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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D09E3D it is the complementary color #2F61C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D09E3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D09E3D shade: #D59E38, #E6B04B, #F7C25E, #FFD471 and #FFE684

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D09E3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D09E3D shade: #D09E3D, #BF8C2A, #AE7A17, #9D6804 and #8C5600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D09E3D shade: #D09E3E, #D0773E, #D04F3E and #D03E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D09E3D shade: #D09E3E, #D0C53E, #B3D03E, #8BD03E and #64D03E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D09E3D shade matches the following richer shades: #D09E3E, #E3A42A and #F7AA17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D09E3D shade: #D09E3E, #BC9851, #A99264, #968B78 and #82858B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D09E3D shade: #D04F3E, #D0763E, #D09D3E, #D0C43E and #B5D03E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D09E3D shade: #977024, #B8882C, #D09E3E, #D8AF5F and #E0BF80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D09E3D shade: #D09E3D, #53D03E and #623ED0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D09E3D shade: #D09E3D, #3ED09D and #9D3ED0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D09E3D shade: #D09E3D, #53D03E, #3E71D0 and #BA3ED0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D09E3D shade: #D09E3D, #3ED053, #3E71D0 and #D03EBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 71 / 18

HEX #D09E3D

RGB 208 158 61

HSL 39.59, 0.61%, 0.53%

LAB 68.17, 9.01, 55.71

 

Complementary color

CMYK 76 / 50 / 0 / 24

HEX #2F61C2

RGB 47 97 194

HSL 219.59, 0.61%, 0.47%

LAB 42.84, 17.7, -55.64

 

CMYK 0 / 26 / 74 / 16

HEX #D59E38

RGB 213 158 56

HSL 38.98, 0.65%, 0.53%

LAB 68.67, 10.93, 58.48

 

CMYK 0 / 23 / 67 / 10

HEX #E6B04B

RGB 230 176 75

HSL 39.1, 0.76%, 0.6%

LAB 75.07, 9.56, 57.55

 

CMYK 0 / 21 / 62 / 3

HEX #F7C25E

RGB 247 194 94

HSL 39.22, 0.91%, 0.67%

LAB 81.38, 8.38, 56.4

 

CMYK 0 / 17 / 56 / 0

HEX #FFD471

RGB 255 212 113

HSL 41.83, 1%, 0.72%

LAB 86.77, 3.7, 53.95

 

CMYK 0 / 10 / 48 / 0

HEX #FFE684

RGB 255 230 132

HSL 47.8, 1%, 0.76%

LAB 91.47, -3.87, 50.55

 

CMYK 0 / 24 / 71 / 18

HEX #D09E3D

RGB 208 158 61

HSL 39.59, 0.61%, 0.53%

LAB 68.17, 9.01, 55.71

 

CMYK 0 / 27 / 78 / 25

HEX #BF8C2A

RGB 191 140 42

HSL 39.46, 0.64%, 0.46%

LAB 61.65, 10.5, 56.4

 

CMYK 0 / 30 / 87 / 32

HEX #AE7A17

RGB 174 122 23

HSL 39.34, 0.77%, 0.39%

LAB 55.05, 12.26, 56.29

 

CMYK 0 / 34 / 97 / 38

HEX #9D6804

RGB 157 104 4

HSL 39.22, 0.95%, 0.32%

LAB 48.36, 14.32, 54.76

 

CMYK 0 / 39 / 100 / 45

HEX #8C5600

RGB 140 86 0

HSL 36.86, 1%, 0.27%

LAB 41.58, 16.76, 50.13

 

CMYK 0 / 24 / 70 / 18

HEX #D09E3E

RGB 208 158 62

HSL 39.45, 0.61%, 0.53%

LAB 68.18, 9.06, 55.28

 

CMYK 0 / 43 / 70 / 18

HEX #D0773E

RGB 208 119 62

HSL 23.42, 0.61%, 0.53%

LAB 58.93, 30.14, 45.44

 

