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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E25E36 it is the complementary color #1DA1C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E25E36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E25E36 shade: #E75E31, #F87044, #FF8257, #FF946A and #FFA67D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E25E36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E25E36 shade: #E25E36, #D14C23, #C03A10, #AF2800 and #9E1600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E25E36 shade: #E25E36 and #E23636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E25E36 shade: #E25E36, #E28C36, #E2BB36, #DBE236 and #ACE236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E25E36 shade matches the following richer shades: #E25E36 and #F45423

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E25E36 shade: #E25E36, #CF6848, #BD725B, #AA7C6D and #988580

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E25E36 shade: #E2366C, #E2363E, #E25B36, #E28936 and #E2B736

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E25E36 shade: #AD3B18, #D1471D, #E25E36, #E77B5A and #EC987E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E25E36 shade: #E25E36, #9AE236 and #3655E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E25E36 shade: #E25E36, #36E25B and #5B36E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E25E36 shade: #E25E36, #9AE236, #36BDE2 and #7D36E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E25E36 shade: #E25E36, #66E236, #36BDE2 and #B136E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 76 / 11

HEX #E25E36

RGB 226 94 54

HSL 13.95, 0.75%, 0.55%

LAB 56.53, 49.26, 47.66

 

Complementary color

CMYK 86 / 20 / 0 / 21

HEX #1DA1C9

RGB 29 161 201

HSL 193.95, 0.75%, 0.45%

LAB 61.63, -19.47, -29.94

 

CMYK 0 / 59 / 79 / 9

HEX #E75E31

RGB 231 94 49

HSL 14.84, 0.79%, 0.55%

LAB 57.29, 50.87, 51.12

 

CMYK 0 / 55 / 73 / 3

HEX #F87044

RGB 248 112 68

HSL 14.67, 0.93%, 0.62%

LAB 63.31, 49.42, 48.86

 

CMYK 0 / 49 / 66 / 0

HEX #FF8257

RGB 255 130 87

HSL 15.36, 1%, 0.67%

LAB 67.96, 44.27, 44.66

 

CMYK 0 / 42 / 58 / 0

HEX #FF946A

RGB 255 148 106

HSL 16.91, 1%, 0.71%

LAB 71.88, 36.42, 39.44

 

CMYK 0 / 35 / 51 / 0

HEX #FFA67D

RGB 255 166 125

HSL 18.92, 1%, 0.75%

LAB 76.08, 28.62, 34.72

 

CMYK 0 / 58 / 76 / 11

HEX #E25E36

RGB 226 94 54

HSL 13.95, 0.75%, 0.55%

LAB 56.53, 49.26, 47.66

 

CMYK 0 / 64 / 83 / 18

HEX #D14C23

RGB 209 76 35

HSL 14.14, 0.71%, 0.48%

LAB 50.51, 50.65, 49.95

 

CMYK 0 / 70 / 92 / 25

HEX #C03A10

RGB 192 58 16

HSL 14.32, 0.85%, 0.41%

LAB 44.62, 51.84, 51.62

 

CMYK 0 / 77 / 100 / 31

HEX #AF2800

RGB 175 40 0

HSL 13.71, 1%, 0.34%

LAB 38.95, 52.58, 51.77

 

CMYK 0 / 86 / 100 / 38

HEX #9E1600

RGB 158 22 0

HSL 8.35, 1%, 0.31%

LAB 33.65, 52.45, 47.22

 

CMYK 0 / 58 / 76 / 11

HEX #E25E36

RGB 226 94 54

HSL 13.95, 0.75%, 0.55%

LAB 56.53, 49.26, 47.66

 

CMYK 0 / 76 / 76 / 11

HEX #E23636

RGB 226 54 54

HSL 0, 0.75%, 0.55%

LAB 50.77, 64.84, 41.58

 

CMYK 0 / 58 / 76 / 11

HEX #E25E36

RGB 226 94 54

HSL 13.95, 0.75%, 0.55%

LAB 56.53, 49.26, 47.66

 

CMYK 0 / 38 / 76 / 11

HEX #E28C36

RGB 226 140 54

HSL 30, 0.75%, 0.55%

LAB 65.9, 26.03, 57.09

 

CMYK 0 / 17 / 76 / 11

HEX #E2BB36

RGB 226 187 54

HSL 46.4, 0.75%, 0.55%

LAB 77.27, 1.08, 67.95

 

CMYK 3 / 0 / 76 / 11

HEX #DBE236

RGB 219 226 54

HSL 62.44, 0.75%, 0.55%

LAB 86.86, -21.52, 76.54

 

CMYK 24 / 0 / 76 / 11

HEX #ACE236

RGB 172 226 54

HSL 78.84, 0.75%, 0.55%

LAB 83.67, -40.27, 72.44

 

CMYK 0 / 58 / 76 / 11

HEX #E25E36

RGB 226 94 54

HSL 13.95, 0.75%, 0.55%

LAB 56.53, 49.26, 47.66

 

CMYK 0 / 66 / 86 / 4

HEX #F45423

RGB 244 84 35

HSL 14.07, 0.9%, 0.55%

LAB 57.75, 59.25, 58.52

 

CMYK 0 / 58 / 76 / 11

HEX #E25E36

RGB 226 94 54

HSL 13.95, 0.75%, 0.55%

LAB 56.53, 49.26, 47.66

 

CMYK 0 / 50 / 65 / 19

HEX #CF6848

RGB 207 104 72

HSL 14.22, 0.58%, 0.55%

LAB 55.72, 38.16, 36.49

 

