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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E86D7F it is the complementary color #179280. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E86D7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E86D7F shade: #ED6D7A, #FE7F8D, #FF91A0, #FFA3B3 and #FFB5C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E86D7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E86D7F shade: #E86D7F, #D75B6C, #C64959, #B53746 and #A42533

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E86D7F shade: #E86D7F and #E86D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E86D7F shade: #E86D7F, #E86DA0, #E86DC1, #E86DE2 and #CC6DE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E86D7F shade matches the following richer shades: #E86D7F and #F55F75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E86D7F shade: #E86D7F, #DA7B89, #CD8892, #BF969C and #B1A3A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E86D7F shade: #E86DC1, #E86DA0, #E86D7F, #E87B6D and #E89C6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E86D7F shade: #DD2640, #E24960, #E86D7F, #ED919E and #F3B4BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E86D7F shade: #E86D7F, #E2E86D and #6DB0E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E86D7F shade: #E86D7F, #7FE86D and #6D7FE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E86D7F shade: #E86D7F, #E2E86D, #6DE8D5 and #736DE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E86D7F shade: #E86D7F, #BDE86D, #6DE8D5 and #986DE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 45 / 9

HEX #E86D7F

RGB 232 109 127

HSL 351.22, 0.73%, 0.67%

LAB 61.33, 49.26, 13.27

 

Complementary color

CMYK 84 / 0 / 12 / 43

HEX #179280

RGB 23 146 128

HSL 171.22, 0.73%, 0.33%

LAB 54.34, -35.86, 0.53

 

CMYK 0 / 54 / 49 / 7

HEX #ED6D7A

RGB 237 109 122

HSL 353.91, 0.78%, 0.68%

LAB 61.95, 50.51, 17.12

 

CMYK 0 / 50 / 44 / 0

HEX #FE7F8D

RGB 254 127 141

HSL 353.39, 0.98%, 0.75%

LAB 68.15, 49.54, 15.29

 

CMYK 0 / 43 / 37 / 0

HEX #FF91A0

RGB 255 145 160

HSL 351.82, 1%, 0.78%

LAB 72.26, 42.96, 10.48

 

CMYK 0 / 36 / 30 / 0

HEX #FFA3B3

RGB 255 163 179

HSL 349.57, 1%, 0.82%

LAB 76.5, 36.02, 6.07

 

CMYK 0 / 29 / 22 / 0

HEX #FFB5C6

RGB 255 181 198

HSL 346.22, 1%, 0.85%

LAB 80.95, 29.2, 2.18

 

CMYK 0 / 53 / 45 / 9

HEX #E86D7F

RGB 232 109 127

HSL 351.22, 0.73%, 0.67%

LAB 61.33, 49.26, 13.27

 

CMYK 0 / 58 / 50 / 16

HEX #D75B6C

RGB 215 91 108

HSL 351.77, 0.61%, 0.6%

LAB 55.08, 50.17, 15.26

 

CMYK 0 / 63 / 55 / 22

HEX #C64959

RGB 198 73 89

HSL 352.32, 0.52%, 0.53%

LAB 48.87, 50.97, 17.64

 

CMYK 0 / 70 / 61 / 29

HEX #B53746

RGB 181 55 70

HSL 352.86, 0.53%, 0.46%

LAB 42.76, 51.5, 20.55

 

CMYK 0 / 77 / 69 / 36

HEX #A42533

RGB 164 37 51

HSL 353.39, 0.63%, 0.39%

LAB 36.85, 51.53, 24.17

 

CMYK 0 / 53 / 45 / 9

HEX #E86D7F

RGB 232 109 127

HSL 351.22, 0.73%, 0.67%

LAB 61.33, 49.26, 13.27

 

CMYK 0 / 53 / 53 / 9

HEX #E86D6D

RGB 232 109 109

HSL 0, 0.73%, 0.67%

LAB 60.96, 47.64, 23.09

 

CMYK 0 / 53 / 45 / 9

HEX #E86D7F

RGB 232 109 127

HSL 351.22, 0.73%, 0.67%

LAB 61.33, 49.26, 13.27

 

CMYK 0 / 53 / 31 / 9

HEX #E86DA0

RGB 232 109 160

HSL 335.12, 0.73%, 0.67%

LAB 62.2, 52.92, -4.49

 

CMYK 0 / 53 / 17 / 9

HEX #E86DC1

RGB 232 109 193

HSL 319.02, 0.73%, 0.67%

LAB 63.3, 57.41, -21.66

 

CMYK 0 / 53 / 3 / 9

HEX #E86DE2

RGB 232 109 226

HSL 302.93, 0.73%, 0.67%

LAB 64.63, 62.63, -38.13

 

CMYK 12 / 53 / 0 / 9

HEX #CC6DE8

RGB 204 109 232

HSL 286.34, 0.73%, 0.67%

LAB 61.31, 56.29, -46.95

 

CMYK 0 / 53 / 45 / 9

HEX #E86D7F

RGB 232 109 127

HSL 351.22, 0.73%, 0.67%

LAB 61.33, 49.26, 13.27

 

CMYK 0 / 61 / 52 / 4

HEX #F55F75

RGB 245 95 117

HSL 351.2, 0.88%, 0.67%

LAB 60.68, 59.08, 18.45

 

CMYK 0 / 53 / 45 / 9

HEX #E86D7F

RGB 232 109 127

HSL 351.22, 0.73%, 0.67%

LAB 61.33, 49.26, 13.27

 

CMYK 0 / 44 / 37 / 15

HEX #DA7B89

RGB 218 123 137

HSL 351.16, 0.56%, 0.67%

LAB 62.4, 38.34, 8.77

 

