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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5C35B it is the complementary color #1A3CA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5C35B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5C35B shade: #EAC356, #FBD569, #FFE77C, #FFF98F and #FFFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5C35B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5C35B shade: #E5C35B, #D4B148, #C39F35, #B28D22 and #A17B0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5C35B shade: #E5C35B, #E59E5B, #E5795B and #E55B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5C35B shade: #E5C35B, #E2E55B, #BDE55B, #98E55B and #72E55B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5C35B shade matches the following richer shades: #E5C35B and #F4CB4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5C35B shade: #E5C35B, #D6BB6B, #C6B47A, #B7AC89 and #A8A498

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5C35B shade: #E5795B, #E59E5B, #E5C35B, #E3E55B and #BEE55B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5C35B shade: #CEA320, #DFB638, #E5C35B, #EBD07F and #F0DDA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5C35B shade: #E5C35B, #62E55B and #8B5BE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5C35B shade: #E5C35B, #5BE5C3 and #C35BE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5C35B shade: #E5C35B, #62E55B, #5B7EE5 and #DE5BE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5C35B shade: #E5C35B, #5BE57E, #5B7EE5 and #E55BC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 60 / 10

HEX #E5C35B

RGB 229 195 91

HSL 45.22, 0.73%, 0.63%

LAB 79.87, 0.18, 55.6

 

Complementary color

CMYK 84 / 63 / 0 / 36

HEX #1A3CA4

RGB 26 60 164

HSL 225.22, 0.73%, 0.37%

LAB 29.74, 28.54, -59.23

 

CMYK 0 / 17 / 63 / 8

HEX #EAC356

RGB 234 195 86

HSL 44.19, 0.78%, 0.63%

LAB 80.29, 1.94, 58.45

 

CMYK 0 / 15 / 58 / 2

HEX #FBD569

RGB 251 213 105

HSL 44.38, 0.95%, 0.7%

LAB 86.56, 0.97, 57.34

 

CMYK 0 / 9 / 51 / 0

HEX #FFE77C

RGB 255 231 124

HSL 49.01, 1%, 0.74%

LAB 91.63, -5.06, 54.54

 

CMYK 0 / 2 / 44 / 0

HEX #FFF98F

RGB 255 249 143

HSL 56.79, 1%, 0.78%

LAB 96.41, -12.29, 51.37

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 15 / 60 / 10

HEX #E5C35B

RGB 229 195 91

HSL 45.22, 0.73%, 0.63%

LAB 79.87, 0.18, 55.6

 

CMYK 0 / 17 / 66 / 17

HEX #D4B148

RGB 212 177 72

HSL 45, 0.62%, 0.56%

LAB 73.49, 1.2, 56.64

 

CMYK 0 / 18 / 73 / 24

HEX #C39F35

RGB 195 159 53

HSL 44.79, 0.57%, 0.49%

LAB 67.02, 2.4, 57.42

 

CMYK 0 / 21 / 81 / 30

HEX #B28D22

RGB 178 141 34

HSL 44.58, 0.68%, 0.42%

LAB 60.45, 3.84, 57.64

 

CMYK 0 / 24 / 91 / 37

HEX #A17B0F

RGB 161 123 15

HSL 44.38, 0.83%, 0.35%

LAB 53.79, 5.56, 56.72

 

CMYK 0 / 15 / 60 / 10

HEX #E5C35B

RGB 229 195 91

HSL 45.22, 0.73%, 0.63%

LAB 79.87, 0.18, 55.6

 

CMYK 0 / 31 / 60 / 10

HEX #E59E5B

RGB 229 158 91

HSL 29.13, 0.73%, 0.63%

LAB 70.78, 19.73, 45.12

 

CMYK 0 / 47 / 60 / 10

HEX #E5795B

RGB 229 121 91

HSL 13.04, 0.73%, 0.63%

LAB 62.58, 39.2, 35.18

 

CMYK 0 / 60 / 60 / 10

HEX #E55B5B

RGB 229 91 91

HSL 0, 0.73%, 0.63%

LAB 56.97, 53.62, 28.09

 

CMYK 0 / 15 / 60 / 10

HEX #E5C35B

RGB 229 195 91

HSL 45.22, 0.73%, 0.63%

LAB 79.87, 0.18, 55.6

 

CMYK 1 / 0 / 60 / 10

HEX #E2E55B

RGB 226 229 91

HSL 61.3, 0.73%, 0.63%

LAB 88.43, -18.2, 64.96

 

CMYK 17 / 0 / 60 / 10

HEX #BDE55B

RGB 189 229 91

HSL 77.39, 0.73%, 0.63%

LAB 85.81, -32.83, 61.35

 

CMYK 34 / 0 / 60 / 10

HEX #98E55B

RGB 152 229 91

HSL 93.48, 0.73%, 0.63%

LAB 83.69, -46.28, 58.4

 

CMYK 50 / 0 / 60 / 10

HEX #72E55B

RGB 114 229 91

HSL 110, 0.73%, 0.63%

LAB 82.04, -58.01, 56.09

 

CMYK 0 / 15 / 60 / 10

HEX #E5C35B

RGB 229 195 91

HSL 45.22, 0.73%, 0.63%

LAB 79.87, 0.18, 55.6

 

CMYK 0 / 17 / 69 / 4

HEX #F4CB4C

RGB 244 203 76

HSL 45.36, 0.88%, 0.63%

LAB 83.16, 1.43, 66.02

 

CMYK 0 / 15 / 60 / 10

HEX #E5C35B

RGB 229 195 91

HSL 45.22, 0.73%, 0.63%

LAB 79.87, 0.18, 55.6

 

