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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF6848 it is the complementary color #3097B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF6848. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF6848 shade: #D46843, #E57A56, #F68C69, #FF9E7C and #FFB08F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF6848. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF6848 shade: #CF6848, #BE5635, #AD4422, #9C320F and #8B2000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF6848 shade: #CE6949 and #CE4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF6848 shade: #CE6949, #CE8D49, #CEB149, #C8CE49 and #A4CE49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF6848 shade matches the following richer shades: #CE6949, #E15F37 and #F35524

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF6848 shade: #CE6949, #BC735C, #A97C6E, #978681 and #849093

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF6848 shade: #CE4971, #CE494E, #CE6849, #CE8C49 and #CEAF49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF6848 shade: #9C4429, #BD5332, #CE6949, #D7846A and #E09F8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF6848 shade: #CF6848, #95CE49 and #495FCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF6848 shade: #CF6848, #49CE68 and #6849CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF6848 shade: #CF6848, #95CE49, #49AFCE and #8349CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF6848 shade: #CF6848, #6DCE49, #49AFCE and #AB49CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 65 / 19

HEX #CF6848

RGB 207 104 72

HSL 14.22, 0.58%, 0.55%

LAB 55.72, 38.16, 36.49

 

Complementary color

CMYK 74 / 17 / 0 / 28

HEX #3097B7

RGB 48 151 183

HSL 194.22, 0.58%, 0.45%

LAB 58.21, -18.4, -25.06

 

CMYK 0 / 51 / 68 / 17

HEX #D46843

RGB 212 104 67

HSL 15.31, 0.63%, 0.55%

LAB 56.39, 39.8, 40.16

 

CMYK 0 / 47 / 62 / 10

HEX #E57A56

RGB 229 122 86

HSL 15.1, 0.73%, 0.62%

LAB 62.72, 38.35, 38.06

 

CMYK 0 / 43 / 57 / 4

HEX #F68C69

RGB 246 140 105

HSL 14.89, 0.89%, 0.69%

LAB 69.02, 36.99, 36.15

 

CMYK 0 / 38 / 51 / 0

HEX #FF9E7C

RGB 255 158 124

HSL 15.57, 1%, 0.74%

LAB 74.3, 32.69, 32.95

 

CMYK 0 / 31 / 44 / 0

HEX #FFB08F

RGB 255 176 143

HSL 17.68, 1%, 0.78%

LAB 78.63, 25.09, 28.53

 

CMYK 0 / 50 / 65 / 19

HEX #CF6848

RGB 207 104 72

HSL 14.22, 0.58%, 0.55%

LAB 55.72, 38.16, 36.49

 

CMYK 0 / 55 / 72 / 25

HEX #BE5635

RGB 190 86 53

HSL 14.45, 0.56%, 0.48%

LAB 49.33, 39.66, 38.76

 

CMYK 0 / 61 / 80 / 32

HEX #AD4422

RGB 173 68 34

HSL 14.68, 0.67%, 0.41%

LAB 42.96, 41.19, 41.15

 

CMYK 0 / 68 / 90 / 39

HEX #9C320F

RGB 156 50 15

HSL 14.89, 0.82%, 0.34%

LAB 36.71, 42.61, 43.2

 

CMYK 0 / 77 / 100 / 45

HEX #8B2000

RGB 139 32 0

HSL 13.81, 1%, 0.27%

LAB 30.69, 43.6, 43.33

 

CMYK 0 / 49 / 65 / 19

HEX #CE6949

RGB 206 105 73

HSL 14.44, 0.58%, 0.55%

LAB 55.79, 37.32, 35.99

 

CMYK 0 / 65 / 65 / 19

HEX #CE4949

RGB 206 73 73

HSL 0, 0.58%, 0.55%

LAB 49.94, 52.54, 28.83

 

CMYK 0 / 49 / 65 / 19

HEX #CE6949

RGB 206 105 73

HSL 14.44, 0.58%, 0.55%

LAB 55.79, 37.32, 35.99

 

CMYK 0 / 32 / 65 / 19

HEX #CE8D49

RGB 206 141 73

HSL 30.68, 0.58%, 0.55%

LAB 63.88, 18.06, 45.43

 

CMYK 0 / 14 / 65 / 19

HEX #CEB149

RGB 206 177 73

HSL 46.92, 0.58%, 0.55%

LAB 72.92, -1.31, 55.43

 

CMYK 3 / 0 / 65 / 19

HEX #C8CE49

RGB 200 206 73

HSL 62.71, 0.58%, 0.55%

LAB 80.13, -18.68, 62.89

 

CMYK 20 / 0 / 65 / 19

HEX #A4CE49

RGB 164 206 73

HSL 78.95, 0.58%, 0.55%

LAB 77.59, -33.18, 59.45

 

CMYK 0 / 49 / 65 / 19

HEX #CE6949

RGB 206 105 73

HSL 14.44, 0.58%, 0.55%

LAB 55.79, 37.32, 35.99

 

CMYK 0 / 58 / 76 / 12

HEX #E15F37

RGB 225 95 55

HSL 14.12, 0.74%, 0.55%

LAB 56.55, 48.47, 47.13

 

CMYK 0 / 65 / 85 / 5

HEX #F35524

RGB 243 85 36

HSL 14.2, 0.9%, 0.55%

LAB 57.73, 58.53, 58.03

 

CMYK 0 / 49 / 65 / 19

HEX #CE6949

RGB 206 105 73

HSL 14.44, 0.58%, 0.55%

LAB 55.79, 37.32, 35.99

 

