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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E46E29 it is the complementary color #1B91D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E46E29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E46E29 shade: #E96E24, #FA8037, #FF924A, #FFA45D and #FFB670

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E46E29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E46E29 shade: #E46E29, #D35C16, #C24A03, #B13800 and #A02600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E46E29 shade: #E46E29, #E43C29 and #E42929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E46E29 shade: #E46E29, #E4A129, #E4D329, #C3E429 and #90E429

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E46E29 shade matches the following richer shades: #E46E29 and #F86916

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E46E29 shade: #E46E29, #D1733D, #BD7850, #AA7D63 and #978277

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E46E29 shade: #E42948, #E43C29, #E46E29, #E4A029 and #E4D129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E46E29 shade: #A74A14, #CB5B19, #E46E29, #E9874E and #EDA073

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E46E29 shade: #E46E29, #7AE429 and #292FE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E46E29 shade: #E46E29, #29E46E and #6E29E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E46E29 shade: #E46E29, #7AE429, #29A0E4 and #9329E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E46E29 shade: #E46E29, #42E429, #29A0E4 and #CB29E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 82 / 11

HEX #E46E29

RGB 228 110 41

HSL 22.14, 0.78%, 0.53%

LAB 59.71, 41.9, 56.77

 

Complementary color

CMYK 87 / 32 / 0 / 16

HEX #1B91D6

RGB 27 145 214

HSL 202.14, 0.78%, 0.47%

LAB 57.4, -6.11, -43.82

 

CMYK 0 / 53 / 85 / 9

HEX #E96E24

RGB 233 110 36

HSL 22.54, 0.82%, 0.53%

LAB 60.43, 43.68, 59.64

 

CMYK 0 / 49 / 78 / 2

HEX #FA8037

RGB 250 128 55

HSL 22.46, 0.95%, 0.6%

LAB 66.55, 41.9, 58.39

 

CMYK 0 / 43 / 71 / 0

HEX #FF924A

RGB 255 146 74

HSL 23.87, 1%, 0.65%

LAB 71.09, 35.54, 54.62

 

CMYK 0 / 36 / 64 / 0

HEX #FFA45D

RGB 255 164 93

HSL 26.3, 1%, 0.68%

LAB 75.2, 27.27, 50.06

 

CMYK 0 / 29 / 56 / 0

HEX #FFB670

RGB 255 182 112

HSL 29.37, 1%, 0.72%

LAB 79.55, 19.19, 45.79

 

CMYK 0 / 52 / 82 / 11

HEX #E46E29

RGB 228 110 41

HSL 22.14, 0.78%, 0.53%

LAB 59.71, 41.9, 56.77

 

CMYK 0 / 56 / 90 / 17

HEX #D35C16

RGB 211 92 22

HSL 22.22, 0.81%, 0.46%

LAB 53.56, 43.75, 57.6

 

CMYK 0 / 62 / 98 / 24

HEX #C24A03

RGB 194 74 3

HSL 22.3, 0.97%, 0.39%

LAB 47.46, 45.59, 57.14

 

CMYK 0 / 68 / 100 / 31

HEX #B13800

RGB 177 56 0

HSL 18.98, 1%, 0.35%

LAB 41.49, 47.31, 53.18

 

CMYK 0 / 76 / 100 / 37

HEX #A02600

RGB 160 38 0

HSL 14.25, 1%, 0.31%

LAB 35.71, 48.44, 48.57

 

CMYK 0 / 52 / 82 / 11

HEX #E46E29

RGB 228 110 41

HSL 22.14, 0.78%, 0.53%

LAB 59.71, 41.9, 56.77

 

CMYK 0 / 74 / 82 / 11

HEX #E43C29

RGB 228 60 41

HSL 6.1, 0.78%, 0.53%

LAB 51.71, 63.13, 49.47

 

CMYK 0 / 82 / 82 / 11

HEX #E42929

RGB 228 41 41

HSL 0, 0.78%, 0.53%

LAB 49.79, 68.53, 47.67

 

CMYK 0 / 52 / 82 / 11

HEX #E46E29

RGB 228 110 41

HSL 22.14, 0.78%, 0.53%

LAB 59.71, 41.9, 56.77

 

CMYK 0 / 29 / 82 / 11

HEX #E4A129

RGB 228 161 41

HSL 38.5, 0.78%, 0.53%

LAB 70.97, 15.23, 66.7

 

CMYK 0 / 7 / 82 / 11

HEX #E4D329

RGB 228 211 41

HSL 54.55, 0.78%, 0.53%

LAB 83.57, -10.79, 77.49

 

CMYK 14 / 0 / 82 / 11

HEX #C3E429

RGB 195 228 41

HSL 70.59, 0.78%, 0.53%

LAB 85.63, -32.69, 78.26

 

CMYK 37 / 0 / 82 / 11

HEX #90E429

RGB 144 228 41

HSL 86.95, 0.78%, 0.53%

LAB 82.69, -51.79, 74.55

 

CMYK 0 / 52 / 82 / 11

HEX #E46E29

RGB 228 110 41

HSL 22.14, 0.78%, 0.53%

LAB 59.71, 41.9, 56.77

 

CMYK 0 / 58 / 91 / 3

HEX #F86916

RGB 248 105 22

HSL 22.04, 0.94%, 0.53%

LAB 61.76, 51.37, 66.17

 

CMYK 0 / 52 / 82 / 11

HEX #E46E29

RGB 228 110 41

HSL 22.14, 0.78%, 0.53%

LAB 59.71, 41.9, 56.77

 

