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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4B148 it is the complementary color #2B4EB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4B148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4B148 shade: #D9B143, #EAC356, #FBD569, #FFE77C and #FFF98F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4B148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4B148 shade: #D4B148, #C39F35, #B28D22, #A17B0F and #906900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4B148 shade: #D4B149, #D48C49, #D46649 and #D44949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4B148 shade: #D4B149, #D1D449, #ACD449, #86D449 and #61D449

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4B148 shade matches the following richer shades: #D4B149, #E6BA37 and #F8C324

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4B148 shade: #D4B149, #C2A85B, #B09F6D, #9D967F and #8B8D91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4B148 shade: #D46749, #D48C49, #D4B149, #D2D449 and #ACD449

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4B148 shade: #A48526, #C5A02E, #D4B149, #DCBF6A and #E4CE8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4B148 shade: #D4B148, #50D449 and #7949D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4B148 shade: #D4B148, #49D4B1 and #B149D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4B148 shade: #D4B148, #50D449, #496CD4 and #CD49D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4B148 shade: #D4B148, #49D46C, #496CD4 and #D449B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 66 / 17

HEX #D4B148

RGB 212 177 72

HSL 45, 0.62%, 0.56%

LAB 73.49, 1.2, 56.64

 

Complementary color

CMYK 77 / 57 / 0 / 28

HEX #2B4EB7

RGB 43 78 183

HSL 225, 0.62%, 0.44%

LAB 36.71, 25.49, -59.16

 

CMYK 0 / 18 / 69 / 15

HEX #D9B143

RGB 217 177 67

HSL 44, 0.66%, 0.56%

LAB 73.93, 3.06, 59.4

 

CMYK 0 / 17 / 63 / 8

HEX #EAC356

RGB 234 195 86

HSL 44.19, 0.78%, 0.63%

LAB 80.29, 1.94, 58.45

 

CMYK 0 / 15 / 58 / 2

HEX #FBD569

RGB 251 213 105

HSL 44.38, 0.95%, 0.7%

LAB 86.56, 0.97, 57.34

 

CMYK 0 / 9 / 51 / 0

HEX #FFE77C

RGB 255 231 124

HSL 49.01, 1%, 0.74%

LAB 91.63, -5.06, 54.54

 

CMYK 0 / 2 / 44 / 0

HEX #FFF98F

RGB 255 249 143

HSL 56.79, 1%, 0.78%

LAB 96.41, -12.29, 51.37

 

CMYK 0 / 17 / 66 / 17

HEX #D4B148

RGB 212 177 72

HSL 45, 0.62%, 0.56%

LAB 73.49, 1.2, 56.64

 

CMYK 0 / 18 / 73 / 24

HEX #C39F35

RGB 195 159 53

HSL 44.79, 0.57%, 0.49%

LAB 67.02, 2.4, 57.42

 

CMYK 0 / 21 / 81 / 30

HEX #B28D22

RGB 178 141 34

HSL 44.58, 0.68%, 0.42%

LAB 60.45, 3.84, 57.64

 

CMYK 0 / 24 / 91 / 37

HEX #A17B0F

RGB 161 123 15

HSL 44.38, 0.83%, 0.35%

LAB 53.79, 5.56, 56.72

 

CMYK 0 / 27 / 100 / 44

HEX #906900

RGB 144 105 0

HSL 43.75, 1%, 0.28%

LAB 47.02, 7.6, 53.99

 

CMYK 0 / 17 / 66 / 17

HEX #D4B149

RGB 212 177 73

HSL 44.89, 0.62%, 0.56%

LAB 73.5, 1.26, 56.21

 

CMYK 0 / 34 / 66 / 17

HEX #D48C49

RGB 212 140 73

HSL 28.92, 0.62%, 0.56%

LAB 64.35, 21.14, 46.16

 

CMYK 0 / 52 / 66 / 17

HEX #D46649

RGB 212 102 73

HSL 12.52, 0.62%, 0.56%

LAB 56.07, 41.15, 36.53

 

CMYK 0 / 66 / 66 / 17

HEX #D44949

RGB 212 73 73

HSL 0, 0.62%, 0.56%

LAB 50.97, 54.53, 30.33

 

CMYK 0 / 17 / 66 / 17

HEX #D4B149

RGB 212 177 73

HSL 44.89, 0.62%, 0.56%

LAB 73.5, 1.26, 56.21

 

CMYK 1 / 0 / 66 / 17

HEX #D1D449

RGB 209 212 73

HSL 61.29, 0.62%, 0.56%

LAB 82.44, -17.92, 65.5

 

CMYK 19 / 0 / 66 / 17

HEX #ACD449

RGB 172 212 73

HSL 77.27, 0.62%, 0.56%

LAB 79.81, -32.85, 61.94

 

CMYK 37 / 0 / 66 / 17

HEX #86D449

RGB 134 212 73

HSL 93.67, 0.62%, 0.56%

LAB 77.66, -46.77, 59.02

 

CMYK 54 / 0 / 66 / 17

HEX #61D449

RGB 97 212 73

HSL 109.64, 0.62%, 0.56%

LAB 76.14, -57.94, 56.93

 

CMYK 0 / 17 / 66 / 17

HEX #D4B149

RGB 212 177 73

HSL 44.89, 0.62%, 0.56%

LAB 73.5, 1.26, 56.21

 

CMYK 0 / 19 / 76 / 10

HEX #E6BA37

RGB 230 186 55

HSL 44.91, 0.78%, 0.56%

LAB 77.41, 3.36, 67.87

 

CMYK 0 / 21 / 85 / 3

HEX #F8C324

RGB 248 195 36

HSL 45, 0.94%, 0.56%

LAB 81.35, 5.79, 77.64

 

