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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E608E2 it is the complementary color #19F71D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E608E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E608E2 shade: #EB08DD, #FC1AF0, #FF2CFF, #FF3EFF and #FF50FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E608E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E608E2 shade: #E608E2, #D500CF, #C400BC, #B300A9 and #A20096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E608E2 shade: #E708E3, #E708A7, #E7086B, #E7082E and #E70808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E608E2 shade: #E708E3, #AF08E7, #7308E7, #3608E7 and #0808E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E608E2 shade matches the following richer shades: #E708E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E608E2 shade: #E708E3, #D31BD0, #C02FBD, #AD42AB and #995598

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E608E2 shade: #7408E7, #AF08E7, #E708E3, #E708A8 and #E7086C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E608E2 shade: #970595, #BF06BC, #E708E3, #F621F3 and #F849F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E608E2 shade: #E608E2, #E73808 and #08E791

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E608E2 shade: #E608E2, #E3E708 and #08E3E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E608E2 shade: #E608E2, #E73808, #08E70C and #08B7E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E608E2 shade: #E608E2, #E77B08, #08E70C and #0874E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 2 / 10

HEX #E608E2

RGB 230 8 226

HSL 301.08, 0.93%, 0.47%

LAB 54.54, 89.78, -54.1

 

Complementary color

CMYK 90 / 0 / 88 / 3

HEX #19F71D

RGB 25 247 29

HSL 121.08, 0.93%, 0.53%

LAB 85.41, -82.59, 78.23

 

CMYK 0 / 97 / 6 / 8

HEX #EB08DD

RGB 235 8 221

HSL 303.7, 0.93%, 0.48%

LAB 55.13, 89.91, -50.27

 

CMYK 0 / 90 / 5 / 1

HEX #FC1AF0

RGB 252 26 240

HSL 303.19, 0.97%, 0.55%

LAB 59.64, 93.74, -53.61

 

CMYK 0 / 83 / 0 / 0

HEX #FF2CFF

RGB 255 44 255

HSL 300, 1%, 0.59%

LAB 61.9, 93.61, -58.32

 

CMYK 0 / 76 / 0 / 0

HEX #FF3EFF

RGB 255 62 255

HSL 300, 1%, 0.62%

LAB 63.28, 89.59, -56.12

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FF

RGB 255 80 255

HSL 300, 1%, 0.66%

LAB 65.13, 84.28, -53.17

 

CMYK 0 / 97 / 2 / 10

HEX #E608E2

RGB 230 8 226

HSL 301.08, 0.93%, 0.47%

LAB 54.54, 89.78, -54.1

 

CMYK 0 / 100 / 3 / 16

HEX #D500CF

RGB 213 0 207

HSL 301.69, 1%, 0.42%

LAB 50.28, 84.93, -50.24

 

CMYK 0 / 100 / 4 / 23

HEX #C400BC

RGB 196 0 188

HSL 302.45, 1%, 0.38%

LAB 46.13, 79.45, -46

 

CMYK 0 / 100 / 6 / 30

HEX #B300A9

RGB 179 0 169

HSL 303.35, 1%, 0.35%

LAB 41.92, 73.88, -41.66

 

CMYK 0 / 100 / 7 / 36

HEX #A20096

RGB 162 0 150

HSL 304.44, 1%, 0.32%

LAB 37.63, 68.22, -37.22

 

CMYK 0 / 97 / 2 / 9

HEX #E708E3

RGB 231 8 227

HSL 301.08, 0.93%, 0.47%

LAB 54.77, 90.08, -54.28

 

CMYK 0 / 97 / 28 / 9

HEX #E708A7

RGB 231 8 167

HSL 317.22, 0.93%, 0.47%

LAB 51.78, 82.58, -24.31

 

CMYK 0 / 97 / 54 / 9

HEX #E7086B

RGB 231 8 107

HSL 333.36, 0.93%, 0.47%

LAB 49.77, 77.26, 8.86

 

CMYK 0 / 97 / 80 / 9

HEX #E7082E

RGB 231 8 46

HSL 349.78, 0.93%, 0.47%

LAB 48.71, 74.39, 44.17

 

CMYK 0 / 97 / 97 / 9

HEX #E70808

RGB 231 8 8

HSL 0, 0.93%, 0.47%

LAB 48.49, 73.77, 60.22

 

CMYK 0 / 97 / 2 / 9

HEX #E708E3

RGB 231 8 227

HSL 301.08, 0.93%, 0.47%

LAB 54.77, 90.08, -54.28

 

CMYK 24 / 97 / 0 / 9

HEX #AF08E7

RGB 175 8 231

HSL 284.93, 0.93%, 0.47%

LAB 45.71, 82.52, -71.64

 

CMYK 50 / 97 / 0 / 9

HEX #7308E7

RGB 115 8 231

HSL 268.79, 0.93%, 0.47%

LAB 37.09, 76.19, -86.12

 

CMYK 77 / 97 / 0 / 9

HEX #3608E7

RGB 54 8 231

HSL 252.38, 0.93%, 0.47%

LAB 31.18, 72.91, -96.11

 

CMYK 97 / 97 / 0 / 9

HEX #0808E7

RGB 8 8 231

HSL 240, 0.93%, 0.47%

LAB 29.4, 72.16, -99.13

 

CMYK 0 / 97 / 2 / 9

HEX #E708E3

RGB 231 8 227

HSL 301.08, 0.93%, 0.47%

LAB 54.77, 90.08, -54.28

 

CMYK 0 / 97 / 2 / 9

HEX #E708E3

RGB 231 8 227

HSL 301.08, 0.93%, 0.47%

LAB 54.77, 90.08, -54.28

 

