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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E729CC it is the complementary color #18D633. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E729CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E729CC shade: #EC29C7, #FD3BDA, #FF4DED, #FF5FFF and #FF71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E729CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E729CC shade: #E729CC, #D617B9, #C505A6, #B40093 and #A30080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E729CC shade: #E727CB, #E72798, #E72764, #E72730 and #E72727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E729CC shade: #E727CB, #CE27E7, #9A27E7, #6727E7 and #3327E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E729CC shade matches the following richer shades: #E727CB and #FA13D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E729CC shade: #E727CB, #D33ABD, #C04EB0, #AC61A2 and #997494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E729CC shade: #9A27E7, #CD27E7, #E727CD, #E7279A and #E72767

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E729CC shade: #A91293, #CE16B4, #E727CB, #EB4CD4 and #EF71DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E729CC shade: #E729CC, #E76727 and #27E7B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E729CC shade: #E729CC, #CDE727 and #27CDE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E729CC shade: #E729CC, #E76727, #27E740 and #27A7E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E729CC shade: #E729CC, #E7A027, #27E740 and #276DE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 12 / 9

HEX #E729CC

RGB 231 41 204

HSL 308.53, 0.8%, 0.53%

LAB 55, 82.62, -40.81

 

Complementary color

CMYK 89 / 0 / 76 / 16

HEX #18D633

RGB 24 214 51

HSL 128.53, 0.8%, 0.47%

LAB 75.16, -72.46, 63.51

 

CMYK 0 / 83 / 16 / 7

HEX #EC29C7

RGB 236 41 199

HSL 311.38, 0.84%, 0.54%

LAB 55.63, 82.96, -36.91

 

CMYK 0 / 77 / 14 / 1

HEX #FD3BDA

RGB 253 59 218

HSL 310.82, 0.98%, 0.61%

LAB 60.85, 84.73, -39.34

 

CMYK 0 / 70 / 7 / 0

HEX #FF4DED

RGB 255 77 237

HSL 306.07, 1%, 0.65%

LAB 63.9, 82.55, -45.16

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 82 / 12 / 9

HEX #E729CC

RGB 231 41 204

HSL 308.53, 0.8%, 0.53%

LAB 55, 82.62, -40.81

 

CMYK 0 / 89 / 14 / 16

HEX #D617B9

RGB 214 23 185

HSL 309.11, 0.81%, 0.46%

LAB 49.99, 79.96, -37.92

 

CMYK 0 / 97 / 16 / 23

HEX #C505A6

RGB 197 5 166

HSL 309.69, 0.95%, 0.4%

LAB 45.26, 76.22, -34.36

 

CMYK 0 / 100 / 18 / 29

HEX #B40093

RGB 180 0 147

HSL 311, 1%, 0.35%

LAB 40.91, 71.11, -29.98

 

CMYK 0 / 100 / 21 / 36

HEX #A30080

RGB 163 0 128

HSL 312.88, 1%, 0.32%

LAB 36.64, 65.46, -25.2

 

CMYK 0 / 83 / 12 / 9

HEX #E727CB

RGB 231 39 203

HSL 308.75, 0.8%, 0.53%

LAB 54.82, 82.89, -40.54

 

CMYK 0 / 83 / 34 / 9

HEX #E72798

RGB 231 39 152

HSL 324.69, 0.8%, 0.53%

LAB 52.63, 76.84, -14.13

 

CMYK 0 / 83 / 57 / 9

HEX #E72764

RGB 231 39 100

HSL 340.94, 0.8%, 0.53%

LAB 51.11, 72.45, 15

 

CMYK 0 / 83 / 79 / 9

HEX #E72730

RGB 231 39 48

HSL 357.19, 0.8%, 0.53%

LAB 50.28, 69.99, 44.65

 

CMYK 0 / 83 / 83 / 9

HEX #E72727

RGB 231 39 39

HSL 0, 0.8%, 0.53%

LAB 50.2, 69.75, 49.28

 

CMYK 0 / 83 / 12 / 9

HEX #E727CB

RGB 231 39 203

HSL 308.75, 0.8%, 0.53%

LAB 54.82, 82.89, -40.54

 

CMYK 11 / 83 / 0 / 9

HEX #CE27E7

RGB 206 39 231

HSL 292.19, 0.8%, 0.53%

LAB 52.22, 82.51, -60.86

 

CMYK 33 / 83 / 0 / 9

HEX #9A27E7

RGB 154 39 231

HSL 275.94, 0.8%, 0.53%

LAB 44.36, 74.38, -73.97

 

CMYK 55 / 83 / 0 / 9

HEX #6727E7

RGB 103 39 231

HSL 260, 0.8%, 0.53%

LAB 38.03, 68.15, -84.61

 

CMYK 78 / 83 / 0 / 9

HEX #3327E7

RGB 51 39 231

HSL 243.75, 0.8%, 0.53%

LAB 33.82, 64.24, -91.71

 

CMYK 0 / 83 / 12 / 9

HEX #E727CB

RGB 231 39 203

HSL 308.75, 0.8%, 0.53%

LAB 54.82, 82.89, -40.54

 

CMYK 0 / 92 / 13 / 2

HEX #FA13D9

RGB 250 19 217

HSL 308.57, 0.96%, 0.53%

LAB 57.85, 91.11, -43.53

 

CMYK 0 / 83 / 12 / 9

HEX #E727CB

RGB 231 39 203

HSL 308.75, 0.8%, 0.53%

LAB 54.82, 82.89, -40.54

 

