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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1FD3F it is the complementary color #1E02C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1FD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1FD3F shade: #E6FD3A, #F7FF4D, #FFFF60, #FFFF73 and #FFFF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1FD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1FD3F shade: #E1FD3F, #D0EB2C, #BFD919, #AEC706 and #9DB500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1FD3F shade: #E1FD3F, #FDE53F, #FDB23F, #FD7F3F and #FD4C3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1FD3F shade: #E1FD3F, #ADFD3F, #7AFD3F, #47FD3F and #3FFD6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1FD3F shade matches the following richer shades: #E1FD3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1FD3F shade: #E1FD3F, #D6ED4E, #CADD5E, #BFCE6E and #B4BE7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1FD3F shade: #FDB13F, #FDE33F, #E3FD3F, #B1FD3F and #7EFD3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1FD3F shade: #C5E702, #DAFC16, #E1FD3F, #E7FD67 and #EDFD90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1FD3F shade: #E1FD3F, #3FFD7E and #CA3FFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1FD3F shade: #E1FD3F, #3FE3FD and #FD3FE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1FD3F shade: #E1FD3F, #3FFD7E, #583FFD and #FD3FBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1FD3F shade: #E1FD3F, #3FFDB7, #583FFD and #FD3F84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 75 / 1

HEX #E1FD3F

RGB 225 253 63

HSL 68.84, 0.98%, 0.62%

LAB 94.58, -31.47, 81.11

 

Complementary color

CMYK 84 / 99 / 0 / 25

HEX #1E02C0

RGB 30 2 192

HSL 248.84, 0.98%, 0.38%

LAB 24.08, 63.84, -85.33

 

CMYK 9 / 0 / 77 / 1

HEX #E6FD3A

RGB 230 253 58

HSL 67.08, 0.98%, 0.61%

LAB 94.9, -29.68, 82.97

 

CMYK 3 / 0 / 70 / 0

HEX #F7FF4D

RGB 247 255 77

HSL 62.7, 1%, 0.65%

LAB 96.75, -23.02, 79.27

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF60

RGB 255 255 96

HSL 60, 1%, 0.69%

LAB 97.48, -18.81, 73.24

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF73

RGB 255 255 115

HSL 60, 1%, 0.73%

LAB 97.64, -17.55, 65.58

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF86

RGB 255 255 134

HSL 60, 1%, 0.76%

LAB 97.83, -16.03, 57.32

 

CMYK 11 / 0 / 75 / 1

HEX #E1FD3F

RGB 225 253 63

HSL 68.84, 0.98%, 0.62%

LAB 94.58, -31.47, 81.11

 

CMYK 11 / 0 / 81 / 8

HEX #D0EB2C

RGB 208 235 44

HSL 68.48, 0.83%, 0.55%

LAB 88.45, -30.62, 80.33

 

CMYK 12 / 0 / 88 / 15

HEX #BFD919

RGB 191 217 25

HSL 68.13, 0.79%, 0.47%

LAB 82.26, -29.61, 78.57

 

CMYK 13 / 0 / 97 / 22

HEX #AEC706

RGB 174 199 6

HSL 67.77, 0.94%, 0.4%

LAB 75.98, -28.42, 75.54

 

CMYK 13 / 0 / 100 / 29

HEX #9DB500

RGB 157 181 0

HSL 67.96, 1%, 0.35%

LAB 69.62, -27.02, 70.85

 

CMYK 11 / 0 / 75 / 1

HEX #E1FD3F

RGB 225 253 63

HSL 68.84, 0.98%, 0.62%

LAB 94.58, -31.47, 81.11

 

CMYK 0 / 9 / 75 / 1

HEX #FDE53F

RGB 253 229 63

HSL 52.42, 0.98%, 0.62%

LAB 90.45, -8.55, 78.08

 

CMYK 0 / 30 / 75 / 1

HEX #FDB23F

RGB 253 178 63

HSL 36.32, 0.98%, 0.62%

LAB 77.92, 17.61, 66.24

 

CMYK 0 / 50 / 75 / 1

HEX #FD7F3F

RGB 253 127 63

HSL 20.21, 0.98%, 0.62%

LAB 66.84, 43.84, 55.22

 

CMYK 0 / 70 / 75 / 1

HEX #FD4C3F

RGB 253 76 63

HSL 4.11, 0.98%, 0.62%

LAB 58.42, 65.96, 46.4

 

CMYK 11 / 0 / 75 / 1

HEX #E1FD3F

RGB 225 253 63

HSL 68.84, 0.98%, 0.62%

LAB 94.58, -31.47, 81.11

 

CMYK 32 / 0 / 75 / 1

HEX #ADFD3F

RGB 173 253 63

HSL 85.26, 0.98%, 0.62%

LAB 91.46, -50.97, 77.07

 

CMYK 52 / 0 / 75 / 1

HEX #7AFD3F

RGB 122 253 63

HSL 101.37, 0.98%, 0.62%

LAB 89.27, -66.84, 74.22

 

CMYK 72 / 0 / 75 / 1

HEX #47FD3F

RGB 71 253 63

HSL 117.47, 0.98%, 0.62%

LAB 87.94, -77.7, 72.47

 

CMYK 75 / 0 / 58 / 1

HEX #3FFD6A

RGB 63 253 106

HSL 133.58, 0.98%, 0.62%

LAB 88.14, -74.87, 56.26

 

CMYK 11 / 0 / 75 / 1

HEX #E1FD3F

RGB 225 253 63

HSL 68.84, 0.98%, 0.62%

LAB 94.58, -31.47, 81.11

 

CMYK 11 / 0 / 75 / 1

HEX #E1FD3F

RGB 225 253 63

HSL 68.84, 0.98%, 0.62%

LAB 94.58, -31.47, 81.11

 