CMYK 0 / 39 / 51 / 26

HEX #BC735C

RGB 188 115 92

HSL 14.38, 0.42%, 0.55%

LAB 55.81, 26.3, 24.86

 

CMYK 0 / 27 / 35 / 34

HEX #A97C6E

RGB 169 124 110

HSL 14.24, 0.26%, 0.55%

LAB 56.06, 15.55, 14.5

 

CMYK 0 / 11 / 15 / 41

HEX #978681

RGB 151 134 129

HSL 13.64, 0.1%, 0.55%

LAB 57.28, 5.55, 5.03

 

CMYK 10 / 2 / 0 / 42

HEX #849093

RGB 132 144 147

HSL 192, 0.06%, 0.55%

LAB 58.94, -3.69, -3.08

 

CMYK 0 / 65 / 45 / 19

HEX #CE4971

RGB 206 73 113

HSL 341.95, 0.58%, 0.55%

LAB 50.78, 55.65, 6.02

 

CMYK 0 / 65 / 62 / 19

HEX #CE494E

RGB 206 73 78

HSL 357.74, 0.58%, 0.55%

LAB 50.02, 52.85, 25.98

 

CMYK 0 / 50 / 65 / 19

HEX #CE6849

RGB 206 104 73

HSL 13.98, 0.58%, 0.55%

LAB 55.59, 37.84, 35.75

 

CMYK 0 / 32 / 65 / 19

HEX #CE8C49

RGB 206 140 73

HSL 30.23, 0.58%, 0.55%

LAB 63.64, 18.61, 45.16

 

CMYK 0 / 15 / 65 / 19

HEX #CEAF49

RGB 206 175 73

HSL 46.02, 0.58%, 0.55%

LAB 72.4, -0.25, 54.87

 

CMYK 0 / 56 / 74 / 39

HEX #9C4429

RGB 156 68 41

HSL 14.09, 0.58%, 0.39%

LAB 40.18, 34.92, 33.65

 

CMYK 0 / 56 / 74 / 26

HEX #BD5332

RGB 189 83 50

HSL 14.24, 0.58%, 0.47%

LAB 48.56, 40.62, 39.47

 

CMYK 0 / 49 / 65 / 19

HEX #CE6949

RGB 206 105 73

HSL 14.44, 0.58%, 0.55%

LAB 55.79, 37.32, 35.99

 

CMYK 0 / 39 / 51 / 16

HEX #D7846A

RGB 215 132 106

HSL 14.31, 0.58%, 0.63%

LAB 63.33, 29.19, 27.51

 

CMYK 0 / 29 / 38 / 12

HEX #E09F8A

RGB 224 159 138

HSL 14.65, 0.58%, 0.71%

LAB 71.2, 21.55, 20.6

 

CMYK 0 / 50 / 65 / 19

HEX #CF6848

RGB 207 104 72

HSL 14.22, 0.58%, 0.55%

LAB 55.72, 38.16, 36.49

 

CMYK 28 / 0 / 65 / 19

HEX #95CE49

RGB 149 206 73

HSL 85.71, 0.58%, 0.55%

LAB 76.69, -38.86, 58.22

 

CMYK 65 / 54 / 0 / 19

HEX #495FCE

RGB 73 95 206

HSL 230.08, 0.58%, 0.55%

LAB 44.31, 27.05, -60.12

 

CMYK 0 / 50 / 65 / 19

HEX #CF6848

RGB 207 104 72

HSL 14.22, 0.58%, 0.55%

LAB 55.72, 38.16, 36.49

 

CMYK 65 / 0 / 50 / 19

HEX #49CE68

RGB 73 206 104

HSL 133.98, 0.58%, 0.55%

LAB 73.91, -57.56, 40.12

 

CMYK 50 / 65 / 0 / 19

HEX #6849CE

RGB 104 73 206

HSL 253.98, 0.58%, 0.55%

LAB 41.48, 45.8, -64.62

 

CMYK 0 / 50 / 65 / 19

HEX #CF6848

RGB 207 104 72

HSL 14.22, 0.58%, 0.55%

LAB 55.72, 38.16, 36.49

 

CMYK 28 / 0 / 65 / 19

HEX #95CE49

RGB 149 206 73

HSL 85.71, 0.58%, 0.55%

LAB 76.69, -38.86, 58.22

 

CMYK 65 / 15 / 0 / 19

HEX #49AFCE

RGB 73 175 206

HSL 193.98, 0.58%, 0.55%

LAB 66.92, -19.99, -24.48

 

CMYK 36 / 65 / 0 / 19

HEX #8349CE

RGB 131 73 206

HSL 266.17, 0.58%, 0.55%

LAB 44.3, 51.14, -59.91

 

CMYK 0 / 50 / 65 / 19

HEX #CF6848

RGB 207 104 72

HSL 14.22, 0.58%, 0.55%

LAB 55.72, 38.16, 36.49

 

CMYK 47 / 0 / 65 / 19

HEX #6DCE49

RGB 109 206 73

HSL 103.76, 0.58%, 0.55%

LAB 74.75, -52.31, 55.55

 

CMYK 65 / 15 / 0 / 19

HEX #49AFCE

RGB 73 175 206

HSL 193.98, 0.58%, 0.55%

LAB 66.92, -19.99, -24.48

 

CMYK 17 / 65 / 0 / 19

HEX #AB49CE

RGB 171 73 206

HSL 284.21, 0.58%, 0.55%

LAB 49.35, 59.95, -51.52

 

Description

Color code: HEX #CF6848 | qconv.com Color code: HEX #CF6848 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 104 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 104 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 65 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 65% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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