DE8D5 and #986DE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 46 / 9

HEX #E86C7D

RGB 232 108 125

HSL 351.77, 0.73%, 0.67%

LAB 61.1, 49.55, 14.1

 

Complementary color

CMYK 84 / 0 / 12 / 42

HEX #179382

RGB 23 147 130

HSL 171.77, 0.73%, 0.33%

LAB 54.72, -35.74, -0.06

 

CMYK 0 / 54 / 49 / 7

HEX #ED6C78

RGB 237 108 120

HSL 354.42, 0.78%, 0.68%

LAB 61.73, 50.81, 17.96

 

CMYK 0 / 50 / 45 / 0

HEX #FE7E8B

RGB 254 126 139

HSL 353.91, 0.98%, 0.75%

LAB 67.91, 49.83, 16.09

 

CMYK 0 / 44 / 38 / 0

HEX #FF909E

RGB 255 144 158

HSL 352.43, 1%, 0.78%

LAB 72.01, 43.24, 11.24

 

CMYK 0 / 36 / 31 / 0

HEX #FFA2B1

RGB 255 162 177

HSL 350.32, 1%, 0.82%

LAB 76.24, 36.28, 6.79

 

CMYK 0 / 29 / 23 / 0

HEX #FFB4C4

RGB 255 180 196

HSL 347.2, 1%, 0.85%

LAB 80.68, 29.44, 2.86

 

CMYK 0 / 53 / 46 / 9

HEX #E86C7D

RGB 232 108 125

HSL 351.77, 0.73%, 0.67%

LAB 61.1, 49.55, 14.1

 

CMYK 0 / 58 / 51 / 16

HEX #D75A6A

RGB 215 90 106

HSL 352.32, 0.61%, 0.6%

LAB 54.87, 50.46, 16.14

 

CMYK 0 / 64 / 56 / 22

HEX #C64857

RGB 198 72 87

HSL 352.86, 0.53%, 0.53%

LAB 48.67, 51.25, 18.58

 

CMYK 0 / 70 / 62 / 29

HEX #B53644

RGB 181 54 68

HSL 353.39, 0.54%, 0.46%

LAB 42.58, 51.76, 21.55

 

CMYK 0 / 78 / 70 / 36

HEX #A42431

RGB 164 36 49

HSL 353.91, 0.64%, 0.39%

LAB 36.7, 51.75, 25.24

 

CMYK 0 / 53 / 46 / 9

HEX #E86D7E

RGB 232 109 126

HSL 351.71, 0.73%, 0.67%

LAB 61.31, 49.16, 13.81

 

CMYK 0 / 53 / 53 / 9

HEX #E86D6D

RGB 232 109 109

HSL 0, 0.73%, 0.67%

LAB 60.96, 47.64, 23.09

 

CMYK 0 / 53 / 46 / 9

HEX #E86D7E

RGB 232 109 126

HSL 351.71, 0.73%, 0.67%

LAB 61.31, 49.16, 13.81

 

CMYK 0 / 53 / 31 / 9

HEX #E86D9F

RGB 232 109 159

HSL 335.61, 0.73%, 0.67%

LAB 62.17, 52.79, -3.96

 

CMYK 0 / 53 / 17 / 9

HEX #E86DC0

RGB 232 109 192

HSL 319.51, 0.73%, 0.67%

LAB 63.26, 57.26, -21.15

 

CMYK 0 / 53 / 3 / 9

HEX #E86DE1

RGB 232 109 225

HSL 303.41, 0.73%, 0.67%

LAB 64.59, 62.46, -37.64

 

CMYK 12 / 53 / 0 / 9

HEX #CD6DE8

RGB 205 109 232

HSL 286.83, 0.73%, 0.67%

LAB 61.43, 56.55, -46.74

 

CMYK 0 / 53 / 46 / 9

HEX #E86D7E

RGB 232 109 126

HSL 351.71, 0.73%, 0.67%

LAB 61.31, 49.16, 13.81

 

CMYK 0 / 61 / 53 / 4

HEX #F55F74

RGB 245 95 116

HSL 351.6, 0.88%, 0.67%

LAB 60.66, 59, 19

 

CMYK 0 / 53 / 46 / 9

HEX #E86D7E

RGB 232 109 126

HSL 351.71, 0.73%, 0.67%

LAB 61.31, 49.16, 13.81

 

CMYK 0 / 44 / 38 / 15

HEX #DA7B88

RGB 218 123 136

HSL 351.79, 0.56%, 0.67%

LAB 62.38, 38.22, 9.31

 

CMYK 0 / 34 / 29 / 20

HEX #CD8892

RGB 205 136 146

HSL 351.3, 0.41%, 0.67%

LAB 63.89, 27.74, 5.55

 

CMYK 0 / 21 / 19 / 25

HEX #BF969B

RGB 191 150 155

HSL 352.68, 0.24%, 0.67%

LAB 65.95, 16.12, 3.25

 

