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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1B050 it is the complementary color #1E4FAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1B050. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1B050 shade: #E6B04B, #F7C25E, #FFD471, #FFE684 and #FFF897

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1B050. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1B050 shade: #E1B050, #D09E3D, #BF8C2A, #AE7A17 and #9D6804

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1B050 shade: #E1B050, #E18950, #E16250 and #E15050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1B050 shade: #E1B050, #E1D750, #C4E150, #9DE150 and #76E150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1B050 shade matches the following richer shades: #E1B050 and #F1B540

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1B050 shade: #E1B050, #D0AB61, #C0A571, #AFA082 and #9F9B92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1B050 shade: #E16150, #E18850, #E1AE50, #E1D550 and #C6E150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1B050 shade: #BF8920, #DBA02D, #E1B050, #E7C073 and #EDD097

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1B050 shade: #E1B050, #66E150 and #7450E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1B050 shade: #E1B050, #50E1AE and #AE50E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1B050 shade: #E1B050, #66E150, #5083E1 and #CB50E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1B050 shade: #E1B050, #50E166, #5083E1 and #E150CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 64 / 12

HEX #E1B050

RGB 225 176 80

HSL 39.72, 0.71%, 0.6%

LAB 74.6, 7.74, 54.65

 

Complementary color

CMYK 83 / 55 / 0 / 31

HEX #1E4FAF

RGB 30 79 175

HSL 219.72, 0.71%, 0.4%

LAB 35.91, 20.41, -55.74

 

CMYK 0 / 23 / 67 / 10

HEX #E6B04B

RGB 230 176 75

HSL 39.1, 0.76%, 0.6%

LAB 75.07, 9.56, 57.55

 

CMYK 0 / 21 / 62 / 3

HEX #F7C25E

RGB 247 194 94

HSL 39.22, 0.91%, 0.67%

LAB 81.38, 8.38, 56.4

 

CMYK 0 / 17 / 56 / 0

HEX #FFD471

RGB 255 212 113

HSL 41.83, 1%, 0.72%

LAB 86.77, 3.7, 53.95

 

CMYK 0 / 10 / 48 / 0

HEX #FFE684

RGB 255 230 132

HSL 47.8, 1%, 0.76%

LAB 91.47, -3.87, 50.55

 

CMYK 0 / 3 / 41 / 0

HEX #FFF897

RGB 255 248 151

HSL 55.96, 1%, 0.8%

LAB 96.26, -11.01, 47.34

 

CMYK 0 / 22 / 64 / 12

HEX #E1B050

RGB 225 176 80

HSL 39.72, 0.71%, 0.6%

LAB 74.6, 7.74, 54.65

 

CMYK 0 / 24 / 71 / 18

HEX #D09E3D

RGB 208 158 61

HSL 39.59, 0.61%, 0.53%

LAB 68.17, 9.01, 55.71

 

CMYK 0 / 27 / 78 / 25

HEX #BF8C2A

RGB 191 140 42

HSL 39.46, 0.64%, 0.46%

LAB 61.65, 10.5, 56.4

 

CMYK 0 / 30 / 87 / 32

HEX #AE7A17

RGB 174 122 23

HSL 39.34, 0.77%, 0.39%

LAB 55.05, 12.26, 56.29

 

CMYK 0 / 34 / 97 / 38

HEX #9D6804

RGB 157 104 4

HSL 39.22, 0.95%, 0.32%

LAB 48.36, 14.32, 54.76

 

CMYK 0 / 22 / 64 / 12

HEX #E1B050

RGB 225 176 80

HSL 39.72, 0.71%, 0.6%

LAB 74.6, 7.74, 54.65

 

CMYK 0 / 39 / 64 / 12

HEX #E18950

RGB 225 137 80

HSL 23.59, 0.71%, 0.6%

LAB 65.34, 28.55, 44.19

 

CMYK 0 / 56 / 64 / 12

HEX #E16250

RGB 225 98 80

HSL 7.45, 0.71%, 0.6%

LAB 57.39, 48.32, 34.72

 

CMYK 0 / 64 / 64 / 12

HEX #E15050

RGB 225 80 80

HSL 0, 0.71%, 0.6%

LAB 54.37, 56.32, 30.99

 

CMYK 0 / 22 / 64 / 12

HEX #E1B050

RGB 225 176 80

HSL 39.72, 0.71%, 0.6%

LAB 74.6, 7.74, 54.65

 

CMYK 0 / 4 / 64 / 12

HEX #E1D750

RGB 225 215 80

HSL 55.86, 0.71%, 0.6%

LAB 84.58, -12.38, 65.34

 

CMYK 13 / 0 / 64 / 12

HEX #C4E150

RGB 196 225 80

HSL 72, 0.71%, 0.6%

LAB 85.08, -29.03, 65.2

 

CMYK 30 / 0 / 64 / 12

HEX #9DE150

RGB 157 225 80

HSL 88.14, 0.71%, 0.6%

LAB 82.7, -43.75, 61.95

 

CMYK 48 / 0 / 64 / 12

HEX #76E150

RGB 118 225 80

HSL 104.28, 0.71%, 0.6%

LAB 80.89, -56.41, 59.47

 

CMYK 0 / 22 / 64 / 12

HEX #E1B050

RGB 225 176 80

HSL 39.72, 0.71%, 0.6%

LAB 74.6, 7.74, 54.65

 

CMYK 0 / 25 / 73 / 5

HEX #F1B540

RGB 241 181 64

HSL 39.66, 0.86%, 0.6%

LAB 77.35, 11.03, 64.85

 

CMYK 0 / 22 / 64 / 12

HEX #E1B050

RGB 225 176 80

HSL 39.72, 0.71%, 0.6%

LAB 74.6, 7.74, 54.65

 