CMYK 0 / 87 / 1 / 17

HEX #D31BD0

RGB 211 27 208

HSL 300.98, 0.77%, 0.47%

LAB 50.91, 82.02, -49.83

 

CMYK 0 / 76 / 2 / 25

HEX #C02FBD

RGB 192 47 189

HSL 301.24, 0.61%, 0.47%

LAB 48.15, 71.11, -43.41

 

CMYK 0 / 62 / 1 / 32

HEX #AD42AB

RGB 173 66 171

HSL 301.12, 0.45%, 0.47%

LAB 46.61, 56.92, -35.49

 

CMYK 0 / 44 / 1 / 40

HEX #995598

RGB 153 85 152

HSL 300.88, 0.29%, 0.47%

LAB 46.36, 38.45, -24.82

 

CMYK 50 / 97 / 0 / 9

HEX #7408E7

RGB 116 8 231

HSL 269.06, 0.93%, 0.47%

LAB 37.22, 76.27, -85.91

 

CMYK 24 / 97 / 0 / 9

HEX #AF08E7

RGB 175 8 231

HSL 284.93, 0.93%, 0.47%

LAB 45.71, 82.52, -71.64

 

CMYK 0 / 97 / 2 / 9

HEX #E708E3

RGB 231 8 227

HSL 301.08, 0.93%, 0.47%

LAB 54.77, 90.08, -54.28

 

CMYK 0 / 97 / 27 / 9

HEX #E708A8

RGB 231 8 168

HSL 316.95, 0.93%, 0.47%

LAB 51.83, 82.68, -24.84

 

CMYK 0 / 97 / 53 / 9

HEX #E7086C

RGB 231 8 108

HSL 333.09, 0.93%, 0.47%

LAB 49.79, 77.33, 8.28

 

CMYK 0 / 97 / 1 / 41

HEX #970595

RGB 151 5 149

HSL 300.82, 0.94%, 0.31%

LAB 35.71, 65.53, -39.79

 

CMYK 0 / 97 / 2 / 25

HEX #BF06BC

RGB 191 6 188

HSL 300.97, 0.94%, 0.39%

LAB 45.41, 78.09, -47.2

 

CMYK 0 / 97 / 2 / 9

HEX #E708E3

RGB 231 8 227

HSL 301.08, 0.93%, 0.47%

LAB 54.77, 90.08, -54.28

 

CMYK 0 / 87 / 1 / 4

HEX #F621F3

RGB 246 33 243

HSL 300.85, 0.92%, 0.55%

LAB 59.11, 92.2, -56.19

 

CMYK 0 / 71 / 1 / 3

HEX #F849F5

RGB 248 73 245

HSL 301.03, 0.93%, 0.63%

LAB 62.77, 83.53, -51.46

 

CMYK 0 / 97 / 2 / 10

HEX #E608E2

RGB 230 8 226

HSL 301.08, 0.93%, 0.47%

LAB 54.54, 89.78, -54.1

 

CMYK 0 / 76 / 97 / 9

HEX #E73808

RGB 231 56 8

HSL 12.91, 0.93%, 0.47%

LAB 51.65, 64.77, 61.8

 

CMYK 97 / 0 / 37 / 9

HEX #08E791

RGB 8 231 145

HSL 156.86, 0.93%, 0.47%

LAB 81.43, -65.75, 29.12

 

CMYK 0 / 97 / 2 / 10

HEX #E608E2

RGB 230 8 226

HSL 301.08, 0.93%, 0.47%

LAB 54.54, 89.78, -54.1

 

CMYK 2 / 0 / 97 / 9

HEX #E3E708

RGB 227 231 8

HSL 61.08, 0.93%, 0.47%

LAB 88.69, -21.6, 86.68

 

CMYK 97 / 2 / 0 / 9

HEX #08E3E7

RGB 8 227 231

HSL 181.08, 0.93%, 0.47%

LAB 82.25, -42.67, -14.84

 

CMYK 0 / 97 / 2 / 10

HEX #E608E2

RGB 230 8 226

HSL 301.08, 0.93%, 0.47%

LAB 54.54, 89.78, -54.1

 

CMYK 0 / 76 / 97 / 9

HEX #E73808

RGB 231 56 8

HSL 12.91, 0.93%, 0.47%

LAB 51.65, 64.77, 61.8

 

CMYK 97 / 0 / 95 / 9

HEX #08E70C

RGB 8 231 12

HSL 121.08, 0.93%, 0.47%

LAB 80.31, -79.52, 76.18

 

CMYK 97 / 21 / 0 / 9

HEX #08B7E7

RGB 8 183 231

HSL 192.91, 0.93%, 0.47%

LAB 69.25, -21.58, -34.69

 

CMYK 0 / 97 / 2 / 10

HEX #E608E2

RGB 230 8 226

HSL 301.08, 0.93%, 0.47%

LAB 54.54, 89.78, -54.1

 

CMYK 0 / 47 / 97 / 9

HEX #E77B08

RGB 231 123 8

HSL 30.94, 0.93%, 0.47%

LAB 62.65, 35.93, 68.39

 

CMYK 97 / 0 / 95 / 9

HEX #08E70C

RGB 8 231 12

HSL 121.08, 0.93%, 0.47%

LAB 80.31, -79.52, 76.18

 

CMYK 97 / 50 / 0 / 9

HEX #0874E7

RGB 8 116 231

HSL 210.94, 0.93%, 0.47%

LAB 49.87, 17.23, -65.41

 

Description

Color code: HEX #E608E2 | qconv.com Color code: HEX #E608E2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 8 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 8 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 2 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 2% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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