CMYK 0 / 62 / 70 / 18

HEX #D04F3E

RGB 208 79 62

HSL 6.99, 0.61%, 0.53%

LAB 51.09, 50.01, 36.61

 

CMYK 0 / 70 / 70 / 18

HEX #D03E3E

RGB 208 62 62

HSL 0, 0.61%, 0.53%

LAB 48.51, 56.99, 33.59

 

CMYK 0 / 24 / 70 / 18

HEX #D09E3E

RGB 208 158 62

HSL 39.45, 0.61%, 0.53%

LAB 68.18, 9.06, 55.28

 

CMYK 0 / 5 / 70 / 18

HEX #D0C53E

RGB 208 197 62

HSL 55.48, 0.61%, 0.53%

LAB 78.28, -11.42, 65.48

 

CMYK 14 / 0 / 70 / 18

HEX #B3D03E

RGB 179 208 62

HSL 71.92, 0.61%, 0.53%

LAB 79.07, -28.88, 65.51

 

CMYK 33 / 0 / 70 / 18

HEX #8BD03E

RGB 139 208 62

HSL 88.36, 0.61%, 0.53%

LAB 76.65, -44.15, 62.29

 

CMYK 52 / 0 / 70 / 18

HEX #64D03E

RGB 100 208 62

HSL 104.38, 0.61%, 0.53%

LAB 74.93, -56.58, 59.98

 

CMYK 0 / 24 / 70 / 18

HEX #D09E3E

RGB 208 158 62

HSL 39.45, 0.61%, 0.53%

LAB 68.18, 9.06, 55.28

 

CMYK 0 / 28 / 81 / 11

HEX #E3A42A

RGB 227 164 42

HSL 39.57, 0.77%, 0.53%

LAB 71.59, 13.23, 66.87

 

CMYK 0 / 31 / 91 / 3

HEX #F7AA17

RGB 247 170 23

HSL 39.38, 0.93%, 0.53%

LAB 75.19, 18.18, 75.61

 

CMYK 0 / 24 / 70 / 18

HEX #D09E3E

RGB 208 158 62

HSL 39.45, 0.61%, 0.53%

LAB 68.18, 9.06, 55.28

 

CMYK 0 / 19 / 57 / 26

HEX #BC9851

RGB 188 152 81

HSL 39.81, 0.44%, 0.53%

LAB 64.76, 4.93, 41.94

 

CMYK 0 / 14 / 41 / 34

HEX #A99264

RGB 169 146 100

HSL 40, 0.29%, 0.53%

LAB 61.58, 1.99, 27.55

 

CMYK 0 / 7 / 20 / 41

HEX #968B78

RGB 150 139 120

HSL 38, 0.13%, 0.53%

LAB 58.33, 0.84, 11.65

 

CMYK 6 / 4 / 0 / 45

HEX #82858B

RGB 130 133 139

HSL 220, 0.04%, 0.53%

LAB 55.47, 0.12, -3.61

 

CMYK 0 / 62 / 70 / 18

HEX #D04F3E

RGB 208 79 62

HSL 6.99, 0.61%, 0.53%

LAB 51.09, 50.01, 36.61

 

CMYK 0 / 43 / 70 / 18

HEX #D0763E

RGB 208 118 62

HSL 23.01, 0.61%, 0.53%

LAB 58.71, 30.67, 45.2

 

CMYK 0 / 25 / 70 / 18

HEX #D09D3E

RGB 208 157 62

HSL 39.04, 0.61%, 0.53%

LAB 67.93, 9.6, 55.02

 

CMYK 0 / 6 / 70 / 18

HEX #D0C43E

RGB 208 196 62

HSL 55.07, 0.61%, 0.53%

LAB 78.02, -10.91, 65.21

 

CMYK 13 / 0 / 70 / 18

HEX #B5D03E

RGB 181 208 62

HSL 71.1, 0.61%, 0.53%

LAB 79.2, -28.08, 65.69

 

