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Color name
HEX #E16C3B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E16C3B it is the complementary color #1E93C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E16C3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E16C3B shade: #E66C36, #F77E49, #FF905C, #FFA26F and #FFB482

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E16C3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E16C3B shade: #E16C3B, #D05A28, #BF4815, #AE3602 and #9D2400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E16C3B shade: #E06D3C, #E0413C and #E03C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E16C3B shade: #E06D3C, #E0993C, #E0C53C, #CFE03C and #A3E03C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E16C3B shade matches the following richer shades: #E06D3C and #F2652A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E16C3B shade: #E06D3C, #CE744F, #BC7C61, #AA8373 and #988A85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E16C3B shade: #E03C65, #E03F3C, #E06B3C, #E0963C and #E0C23C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E16C3B shade: #AF471B, #D35520, #E06D3C, #E68860 and #EBA284

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E16C3B shade: #E16C3B, #91E03C and #3C50E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E16C3B shade: #E16C3B, #3CE06B and #6B3CE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E16C3B shade: #E16C3B, #91E03C, #3CB2E0 and #8C3CE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E16C3B shade: #E16C3B, #60E03C, #3CB2E0 and #BD3CE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 74 / 12

HEX #E16C3B

RGB 225 108 59

HSL 17.71, 0.73%, 0.56%

LAB 59.02, 42.39, 47.73

 

Complementary color

CMYK 85 / 25 / 0 / 23

HEX #1E93C4

RGB 30 147 196

HSL 197.71, 0.73%, 0.44%

LAB 57.2, -13.57, -34.01

 

CMYK 0 / 53 / 77 / 10

HEX #E66C36

RGB 230 108 54

HSL 18.41, 0.78%, 0.56%

LAB 59.72, 44.09, 51.12

 

CMYK 0 / 49 / 70 / 3

HEX #F77E49

RGB 247 126 73

HSL 18.28, 0.92%, 0.63%

LAB 65.89, 42.49, 49.13

 

CMYK 0 / 44 / 64 / 0

HEX #FF905C

RGB 255 144 92

HSL 19.14, 1%, 0.68%

LAB 70.86, 37.54, 45.49

 

CMYK 0 / 36 / 56 / 0

HEX #FFA26F

RGB 255 162 111

HSL 21.25, 1%, 0.72%

LAB 74.98, 29.56, 40.68

 

CMYK 0 / 29 / 49 / 0

HEX #FFB482

RGB 255 180 130

HSL 24, 1%, 0.75%

LAB 79.34, 21.74, 36.31

 

CMYK 0 / 52 / 74 / 12

HEX #E16C3B

RGB 225 108 59

HSL 17.71, 0.73%, 0.56%

LAB 59.02, 42.39, 47.73

 

CMYK 0 / 57 / 81 / 18

HEX #D05A28

RGB 208 90 40

HSL 17.86, 0.68%, 0.49%

LAB 52.81, 44.02, 49.74

 

CMYK 0 / 62 / 89 / 25

HEX #BF4815

RGB 191 72 21

HSL 18, 0.8%, 0.42%

LAB 46.66, 45.65, 51.27

 

CMYK 0 / 69 / 99 / 32

HEX #AE3602

RGB 174 54 2

HSL 18.14, 0.98%, 0.35%

LAB 40.64, 47.11, 51.78

 

CMYK 0 / 77 / 100 / 38

HEX #9D2400

RGB 157 36 0

HSL 13.76, 1%, 0.31%

LAB 34.86, 48.15, 47.79

 

CMYK 0 / 51 / 73 / 12

HEX #E06D3C

RGB 224 109 60

HSL 17.93, 0.73%, 0.56%

LAB 59.08, 41.56, 47.25

 

CMYK 0 / 71 / 73 / 12

HEX #E0413C

RGB 224 65 60

HSL 1.83, 0.73%, 0.56%

LAB 51.79, 60.82, 39.26

 

CMYK 0 / 73 / 73 / 12

HEX #E03C3C

RGB 224 60 60

HSL 0, 0.73%, 0.56%

LAB 51.16, 62.56, 38.55

 

CMYK 0 / 51 / 73 / 12

HEX #E06D3C

RGB 224 109 60

HSL 17.93, 0.73%, 0.56%

LAB 59.08, 41.56, 47.25

 

CMYK 0 / 32 / 73 / 12

HEX #E0993C

RGB 224 153 60

HSL 34.02, 0.73%, 0.56%

LAB 68.72, 18.51, 57.27

 

CMYK 0 / 12 / 73 / 12

HEX #E0C53C

RGB 224 197 60

HSL 50.12, 0.73%, 0.56%

LAB 79.67, -4.71, 68.04

 

CMYK 8 / 0 / 73 / 12

HEX #CFE03C

RGB 207 224 60

HSL 66.22, 0.73%, 0.56%

LAB 85.45, -25.24, 73.06

 

CMYK 27 / 0 / 73 / 12

HEX #A3E03C

RGB 163 224 60

HSL 82.32, 0.73%, 0.56%

LAB 82.61, -42.46, 69.34

 

CMYK 0 / 51 / 73 / 12

HEX #E06D3C

RGB 224 109 60

HSL 17.93, 0.73%, 0.56%

LAB 59.08, 41.56, 47.25

 

CMYK 0 / 58 / 83 / 5

HEX #F2652A

RGB 242 101 42

HSL 17.7, 0.88%, 0.56%

LAB 60.21, 51.43, 57.61

 

CMYK 0 / 51 / 73 / 12

HEX #E06D3C

RGB 224 109 60

HSL 17.93, 0.73%, 0.56%

LAB 59.08, 41.56, 47.25

 

