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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7B627 it is the complementary color #1849D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7B627. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7B627 shade: #ECB622, #FDC835, #FFDA48, #FFEC5B and #FFFE6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7B627. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7B627 shade: #E7B627, #D6A414, #C59201, #B48000 and #A36E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7B627 shade: #E7B627, #E78227, #E74E27 and #E72727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7B627 shade: #E7B627, #E4E727, #B0E727, #7CE727 and #49E727

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7B627 shade matches the following richer shades: #E7B627 and #FABF13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7B627 shade: #E7B627, #D3AC3A, #C0A34E, #AC9961 and #999074

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7B627 shade: #E74D27, #E78027, #E7B327, #E7E727 and #B3E727

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7B627 shade: #A98212, #CE9F16, #E7B627, #EBC24C and #EFCF71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7B627 shade: #E7B627, #34E727 and #6727E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7B627 shade: #E7B627, #27E7B3 and #B327E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7B627 shade: #E7B627, #34E727, #275AE7 and #DA27E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7B627 shade: #E7B627, #27E754, #275AE7 and #E727BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 83 / 9

HEX #E7B627

RGB 231 182 39

HSL 44.69, 0.8%, 0.53%

LAB 76.43, 5.35, 72.09

 

Complementary color

CMYK 89 / 66 / 0 / 15

HEX #1849D8

RGB 24 73 216

HSL 224.69, 0.8%, 0.47%

LAB 37.69, 39.69, -76.76

 

CMYK 0 / 23 / 86 / 7

HEX #ECB622

RGB 236 182 34

HSL 43.96, 0.84%, 0.53%

LAB 76.92, 7.38, 74.02

 

CMYK 0 / 21 / 79 / 1

HEX #FDC835

RGB 253 200 53

HSL 44.1, 0.98%, 0.6%

LAB 83.15, 5.8, 74.63

 

CMYK 0 / 15 / 72 / 0

HEX #FFDA48

RGB 255 218 72

HSL 47.87, 1%, 0.64%

LAB 87.91, -1.82, 72.64

 

CMYK 0 / 7 / 64 / 0

HEX #FFEC5B

RGB 255 236 91

HSL 53.05, 1%, 0.68%

LAB 92.58, -9.85, 70.07

 

CMYK 0 / 0 / 57 / 0

HEX #FFFE6E

RGB 255 254 110

HSL 59.59, 1%, 0.72%

LAB 97.34, -17.43, 67.38

 

CMYK 0 / 21 / 83 / 9

HEX #E7B627

RGB 231 182 39

HSL 44.69, 0.8%, 0.53%

LAB 76.43, 5.35, 72.09

 

CMYK 0 / 23 / 91 / 16

HEX #D6A414

RGB 214 164 20

HSL 44.54, 0.83%, 0.46%

LAB 70.1, 7.06, 70.74

 

CMYK 0 / 26 / 99 / 23

HEX #C59201

RGB 197 146 1

HSL 44.39, 0.99%, 0.39%

LAB 63.7, 9, 68.09

 

CMYK 0 / 29 / 100 / 29

HEX #B48000

RGB 180 128 0

HSL 42.67, 1%, 0.35%

LAB 57.21, 11.24, 62.92

 

CMYK 0 / 33 / 100 / 36

HEX #A36E00

RGB 163 110 0

HSL 40.49, 1%, 0.32%

LAB 50.62, 13.6, 57.52

 

CMYK 0 / 21 / 83 / 9

HEX #E7B627

RGB 231 182 39

HSL 44.69, 0.8%, 0.53%

LAB 76.43, 5.35, 72.09

 

CMYK 0 / 44 / 83 / 9

HEX #E78227

RGB 231 130 39

HSL 28.44, 0.8%, 0.53%

LAB 64.24, 32.85, 61.69

 

CMYK 0 / 66 / 83 / 9

HEX #E74E27

RGB 231 78 39

HSL 12.19, 0.8%, 0.53%

LAB 54.64, 57.43, 53.27

 

CMYK 0 / 83 / 83 / 9

HEX #E72727

RGB 231 39 39

HSL 0, 0.8%, 0.53%

LAB 50.2, 69.75, 49.28

 

CMYK 0 / 21 / 83 / 9

HEX #E7B627

RGB 231 182 39

HSL 44.69, 0.8%, 0.53%

LAB 76.43, 5.35, 72.09

 

CMYK 1 / 0 / 83 / 9

HEX #E4E727

RGB 228 231 39

HSL 60.94, 0.8%, 0.53%

LAB 88.82, -20.69, 82.37

 

CMYK 24 / 0 / 83 / 9

HEX #B0E727

RGB 176 231 39

HSL 77.19, 0.8%, 0.53%

LAB 85.27, -41.53, 77.94

 

CMYK 46 / 0 / 83 / 9

HEX #7CE727

RGB 124 231 39

HSL 93.44, 0.8%, 0.53%

LAB 82.69, -59.48, 74.69

 

CMYK 68 / 0 / 83 / 9

HEX #49E727

RGB 73 231 39

HSL 109.38, 0.8%, 0.53%

LAB 81.13, -71.98, 72.71

 

CMYK 0 / 21 / 83 / 9

HEX #E7B627

RGB 231 182 39

HSL 44.69, 0.8%, 0.53%

LAB 76.43, 5.35, 72.09

 

CMYK 0 / 24 / 92 / 2

HEX #FABF13

RGB 250 191 19

HSL 44.68, 0.96%, 0.53%

LAB 80.53, 8.42, 80.38

 

CMYK 0 / 21 / 83 / 9

HEX #E7B627

RGB 231 182 39

HSL 44.69, 0.8%, 0.53%

LAB 76.43, 5.35, 72.09

 