CMYK 0 / 26 / 76 / 41

HEX #977024

RGB 151 112 36

HSL 39.65, 0.61%, 0.37%

LAB 49.85, 7.87, 45.93

 

CMYK 0 / 26 / 76 / 28

HEX #B8882C

RGB 184 136 44

HSL 39.43, 0.61%, 0.45%

LAB 59.87, 9.68, 53.65

 

CMYK 0 / 24 / 70 / 18

HEX #D09E3E

RGB 208 158 62

HSL 39.45, 0.61%, 0.53%

LAB 68.18, 9.06, 55.28

 

CMYK 0 / 19 / 56 / 15

HEX #D8AF5F

RGB 216 175 95

HSL 39.67, 0.61%, 0.61%

LAB 73.6, 5.54, 46.13

 

CMYK 0 / 15 / 43 / 12

HEX #E0BF80

RGB 224 191 128

HSL 39.38, 0.61%, 0.69%

LAB 78.85, 3.4, 36.1

 

CMYK 0 / 24 / 71 / 18

HEX #D09E3D

RGB 208 158 61

HSL 39.59, 0.61%, 0.53%

LAB 68.17, 9.01, 55.71

 

CMYK 60 / 0 / 70 / 18

HEX #53D03E

RGB 83 208 62

HSL 111.37, 0.61%, 0.53%

LAB 74.38, -60.92, 59.24

 

CMYK 53 / 70 / 0 / 18

HEX #623ED0

RGB 98 62 208

HSL 254.79, 0.61%, 0.53%

LAB 38.89, 51.3, -70.02

 

CMYK 0 / 24 / 71 / 18

HEX #D09E3D

RGB 208 158 61

HSL 39.59, 0.61%, 0.53%

LAB 68.17, 9.01, 55.71

 

CMYK 70 / 0 / 25 / 18

HEX #3ED09D

RGB 62 208 157

HSL 159.04, 0.61%, 0.53%

LAB 75.18, -50.24, 14.38

 

CMYK 25 / 70 / 0 / 18

HEX #9D3ED0

RGB 157 62 208

HSL 279.04, 0.61%, 0.53%

LAB 45.86, 62.08, -58.38

 

CMYK 0 / 24 / 71 / 18

HEX #D09E3D

RGB 208 158 61

HSL 39.59, 0.61%, 0.53%

LAB 68.17, 9.01, 55.71

 

CMYK 60 / 0 / 70 / 18

HEX #53D03E

RGB 83 208 62

HSL 111.37, 0.61%, 0.53%

LAB 74.38, -60.92, 59.24

 

CMYK 70 / 46 / 0 / 18

HEX #3E71D0

RGB 62 113 208

HSL 219.04, 0.61%, 0.53%

LAB 48.75, 14.69, -54.15

 

CMYK 11 / 70 / 0 / 18

HEX #BA3ED0

RGB 186 62 208

HSL 290.96, 0.61%, 0.53%

LAB 50.02, 68.1, -51.47

 

CMYK 0 / 24 / 71 / 18

HEX #D09E3D

RGB 208 158 61

HSL 39.59, 0.61%, 0.53%

LAB 68.17, 9.01, 55.71

 

CMYK 70 / 0 / 60 / 18

HEX #3ED053

RGB 62 208 83

HSL 128.63, 0.61%, 0.53%

LAB 74.04, -63.08, 50.06

 

CMYK 70 / 46 / 0 / 18

HEX #3E71D0

RGB 62 113 208

HSL 219.04, 0.61%, 0.53%

LAB 48.75, 14.69, -54.15

 

CMYK 0 / 70 / 11 / 18

HEX #D03EBA

RGB 208 62 186

HSL 309.04, 0.61%, 0.53%

LAB 52.29, 69.42, -34.97

 

Description

Color code: HEX #D09E3D | qconv.com Color code: HEX #D09E3D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 158 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 158 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 71 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 71% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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