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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E429C3 it is the complementary color #1BD63C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E429C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E429C3 shade: #E929BE, #FA3BD1, #FF4DE4, #FF5FF7 and #FF71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E429C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E429C3 shade: #E429C3, #D317B0, #C2059D, #B1008A and #A00077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E429C3 shade: #E429C3, #E42991, #E4295E, #E4292C and #E42929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E429C3 shade: #E429C3, #D329E4, #A029E4, #6E29E4 and #3B29E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E429C3 shade matches the following richer shades: #E429C3 and #F816D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E429C3 shade: #E429C3, #D13DB7, #BD50AA, #AA639D and #977791

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E429C3 shade: #A029E4, #D129E4, #E429C5, #E42993 and #E42961

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E429C3 shade: #A7148D, #CB19AC, #E429C3, #E94ECD and #ED73D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E429C3 shade: #E429C3, #E46E29 and #29E4B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E429C3 shade: #E429C3, #C5E429 and #29C5E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E429C3 shade: #E429C3, #E46E29, #29E448 and #29A0E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E429C3 shade: #E429C3, #E4A629, #29E448 and #2967E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 14 / 11

HEX #E429C3

RGB 228 41 195

HSL 310.59, 0.78%, 0.53%

LAB 54.05, 80.83, -37.18

 

Complementary color

CMYK 87 / 0 / 72 / 16

HEX #1BD63C

RGB 27 214 60

HSL 130.59, 0.78%, 0.47%

LAB 75.23, -71.56, 60.54

 

CMYK 0 / 82 / 18 / 9

HEX #E929BE

RGB 233 41 190

HSL 313.44, 0.81%, 0.54%

LAB 54.69, 81.2, -33.23

 

CMYK 0 / 76 / 16 / 2

HEX #FA3BD1

RGB 250 59 209

HSL 312.88, 0.95%, 0.61%

LAB 59.94, 82.92, -35.7

 

CMYK 0 / 70 / 11 / 0

HEX #FF4DE4

RGB 255 77 228

HSL 309.1, 1%, 0.65%

LAB 63.48, 81.25, -40.8

 

CMYK 0 / 63 / 3 / 0

HEX #FF5FF7

RGB 255 95 247

HSL 303, 1%, 0.69%

LAB 66.64, 77.7, -46.39

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 82 / 14 / 11

HEX #E429C3

RGB 228 41 195

HSL 310.59, 0.78%, 0.53%

LAB 54.05, 80.83, -37.18

 

CMYK 0 / 89 / 17 / 17

HEX #D317B0

RGB 211 23 176

HSL 311.17, 0.8%, 0.46%

LAB 49, 78.22, -34.23

 

CMYK 0 / 97 / 19 / 24

HEX #C2059D

RGB 194 5 157

HSL 311.75, 0.95%, 0.39%

LAB 44.25, 74.52, -30.61

 

CMYK 0 / 100 / 22 / 31

HEX #B1008A

RGB 177 0 138

HSL 313.22, 1%, 0.35%

LAB 39.89, 69.42, -26.12

 

CMYK 0 / 100 / 26 / 37

HEX #A00077

RGB 160 0 119

HSL 315.38, 1%, 0.31%

LAB 35.61, 63.76, -21.22

 

CMYK 0 / 82 / 14 / 11

HEX #E429C3

RGB 228 41 195

HSL 310.59, 0.78%, 0.53%

LAB 54.05, 80.83, -37.18

 

CMYK 0 / 82 / 36 / 11

HEX #E42991

RGB 228 41 145

HSL 326.63, 0.78%, 0.53%

LAB 51.98, 75.01, -10.99

 

CMYK 0 / 82 / 59 / 11

HEX #E4295E

RGB 228 41 94

HSL 342.99, 0.78%, 0.53%

LAB 50.56, 70.85, 17.81

 

CMYK 0 / 82 / 81 / 11

HEX #E4292C

RGB 228 41 44

HSL 359.04, 0.78%, 0.53%

LAB 49.81, 68.61, 46.13

 

CMYK 0 / 82 / 82 / 11

HEX #E42929

RGB 228 41 41

HSL 0, 0.78%, 0.53%

LAB 49.79, 68.53, 47.67

 

CMYK 0 / 82 / 14 / 11

HEX #E429C3

RGB 228 41 195

HSL 310.59, 0.78%, 0.53%

LAB 54.05, 80.83, -37.18

 

CMYK 7 / 82 / 0 / 11

HEX #D329E4

RGB 211 41 228

HSL 294.55, 0.78%, 0.53%

LAB 52.99, 82.44, -57.89

 

CMYK 30 / 82 / 0 / 11

HEX #A029E4

RGB 160 41 228

HSL 278.18, 0.78%, 0.53%

LAB 45.17, 74.09, -70.92

 

CMYK 52 / 82 / 0 / 11

HEX #6E29E4

RGB 110 41 228

HSL 262.14, 0.78%, 0.53%

LAB 38.73, 67.45, -81.72

 

CMYK 74 / 82 / 0 / 11

HEX #3B29E4

RGB 59 41 228

HSL 245.78, 0.78%, 0.53%

LAB 34.23, 63, -89.32

 

CMYK 0 / 82 / 14 / 11

HEX #E429C3

RGB 228 41 195

HSL 310.59, 0.78%, 0.53%

LAB 54.05, 80.83, -37.18

 

CMYK 0 / 91 / 16 / 3

HEX #F816D0

RGB 248 22 208

HSL 310.62, 0.94%, 0.53%

LAB 57.16, 89.32, -39.51

 

CMYK 0 / 82 / 14 / 11

HEX #E429C3

RGB 228 41 195

HSL 310.59, 0.78%, 0.53%

LAB 54.05, 80.83, -37.18

 