CMYK 0 / 18 / 53 / 18

HEX #D0AB61

RGB 208 171 97

HSL 40, 0.54%, 0.6%

LAB 71.82, 4.49, 42.82

 

CMYK 0 / 14 / 41 / 25

HEX #C0A571

RGB 192 165 113

HSL 39.49, 0.39%, 0.6%

LAB 68.97, 2.63, 30.59

 

CMYK 0 / 9 / 26 / 31

HEX #AFA082

RGB 175 160 130

HSL 40, 0.22%, 0.6%

LAB 66.42, 0.65, 17.65

 

CMYK 0 / 3 / 8 / 38

HEX #9F9B92

RGB 159 155 146

HSL 41.54, 0.06%, 0.6%

LAB 64.07, -0.19, 5.22

 

CMYK 0 / 57 / 64 / 12

HEX #E16150

RGB 225 97 80

HSL 7.03, 0.71%, 0.6%

LAB 57.21, 48.79, 34.5

 

CMYK 0 / 40 / 64 / 12

HEX #E18850

RGB 225 136 80

HSL 23.17, 0.71%, 0.6%

LAB 65.12, 29.08, 43.93

 

CMYK 0 / 23 / 64 / 12

HEX #E1AE50

RGB 225 174 80

HSL 38.9, 0.71%, 0.6%

LAB 74.1, 8.8, 54.1

 

CMYK 0 / 5 / 64 / 12

HEX #E1D550

RGB 225 213 80

HSL 55.03, 0.71%, 0.6%

LAB 84.06, -11.38, 64.8

 

CMYK 12 / 0 / 64 / 12

HEX #C6E150

RGB 198 225 80

HSL 71.17, 0.71%, 0.6%

LAB 85.22, -28.23, 65.38

 

CMYK 0 / 28 / 83 / 25

HEX #BF8920

RGB 191 137 32

HSL 39.62, 0.71%, 0.44%

LAB 60.85, 11.8, 59.19

 

CMYK 0 / 27 / 79 / 14

HEX #DBA02D

RGB 219 160 45

HSL 39.66, 0.71%, 0.52%

LAB 69.75, 12.02, 63.89

 

CMYK 0 / 22 / 64 / 12

HEX #E1B050

RGB 225 176 80

HSL 39.72, 0.71%, 0.6%

LAB 74.6, 7.74, 54.65

 

CMYK 0 / 17 / 50 / 9

HEX #E7C073

RGB 231 192 115

HSL 39.83, 0.71%, 0.68%

LAB 79.57, 4.45, 43.76

 

CMYK 0 / 12 / 36 / 7

HEX #EDD097

RGB 237 208 151

HSL 39.77, 0.7%, 0.76%

LAB 84.66, 2.21, 32.05

 

CMYK 0 / 22 / 64 / 12

HEX #E1B050

RGB 225 176 80

HSL 39.72, 0.71%, 0.6%

LAB 74.6, 7.74, 54.65

 

CMYK 55 / 0 / 64 / 12

HEX #66E150

RGB 102 225 80

HSL 110.9, 0.71%, 0.6%

LAB 80.32, -60.76, 58.68

 

CMYK 48 / 64 / 0 / 12

HEX #7450E1

RGB 116 80 225

HSL 254.9, 0.71%, 0.6%

LAB 45.48, 49.54, -68.94

 

CMYK 0 / 22 / 64 / 12

HEX #E1B050

RGB 225 176 80

HSL 39.72, 0.71%, 0.6%

LAB 74.6, 7.74, 54.65

 

CMYK 64 / 0 / 23 / 12

HEX #50E1AE

RGB 80 225 174

HSL 158.9, 0.71%, 0.6%

LAB 81.08, -50.51, 13.73

 

CMYK 23 / 64 / 0 / 12

HEX #AE50E1

RGB 174 80 225

HSL 278.9, 0.71%, 0.6%

LAB 52.03, 61.4, -58.02

 

CMYK 0 / 22 / 64 / 12

HEX #E1B050

RGB 225 176 80

HSL 39.72, 0.71%, 0.6%

LAB 74.6, 7.74, 54.65

 

CMYK 55 / 0 / 64 / 12

HEX #66E150

RGB 102 225 80

HSL 110.9, 0.71%, 0.6%

LAB 80.32, -60.76, 58.68

 

CMYK 64 / 42 / 0 / 12

HEX #5083E1

RGB 80 131 225

HSL 218.9, 0.71%, 0.6%

LAB 55.46, 12.42, -52.98

 

CMYK 10 / 64 / 0 / 12

HEX #CB50E1

RGB 203 80 225

HSL 290.9, 0.71%, 0.6%

LAB 55.96, 67.9, -51.52

 

CMYK 0 / 22 / 64 / 12

HEX #E1B050

RGB 225 176 80

HSL 39.72, 0.71%, 0.6%

LAB 74.6, 7.74, 54.65

 

CMYK 64 / 0 / 55 / 12

HEX #50E166

RGB 80 225 102

HSL 129.1, 0.71%, 0.6%

LAB 79.91, -63.28, 48.43

 

CMYK 64 / 42 / 0 / 12

HEX #5083E1

RGB 80 131 225

HSL 218.9, 0.71%, 0.6%

LAB 55.46, 12.42, -52.98

 

CMYK 0 / 64 / 10 / 12

HEX #E150CB

RGB 225 80 203

HSL 309.1, 0.71%, 0.6%

LAB 58.09, 69.47, -35.47

 

Description

Color code: HEX #E1B050 | qconv.com Color code: HEX #E1B050 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 176 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 176 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 64 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 64% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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