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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3420E3 it is the complementary color #CBDF1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3420E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3420E3 shade: #3920DE, #4A32F1, #5B44FF, #6C56FF and #7D68FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3420E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3420E3 shade: #3420E3, #230ED0, #1200BD, #0100AA and #000097

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3420E3 shade: #3420E3, #6920E3, #9D20E3, #D220E3 and #E320C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3420E3 shade: #3420E3 and #2020E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3420E3 shade matches the following richer shades: #3420E3 and #240CF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3420E3 shade: #3420E3, #4434CF, #5449BB, #645DA6 and #747192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3420E3 shade: #2075E3, #2041E3, #3420E3, #6820E3 and #9C20E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3420E3 shade: #21139E, #2918C2, #3420E3, #5545E8 and #776AEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3420E3 shade: #3420E3, #E320A9 and #5BE320

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3420E3 shade: #3420E3, #E33420 and #20E334

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3420E3 shade: #3420E3, #E320A9, #D0E320 and #20E35B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3420E3 shade: #3420E3, #E3206E, #D0E320 and #20E395

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 86 / 0 / 11

HEX #3420E3

RGB 52 32 227

HSL 246.15, 0.78%, 0.51%

LAB 32.5, 65.86, -91.62

 

Complementary color

CMYK 9 / 0 / 87 / 13

HEX #CBDF1C

RGB 203 223 28

HSL 66.15, 0.78%, 0.49%

LAB 84.77, -27.45, 80.44

 

CMYK 74 / 86 / 0 / 13

HEX #3920DE

RGB 57 32 222

HSL 247.89, 0.75%, 0.5%

LAB 32.21, 64.73, -89.24

 

CMYK 69 / 79 / 0 / 5

HEX #4A32F1

RGB 74 50 241

HSL 247.54, 0.87%, 0.57%

LAB 38, 63.85, -90.41

 

CMYK 64 / 73 / 0 / 0

HEX #5B44FF

RGB 91 68 255

HSL 247.38, 1%, 0.63%

LAB 43.62, 60.92, -88.94

 

CMYK 58 / 66 / 0 / 0

HEX #6C56FF

RGB 108 86 255

HSL 247.81, 1%, 0.67%

LAB 48.34, 53.62, -81.15

 

CMYK 51 / 59 / 0 / 0

HEX #7D68FF

RGB 125 104 255

HSL 248.34, 1%, 0.7%

LAB 53.47, 46.41, -72.73

 

CMYK 77 / 86 / 0 / 11

HEX #3420E3

RGB 52 32 227

HSL 246.15, 0.78%, 0.51%

LAB 32.5, 65.86, -91.62

 

CMYK 83 / 93 / 0 / 18

HEX #230ED0

RGB 35 14 208

HSL 246.49, 0.87%, 0.44%

LAB 27.37, 65.53, -89.23

 

CMYK 90 / 100 / 0 / 26

HEX #1200BD

RGB 18 0 189

HSL 245.71, 1%, 0.37%

LAB 23.01, 63.37, -85.36

 

CMYK 99 / 100 / 0 / 33

HEX #0100AA

RGB 1 0 170

HSL 240.35, 1%, 0.33%

LAB 19.67, 58.46, -79.56

 

CMYK 100 / 100 / 0 / 41

HEX #000097

RGB 0 0 151

HSL 240, 1%, 0.3%

LAB 16.67, 53.57, -72.96

 

CMYK 77 / 86 / 0 / 11

HEX #3420E3

RGB 52 32 227

HSL 246.15, 0.78%, 0.51%

LAB 32.5, 65.86, -91.62

 

CMYK 54 / 86 / 0 / 11

HEX #6920E3

RGB 105 32 227

HSL 262.46, 0.78%, 0.51%

LAB 37.08, 69.62, -83.89

 

CMYK 31 / 86 / 0 / 11

HEX #9D20E3

RGB 157 32 227

HSL 278.46, 0.78%, 0.51%

LAB 43.87, 75.77, -72.49

 

CMYK 7 / 86 / 0 / 11

HEX #D220E3

RGB 210 32 227

HSL 294.77, 0.78%, 0.51%

LAB 52.15, 83.9, -58.67

 

CMYK 0 / 86 / 15 / 11

HEX #E320C0

RGB 227 32 192

HSL 310.77, 0.78%, 0.51%

LAB 53.13, 81.96, -36.89

 

CMYK 77 / 86 / 0 / 11

HEX #3420E3

RGB 52 32 227

HSL 246.15, 0.78%, 0.51%

LAB 32.5, 65.86, -91.62

 

CMYK 86 / 86 / 0 / 11

HEX #2020E3

RGB 32 32 227

HSL 240, 0.78%, 0.51%

LAB 31.55, 65.12, -93.24

 

CMYK 77 / 86 / 0 / 11

HEX #3420E3

RGB 52 32 227

HSL 246.15, 0.78%, 0.51%

LAB 32.5, 65.86, -91.62

 

CMYK 85 / 95 / 0 / 3

HEX #240CF7

RGB 36 12 247

HSL 246.13, 0.94%, 0.51%

LAB 32.6, 75.77, -102.85

 

CMYK 77 / 86 / 0 / 11

HEX #3420E3

RGB 52 32 227

HSL 246.15, 0.78%, 0.51%

LAB 32.5, 65.86, -91.62

 

CMYK 67 / 75 / 0 / 19

HEX #4434CF

RGB 68 52 207

HSL 246.19, 0.62%, 0.51%

LAB 34.38, 52.31, -76.96

 

