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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0E727 it is the complementary color #4F18D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0E727. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0E727 shade: #B5E722, #C6F935, #D7FF48, #E8FF5B and #F9FF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0E727. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0E727 shade: #B0E727, #9FD514, #8EC301, #7DB100 and #6C9F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0E727 shade: #B0E727, #E3E727, #E7B627, #E78227 and #E74F27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0E727 shade: #B0E727, #7CE727, #48E727, #27E739 and #27E76D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0E727 shade matches the following richer shades: #B0E727 and #B8FA13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0E727 shade: #B0E727, #A7D33A, #9FC04E, #97AC61 and #8E9974

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0E727 shade: #E7B727, #E3E727, #B0E727, #7DE727 and #4AE727

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0E727 shade: #7DA912, #99CE16, #B0E727, #BDEB4C and #CBEF71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0E727 shade: #B0E727, #27E783 and #D027E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0E727 shade: #B0E727, #27B0E7 and #E727B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0E727 shade: #B0E727, #27E783, #5D27E7 and #E7278A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0E727 shade: #B0E727, #27E7BD, #5D27E7 and #E72750

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 83 / 9

HEX #B0E727

RGB 176 231 39

HSL 77.19, 0.8%, 0.53%

LAB 85.27, -41.53, 77.94

 

Complementary color

CMYK 63 / 89 / 0 / 15

HEX #4F18D8

RGB 79 24 216

HSL 257.19, 0.8%, 0.47%

LAB 32.42, 67.05, -85.37

 

CMYK 22 / 0 / 85 / 9

HEX #B5E722

RGB 181 231 34

HSL 75.23, 0.8%, 0.52%

LAB 85.55, -39.76, 79.36

 

CMYK 20 / 0 / 79 / 2

HEX #C6F935

RGB 198 249 53

HSL 75.61, 0.94%, 0.59%

LAB 91.69, -40.56, 80.65

 

CMYK 16 / 0 / 72 / 0

HEX #D7FF48

RGB 215 255 72

HSL 73.11, 1%, 0.64%

LAB 94.5, -35.87, 77.99

 

CMYK 9 / 0 / 64 / 0

HEX #E8FF5B

RGB 232 255 91

HSL 68.41, 1%, 0.68%

LAB 95.76, -28.21, 72.86

 

CMYK 2 / 0 / 57 / 0

HEX #F9FF6E

RGB 249 255 110

HSL 62.48, 1%, 0.72%

LAB 97.14, -20.27, 67.03

 

CMYK 24 / 0 / 83 / 9

HEX #B0E727

RGB 176 231 39

HSL 77.19, 0.8%, 0.53%

LAB 85.27, -41.53, 77.94

 

CMYK 25 / 0 / 91 / 16

HEX #9FD514

RGB 159 213 20

HSL 76.79, 0.83%, 0.46%

LAB 79.05, -40.64, 75.9

 

CMYK 27 / 0 / 99 / 24

HEX #8EC301

RGB 142 195 1

HSL 76.39, 0.99%, 0.38%

LAB 72.75, -39.57, 72.68

 

CMYK 29 / 0 / 100 / 31

HEX #7DB100

RGB 125 177 0

HSL 77.63, 1%, 0.35%

LAB 66.37, -38.23, 67.48

 

CMYK 32 / 0 / 100 / 38

HEX #6C9F00

RGB 108 159 0

HSL 79.25, 1%, 0.31%

LAB 59.87, -36.85, 62.07

 

CMYK 24 / 0 / 83 / 9

HEX #B0E727

RGB 176 231 39

HSL 77.19, 0.8%, 0.53%

LAB 85.27, -41.53, 77.94

 

CMYK 2 / 0 / 83 / 9

HEX #E3E727

RGB 227 231 39

HSL 61.25, 0.8%, 0.53%

LAB 88.75, -21.1, 82.28

 