CMYK 0 / 73 / 10 / 17

HEX #D33ABD

RGB 211 58 189

HSL 308.63, 0.63%, 0.53%

LAB 52.45, 71.87, -36.41

 

CMYK 0 / 59 / 8 / 25

HEX #C04EB0

RGB 192 78 176

HSL 308.42, 0.48%, 0.53%

LAB 51.6, 57.54, -30.4

 

CMYK 0 / 44 / 6 / 33

HEX #AC61A2

RGB 172 97 162

HSL 308, 0.31%, 0.53%

LAB 51.76, 39.88, -22.19

 

CMYK 0 / 24 / 3 / 40

HEX #997494

RGB 153 116 148

HSL 308.11, 0.15%, 0.53%

LAB 53.39, 20.11, -11.72

 

CMYK 33 / 83 / 0 / 9

HEX #9A27E7

RGB 154 39 231

HSL 275.94, 0.8%, 0.53%

LAB 44.36, 74.38, -73.97

 

CMYK 11 / 83 / 0 / 9

HEX #CD27E7

RGB 205 39 231

HSL 291.88, 0.8%, 0.53%

LAB 52.06, 82.34, -61.13

 

CMYK 0 / 83 / 11 / 9

HEX #E727CD

RGB 231 39 205

HSL 308.13, 0.8%, 0.53%

LAB 54.92, 83.16, -41.53

 

CMYK 0 / 83 / 33 / 9

HEX #E7279A

RGB 231 39 154

HSL 324.06, 0.8%, 0.53%

LAB 52.7, 77.05, -15.21

 

CMYK 0 / 83 / 55 / 9

HEX #E72767

RGB 231 39 103

HSL 340, 0.8%, 0.53%

LAB 51.17, 72.65, 13.27

 

CMYK 0 / 89 / 13 / 34

HEX #A91293

RGB 169 18 147

HSL 308.74, 0.81%, 0.37%

LAB 39.54, 66.89, -32.29

 

CMYK 0 / 89 / 13 / 19

HEX #CE16B4

RGB 206 22 180

HSL 308.48, 0.81%, 0.45%

LAB 48.25, 77.93, -37.84

 

CMYK 0 / 83 / 12 / 9

HEX #E727CB

RGB 231 39 203

HSL 308.75, 0.8%, 0.53%

LAB 54.82, 82.89, -40.54

 

CMYK 0 / 68 / 10 / 8

HEX #EB4CD4

RGB 235 76 212

HSL 308.68, 0.8%, 0.61%

LAB 59.51, 74.7, -38.25

 

CMYK 0 / 53 / 8 / 6

HEX #EF71DD

RGB 239 113 221

HSL 308.57, 0.8%, 0.69%

LAB 66.04, 61.88, -33.08

 

CMYK 0 / 82 / 12 / 9

HEX #E729CC

RGB 231 41 204

HSL 308.53, 0.8%, 0.53%

LAB 55, 82.62, -40.81

 

CMYK 0 / 55 / 83 / 9

HEX #E76727

RGB 231 103 39

HSL 20, 0.8%, 0.53%

LAB 58.82, 46.39, 56.97

 

CMYK 83 / 0 / 23 / 9

HEX #27E7B3

RGB 39 231 179

HSL 163.75, 0.8%, 0.53%

LAB 82.29, -56.79, 12.73

 

CMYK 0 / 82 / 12 / 9

HEX #E729CC

RGB 231 41 204

HSL 308.53, 0.8%, 0.53%

LAB 55, 82.62, -40.81

 

CMYK 11 / 0 / 83 / 9

HEX #CDE727

RGB 205 231 39

HSL 68.13, 0.8%, 0.53%

LAB 87.13, -30.12, 80.27

 

CMYK 83 / 11 / 0 / 9

HEX #27CDE7

RGB 39 205 231

HSL 188.13, 0.8%, 0.53%

LAB 75.99, -31.1, -24.3

 

CMYK 0 / 82 / 12 / 9

HEX #E729CC

RGB 231 41 204

HSL 308.53, 0.8%, 0.53%

LAB 55, 82.62, -40.81

 

CMYK 0 / 55 / 83 / 9

HEX #E76727

RGB 231 103 39

HSL 20, 0.8%, 0.53%

LAB 58.82, 46.39, 56.97

 

CMYK 83 / 0 / 72 / 9

HEX #27E740

RGB 39 231 64

HSL 127.81, 0.8%, 0.53%

LAB 80.71, -75.16, 64.76

 

CMYK 83 / 28 / 0 / 9

HEX #27A7E7

RGB 39 167 231

HSL 200, 0.8%, 0.53%

LAB 64.83, -11.51, -41.55

 

CMYK 0 / 82 / 12 / 9

HEX #E729CC

RGB 231 41 204

HSL 308.53, 0.8%, 0.53%

LAB 55, 82.62, -40.81

 

CMYK 0 / 31 / 83 / 9

HEX #E7A027

RGB 231 160 39

HSL 37.81, 0.8%, 0.53%

LAB 71.06, 16.99, 67.54

 

CMYK 83 / 0 / 72 / 9

HEX #27E740

RGB 39 231 64

HSL 127.81, 0.8%, 0.53%

LAB 80.71, -75.16, 64.76

 

CMYK 83 / 53 / 0 / 9

HEX #276DE7

RGB 39 109 231

HSL 218.13, 0.8%, 0.53%

LAB 48.43, 23.24, -67.72

 

Description

Color code: HEX #E729CC | qconv.com Color code: HEX #E729CC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 41 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 41 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 12 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 12% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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