CMYK 0 / 71 / 12 / 18

HEX #D13DB7

RGB 209 61 183

HSL 310.54, 0.62%, 0.53%

LAB 52.19, 69.55, -33.37

 

CMYK 0 / 58 / 10 / 26

HEX #BD50AA

RGB 189 80 170

HSL 310.46, 0.45%, 0.53%

LAB 51.22, 54.84, -27.52

 

CMYK 0 / 42 / 8 / 33

HEX #AA639D

RGB 170 99 157

HSL 310.99, 0.29%, 0.53%

LAB 51.73, 37.26, -19.32

 

CMYK 0 / 21 / 4 / 41

HEX #977791

RGB 151 119 145

HSL 311.25, 0.13%, 0.53%

LAB 53.83, 17.08, -9.32

 

CMYK 30 / 82 / 0 / 11

HEX #A029E4

RGB 160 41 228

HSL 278.18, 0.78%, 0.53%

LAB 45.17, 74.09, -70.92

 

CMYK 8 / 82 / 0 / 11

HEX #D129E4

RGB 209 41 228

HSL 293.9, 0.78%, 0.53%

LAB 52.67, 82.09, -58.42

 

CMYK 0 / 82 / 14 / 11

HEX #E429C5

RGB 228 41 197

HSL 309.95, 0.78%, 0.53%

LAB 54.14, 81.09, -38.18

 

CMYK 0 / 82 / 36 / 11

HEX #E42993

RGB 228 41 147

HSL 325.99, 0.78%, 0.53%

LAB 52.05, 75.21, -12.08

 

CMYK 0 / 82 / 57 / 11

HEX #E42961

RGB 228 41 97

HSL 342.03, 0.78%, 0.53%

LAB 50.62, 71.04, 16.07

 

CMYK 0 / 88 / 16 / 35

HEX #A7148D

RGB 167 20 141

HSL 310.61, 0.79%, 0.37%

LAB 38.97, 65.32, -29.54

 

CMYK 0 / 88 / 15 / 20

HEX #CB19AC

RGB 203 25 172

HSL 310.45, 0.78%, 0.45%

LAB 47.46, 75.84, -34.4

 

CMYK 0 / 82 / 14 / 11

HEX #E429C3

RGB 228 41 195

HSL 310.59, 0.78%, 0.53%

LAB 54.05, 80.83, -37.18

 

CMYK 0 / 67 / 12 / 9

HEX #E94ECD

RGB 233 78 205

HSL 310.84, 0.78%, 0.61%

LAB 59.14, 72.48, -34.88

 

CMYK 0 / 51 / 9 / 7

HEX #ED73D8

RGB 237 115 216

HSL 310.33, 0.77%, 0.69%

LAB 65.92, 59.59, -30.5

 

CMYK 0 / 82 / 14 / 11

HEX #E429C3

RGB 228 41 195

HSL 310.59, 0.78%, 0.53%

LAB 54.05, 80.83, -37.18

 

CMYK 0 / 52 / 82 / 11

HEX #E46E29

RGB 228 110 41

HSL 22.14, 0.78%, 0.53%

LAB 59.71, 41.9, 56.77

 

CMYK 82 / 0 / 19 / 11

HEX #29E4B9

RGB 41 228 185

HSL 166.2, 0.78%, 0.53%

LAB 81.54, -54.01, 8.51

 

CMYK 0 / 82 / 14 / 11

HEX #E429C3

RGB 228 41 195

HSL 310.59, 0.78%, 0.53%

LAB 54.05, 80.83, -37.18

 

CMYK 14 / 0 / 82 / 11

HEX #C5E429

RGB 197 228 41

HSL 69.95, 0.78%, 0.53%

LAB 85.76, -31.89, 78.43

 

CMYK 82 / 14 / 0 / 11

HEX #29C5E4

RGB 41 197 228

HSL 189.95, 0.78%, 0.53%

LAB 73.55, -28, -26.41

 

CMYK 0 / 82 / 14 / 11

HEX #E429C3

RGB 228 41 195

HSL 310.59, 0.78%, 0.53%

LAB 54.05, 80.83, -37.18

 

CMYK 0 / 52 / 82 / 11

HEX #E46E29

RGB 228 110 41

HSL 22.14, 0.78%, 0.53%

LAB 59.71, 41.9, 56.77

 

CMYK 82 / 0 / 68 / 11

HEX #29E448

RGB 41 228 72

HSL 129.95, 0.78%, 0.53%

LAB 79.86, -73.39, 60.95

 

CMYK 82 / 30 / 0 / 11

HEX #29A0E4

RGB 41 160 228

HSL 201.82, 0.78%, 0.53%

LAB 62.69, -8.52, -43.27

 

CMYK 0 / 82 / 14 / 11

HEX #E429C3

RGB 228 41 195

HSL 310.59, 0.78%, 0.53%

LAB 54.05, 80.83, -37.18

 

CMYK 0 / 27 / 82 / 11

HEX #E4A629

RGB 228 166 41

HSL 40.11, 0.78%, 0.53%

LAB 72.18, 12.57, 67.74

 

CMYK 82 / 0 / 68 / 11

HEX #29E448

RGB 41 228 72

HSL 129.95, 0.78%, 0.53%

LAB 79.86, -73.39, 60.95

 

CMYK 82 / 55 / 0 / 11

HEX #2967E4

RGB 41 103 228

HSL 220.11, 0.78%, 0.53%

LAB 46.68, 26.09, -68.88

 

Description

Color code: HEX #E429C3 | qconv.com Color code: HEX #E429C3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 41 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 41 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 14 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 14% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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