CMYK 0 / 21 / 83 / 9

HEX #E7B627

RGB 231 182 39

HSL 44.69, 0.8%, 0.53%

LAB 76.43, 5.35, 72.09

 

CMYK 0 / 44 / 83 / 9

HEX #E78227

RGB 231 130 39

HSL 28.44, 0.8%, 0.53%

LAB 64.24, 32.85, 61.69

 

CMYK 0 / 66 / 83 / 9

HEX #E74F27

RGB 231 79 39

HSL 12.5, 0.8%, 0.53%

LAB 54.79, 57.02, 53.41

 

CMYK 24 / 0 / 83 / 9

HEX #B0E727

RGB 176 231 39

HSL 77.19, 0.8%, 0.53%

LAB 85.27, -41.53, 77.94

 

CMYK 46 / 0 / 83 / 9

HEX #7CE727

RGB 124 231 39

HSL 93.44, 0.8%, 0.53%

LAB 82.69, -59.48, 74.69

 

CMYK 69 / 0 / 83 / 9

HEX #48E727

RGB 72 231 39

HSL 109.69, 0.8%, 0.53%

LAB 81.11, -72.16, 72.68

 

CMYK 83 / 0 / 75 / 9

HEX #27E739

RGB 39 231 57

HSL 125.63, 0.8%, 0.53%

LAB 80.67, -75.68, 67.06

 

CMYK 83 / 0 / 53 / 9

HEX #27E76D

RGB 39 231 109

HSL 141.88, 0.8%, 0.53%

LAB 81.12, -70.16, 46.47

 

CMYK 24 / 0 / 83 / 9

HEX #B0E727

RGB 176 231 39

HSL 77.19, 0.8%, 0.53%

LAB 85.27, -41.53, 77.94

 

CMYK 26 / 0 / 92 / 2

HEX #B8FA13

RGB 184 250 19

HSL 77.14, 0.96%, 0.53%

LAB 91.06, -47.16, 86.25

 

CMYK 24 / 0 / 83 / 9

HEX #B0E727

RGB 176 231 39

HSL 77.19, 0.8%, 0.53%

LAB 85.27, -41.53, 77.94

 

CMYK 21 / 0 / 73 / 17

HEX #A7D33A

RGB 167 211 58

HSL 77.25, 0.63%, 0.53%

LAB 79.1, -35.26, 66.69

 

CMYK 17 / 0 / 59 / 25

HEX #9FC04E

RGB 159 192 78

HSL 77.37, 0.48%, 0.53%

LAB 73.3, -28.16, 52.55

 

CMYK 12 / 0 / 44 / 33

HEX #97AC61

RGB 151 172 97

HSL 76.8, 0.31%, 0.53%

LAB 67.24, -19.59, 36.08

 

CMYK 7 / 0 / 24 / 40

HEX #8E9974

RGB 142 153 116

HSL 77.84, 0.15%, 0.53%

LAB 61.48, -10.63, 18.17

 

CMYK 0 / 21 / 83 / 9

HEX #E7B727

RGB 231 183 39

HSL 45, 0.8%, 0.53%

LAB 76.68, 4.83, 72.3

 

CMYK 2 / 0 / 83 / 9

HEX #E3E727

RGB 227 231 39

HSL 61.25, 0.8%, 0.53%

LAB 88.75, -21.1, 82.28

 

CMYK 24 / 0 / 83 / 9

HEX #B0E727

RGB 176 231 39

HSL 77.19, 0.8%, 0.53%

LAB 85.27, -41.53, 77.94

 

CMYK 46 / 0 / 83 / 9

HEX #7DE727

RGB 125 231 39

HSL 93.13, 0.8%, 0.53%

LAB 82.73, -59.17, 74.74

 

CMYK 68 / 0 / 83 / 9

HEX #4AE727

RGB 74 231 39

HSL 109.06, 0.8%, 0.53%

LAB 81.16, -71.79, 72.74

 

