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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 8 183 231 it is the complementary color RGB 247 72 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 8 183 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 8 183 231 shade: RGB 13 183 226, RGB 30 201 245, RGB 47 219 255, RGB 64 237 255 and RGB 81 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 8 183 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 8 183 231 shade: RGB 8 183 231, RGB 0 165 212, RGB 0 147 193, RGB 0 129 174 and RGB 0 111 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 8 183 231 shade: RGB 8 183 231, RGB 8 123 231, RGB 8 63 231, RGB 13 8 231 and RGB 73 8 231

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 8 183 231 shade: RGB 8 183 231, RGB 8 123 231, RGB 8 63 231 and RGB 8 8 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 8 183 231 shade matches the following richer shades: RGB 8 183 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 8 183 231 shade: RGB 8 183 231, RGB 27 172 211, RGB 47 161 192, RGB 66 150 173 and RGB 85 139 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 8 183 231 shade: RGB 8 231 157, RGB 8 231 216, RGB 8 186 231, RGB 8 127 231 and RGB 8 67 231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 8 183 231 shade: RGB 5 120 151, RGB 6 151 191, RGB 8 183 231, RGB 33 201 246 and RGB 73 210 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 8 183 231 shade: RGB 8 183 231, RGB 97 8 231 and RGB 231 186 8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 8 183 231 shade: RGB 8 183 231, RGB 231 8 186 and RGB 186 231 8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 8 183 231 shade: RGB 8 183 231, RGB 97 8 231, RGB 231 52 8 and RGB 142 231 8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 8 183 231 shade: RGB 8 183 231, RGB 164 8 231, RGB 231 52 8 and RGB 75 231 8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 21 / 0 / 9

HEX #08B7E7

RGB 8 183 231

HSL 192.91, 0.93%, 0.47%

LAB 69.25, -21.58, -34.69

 

Complementary color

CMYK 0 / 71 / 90 / 3

HEX #F74818

RGB 247 72 24

HSL 12.91, 0.93%, 0.53%

LAB 56.56, 64.54, 61.9

 

CMYK 94 / 19 / 0 / 11

HEX #0DB7E2

RGB 13 183 226

HSL 192.11, 0.89%, 0.47%

LAB 69.07, -23.15, -32.23

 

CMYK 88 / 18 / 0 / 4

HEX #1EC9F5

RGB 30 201 245

HSL 192.28, 0.91%, 0.54%

LAB 75.23, -25.19, -33

 

CMYK 82 / 14 / 0 / 0

HEX #2FDBFF

RGB 47 219 255

HSL 190.38, 1%, 0.59%

LAB 81.01, -29.74, -29.42

 

CMYK 75 / 7 / 0 / 0

HEX #40EDFF

RGB 64 237 255

HSL 185.65, 1%, 0.63%

LAB 86.44, -36.74, -21.12

 

CMYK 68 / 0 / 0 / 0

HEX #51FFFF

RGB 81 255 255

HSL 180, 1%, 0.66%

LAB 91.9, -42.96, -12.88

 

CMYK 97 / 21 / 0 / 9

HEX #08B7E7

RGB 8 183 231

HSL 192.91, 0.93%, 0.47%

LAB 69.25, -21.58, -34.69

 

CMYK 100 / 22 / 0 / 17

HEX #00A5D4

RGB 0 165 212

HSL 193.3, 1%, 0.42%

LAB 63.06, -18.99, -33.85

 

CMYK 100 / 24 / 0 / 24

HEX #0093C1

RGB 0 147 193

HSL 194.3, 1%, 0.38%

LAB 56.8, -16.1, -32.96

 

CMYK 100 / 26 / 0 / 32

HEX #0081AE

RGB 0 129 174

HSL 195.52, 1%, 0.34%

LAB 50.4, -13.1, -32.08

 

CMYK 100 / 28 / 0 / 39

HEX #006F9B

RGB 0 111 155

HSL 197.03, 1%, 0.3%

LAB 43.85, -9.96, -31.22

 