CMYK 0 / 45 / 71 / 18

HEX #D1733D

RGB 209 115 61

HSL 21.89, 0.62%, 0.53%

LAB 58.18, 32.62, 45.16

 

CMYK 0 / 37 / 58 / 26

HEX #BD7850

RGB 189 120 80

HSL 22.02, 0.45%, 0.53%

LAB 56.91, 22.92, 33

 

CMYK 0 / 26 / 42 / 33

HEX #AA7D63

RGB 170 125 99

HSL 21.97, 0.29%, 0.53%

LAB 56.2, 14.04, 21.01

 

CMYK 0 / 14 / 21 / 41

HEX #978277

RGB 151 130 119

HSL 20.63, 0.13%, 0.53%

LAB 55.96, 6.17, 8.9

 

CMYK 0 / 82 / 68 / 11

HEX #E42948

RGB 228 41 72

HSL 350.05, 0.78%, 0.53%

LAB 50.15, 69.64, 30.57

 

CMYK 0 / 74 / 82 / 11

HEX #E43C29

RGB 228 60 41

HSL 6.1, 0.78%, 0.53%

LAB 51.71, 63.13, 49.47

 

CMYK 0 / 52 / 82 / 11

HEX #E46E29

RGB 228 110 41

HSL 22.14, 0.78%, 0.53%

LAB 59.71, 41.9, 56.77

 

CMYK 0 / 30 / 82 / 11

HEX #E4A029

RGB 228 160 41

HSL 38.18, 0.78%, 0.53%

LAB 70.73, 15.76, 66.49

 

CMYK 0 / 8 / 82 / 11

HEX #E4D129

RGB 228 209 41

HSL 53.9, 0.78%, 0.53%

LAB 83.05, -9.78, 77.05

 

CMYK 0 / 56 / 88 / 35

HEX #A74A14

RGB 167 74 20

HSL 22.04, 0.79%, 0.37%

LAB 43.01, 35.48, 47.04

 

CMYK 0 / 55 / 88 / 20

HEX #CB5B19

RGB 203 91 25

HSL 22.25, 0.78%, 0.45%

LAB 52.12, 41.23, 54.94

 

CMYK 0 / 52 / 82 / 11

HEX #E46E29

RGB 228 110 41

HSL 22.14, 0.78%, 0.53%

LAB 59.71, 41.9, 56.77

 

CMYK 0 / 42 / 67 / 9

HEX #E9874E

RGB 233 135 78

HSL 22.06, 0.78%, 0.61%

LAB 65.91, 32.7, 46.13

 

CMYK 0 / 32 / 51 / 7

HEX #EDA073

RGB 237 160 115

HSL 22.13, 0.77%, 0.69%

LAB 72.48, 23.81, 34.99

 

CMYK 0 / 52 / 82 / 11

HEX #E46E29

RGB 228 110 41

HSL 22.14, 0.78%, 0.53%

LAB 59.71, 41.9, 56.77

 

CMYK 46 / 0 / 82 / 11

HEX #7AE429

RGB 122 228 41

HSL 94.01, 0.78%, 0.53%

LAB 81.72, -58.88, 73.32

 

CMYK 82 / 79 / 0 / 11

HEX #292FE4

RGB 41 47 228

HSL 238.07, 0.78%, 0.53%

LAB 34.2, 59.31, -89.38

 

CMYK 0 / 52 / 82 / 11

HEX #E46E29

RGB 228 110 41

HSL 22.14, 0.78%, 0.53%

LAB 59.71, 41.9, 56.77

 

CMYK 82 / 0 / 52 / 11

HEX #29E46E

RGB 41 228 110

HSL 142.14, 0.78%, 0.53%

LAB 80.23, -68.86, 44.91

 

CMYK 52 / 82 / 0 / 11

HEX #6E29E4

RGB 110 41 228

HSL 262.14, 0.78%, 0.53%

LAB 38.73, 67.45, -81.72

 

CMYK 0 / 52 / 82 / 11

HEX #E46E29

RGB 228 110 41

HSL 22.14, 0.78%, 0.53%

LAB 59.71, 41.9, 56.77

 

CMYK 46 / 0 / 82 / 11

HEX #7AE429

RGB 122 228 41

HSL 94.01, 0.78%, 0.53%

LAB 81.72, -58.88, 73.32

 

CMYK 82 / 30 / 0 / 11

HEX #29A0E4

RGB 41 160 228

HSL 201.82, 0.78%, 0.53%

LAB 62.69, -8.52, -43.27

 

CMYK 36 / 82 / 0 / 11

HEX #9329E4

RGB 147 41 228

HSL 274.01, 0.78%, 0.53%

LAB 43.35, 72.19, -73.97

 

CMYK 0 / 52 / 82 / 11

HEX #E46E29

RGB 228 110 41

HSL 22.14, 0.78%, 0.53%

LAB 59.71, 41.9, 56.77

 

CMYK 71 / 0 / 82 / 11

HEX #42E429

RGB 66 228 41

HSL 111.98, 0.78%, 0.53%

LAB 80.07, -72.19, 71.21

 

CMYK 82 / 30 / 0 / 11

HEX #29A0E4

RGB 41 160 228

HSL 201.82, 0.78%, 0.53%

LAB 62.69, -8.52, -43.27

 

CMYK 11 / 82 / 0 / 11

HEX #CB29E4

RGB 203 41 228

HSL 291.98, 0.78%, 0.53%

LAB 51.71, 81.06, -60.02

 

Description

Color code: HEX #E46E29 | qconv.com Color code: HEX #E46E29 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 110 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 110 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 82 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 82% 11% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

38% - Emergency Essentials...
Link: http://beprepared.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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