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Color name
RGB 253 59 218

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 59 218 it is the complementary color RGB 2 196 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 59 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 59 218 shade: RGB 255 59 213, RGB 255 77 232, RGB 255 95 251, RGB 255 113 255 and RGB 255 131 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 59 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 59 218 shade: RGB 253 59 218, RGB 236 41 199, RGB 219 23 180, RGB 202 5 161 and RGB 185 0 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 59 218 shade: RGB 253 58 217, RGB 253 58 165, RGB 253 58 112, RGB 253 58 60 and RGB 253 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 59 218 shade: RGB 253 58 217, RGB 235 58 253, RGB 183 58 253, RGB 130 58 253 and RGB 77 58 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 59 218 shade matches the following richer shades: RGB 253 58 217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 59 218 shade: RGB 253 58 217, RGB 236 74 207, RGB 220 90 197, RGB 204 106 186 and RGB 188 122 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 59 218 shade: RGB 181 58 253, RGB 233 58 253, RGB 253 58 220, RGB 253 58 168 and RGB 253 58 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 59 218 shade: RGB 226 2 185, RGB 252 17 210, RGB 253 58 217, RGB 253 98 225 and RGB 253 139 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 59 218 shade: RGB 253 59 218, RGB 253 129 58 and RGB 58 253 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 59 218 shade: RGB 253 59 218, RGB 220 253 58 and RGB 58 220 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 59 218 shade: RGB 253 59 218, RGB 253 129 58, RGB 58 253 90 and RGB 58 181 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 59 218 shade: RGB 253 59 218, RGB 253 188 58, RGB 58 253 90 and RGB 58 123 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 14 / 1

HEX #FD3BDA

RGB 253 59 218

HSL 310.82, 0.98%, 0.61%

LAB 60.85, 84.73, -39.34

 

Complementary color

CMYK 99 / 0 / 81 / 23

HEX #02C425

RGB 2 196 37

HSL 130.82, 0.98%, 0.39%

LAB 69.2, -69.37, 61.96

 

CMYK 0 / 77 / 16 / 0

HEX #FF3BD5

RGB 255 59 213

HSL 312.86, 1%, 0.62%

LAB 60.95, 84.5, -36.33

 

CMYK 0 / 70 / 9 / 0

HEX #FF4DE8

RGB 255 77 232

HSL 307.75, 1%, 0.65%

LAB 63.67, 81.82, -42.75

 

CMYK 0 / 63 / 2 / 0

HEX #FF5FFB

RGB 255 95 251

HSL 301.5, 1%, 0.69%

LAB 66.83, 78.33, -48.29

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 0 / 77 / 14 / 1

HEX #FD3BDA

RGB 253 59 218

HSL 310.82, 0.98%, 0.61%

LAB 60.85, 84.73, -39.34

 

CMYK 0 / 83 / 16 / 7

HEX #EC29C7

RGB 236 41 199

HSL 311.38, 0.84%, 0.54%

LAB 55.63, 82.96, -36.91

 

CMYK 0 / 89 / 18 / 14

HEX #DB17B4

RGB 219 23 180

HSL 311.94, 0.81%, 0.47%

LAB 50.65, 80.27, -33.9

 

CMYK 0 / 98 / 20 / 21

HEX #CA05A1

RGB 202 5 161

HSL 312.49, 0.95%, 0.41%

LAB 45.96, 76.53, -30.22

 

CMYK 0 / 100 / 23 / 27

HEX #B9008E

RGB 185 0 142

HSL 313.95, 1%, 0.36%

LAB 41.64, 71.45, -25.73

 

CMYK 0 / 77 / 14 / 1

HEX #FD3AD9

RGB 253 58 217

HSL 311.08, 0.98%, 0.61%

LAB 60.71, 84.86, -38.99

 

CMYK 0 / 77 / 35 / 1

HEX #FD3AA5

RGB 253 58 165

HSL 327.08, 0.98%, 0.61%

LAB 58.63, 78.74, -12.35

 

