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Color name
HEX #E43520

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E43520 it is the complementary color #1BCADF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E43520. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E43520 shade: #E9351B, #FA472E, #FF5941, #FF6B54 and #FF7D67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E43520. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E43520 shade: #E43520, #D3230D, #C21100, #B10000 and #A00000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E43520 shade: #E33520 and #E32020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E43520 shade: #E33520, #E36A20, #E39E20, #E3D320 and #BFE320

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E43520 shade matches the following richer shades: #E33520 and #F7250C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E43520 shade: #E33520, #CF4534, #BB5549, #A6655D and #927571

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E43520 shade: #E32075, #E32041, #E33420, #E36820 and #E39C20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E43520 shade: #9E2213, #C22A18, #E33520, #E85645 and #EC786A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E43520 shade: #E43520, #A9E320 and #205BE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E43520 shade: #E43520, #20E334 and #3420E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E43520 shade: #E43520, #A9E320, #20D0E3 and #5B20E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E43520 shade: #E43520, #6EE320, #20D0E3 and #9520E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 86 / 11

HEX #E43520

RGB 228 53 32

HSL 6.43, 0.78%, 0.51%

LAB 50.86, 65.12, 52.95

 

Complementary color

CMYK 88 / 9 / 0 / 13

HEX #1BCADF

RGB 27 202 223

HSL 186.43, 0.78%, 0.49%

LAB 74.7, -32.93, -21.96

 

CMYK 0 / 77 / 88 / 9

HEX #E9351B

RGB 233 53 27

HSL 7.57, 0.82%, 0.51%

LAB 51.78, 66.49, 56.2

 

CMYK 0 / 72 / 82 / 2

HEX #FA472E

RGB 250 71 46

HSL 7.35, 0.95%, 0.58%

LAB 57.1, 66.26, 53.51

 

CMYK 0 / 65 / 75 / 0

HEX #FF5941

RGB 255 89 65

HSL 7.58, 1%, 0.63%

LAB 60.59, 61.76, 47.79

 

CMYK 0 / 58 / 67 / 0

HEX #FF6B54

RGB 255 107 84

HSL 8.07, 1%, 0.66%

LAB 63.68, 54.97, 41.21

 

CMYK 0 / 51 / 60 / 0

HEX #FF7D67

RGB 255 125 103

HSL 8.68, 1%, 0.7%

LAB 67.21, 47.71, 35.21

 

CMYK 0 / 77 / 86 / 11

HEX #E43520

RGB 228 53 32

HSL 6.43, 0.78%, 0.51%

LAB 50.86, 65.12, 52.95

 

CMYK 0 / 83 / 94 / 17

HEX #D3230D

RGB 211 35 13

HSL 6.67, 0.88%, 0.44%

LAB 45.74, 64.72, 55.13

 

CMYK 0 / 91 / 100 / 24

HEX #C21100

RGB 194 17 0

HSL 5.26, 1%, 0.38%

LAB 41.01, 63.34, 54.95

 

CMYK 0 / 100 / 100 / 31

HEX #B10000

RGB 177 0 0

HSL 0, 1%, 0.35%

LAB 36.64, 60.91, 51.04

 

CMYK 0 / 100 / 100 / 37

HEX #A00000

RGB 160 0 0

HSL 0, 1%, 0.31%

LAB 32.86, 56.54, 46.95

 

CMYK 0 / 77 / 86 / 11

HEX #E33520

RGB 227 53 32

HSL 6.46, 0.78%, 0.51%

LAB 50.67, 64.82, 52.71

 

CMYK 0 / 86 / 86 / 11

HEX #E32020

RGB 227 32 32

HSL 0, 0.78%, 0.51%

LAB 48.84, 69.98, 51.21

 

CMYK 0 / 77 / 86 / 11

HEX #E33520

RGB 227 53 32

HSL 6.46, 0.78%, 0.51%

LAB 50.67, 64.82, 52.71

 

CMYK 0 / 53 / 86 / 11

HEX #E36A20

RGB 227 106 32

HSL 22.77, 0.78%, 0.51%

LAB 58.74, 43.25, 59.33

 

CMYK 0 / 30 / 86 / 11

HEX #E39E20

RGB 227 158 32

HSL 38.77, 0.78%, 0.51%

LAB 70.1, 16.16, 68.59

 

CMYK 0 / 7 / 86 / 11

HEX #E3D320

RGB 227 211 32

HSL 55.08, 0.78%, 0.51%

LAB 83.45, -11.44, 79.41

 

CMYK 16 / 0 / 86 / 11

HEX #BFE320

RGB 191 227 32

HSL 71.08, 0.78%, 0.51%

LAB 85.06, -34.08, 79.6

 

CMYK 0 / 77 / 86 / 11

HEX #E33520

RGB 227 53 32

HSL 6.46, 0.78%, 0.51%

LAB 50.67, 64.82, 52.71

 

CMYK 0 / 85 / 95 / 3

HEX #F7250C

RGB 247 37 12

HSL 6.38, 0.94%, 0.51%

LAB 53.08, 74.04, 63.31

 

CMYK 0 / 77 / 86 / 11

HEX #E33520

RGB 227 53 32

HSL 6.46, 0.78%, 0.51%

LAB 50.67, 64.82, 52.71

 

CMYK 0 / 67 / 75 / 19

HEX #CF4534

RGB 207 69 52

HSL 6.58, 0.62%, 0.51%

LAB 49.22, 53.48, 39.98

 