CMYK 0 / 40 / 52 / 26

HEX #BD725B

RGB 189 114 91

HSL 14.08, 0.43%, 0.55%

LAB 55.69, 27.16, 25.3

 

CMYK 0 / 27 / 36 / 33

HEX #AA7C6D

RGB 170 124 109

HSL 14.75, 0.26%, 0.55%

LAB 56.15, 15.82, 15.22

 

CMYK 0 / 13 / 16 / 40

HEX #988580

RGB 152 133 128

HSL 12.5, 0.1%, 0.55%

LAB 57.08, 6.33, 5.33

 

CMYK 0 / 76 / 52 / 11

HEX #E2366C

RGB 226 54 108

HSL 341.16, 0.75%, 0.55%

LAB 51.71, 67.84, 10.85

 

CMYK 0 / 76 / 73 / 11

HEX #E2363E

RGB 226 54 62

HSL 357.21, 0.75%, 0.55%

LAB 50.87, 65.15, 37.18

 

CMYK 0 / 60 / 76 / 11

HEX #E25B36

RGB 226 91 54

HSL 12.91, 0.75%, 0.55%

LAB 56, 50.63, 47.11

 

CMYK 0 / 39 / 76 / 11

HEX #E28936

RGB 226 137 54

HSL 28.95, 0.75%, 0.55%

LAB 65.22, 27.63, 56.42

 

CMYK 0 / 19 / 76 / 11

HEX #E2B736

RGB 226 183 54

HSL 45, 0.75%, 0.55%

LAB 76.25, 3.17, 67

 

CMYK 0 / 66 / 86 / 32

HEX #AD3B18

RGB 173 59 24

HSL 14.09, 0.76%, 0.39%

LAB 41.34, 45.01, 44.42

 

CMYK 0 / 66 / 86 / 18

HEX #D1471D

RGB 209 71 29

HSL 14, 0.76%, 0.47%

LAB 49.68, 52.62, 51.84

 

CMYK 0 / 58 / 76 / 11

HEX #E25E36

RGB 226 94 54

HSL 13.95, 0.75%, 0.55%

LAB 56.53, 49.26, 47.66

 

CMYK 0 / 47 / 61 / 9

HEX #E77B5A

RGB 231 123 90

HSL 14.04, 0.75%, 0.63%

LAB 63.25, 38.87, 36.62

 

CMYK 0 / 36 / 47 / 7

HEX #EC987E

RGB 236 152 126

HSL 14.18, 0.74%, 0.71%

LAB 70.73, 28.68, 26.75

 

CMYK 0 / 58 / 76 / 11

HEX #E25E36

RGB 226 94 54

HSL 13.95, 0.75%, 0.55%

LAB 56.53, 49.26, 47.66

 

CMYK 32 / 0 / 76 / 11

HEX #9AE236

RGB 154 226 54

HSL 85.12, 0.75%, 0.55%

LAB 82.66, -46.9, 71.13

 

CMYK 76 / 62 / 0 / 11

HEX #3655E2

RGB 54 85 226

HSL 229.19, 0.75%, 0.55%

LAB 42.42, 37.95, -74.68

 

CMYK 0 / 58 / 76 / 11

HEX #E25E36

RGB 226 94 54

HSL 13.95, 0.75%, 0.55%

LAB 56.53, 49.26, 47.66

 

CMYK 76 / 0 / 60 / 11

HEX #36E25B

RGB 54 226 91

HSL 132.91, 0.75%, 0.55%

LAB 79.58, -69.25, 52.87

 

CMYK 60 / 76 / 0 / 11

HEX #5B36E2

RGB 91 54 226

HSL 252.91, 0.75%, 0.55%

LAB 38.47, 59.41, -81.08

 

CMYK 0 / 58 / 76 / 11

HEX #E25E36

RGB 226 94 54

HSL 13.95, 0.75%, 0.55%

LAB 56.53, 49.26, 47.66

 

CMYK 32 / 0 / 76 / 11

HEX #9AE236

RGB 154 226 54

HSL 85.12, 0.75%, 0.55%

LAB 82.66, -46.9, 71.13

 

CMYK 76 / 16 / 0 / 11

HEX #36BDE2

RGB 54 189 226

HSL 192.91, 0.75%, 0.55%

LAB 71.33, -23.43, -28.71

 

CMYK 45 / 76 / 0 / 11

HEX #7D36E2

RGB 125 54 226

HSL 264.77, 0.75%, 0.55%

LAB 41.98, 63.91, -75.17

 

CMYK 0 / 58 / 76 / 11

HEX #E25E36

RGB 226 94 54

HSL 13.95, 0.75%, 0.55%

LAB 56.53, 49.26, 47.66

 

CMYK 55 / 0 / 76 / 11

HEX #66E236

RGB 102 226 54

HSL 103.26, 0.75%, 0.55%

LAB 80.45, -63.11, 68.25

 

CMYK 76 / 16 / 0 / 11

HEX #36BDE2

RGB 54 189 226

HSL 192.91, 0.75%, 0.55%

LAB 71.33, -23.43, -28.71

 

CMYK 22 / 76 / 0 / 11

HEX #B136E2

RGB 177 54 226

HSL 282.91, 0.75%, 0.55%

LAB 48.85, 72.51, -63.69

 

Description

Color code: HEX #E25E36 | qconv.com Color code: HEX #E25E36 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 94 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 94 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 76 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 76% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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