CMYK 0 / 77 / 56 / 1

HEX #FD3A70

RGB 253 58 112

HSL 343.38, 0.98%, 0.61%

LAB 57.15, 74.23, 16.76

 

CMYK 0 / 77 / 76 / 1

HEX #FD3A3C

RGB 253 58 60

HSL 359.38, 0.98%, 0.61%

LAB 56.32, 71.62, 45.75

 

CMYK 0 / 77 / 77 / 1

HEX #FD3A3A

RGB 253 58 58

HSL 0, 0.98%, 0.61%

LAB 56.3, 71.55, 46.81

 

CMYK 0 / 77 / 14 / 1

HEX #FD3AD9

RGB 253 58 217

HSL 311.08, 0.98%, 0.61%

LAB 60.71, 84.86, -38.99

 

CMYK 7 / 77 / 0 / 1

HEX #EB3AFD

RGB 235 58 253

HSL 294.46, 0.98%, 0.61%

LAB 59.69, 86.59, -60.93

 

CMYK 28 / 77 / 0 / 1

HEX #B73AFD

RGB 183 58 253

HSL 278.46, 0.98%, 0.61%

LAB 52.05, 77.52, -73.64

 

CMYK 49 / 77 / 0 / 1

HEX #823AFD

RGB 130 58 253

HSL 262.15, 0.98%, 0.61%

LAB 45.45, 69.6, -84.7

 

CMYK 70 / 77 / 0 / 1

HEX #4D3AFD

RGB 77 58 253

HSL 245.85, 0.98%, 0.61%

LAB 40.73, 63.88, -92.64

 

CMYK 0 / 77 / 14 / 1

HEX #FD3AD9

RGB 253 58 217

HSL 311.08, 0.98%, 0.61%

LAB 60.71, 84.86, -38.99

 

CMYK 0 / 77 / 14 / 1

HEX #FD3AD9

RGB 253 58 217

HSL 311.08, 0.98%, 0.61%

LAB 60.71, 84.86, -38.99

 

CMYK 0 / 69 / 12 / 7

HEX #EC4ACF

RGB 236 74 207

HSL 310.74, 0.81%, 0.61%

LAB 59.19, 74.91, -35.9

 

CMYK 0 / 59 / 10 / 14

HEX #DC5AC5

RGB 220 90 197

HSL 310.62, 0.65%, 0.61%

LAB 58.56, 63.18, -31.37

 

CMYK 0 / 48 / 9 / 20

HEX #CC6ABA

RGB 204 106 186

HSL 311.02, 0.49%, 0.61%

LAB 58.69, 49.36, -25.07

 

CMYK 0 / 35 / 6 / 26

HEX #BC7AB0

RGB 188 122 176

HSL 310.91, 0.33%, 0.61%

LAB 59.66, 34.09, -18.04

 

CMYK 28 / 77 / 0 / 1

HEX #B53AFD

RGB 181 58 253

HSL 277.85, 0.98%, 0.61%

LAB 51.77, 77.19, -74.1

 

CMYK 8 / 77 / 0 / 1

HEX #E93AFD

RGB 233 58 253

HSL 293.85, 0.98%, 0.61%

LAB 59.38, 86.23, -61.44

 

CMYK 0 / 77 / 13 / 1

HEX #FD3ADC

RGB 253 58 220

HSL 310.15, 0.98%, 0.61%

LAB 60.85, 85.26, -40.47

 

CMYK 0 / 77 / 34 / 1

HEX #FD3AA8

RGB 253 58 168

HSL 326.15, 0.98%, 0.61%

LAB 58.73, 79.05, -13.94

 

CMYK 0 / 77 / 54 / 1

HEX #FD3A74

RGB 253 58 116

HSL 342.15, 0.98%, 0.61%

LAB 57.24, 74.51, 14.51

 