CMYK 97 / 21 / 0 / 9

HEX #08B7E7

RGB 8 183 231

HSL 192.91, 0.93%, 0.47%

LAB 69.25, -21.58, -34.69

 

CMYK 97 / 47 / 0 / 9

HEX #087BE7

RGB 8 123 231

HSL 209.06, 0.93%, 0.47%

LAB 51.82, 12.82, -62.26

 

CMYK 97 / 73 / 0 / 9

HEX #083FE7

RGB 8 63 231

HSL 225.2, 0.93%, 0.47%

LAB 36.7, 50.65, -86.98

 

CMYK 94 / 97 / 0 / 9

HEX #0D08E7

RGB 13 8 231

HSL 241.35, 0.93%, 0.47%

LAB 29.48, 72.19, -98.98

 

CMYK 68 / 97 / 0 / 9

HEX #4908E7

RGB 73 8 231

HSL 257.49, 0.93%, 0.47%

LAB 32.61, 73.6, -93.68

 

CMYK 97 / 21 / 0 / 9

HEX #08B7E7

RGB 8 183 231

HSL 192.91, 0.93%, 0.47%

LAB 69.25, -21.58, -34.69

 

CMYK 97 / 47 / 0 / 9

HEX #087BE7

RGB 8 123 231

HSL 209.06, 0.93%, 0.47%

LAB 51.82, 12.82, -62.26

 

CMYK 97 / 73 / 0 / 9

HEX #083FE7

RGB 8 63 231

HSL 225.2, 0.93%, 0.47%

LAB 36.7, 50.65, -86.98

 

CMYK 97 / 97 / 0 / 9

HEX #0808E7

RGB 8 8 231

HSL 240, 0.93%, 0.47%

LAB 29.4, 72.16, -99.13

 

CMYK 97 / 21 / 0 / 9

HEX #08B7E7

RGB 8 183 231

HSL 192.91, 0.93%, 0.47%

LAB 69.25, -21.58, -34.69

 

CMYK 97 / 21 / 0 / 9

HEX #08B7E7

RGB 8 183 231

HSL 192.91, 0.93%, 0.47%

LAB 69.25, -21.58, -34.69

 

CMYK 87 / 18 / 0 / 17

HEX #1BACD3

RGB 27 172 211

HSL 192.72, 0.77%, 0.47%

LAB 65.31, -21.95, -29.8

 

CMYK 76 / 16 / 0 / 25

HEX #2FA1C0

RGB 47 161 192

HSL 192.83, 0.61%, 0.47%

LAB 61.57, -20.83, -24.97

 

CMYK 62 / 13 / 0 / 32

HEX #4296AD

RGB 66 150 173

HSL 192.9, 0.45%, 0.47%

LAB 58.03, -18.27, -19.63

 

CMYK 44 / 9 / 0 / 40

HEX #558B99

RGB 85 139 153

HSL 192.35, 0.29%, 0.47%

LAB 54.76, -14.04, -13.06

 

CMYK 97 / 0 / 32 / 9

HEX #08E79D

RGB 8 231 157

HSL 160.09, 0.93%, 0.47%

LAB 81.64, -63.3, 23.25

 

CMYK 97 / 0 / 6 / 9

HEX #08E7D8

RGB 8 231 216

HSL 175.96, 0.93%, 0.47%

LAB 83, -48.71, -5.78

 

CMYK 97 / 19 / 0 / 9

HEX #08BAE7

RGB 8 186 231

HSL 192.11, 0.93%, 0.47%

LAB 70.13, -23.13, -33.32

 

CMYK 97 / 45 / 0 / 9

HEX #087FE7

RGB 8 127 231

HSL 207.98, 0.93%, 0.47%

LAB 52.95, 10.33, -60.45

 

CMYK 97 / 71 / 0 / 9

HEX #0843E7

RGB 8 67 231

HSL 224.13, 0.93%, 0.47%

LAB 37.55, 48.3, -85.58

 