CMYK 0 / 18 / 73 / 17

HEX #D3AC3A

RGB 211 172 58

HSL 44.71, 0.63%, 0.53%

LAB 72, 2.67, 60.9

 

CMYK 0 / 15 / 59 / 25

HEX #C0A34E

RGB 192 163 78

HSL 44.74, 0.48%, 0.53%

LAB 67.98, 0.47, 47.28

 

CMYK 0 / 11 / 44 / 33

HEX #AC9961

RGB 172 153 97

HSL 44.8, 0.31%, 0.53%

LAB 63.69, -0.93, 31.95

 

CMYK 0 / 6 / 24 / 40

HEX #999074

RGB 153 144 116

HSL 45.41, 0.15%, 0.53%

LAB 59.87, -1.36, 16.11

 

CMYK 0 / 67 / 83 / 9

HEX #E74D27

RGB 231 77 39

HSL 11.88, 0.8%, 0.53%

LAB 54.49, 57.83, 53.14

 

CMYK 0 / 45 / 83 / 9

HEX #E78027

RGB 231 128 39

HSL 27.81, 0.8%, 0.53%

LAB 63.81, 33.89, 61.32

 

CMYK 0 / 23 / 83 / 9

HEX #E7B327

RGB 231 179 39

HSL 43.75, 0.8%, 0.53%

LAB 75.68, 6.93, 71.46

 

CMYK 0 / 0 / 83 / 9

HEX #E7E727

RGB 231 231 39

HSL 60, 0.8%, 0.53%

LAB 89.06, -19.44, 82.66

 

CMYK 23 / 0 / 83 / 9

HEX #B3E727

RGB 179 231 39

HSL 76.25, 0.8%, 0.53%

LAB 85.44, -40.38, 78.16

 

CMYK 0 / 23 / 89 / 34

HEX #A98212

RGB 169 130 18

HSL 44.5, 0.81%, 0.37%

LAB 56.53, 5.38, 58.56

 

CMYK 0 / 23 / 89 / 19

HEX #CE9F16

RGB 206 159 22

HSL 44.67, 0.81%, 0.45%

LAB 68, 6.25, 68.36

 

CMYK 0 / 21 / 83 / 9

HEX #E7B627

RGB 231 182 39

HSL 44.69, 0.8%, 0.53%

LAB 76.43, 5.35, 72.09

 

CMYK 0 / 17 / 68 / 8

HEX #EBC24C

RGB 235 194 76

HSL 44.53, 0.8%, 0.61%

LAB 80.05, 2.29, 62.53

 

CMYK 0 / 13 / 53 / 6

HEX #EFCF71

RGB 239 207 113

HSL 44.76, 0.8%, 0.69%

LAB 84.05, -0.24, 50.37

 

CMYK 0 / 21 / 83 / 9

HEX #E7B627

RGB 231 182 39

HSL 44.69, 0.8%, 0.53%

LAB 76.43, 5.35, 72.09

 

CMYK 77 / 0 / 83 / 9

HEX #34E727

RGB 52 231 39

HSL 115.94, 0.8%, 0.53%

LAB 80.75, -75.26, 72.22

 

CMYK 55 / 83 / 0 / 9

HEX #6727E7

RGB 103 39 231

HSL 260, 0.8%, 0.53%

LAB 38.03, 68.15, -84.61

 

CMYK 0 / 21 / 83 / 9

HEX #E7B627

RGB 231 182 39

HSL 44.69, 0.8%, 0.53%

LAB 76.43, 5.35, 72.09

 

CMYK 83 / 0 / 23 / 9

HEX #27E7B3

RGB 39 231 179

HSL 163.75, 0.8%, 0.53%

LAB 82.29, -56.79, 12.73

 

CMYK 23 / 83 / 0 / 9

HEX #B327E7

RGB 179 39 231

HSL 283.75, 0.8%, 0.53%

LAB 48.01, 78.11, -67.87

 

CMYK 0 / 21 / 83 / 9

HEX #E7B627

RGB 231 182 39

HSL 44.69, 0.8%, 0.53%

LAB 76.43, 5.35, 72.09

 

CMYK 77 / 0 / 83 / 9

HEX #34E727

RGB 52 231 39

HSL 115.94, 0.8%, 0.53%

LAB 80.75, -75.26, 72.22

 

CMYK 83 / 61 / 0 / 9

HEX #275AE7

RGB 39 90 231

HSL 224.06, 0.8%, 0.53%

LAB 43.53, 35.35, -75.72

 

CMYK 6 / 83 / 0 / 9

HEX #DA27E7

RGB 218 39 231

HSL 295.94, 0.8%, 0.53%

LAB 54.16, 84.56, -57.64

 

CMYK 0 / 21 / 83 / 9

HEX #E7B627

RGB 231 182 39

HSL 44.69, 0.8%, 0.53%

LAB 76.43, 5.35, 72.09

 

CMYK 83 / 0 / 64 / 9

HEX #27E754

RGB 39 231 84

HSL 134.06, 0.8%, 0.53%

LAB 80.86, -73.29, 57.26

 

CMYK 83 / 61 / 0 / 9

HEX #275AE7

RGB 39 90 231

HSL 224.06, 0.8%, 0.53%

LAB 43.53, 35.35, -75.72

 

CMYK 0 / 83 / 19 / 9

HEX #E727BA

RGB 231 39 186

HSL 314.06, 0.8%, 0.53%

LAB 54.01, 80.7, -31.99

 

Description

Color code: HEX #E7B627 | qconv.com Color code: HEX #E7B627 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 182 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 182 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 83 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 83% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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