CMYK 26 / 0 / 89 / 34

HEX #7DA912

RGB 125 169 18

HSL 77.48, 0.81%, 0.37%

LAB 63.98, -34.28, 63.08

 

CMYK 26 / 0 / 89 / 19

HEX #99CE16

RGB 153 206 22

HSL 77.28, 0.81%, 0.45%

LAB 76.66, -39.82, 73.51

 

CMYK 24 / 0 / 83 / 9

HEX #B0E727

RGB 176 231 39

HSL 77.19, 0.8%, 0.53%

LAB 85.27, -41.53, 77.94

 

CMYK 20 / 0 / 68 / 8

HEX #BDEB4C

RGB 189 235 76

HSL 77.36, 0.8%, 0.61%

LAB 87.37, -36.61, 68.95

 

CMYK 15 / 0 / 53 / 6

HEX #CBEF71

RGB 203 239 113

HSL 77.14, 0.8%, 0.69%

LAB 89.68, -30.28, 56.35

 

CMYK 24 / 0 / 83 / 9

HEX #B0E727

RGB 176 231 39

HSL 77.19, 0.8%, 0.53%

LAB 85.27, -41.53, 77.94

 

CMYK 83 / 0 / 43 / 9

HEX #27E783

RGB 39 231 131

HSL 148.75, 0.8%, 0.53%

LAB 81.41, -66.66, 36.19

 

CMYK 10 / 83 / 0 / 9

HEX #D027E7

RGB 208 39 231

HSL 292.81, 0.8%, 0.53%

LAB 52.54, 82.84, -60.33

 

CMYK 24 / 0 / 83 / 9

HEX #B0E727

RGB 176 231 39

HSL 77.19, 0.8%, 0.53%

LAB 85.27, -41.53, 77.94

 

CMYK 83 / 24 / 0 / 9

HEX #27B0E7

RGB 39 176 231

HSL 197.19, 0.8%, 0.53%

LAB 67.47, -16.38, -37.44

 

CMYK 0 / 83 / 24 / 9

HEX #E727B0

RGB 231 39 176

HSL 317.19, 0.8%, 0.53%

LAB 53.57, 79.49, -26.84

 

CMYK 24 / 0 / 83 / 9

HEX #B0E727

RGB 176 231 39

HSL 77.19, 0.8%, 0.53%

LAB 85.27, -41.53, 77.94

 

CMYK 83 / 0 / 43 / 9

HEX #27E783

RGB 39 231 131

HSL 148.75, 0.8%, 0.53%

LAB 81.41, -66.66, 36.19

 

CMYK 60 / 83 / 0 / 9

HEX #5D27E7

RGB 93 39 231

HSL 256.88, 0.8%, 0.53%

LAB 37.02, 67.19, -86.32

 

CMYK 0 / 83 / 40 / 9

HEX #E7278A

RGB 231 39 138

HSL 329.06, 0.8%, 0.53%

LAB 52.15, 75.47, -6.49

 

CMYK 24 / 0 / 83 / 9

HEX #B0E727

RGB 176 231 39

HSL 77.19, 0.8%, 0.53%

LAB 85.27, -41.53, 77.94

 

CMYK 83 / 0 / 18 / 9

HEX #27E7BD

RGB 39 231 189

HSL 166.88, 0.8%, 0.53%

LAB 82.52, -54.38, 7.79

 

CMYK 60 / 83 / 0 / 9

HEX #5D27E7

RGB 93 39 231

HSL 256.88, 0.8%, 0.53%

LAB 37.02, 67.19, -86.32

 

CMYK 0 / 83 / 65 / 9

HEX #E72750

RGB 231 39 80

HSL 347.19, 0.8%, 0.53%

LAB 50.71, 71.28, 26.6

 

Description

Color code: HEX #B0E727 | qconv.com Color code: HEX #B0E727 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 231 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 231 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 83 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 83% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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