CMYK 97 / 21 / 0 / 41

HEX #057897

RGB 5 120 151

HSL 192.74, 0.94%, 0.31%

LAB 46.58, -16.38, -24.6

 

CMYK 97 / 21 / 0 / 25

HEX #0697BF

RGB 6 151 191

HSL 192.97, 0.94%, 0.39%

LAB 57.97, -18.78, -30

 

CMYK 97 / 21 / 0 / 9

HEX #08B7E7

RGB 8 183 231

HSL 192.91, 0.93%, 0.47%

LAB 69.25, -21.58, -34.69

 

CMYK 87 / 18 / 0 / 4

HEX #21C9F6

RGB 33 201 246

HSL 192.68, 0.92%, 0.55%

LAB 75.3, -24.7, -33.43

 

CMYK 71 / 15 / 0 / 3

HEX #49D2F8

RGB 73 210 248

HSL 193.03, 0.93%, 0.63%

LAB 78.63, -24.83, -29.31

 

CMYK 97 / 21 / 0 / 9

HEX #08B7E7

RGB 8 183 231

HSL 192.91, 0.93%, 0.47%

LAB 69.25, -21.58, -34.69

 

CMYK 58 / 97 / 0 / 9

HEX #6108E7

RGB 97 8 231

HSL 263.95, 0.93%, 0.47%

LAB 34.97, 74.89, -89.69

 

CMYK 0 / 19 / 97 / 9

HEX #E7BA08

RGB 231 186 8

HSL 47.89, 0.93%, 0.47%

LAB 77.36, 2.73, 78.52

 

CMYK 97 / 21 / 0 / 9

HEX #08B7E7

RGB 8 183 231

HSL 192.91, 0.93%, 0.47%

LAB 69.25, -21.58, -34.69

 

CMYK 0 / 97 / 19 / 9

HEX #E708BA

RGB 231 8 186

HSL 312.11, 0.93%, 0.47%

LAB 52.63, 84.74, -34.15

 

CMYK 19 / 0 / 97 / 9

HEX #BAE708

RGB 186 231 8

HSL 72.11, 0.93%, 0.47%

LAB 85.81, -38.28, 83.23

 

CMYK 97 / 21 / 0 / 9

HEX #08B7E7

RGB 8 183 231

HSL 192.91, 0.93%, 0.47%

LAB 69.25, -21.58, -34.69

 

CMYK 58 / 97 / 0 / 9

HEX #6108E7

RGB 97 8 231

HSL 263.95, 0.93%, 0.47%

LAB 34.97, 74.89, -89.69

 

CMYK 0 / 77 / 97 / 9

HEX #E73408

RGB 231 52 8

HSL 11.84, 0.93%, 0.47%

LAB 51.22, 65.97, 61.58

 

CMYK 39 / 0 / 97 / 9

HEX #8EE708

RGB 142 231 8

HSL 83.95, 0.93%, 0.47%

LAB 83.4, -54.46, 80.32

 

CMYK 97 / 21 / 0 / 9

HEX #08B7E7

RGB 8 183 231

HSL 192.91, 0.93%, 0.47%

LAB 69.25, -21.58, -34.69

 

CMYK 29 / 97 / 0 / 9

HEX #A408E7

RGB 164 8 231

HSL 281.97, 0.93%, 0.47%

LAB 44, 81.15, -74.51

 

CMYK 0 / 77 / 97 / 9

HEX #E73408

RGB 231 52 8

HSL 11.84, 0.93%, 0.47%

LAB 51.22, 65.97, 61.58

 

CMYK 68 / 0 / 97 / 9

HEX #4BE708

RGB 75 231 8

HSL 101.97, 0.93%, 0.47%

LAB 81.11, -72.47, 77.52

 

Description

Color code: RGB 8 183 231 | qconv.com Color code: RGB 8 183 231 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 183 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 183 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 21 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 21% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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