CMYK 0 / 99 / 18 / 11

HEX #E202B9

RGB 226 2 185

HSL 310.98, 0.98%, 0.45%

LAB 51.51, 84.13, -35.38

 

CMYK 0 / 93 / 17 / 1

HEX #FC11D2

RGB 252 17 210

HSL 310.72, 0.98%, 0.53%

LAB 57.8, 90.78, -39.6

 

CMYK 0 / 77 / 14 / 1

HEX #FD3AD9

RGB 253 58 217

HSL 311.08, 0.98%, 0.61%

LAB 60.71, 84.86, -38.99

 

CMYK 0 / 61 / 11 / 1

HEX #FD62E1

RGB 253 98 225

HSL 310.84, 0.97%, 0.69%

LAB 65.79, 72.68, -35.55

 

CMYK 0 / 45 / 8 / 1

HEX #FD8BE9

RGB 253 139 233

HSL 310.53, 0.97%, 0.77%

LAB 73.04, 55.46, -28.75

 

CMYK 0 / 77 / 14 / 1

HEX #FD3BDA

RGB 253 59 218

HSL 310.82, 0.98%, 0.61%

LAB 60.85, 84.73, -39.34

 

CMYK 0 / 49 / 77 / 1

HEX #FD813A

RGB 253 129 58

HSL 21.85, 0.98%, 0.61%

LAB 67.19, 42.66, 57.85

 

CMYK 77 / 0 / 18 / 1

HEX #3AFDCF

RGB 58 253 207

HSL 165.85, 0.98%, 0.61%

LAB 89.7, -57.06, 8.73

 

CMYK 0 / 77 / 14 / 1

HEX #FD3BDA

RGB 253 59 218

HSL 310.82, 0.98%, 0.61%

LAB 60.85, 84.73, -39.34

 

CMYK 13 / 0 / 77 / 1

HEX #DCFD3A

RGB 220 253 58

HSL 70.15, 0.98%, 0.61%

LAB 94.21, -33.64, 82.1

 

CMYK 77 / 13 / 0 / 1

HEX #3ADCFD

RGB 58 220 253

HSL 190.15, 0.98%, 0.61%

LAB 81.39, -29.89, -27.77

 

CMYK 0 / 77 / 14 / 1

HEX #FD3BDA

RGB 253 59 218

HSL 310.82, 0.98%, 0.61%

LAB 60.85, 84.73, -39.34

 

CMYK 0 / 49 / 77 / 1

HEX #FD813A

RGB 253 129 58

HSL 21.85, 0.98%, 0.61%

LAB 67.19, 42.66, 57.85

 

CMYK 77 / 0 / 64 / 1

HEX #3AFD5A

RGB 58 253 90

HSL 129.85, 0.98%, 0.61%

LAB 87.91, -77.27, 62.69

 

CMYK 77 / 28 / 0 / 1

HEX #3AB5FD

RGB 58 181 253

HSL 202.15, 0.98%, 0.61%

LAB 70.2, -9.81, -45.1

 

CMYK 0 / 77 / 14 / 1

HEX #FD3BDA

RGB 253 59 218

HSL 310.82, 0.98%, 0.61%

LAB 60.85, 84.73, -39.34

 

CMYK 0 / 26 / 77 / 1

HEX #FDBC3A

RGB 253 188 58

HSL 40, 0.98%, 0.61%

LAB 80.27, 12.19, 70.32

 

CMYK 77 / 0 / 64 / 1

HEX #3AFD5A

RGB 58 253 90

HSL 129.85, 0.98%, 0.61%

LAB 87.91, -77.27, 62.69

 

CMYK 77 / 51 / 0 / 1

HEX #3A7BFD

RGB 58 123 253

HSL 220, 0.98%, 0.61%

LAB 54.19, 24.32, -70.63

 

Description

Color code: RGB 253 59 218 | qconv.com Color code: RGB 253 59 218 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 59 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 59 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 14 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 14% 1% C M Y K

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Provide designers and agencies with accurate color values.

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