CMYK 55 / 61 / 0 / 27

HEX #5449BB

RGB 84 73 187

HSL 245.79, 0.46%, 0.51%

LAB 38.27, 36.35, -58.86

 

CMYK 40 / 44 / 0 / 35

HEX #645DA6

RGB 100 93 166

HSL 245.75, 0.29%, 0.51%

LAB 43.2, 21.21, -38.49

 

CMYK 21 / 23 / 0 / 43

HEX #747192

RGB 116 113 146

HSL 245.45, 0.13%, 0.51%

LAB 49.01, 8.5, -17.52

 

CMYK 86 / 48 / 0 / 11

HEX #2075E3

RGB 32 117 227

HSL 213.85, 0.78%, 0.51%

LAB 50.19, 16.13, -62.64

 

CMYK 86 / 71 / 0 / 11

HEX #2041E3

RGB 32 65 227

HSL 229.85, 0.78%, 0.51%

LAB 37.18, 48.87, -83.9

 

CMYK 77 / 86 / 0 / 11

HEX #3420E3

RGB 52 32 227

HSL 246.15, 0.78%, 0.51%

LAB 32.5, 65.86, -91.62

 

CMYK 54 / 86 / 0 / 11

HEX #6820E3

RGB 104 32 227

HSL 262.15, 0.78%, 0.51%

LAB 36.97, 69.52, -84.08

 

CMYK 31 / 86 / 0 / 11

HEX #9C20E3

RGB 156 32 227

HSL 278.15, 0.78%, 0.51%

LAB 43.72, 75.63, -72.73

 

CMYK 79 / 88 / 0 / 38

HEX #21139E

RGB 33 19 158

HSL 246.04, 0.79%, 0.35%

LAB 21.05, 50.21, -69.93

 

CMYK 79 / 88 / 0 / 24

HEX #2918C2

RGB 41 24 194

HSL 246, 0.78%, 0.43%

LAB 26.79, 59.06, -81.98

 

CMYK 77 / 86 / 0 / 11

HEX #3420E3

RGB 52 32 227

HSL 246.15, 0.78%, 0.51%

LAB 32.5, 65.86, -91.62

 

CMYK 63 / 70 / 0 / 9

HEX #5545E8

RGB 85 69 232

HSL 245.89, 0.78%, 0.59%

LAB 41.24, 52.84, -79.95

 

CMYK 50 / 55 / 0 / 7

HEX #776AEC

RGB 119 106 236

HSL 246, 0.77%, 0.67%

LAB 52.16, 38.51, -64.3

 

CMYK 77 / 86 / 0 / 11

HEX #3420E3

RGB 52 32 227

HSL 246.15, 0.78%, 0.51%

LAB 32.5, 65.86, -91.62

 

CMYK 0 / 86 / 26 / 11

HEX #E320A9

RGB 227 32 169

HSL 317.85, 0.78%, 0.51%

LAB 52.09, 79.16, -25.07

 

CMYK 60 / 0 / 86 / 11

HEX #5BE320

RGB 91 227 32

HSL 101.85, 0.78%, 0.51%

LAB 80.33, -67.22, 73.7

 

CMYK 77 / 86 / 0 / 11

HEX #3420E3

RGB 52 32 227

HSL 246.15, 0.78%, 0.51%

LAB 32.5, 65.86, -91.62

 

CMYK 0 / 77 / 86 / 11

HEX #E33420

RGB 227 52 32

HSL 6.15, 0.78%, 0.51%

LAB 50.56, 65.12, 52.62

 

CMYK 86 / 0 / 77 / 11

HEX #20E334

RGB 32 227 52

HSL 126.15, 0.78%, 0.51%

LAB 79.32, -75.5, 67.28

 

CMYK 77 / 86 / 0 / 11

HEX #3420E3

RGB 52 32 227

HSL 246.15, 0.78%, 0.51%

LAB 32.5, 65.86, -91.62

 

CMYK 0 / 86 / 26 / 11

HEX #E320A9

RGB 227 32 169

HSL 317.85, 0.78%, 0.51%

LAB 52.09, 79.16, -25.07

 

CMYK 8 / 0 / 86 / 11

HEX #D0E320

RGB 208 227 32

HSL 65.85, 0.78%, 0.51%

LAB 86.23, -27.2, 81.05

 

CMYK 86 / 0 / 60 / 11

HEX #20E35B

RGB 32 227 91

HSL 138.15, 0.78%, 0.51%

LAB 79.61, -71.88, 52.84

 

CMYK 77 / 86 / 0 / 11

HEX #3420E3

RGB 52 32 227

HSL 246.15, 0.78%, 0.51%

LAB 32.5, 65.86, -91.62

 

CMYK 0 / 86 / 52 / 11

HEX #E3206E

RGB 227 32 110

HSL 336, 0.78%, 0.51%

LAB 50.08, 73.57, 7.36

 

CMYK 8 / 0 / 86 / 11

HEX #D0E320

RGB 208 227 32

HSL 65.85, 0.78%, 0.51%

LAB 86.23, -27.2, 81.05

 

CMYK 86 / 0 / 34 / 11

HEX #20E395

RGB 32 227 149

HSL 156, 0.78%, 0.51%

LAB 80.41, -62.42, 25.73

 

Description

Color code: HEX #3420E3 | qconv.com Color code: HEX #3420E3 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 32 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 32 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 86 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 86% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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