CMYK 0 / 55 / 61 / 27

HEX #BB5549

RGB 187 85 73

HSL 6.32, 0.46%, 0.51%

LAB 48.94, 40.22, 26.91

 

CMYK 0 / 39 / 44 / 35

HEX #A6655D

RGB 166 101 93

HSL 6.58, 0.29%, 0.51%

LAB 49.74, 25.26, 15.65

 

CMYK 0 / 20 / 23 / 43

HEX #927571

RGB 146 117 113

HSL 7.27, 0.13%, 0.51%

LAB 51.87, 10.68, 6.5

 

CMYK 0 / 86 / 48 / 11

HEX #E32075

RGB 227 32 117

HSL 333.85, 0.78%, 0.51%

LAB 50.27, 74.1, 3.37

 

CMYK 0 / 86 / 71 / 11

HEX #E32041

RGB 227 32 65

HSL 349.85, 0.78%, 0.51%

LAB 49.19, 70.98, 33.51

 

CMYK 0 / 77 / 86 / 11

HEX #E33420

RGB 227 52 32

HSL 6.15, 0.78%, 0.51%

LAB 50.56, 65.12, 52.62

 

CMYK 0 / 54 / 86 / 11

HEX #E36820

RGB 227 104 32

HSL 22.15, 0.78%, 0.51%

LAB 58.35, 44.23, 59.02

 

CMYK 0 / 31 / 86 / 11

HEX #E39C20

RGB 227 156 32

HSL 38.15, 0.78%, 0.51%

LAB 69.62, 17.23, 68.2

 

CMYK 0 / 78 / 88 / 38

HEX #9E2213

RGB 158 34 19

HSL 6.47, 0.79%, 0.35%

LAB 34.92, 49.44, 40.18

 

CMYK 0 / 78 / 88 / 24

HEX #C22A18

RGB 194 42 24

HSL 6.35, 0.78%, 0.43%

LAB 43.05, 58.14, 47.46

 

CMYK 0 / 77 / 86 / 11

HEX #E33520

RGB 227 53 32

HSL 6.46, 0.78%, 0.51%

LAB 50.67, 64.82, 52.71

 

CMYK 0 / 63 / 70 / 9

HEX #E85645

RGB 232 86 69

HSL 6.26, 0.78%, 0.59%

LAB 56.33, 55.55, 39.82

 

CMYK 0 / 49 / 55 / 7

HEX #EC786A

RGB 236 120 106

HSL 6.46, 0.77%, 0.67%

LAB 63.6, 43.44, 28.38

 

CMYK 0 / 77 / 86 / 11

HEX #E43520

RGB 228 53 32

HSL 6.43, 0.78%, 0.51%

LAB 50.86, 65.12, 52.95

 

CMYK 26 / 0 / 86 / 11

HEX #A9E320

RGB 169 227 32

HSL 77.85, 0.78%, 0.51%

LAB 83.69, -42.65, 77.91

 

CMYK 86 / 60 / 0 / 11

HEX #205BE3

RGB 32 91 227

HSL 221.85, 0.78%, 0.51%

LAB 43.26, 32.75, -73.89

 

CMYK 0 / 77 / 86 / 11

HEX #E43520

RGB 228 53 32

HSL 6.43, 0.78%, 0.51%

LAB 50.86, 65.12, 52.95

 

CMYK 86 / 0 / 77 / 11

HEX #20E334

RGB 32 227 52

HSL 126.15, 0.78%, 0.51%

LAB 79.32, -75.5, 67.28

 

CMYK 77 / 86 / 0 / 11

HEX #3420E3

RGB 52 32 227

HSL 246.15, 0.78%, 0.51%

LAB 32.5, 65.86, -91.62

 

CMYK 0 / 77 / 86 / 11

HEX #E43520

RGB 228 53 32

HSL 6.43, 0.78%, 0.51%

LAB 50.86, 65.12, 52.95

 

CMYK 26 / 0 / 86 / 11

HEX #A9E320

RGB 169 227 32

HSL 77.85, 0.78%, 0.51%

LAB 83.69, -42.65, 77.91

 

CMYK 86 / 8 / 0 / 11

HEX #20D0E3

RGB 32 208 227

HSL 185.85, 0.78%, 0.51%

LAB 76.66, -34.25, -21.14

 

CMYK 60 / 86 / 0 / 11

HEX #5B20E3

RGB 91 32 227

HSL 258.15, 0.78%, 0.51%

LAB 35.6, 68.36, -86.38

 

CMYK 0 / 77 / 86 / 11

HEX #E43520

RGB 228 53 32

HSL 6.43, 0.78%, 0.51%

LAB 50.86, 65.12, 52.95

 

CMYK 52 / 0 / 86 / 11

HEX #6EE320

RGB 110 227 32

HSL 96, 0.78%, 0.51%

LAB 80.94, -62.34, 74.47

 

CMYK 86 / 8 / 0 / 11

HEX #20D0E3

RGB 32 208 227

HSL 185.85, 0.78%, 0.51%

LAB 76.66, -34.25, -21.14

 

CMYK 34 / 86 / 0 / 11

HEX #9520E3

RGB 149 32 227

HSL 276, 0.78%, 0.51%

LAB 42.72, 74.69, -74.42

 

Description

Color code: HEX #E43520 | qconv.com Color code: HEX #E43520 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 53 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 53 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 86 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 86% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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