CMYK 0 / 8 / 7 / 31

HEX #B1A3A5

RGB 177 163 165

HSL 351.43, 0.08%, 0.67%

LAB 68.21, 5.43, 0.79

 

CMYK 0 / 53 / 17 / 9

HEX #E86DC1

RGB 232 109 193

HSL 319.02, 0.73%, 0.67%

LAB 63.3, 57.41, -21.66

 

CMYK 0 / 53 / 31 / 9

HEX #E86DA0

RGB 232 109 160

HSL 335.12, 0.73%, 0.67%

LAB 62.2, 52.92, -4.49

 

CMYK 0 / 53 / 45 / 9

HEX #E86D7F

RGB 232 109 127

HSL 351.22, 0.73%, 0.67%

LAB 61.33, 49.26, 13.27

 

CMYK 0 / 47 / 53 / 9

HEX #E87B6D

RGB 232 123 109

HSL 6.83, 0.73%, 0.67%

LAB 63.69, 40.69, 26.72

 

CMYK 0 / 33 / 53 / 9

HEX #E89C6D

RGB 232 156 109

HSL 22.93, 0.73%, 0.67%

LAB 70.9, 23.42, 36.03

 

CMYK 0 / 83 / 71 / 13

HEX #DD263F

RGB 221 38 63

HSL 351.8, 0.73%, 0.51%

LAB 48.41, 68.06, 33.48

 

CMYK 0 / 68 / 58 / 11

HEX #E2495E

RGB 226 73 94

HSL 351.76, 0.73%, 0.59%

LAB 53.75, 60.33, 22.03

 

CMYK 0 / 53 / 46 / 9

HEX #E86D7E

RGB 232 109 126

HSL 351.71, 0.73%, 0.67%

LAB 61.31, 49.16, 13.81

 

CMYK 0 / 39 / 34 / 7

HEX #ED919D

RGB 237 145 157

HSL 352.17, 0.72%, 0.75%

LAB 69.96, 36.15, 8.57

 

CMYK 0 / 26 / 22 / 5

HEX #F3B4BD

RGB 243 180 189

HSL 351.43, 0.72%, 0.83%

LAB 79.25, 24.14, 4.43

 

CMYK 0 / 53 / 46 / 9

HEX #E86C7D

RGB 232 108 125

HSL 351.77, 0.73%, 0.67%

LAB 61.1, 49.55, 14.1

 

CMYK 3 / 0 / 53 / 9

HEX #E2E86D

RGB 226 232 109

HSL 62.93, 0.73%, 0.67%

LAB 89.39, -18.35, 58.22

 

CMYK 53 / 24 / 0 / 9

HEX #6DB0E8

RGB 109 176 232

HSL 207.32, 0.73%, 0.67%

LAB 69.56, -5.71, -34.57

 

CMYK 0 / 53 / 46 / 9

HEX #E86C7D

RGB 232 108 125

HSL 351.77, 0.73%, 0.67%

LAB 61.1, 49.55, 14.1

 

CMYK 45 / 0 / 53 / 9

HEX #7FE86D

RGB 127 232 109

HSL 111.22, 0.73%, 0.67%

LAB 83.62, -53.53, 50

 

CMYK 53 / 45 / 0 / 9

HEX #6D7FE8

RGB 109 127 232

HSL 231.22, 0.73%, 0.67%

LAB 56.34, 22.69, -55.38

 

CMYK 0 / 53 / 46 / 9

HEX #E86C7D

RGB 232 108 125

HSL 351.77, 0.73%, 0.67%

LAB 61.1, 49.55, 14.1

 

CMYK 3 / 0 / 53 / 9

HEX #E2E86D

RGB 226 232 109

HSL 62.93, 0.73%, 0.67%

LAB 89.39, -18.35, 58.22

 

CMYK 53 / 0 / 8 / 9

HEX #6DE8D5

RGB 109 232 213

HSL 170.73, 0.73%, 0.67%

LAB 84.88, -38.95, -1.24

 

CMYK 50 / 53 / 0 / 9

HEX #736DE8

RGB 115 109 232

HSL 242.93, 0.73%, 0.67%

LAB 52.3, 34.73, -61.85

 

CMYK 0 / 53 / 46 / 9

HEX #E86C7D

RGB 232 108 125

HSL 351.77, 0.73%, 0.67%

LAB 61.1, 49.55, 14.1

 

CMYK 19 / 0 / 53 / 9

HEX #BDE86D

RGB 189 232 109

HSL 80.98, 0.73%, 0.67%

LAB 86.82, -32.67, 54.58

 

CMYK 53 / 0 / 8 / 9

HEX #6DE8D5

RGB 109 232 213

HSL 170.73, 0.73%, 0.67%

LAB 84.88, -38.95, -1.24

 

CMYK 34 / 53 / 0 / 9

HEX #986DE8

RGB 152 109 232

HSL 260.98, 0.73%, 0.67%

LAB 55.52, 43.08, -56.5

 

Description

Color code: HEX #E86C7D | qconv.com Color code: HEX #E86C7D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 108 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 108 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 46 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 46% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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