CMYK 0 / 13 / 50 / 16

HEX #D6BB6B

RGB 214 187 107

HSL 44.86, 0.57%, 0.63%

LAB 76.62, -0.61, 43.77

 

CMYK 0 / 9 / 38 / 22

HEX #C6B47A

RGB 198 180 122

HSL 45.79, 0.4%, 0.63%

LAB 73.58, -1.92, 31.93

 

CMYK 0 / 6 / 25 / 28

HEX #B7AC89

RGB 183 172 137

HSL 45.65, 0.24%, 0.63%

LAB 70.44, -1.69, 19.46

 

CMYK 0 / 2 / 10 / 34

HEX #A8A498

RGB 168 164 152

HSL 45, 0.08%, 0.63%

LAB 67.38, -0.72, 6.73

 

CMYK 0 / 47 / 60 / 10

HEX #E5795B

RGB 229 121 91

HSL 13.04, 0.73%, 0.63%

LAB 62.58, 39.2, 35.18

 

CMYK 0 / 31 / 60 / 10

HEX #E59E5B

RGB 229 158 91

HSL 29.13, 0.73%, 0.63%

LAB 70.78, 19.73, 45.12

 

CMYK 0 / 15 / 60 / 10

HEX #E5C35B

RGB 229 195 91

HSL 45.22, 0.73%, 0.63%

LAB 79.87, 0.18, 55.6

 

CMYK 1 / 0 / 60 / 10

HEX #E3E55B

RGB 227 229 91

HSL 60.87, 0.73%, 0.63%

LAB 88.51, -17.8, 65.06

 

CMYK 17 / 0 / 60 / 10

HEX #BEE55B

RGB 190 229 91

HSL 76.96, 0.73%, 0.63%

LAB 85.88, -32.44, 61.44

 

CMYK 0 / 21 / 84 / 19

HEX #CEA320

RGB 206 163 32

HSL 45.17, 0.73%, 0.47%

LAB 69.05, 4.33, 66.79

 

CMYK 0 / 18 / 75 / 13

HEX #DFB638

RGB 223 182 56

HSL 45.27, 0.72%, 0.55%

LAB 75.72, 2.49, 65.67

 

CMYK 0 / 15 / 60 / 10

HEX #E5C35B

RGB 229 195 91

HSL 45.22, 0.73%, 0.63%

LAB 79.87, 0.18, 55.6

 

CMYK 0 / 11 / 46 / 8

HEX #EBD07F

RGB 235 208 127

HSL 45, 0.73%, 0.71%

LAB 84.12, -1.12, 43.52

 

CMYK 0 / 8 / 32 / 6

HEX #F0DDA3

RGB 240 221 163

HSL 45.19, 0.72%, 0.79%

LAB 88.39, -1.89, 30.89

 

CMYK 0 / 15 / 60 / 10

HEX #E5C35B

RGB 229 195 91

HSL 45.22, 0.73%, 0.63%

LAB 79.87, 0.18, 55.6

 

CMYK 57 / 0 / 60 / 10

HEX #62E55B

RGB 98 229 91

HSL 116.96, 0.73%, 0.63%

LAB 81.51, -62.09, 55.34

 

CMYK 39 / 60 / 0 / 10

HEX #8B5BE5

RGB 139 91 229

HSL 260.87, 0.73%, 0.63%

LAB 50.25, 49.23, -63.36

 

CMYK 0 / 15 / 60 / 10

HEX #E5C35B

RGB 229 195 91

HSL 45.22, 0.73%, 0.63%

LAB 79.87, 0.18, 55.6

 

CMYK 60 / 0 / 15 / 10

HEX #5BE5C3

RGB 91 229 195

HSL 165.22, 0.73%, 0.63%

LAB 83.02, -45.42, 5.48

 

CMYK 15 / 60 / 0 / 10

HEX #C35BE5

RGB 195 91 229

HSL 285.22, 0.73%, 0.63%

LAB 56.82, 62.02, -52.46

 

CMYK 0 / 15 / 60 / 10

HEX #E5C35B

RGB 229 195 91

HSL 45.22, 0.73%, 0.63%

LAB 79.87, 0.18, 55.6

 

CMYK 57 / 0 / 60 / 10

HEX #62E55B

RGB 98 229 91

HSL 116.96, 0.73%, 0.63%

LAB 81.51, -62.09, 55.34

 

CMYK 60 / 45 / 0 / 10

HEX #5B7EE5

RGB 91 126 229

HSL 224.78, 0.73%, 0.63%

LAB 54.87, 18.76, -56.12

 

CMYK 3 / 60 / 0 / 10

HEX #DE5BE5

RGB 222 91 229

HSL 296.96, 0.73%, 0.63%

LAB 60.49, 68.5, -46.41

 

CMYK 0 / 15 / 60 / 10

HEX #E5C35B

RGB 229 195 91

HSL 45.22, 0.73%, 0.63%

LAB 79.87, 0.18, 55.6

 

CMYK 60 / 0 / 45 / 10

HEX #5BE57E

RGB 91 229 126

HSL 135.22, 0.73%, 0.63%

LAB 81.71, -59.08, 39.24

 

CMYK 60 / 45 / 0 / 10

HEX #5B7EE5

RGB 91 126 229

HSL 224.78, 0.73%, 0.63%

LAB 54.87, 18.76, -56.12

 

CMYK 0 / 60 / 15 / 10

HEX #E55BC3

RGB 229 91 195

HSL 314.78, 0.73%, 0.63%

LAB 59.96, 64.87, -27.96

 

Description

Color code: HEX #E5C35B | qconv.com Color code: HEX #E5C35B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 195 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 195 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 60 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 60% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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