CMYK 0 / 44 / 62 / 19

HEX #CE744F

RGB 206 116 79

HSL 17.48, 0.56%, 0.56%

LAB 58.2, 31.96, 35.63

 

CMYK 0 / 34 / 48 / 26

HEX #BC7C61

RGB 188 124 97

HSL 17.8, 0.4%, 0.56%

LAB 58.01, 21.83, 24.92

 

CMYK 0 / 23 / 32 / 33

HEX #AA8373

RGB 170 131 115

HSL 17.45, 0.24%, 0.56%

LAB 58.05, 12.66, 14.41

 

CMYK 0 / 9 / 13 / 40

HEX #988A85

RGB 152 138 133

HSL 15.79, 0.08%, 0.56%

LAB 58.55, 4.36, 4.57

 

CMYK 0 / 73 / 55 / 12

HEX #E03C65

RGB 224 60 101

HSL 345, 0.73%, 0.56%

LAB 51.86, 64.88, 15.23

 

CMYK 0 / 72 / 73 / 12

HEX #E03F3C

RGB 224 63 60

HSL 1.1, 0.73%, 0.56%

LAB 51.53, 61.53, 38.97

 

CMYK 0 / 52 / 73 / 12

HEX #E06B3C

RGB 224 107 60

HSL 17.2, 0.73%, 0.56%

LAB 58.69, 42.55, 46.83

 

CMYK 0 / 33 / 73 / 12

HEX #E0963C

RGB 224 150 60

HSL 32.93, 0.73%, 0.56%

LAB 68.01, 20.12, 56.55

 

CMYK 0 / 13 / 73 / 12

HEX #E0C23C

RGB 224 194 60

HSL 49.02, 0.73%, 0.56%

LAB 78.9, -3.16, 67.3

 

CMYK 0 / 59 / 85 / 31

HEX #AF471B

RGB 175 71 27

HSL 17.84, 0.73%, 0.4%

LAB 43.8, 40.29, 45.36

 

CMYK 0 / 60 / 85 / 17

HEX #D35520

RGB 211 85 32

HSL 17.77, 0.74%, 0.48%

LAB 52.34, 47.26, 52.98

 

CMYK 0 / 51 / 73 / 12

HEX #E06D3C

RGB 224 109 60

HSL 17.93, 0.73%, 0.56%

LAB 59.08, 41.56, 47.25

 

CMYK 0 / 41 / 58 / 10

HEX #E68860

RGB 230 136 96

HSL 17.91, 0.73%, 0.64%

LAB 65.96, 32.17, 36.71

 

CMYK 0 / 31 / 44 / 8

HEX #EBA284

RGB 235 162 132

HSL 17.48, 0.72%, 0.72%

LAB 73, 23.58, 26.51

 

CMYK 0 / 52 / 74 / 12

HEX #E16C3B

RGB 225 108 59

HSL 17.71, 0.73%, 0.56%

LAB 59.02, 42.39, 47.73

 

CMYK 35 / 0 / 73 / 12

HEX #91E03C

RGB 145 224 60

HSL 88.9, 0.73%, 0.56%

LAB 81.65, -48.9, 68.08

 

CMYK 73 / 64 / 0 / 12

HEX #3C50E0

RGB 60 80 224

HSL 232.68, 0.73%, 0.56%

LAB 41.34, 40.95, -75.29

 

CMYK 0 / 52 / 74 / 12

HEX #E16C3B

RGB 225 108 59

HSL 17.71, 0.73%, 0.56%

LAB 59.02, 42.39, 47.73

 

CMYK 73 / 0 / 52 / 12

HEX #3CE06B

RGB 60 224 107

HSL 137.2, 0.73%, 0.56%

LAB 79.23, -65.67, 45.17

 

CMYK 52 / 73 / 0 / 12

HEX #6B3CE0

RGB 107 60 224

HSL 257.2, 0.73%, 0.56%

LAB 40.8, 58.09, -76.05

 

CMYK 0 / 52 / 74 / 12

HEX #E16C3B

RGB 225 108 59

HSL 17.71, 0.73%, 0.56%

LAB 59.02, 42.39, 47.73

 

CMYK 35 / 0 / 73 / 12

HEX #91E03C

RGB 145 224 60

HSL 88.9, 0.73%, 0.56%

LAB 81.65, -48.9, 68.08

 

CMYK 73 / 21 / 0 / 12

HEX #3CB2E0

RGB 60 178 224

HSL 196.83, 0.73%, 0.56%

LAB 68.16, -17.69, -32.51

 

CMYK 38 / 73 / 0 / 12

HEX #8C3CE0

RGB 140 60 224

HSL 269.27, 0.73%, 0.56%

LAB 44.5, 63.31, -69.84

 

CMYK 0 / 52 / 74 / 12

HEX #E16C3B

RGB 225 108 59

HSL 17.71, 0.73%, 0.56%

LAB 59.02, 42.39, 47.73

 

CMYK 57 / 0 / 73 / 12

HEX #60E03C

RGB 96 224 60

HSL 106.83, 0.73%, 0.56%

LAB 79.68, -63.53, 65.48

 

CMYK 73 / 21 / 0 / 12

HEX #3CB2E0

RGB 60 178 224

HSL 196.83, 0.73%, 0.56%

LAB 68.16, -17.69, -32.51

 

CMYK 16 / 73 / 0 / 12

HEX #BD3CE0

RGB 189 60 224

HSL 287.2, 0.73%, 0.56%

LAB 51.19, 72.34, -58.7

 

Description

Color code: HEX #E16C3B | qconv.com Color code: HEX #E16C3B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 108 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 108 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 74 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 74% 12% C M Y K

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Provide designers and agencies with accurate color values.

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