CMYK 0 / 34 / 29 / 20

HEX #CD8892

RGB 205 136 146

HSL 351.3, 0.41%, 0.67%

LAB 63.89, 27.74, 5.55

 

CMYK 0 / 21 / 18 / 25

HEX #BF969C

RGB 191 150 156

HSL 351.22, 0.24%, 0.67%

LAB 65.97, 16.27, 2.73

 

CMYK 0 / 8 / 7 / 31

HEX #B1A3A5

RGB 177 163 165

HSL 351.43, 0.08%, 0.67%

LAB 68.21, 5.43, 0.79

 

CMYK 0 / 53 / 17 / 9

HEX #E86DC1

RGB 232 109 193

HSL 319.02, 0.73%, 0.67%

LAB 63.3, 57.41, -21.66

 

CMYK 0 / 53 / 31 / 9

HEX #E86DA0

RGB 232 109 160

HSL 335.12, 0.73%, 0.67%

LAB 62.2, 52.92, -4.49

 

CMYK 0 / 53 / 45 / 9

HEX #E86D7F

RGB 232 109 127

HSL 351.22, 0.73%, 0.67%

LAB 61.33, 49.26, 13.27

 

CMYK 0 / 47 / 53 / 9

HEX #E87B6D

RGB 232 123 109

HSL 6.83, 0.73%, 0.67%

LAB 63.69, 40.69, 26.72

 

CMYK 0 / 33 / 53 / 9

HEX #E89C6D

RGB 232 156 109

HSL 22.93, 0.73%, 0.67%

LAB 70.9, 23.42, 36.03

 

CMYK 0 / 83 / 71 / 13

HEX #DD2640

RGB 221 38 64

HSL 351.48, 0.73%, 0.51%

LAB 48.42, 68.11, 32.91

 

CMYK 0 / 68 / 58 / 11

HEX #E24960

RGB 226 73 96

HSL 350.98, 0.73%, 0.59%

LAB 53.79, 60.46, 20.9

 

CMYK 0 / 53 / 45 / 9

HEX #E86D7F

RGB 232 109 127

HSL 351.22, 0.73%, 0.67%

LAB 61.33, 49.26, 13.27

 

CMYK 0 / 39 / 33 / 7

HEX #ED919E

RGB 237 145 158

HSL 351.52, 0.72%, 0.75%

LAB 69.98, 36.28, 8.04

 

CMYK 0 / 26 / 22 / 5

HEX #F3B4BD

RGB 243 180 189

HSL 351.43, 0.72%, 0.83%

LAB 79.25, 24.14, 4.43

 

CMYK 0 / 53 / 45 / 9

HEX #E86D7F

RGB 232 109 127

HSL 351.22, 0.73%, 0.67%

LAB 61.33, 49.26, 13.27

 

CMYK 3 / 0 / 53 / 9

HEX #E2E86D

RGB 226 232 109

HSL 62.93, 0.73%, 0.67%

LAB 89.39, -18.35, 58.22

 

CMYK 53 / 24 / 0 / 9

HEX #6DB0E8

RGB 109 176 232

HSL 207.32, 0.73%, 0.67%

LAB 69.56, -5.71, -34.57

 

CMYK 0 / 53 / 45 / 9

HEX #E86D7F

RGB 232 109 127

HSL 351.22, 0.73%, 0.67%

LAB 61.33, 49.26, 13.27

 

CMYK 45 / 0 / 53 / 9

HEX #7FE86D

RGB 127 232 109

HSL 111.22, 0.73%, 0.67%

LAB 83.62, -53.53, 50

 

CMYK 53 / 45 / 0 / 9

HEX #6D7FE8

RGB 109 127 232

HSL 231.22, 0.73%, 0.67%

LAB 56.34, 22.69, -55.38

 

CMYK 0 / 53 / 45 / 9

HEX #E86D7F

RGB 232 109 127

HSL 351.22, 0.73%, 0.67%

LAB 61.33, 49.26, 13.27

 

CMYK 3 / 0 / 53 / 9

HEX #E2E86D

RGB 226 232 109

HSL 62.93, 0.73%, 0.67%

LAB 89.39, -18.35, 58.22

 

CMYK 53 / 0 / 8 / 9

HEX #6DE8D5

RGB 109 232 213

HSL 170.73, 0.73%, 0.67%

LAB 84.88, -38.95, -1.24

 

CMYK 50 / 53 / 0 / 9

HEX #736DE8

RGB 115 109 232

HSL 242.93, 0.73%, 0.67%

LAB 52.3, 34.73, -61.85

 

CMYK 0 / 53 / 45 / 9

HEX #E86D7F

RGB 232 109 127

HSL 351.22, 0.73%, 0.67%

LAB 61.33, 49.26, 13.27

 

CMYK 19 / 0 / 53 / 9

HEX #BDE86D

RGB 189 232 109

HSL 80.98, 0.73%, 0.67%

LAB 86.82, -32.67, 54.58

 

CMYK 53 / 0 / 8 / 9

HEX #6DE8D5

RGB 109 232 213

HSL 170.73, 0.73%, 0.67%

LAB 84.88, -38.95, -1.24

 

CMYK 34 / 53 / 0 / 9

HEX #986DE8

RGB 152 109 232

HSL 260.98, 0.73%, 0.67%

LAB 55.52, 43.08, -56.5

 

Description

Color code: HEX #E86D7F | qconv.com Color code: HEX #E86D7F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 109 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 109 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 45 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 45% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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