CMYK 10 / 0 / 67 / 7

HEX #D6ED4E

RGB 214 237 78

HSL 68.68, 0.82%, 0.62%

LAB 89.59, -27.65, 71.01

 

CMYK 9 / 0 / 57 / 13

HEX #CADD5E

RGB 202 221 94

HSL 68.98, 0.65%, 0.62%

LAB 84.52, -23.74, 58.88

 

CMYK 7 / 0 / 47 / 19

HEX #BFCE6E

RGB 191 206 110

HSL 69.38, 0.49%, 0.62%

LAB 79.81, -19.35, 45.76

 

CMYK 5 / 0 / 34 / 25

HEX #B4BE7D

RGB 180 190 125

HSL 69.23, 0.33%, 0.62%

LAB 74.83, -13.92, 31.72

 

CMYK 0 / 30 / 75 / 1

HEX #FDB13F

RGB 253 177 63

HSL 36, 0.98%, 0.62%

LAB 77.69, 18.13, 66.02

 

CMYK 0 / 10 / 75 / 1

HEX #FDE33F

RGB 253 227 63

HSL 51.79, 0.98%, 0.62%

LAB 89.94, -7.55, 77.61

 

CMYK 10 / 0 / 75 / 1

HEX #E3FD3F

RGB 227 253 63

HSL 68.21, 0.98%, 0.62%

LAB 94.71, -30.68, 81.29

 

CMYK 30 / 0 / 75 / 1

HEX #B1FD3F

RGB 177 253 63

HSL 84, 0.98%, 0.62%

LAB 91.67, -49.57, 77.34

 

CMYK 50 / 0 / 75 / 1

HEX #7EFD3F

RGB 126 253 63

HSL 100.11, 0.98%, 0.62%

LAB 89.41, -65.75, 74.4

 

CMYK 15 / 0 / 99 / 9

HEX #C5E702

RGB 197 231 2

HSL 68.91, 0.98%, 0.46%

LAB 86.52, -33.96, 84.57

 

CMYK 13 / 0 / 91 / 1

HEX #DAFC16

RGB 218 252 22

HSL 68.87, 0.97%, 0.54%

LAB 93.7, -34.92, 88.88

 

CMYK 11 / 0 / 75 / 1

HEX #E1FD3F

RGB 225 253 63

HSL 68.84, 0.98%, 0.62%

LAB 94.58, -31.47, 81.11

 

CMYK 9 / 0 / 59 / 1

HEX #E7FD67

RGB 231 253 103

HSL 68.8, 0.97%, 0.7%

LAB 95.25, -26.87, 67.51

 

CMYK 6 / 0 / 43 / 1

HEX #EDFD90

RGB 237 253 144

HSL 68.81, 0.96%, 0.78%

LAB 96.11, -21.01, 50.23

 

CMYK 11 / 0 / 75 / 1

HEX #E1FD3F

RGB 225 253 63

HSL 68.84, 0.98%, 0.62%

LAB 94.58, -31.47, 81.11

 

CMYK 75 / 0 / 50 / 1

HEX #3FFD7E

RGB 63 253 126

HSL 139.89, 0.98%, 0.62%

LAB 88.36, -72.21, 47.46

 

CMYK 20 / 75 / 0 / 1

HEX #CA3FFD

RGB 202 63 253

HSL 283.89, 0.98%, 0.62%

LAB 55.28, 79.14, -68.28

 

CMYK 11 / 0 / 75 / 1

HEX #E1FD3F

RGB 225 253 63

HSL 68.84, 0.98%, 0.62%

LAB 94.58, -31.47, 81.11

 

CMYK 75 / 10 / 0 / 1

HEX #3FE3FD

RGB 63 227 253

HSL 188.21, 0.98%, 0.62%

LAB 83.49, -32.74, -24.56

 

CMYK 0 / 75 / 10 / 1

HEX #FD3FE3

RGB 253 63 227

HSL 308.21, 0.98%, 0.62%

LAB 61.64, 84.89, -43.16

 

CMYK 11 / 0 / 75 / 1

HEX #E1FD3F

RGB 225 253 63

HSL 68.84, 0.98%, 0.62%

LAB 94.58, -31.47, 81.11

 

CMYK 75 / 0 / 50 / 1

HEX #3FFD7E

RGB 63 253 126

HSL 139.89, 0.98%, 0.62%

LAB 88.36, -72.21, 47.46

 

CMYK 65 / 75 / 0 / 1

HEX #583FFD

RGB 88 63 253

HSL 247.89, 0.98%, 0.62%

LAB 42.34, 62.49, -89.95

 

CMYK 0 / 75 / 25 / 1

HEX #FD3FBD

RGB 253 63 189

HSL 320.21, 0.98%, 0.62%

LAB 59.99, 80.01, -24.16

 

CMYK 11 / 0 / 75 / 1

HEX #E1FD3F

RGB 225 253 63

HSL 68.84, 0.98%, 0.62%

LAB 94.58, -31.47, 81.11

 

CMYK 75 / 0 / 28 / 1

HEX #3FFDB7

RGB 63 253 183

HSL 157.89, 0.98%, 0.62%

LAB 89.26, -61.95, 20.48

 

CMYK 65 / 75 / 0 / 1

HEX #583FFD

RGB 88 63 253

HSL 247.89, 0.98%, 0.62%

LAB 42.34, 62.49, -89.95

 

CMYK 0 / 75 / 48 / 1

HEX #FD3F84

RGB 253 63 132

HSL 338.21, 0.98%, 0.62%

LAB 58.14, 74.29, 6.31

 

Description

Color code: HEX #E1FD3F | qconv.com Color code: HEX #E1FD3F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 253 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 253 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 75 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 75% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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