CMYK 0 / 17 / 66 / 17

HEX #D4B149

RGB 212 177 73

HSL 44.89, 0.62%, 0.56%

LAB 73.5, 1.26, 56.21

 

CMYK 0 / 13 / 53 / 24

HEX #C2A85B

RGB 194 168 91

HSL 44.85, 0.46%, 0.56%

LAB 69.63, -0.32, 42.87

 

CMYK 0 / 10 / 38 / 31

HEX #B09F6D

RGB 176 159 109

HSL 44.78, 0.3%, 0.56%

LAB 65.85, -1.16, 28.37

 

CMYK 0 / 4 / 19 / 38

HEX #9D967F

RGB 157 150 127

HSL 46, 0.13%, 0.56%

LAB 62.09, -1.4, 13.07

 

CMYK 4 / 3 / 0 / 43

HEX #8B8D91

RGB 139 141 145

HSL 220, 0.03%, 0.56%

LAB 58.59, 0.07, -2.39

 

CMYK 0 / 51 / 66 / 17

HEX #D46749

RGB 212 103 73

HSL 12.95, 0.62%, 0.56%

LAB 56.27, 40.65, 36.77

 

CMYK 0 / 34 / 66 / 17

HEX #D48C49

RGB 212 140 73

HSL 28.92, 0.62%, 0.56%

LAB 64.35, 21.14, 46.16

 

CMYK 0 / 17 / 66 / 17

HEX #D4B149

RGB 212 177 73

HSL 44.89, 0.62%, 0.56%

LAB 73.5, 1.26, 56.21

 

CMYK 1 / 0 / 66 / 17

HEX #D2D449

RGB 210 212 73

HSL 60.86, 0.62%, 0.56%

LAB 82.52, -17.51, 65.61

 

CMYK 19 / 0 / 66 / 17

HEX #ACD449

RGB 172 212 73

HSL 77.27, 0.62%, 0.56%

LAB 79.81, -32.85, 61.94

 

CMYK 0 / 19 / 77 / 36

HEX #A48526

RGB 164 133 38

HSL 45.24, 0.62%, 0.4%

LAB 56.89, 2.07, 52.39

 

CMYK 0 / 19 / 77 / 23

HEX #C5A02E

RGB 197 160 46

HSL 45.3, 0.62%, 0.48%

LAB 67.43, 2.44, 60.56

 

CMYK 0 / 17 / 66 / 17

HEX #D4B149

RGB 212 177 73

HSL 44.89, 0.62%, 0.56%

LAB 73.5, 1.26, 56.21

 

CMYK 0 / 13 / 52 / 14

HEX #DCBF6A

RGB 220 191 106

HSL 44.74, 0.62%, 0.64%

LAB 78.18, -0.32, 46.29

 

CMYK 0 / 10 / 39 / 11

HEX #E4CE8C

RGB 228 206 140

HSL 45, 0.62%, 0.72%

LAB 83.19, -1.52, 35.63

 

CMYK 0 / 17 / 66 / 17

HEX #D4B148

RGB 212 177 72

HSL 45, 0.62%, 0.56%

LAB 73.49, 1.2, 56.64

 

CMYK 62 / 0 / 66 / 17

HEX #50D449

RGB 80 212 73

HSL 116.98, 0.62%, 0.56%

LAB 75.62, -62.01, 56.22

 

CMYK 43 / 66 / 0 / 17

HEX #7949D4

RGB 121 73 212

HSL 260.72, 0.62%, 0.56%

LAB 43.63, 50.67, -64.5

 

CMYK 0 / 17 / 66 / 17

HEX #D4B148

RGB 212 177 72

HSL 45, 0.62%, 0.56%

LAB 73.49, 1.2, 56.64

 

CMYK 66 / 0 / 17 / 17

HEX #49D4B1

RGB 73 212 177

HSL 164.89, 0.62%, 0.56%

LAB 77.09, -45.52, 6.44

 

CMYK 17 / 66 / 0 / 17

HEX #B149D4

RGB 177 73 212

HSL 284.89, 0.62%, 0.56%

LAB 50.53, 62.5, -53.02

 

CMYK 0 / 17 / 66 / 17

HEX #D4B148

RGB 212 177 72

HSL 45, 0.62%, 0.56%

LAB 73.49, 1.2, 56.64

 

CMYK 62 / 0 / 66 / 17

HEX #50D449

RGB 80 212 73

HSL 116.98, 0.62%, 0.56%

LAB 75.62, -62.01, 56.22

 

CMYK 66 / 49 / 0 / 17

HEX #496CD4

RGB 73 108 212

HSL 224.89, 0.62%, 0.56%

LAB 48.13, 20.95, -57.4

 

CMYK 3 / 66 / 0 / 17

HEX #CD49D4

RGB 205 73 212

HSL 296.98, 0.62%, 0.56%

LAB 54.55, 68.85, -46.37

 

CMYK 0 / 17 / 66 / 17

HEX #D4B148

RGB 212 177 72

HSL 45, 0.62%, 0.56%

LAB 73.49, 1.2, 56.64

 

CMYK 66 / 0 / 49 / 17

HEX #49D46C

RGB 73 212 108

HSL 135.11, 0.62%, 0.56%

LAB 75.81, -59.15, 40.53

 

CMYK 66 / 49 / 0 / 17

HEX #496CD4

RGB 73 108 212

HSL 224.89, 0.62%, 0.56%

LAB 48.13, 20.95, -57.4

 

CMYK 0 / 66 / 17 / 17

HEX #D449B1

RGB 212 73 177

HSL 315.11, 0.62%, 0.56%

LAB 53.96, 65.07, -27.08

 

Description

Color code: HEX #D4B148 | qconv.com Color code: HEX #D4B148 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 177 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 177 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 66 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 66% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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