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Color name
CMYK 0 / 51 / 73 / 12

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 51 / 73 / 12 it is the complementary color CMYK 84 / 25 / 0 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 51 / 73 / 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 51 / 73 / 12 shade: CMYK 0 / 52 / 76 / 10, CMYK 0 / 48 / 70 / 4, CMYK 0 / 43 / 63 / 0, CMYK 0 / 36 / 56 / 0 and CMYK 0 / 29 / 48 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 51 / 73 / 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 51 / 73 / 12 shade: CMYK 0 / 51 / 73 / 12, CMYK 0 / 56 / 80 / 19, CMYK 0 / 61 / 88 / 25, CMYK 0 / 68 / 98 / 32 and CMYK 0 / 76 / 100 / 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 51 / 73 / 12 shade: CMYK 0 / 51 / 72 / 13, CMYK 0 / 70 / 72 / 13 and CMYK 0 / 72 / 72 / 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 51 / 73 / 12 shade: CMYK 0 / 51 / 72 / 13, CMYK 0 / 31 / 72 / 13, CMYK 0 / 12 / 72 / 13, CMYK 8 / 0 / 72 / 13 and CMYK 27 / 0 / 72 / 13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 51 / 73 / 12 shade matches the following richer shades: CMYK 0 / 51 / 72 / 13 and CMYK 0 / 57 / 82 / 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 51 / 73 / 12 shade: CMYK 0 / 51 / 72 / 13, CMYK 0 / 43 / 61 / 20, CMYK 0 / 33 / 48 / 27, CMYK 0 / 22 / 31 / 34 and CMYK 0 / 7 / 11 / 41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 51 / 73 / 12 shade: CMYK 0 / 72 / 56 / 13, CMYK 0 / 70 / 72 / 13, CMYK 0 / 51 / 72 / 13, CMYK 0 / 31 / 72 / 13 and CMYK 0 / 12 / 72 / 13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 51 / 73 / 12 shade: CMYK 0 / 59 / 84 / 32, CMYK 0 / 59 / 84 / 18, CMYK 0 / 51 / 72 / 13, CMYK 0 / 40 / 58 / 10 and CMYK 0 / 31 / 44 / 8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 51 / 73 / 12 shade: CMYK 0 / 51 / 73 / 12, CMYK 36 / 0 / 72 / 13 and CMYK 72 / 65 / 0 / 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 51 / 73 / 12 shade: CMYK 0 / 51 / 73 / 12, CMYK 72 / 0 / 51 / 13 and CMYK 51 / 72 / 0 / 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 51 / 73 / 12 shade: CMYK 0 / 51 / 73 / 12, CMYK 36 / 0 / 72 / 13, CMYK 72 / 22 / 0 / 13 and CMYK 36 / 72 / 0 / 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 51 / 73 / 12 shade: CMYK 0 / 51 / 73 / 12, CMYK 58 / 0 / 72 / 13, CMYK 72 / 22 / 0 / 13 and CMYK 14 / 72 / 0 / 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 73 / 12

HEX #E06E3D

RGB 224 110 61

HSL 18.04, 0.72%, 0.56%

LAB 59.28, 41.1, 46.98

 

Complementary color

CMYK 84 / 25 / 0 / 24

HEX #1F91C2

RGB 31 145 194

HSL 198.04, 0.72%, 0.44%

LAB 56.52, -13.1, -33.93

 

CMYK 0 / 52 / 76 / 10

HEX #E56E38

RGB 229 110 56

HSL 18.73, 0.77%, 0.56%

LAB 59.97, 42.8, 50.38

 

CMYK 0 / 48 / 70 / 4

HEX #F6804B

RGB 246 128 75

HSL 18.6, 0.9%, 0.63%

LAB 66.17, 41.21, 48.41

 

CMYK 0 / 43 / 63 / 0

HEX #FF925E

RGB 255 146 94

HSL 19.38, 1%, 0.68%

LAB 71.3, 36.64, 44.99

 

CMYK 0 / 36 / 56 / 0

HEX #FFA471

RGB 255 164 113

HSL 21.55, 1%, 0.72%

LAB 75.45, 28.67, 40.23

 

CMYK 0 / 29 / 48 / 0

HEX #FFB684

RGB 255 182 132

HSL 24.39, 1%, 0.76%

LAB 79.83, 20.88, 35.9

 

CMYK 0 / 51 / 73 / 12

HEX #E06E3D

RGB 224 110 61

HSL 18.04, 0.72%, 0.56%

LAB 59.28, 41.1, 46.98

 

CMYK 0 / 56 / 80 / 19

HEX #CF5C2A

RGB 207 92 42

HSL 18.18, 0.66%, 0.49%

LAB 53.04, 42.74, 48.98

 

CMYK 0 / 61 / 88 / 25

HEX #BE4A17

RGB 190 74 23

HSL 18.32, 0.78%, 0.42%

LAB 46.85, 44.41, 50.59

 

CMYK 0 / 68 / 98 / 32

HEX #AD3804

RGB 173 56 4

HSL 18.46, 0.95%, 0.35%

LAB 40.77, 45.95, 51.1

 

CMYK 0 / 76 / 100 / 39

HEX #9C2600

RGB 156 38 0

HSL 14.62, 1%, 0.31%

LAB 34.91, 47.13, 47.71

 

CMYK 0 / 51 / 72 / 13

HEX #DF6E3E

RGB 223 110 62

HSL 17.89, 0.72%, 0.56%

LAB 59.15, 40.77, 46.28

 

CMYK 0 / 70 / 72 / 13

HEX #DF433E

RGB 223 67 62

HSL 1.86, 0.72%, 0.56%

LAB 51.89, 59.87, 38.21

 

CMYK 0 / 72 / 72 / 13

HEX #DF3E3E

RGB 223 62 62

HSL 0, 0.72%, 0.56%

LAB 51.25, 61.65, 37.47

 

CMYK 0 / 51 / 72 / 13

HEX #DF6E3E

RGB 223 110 62

HSL 17.89, 0.72%, 0.56%

LAB 59.15, 40.77, 46.28

 

CMYK 0 / 31 / 72 / 13

HEX #DF9A3E

RGB 223 154 62

HSL 34.29, 0.72%, 0.56%

LAB 68.86, 17.64, 56.51

 

CMYK 0 / 12 / 72 / 13

HEX #DFC53E

RGB 223 197 62

HSL 50.31, 0.72%, 0.56%

LAB 79.6, -5.04, 67.21

 

CMYK 8 / 0 / 72 / 13

HEX #CDDF3E

RGB 205 223 62

HSL 66.71, 0.72%, 0.56%

LAB 85.05, -25.48, 71.96

 

CMYK 27 / 0 / 72 / 13

HEX #A2DF3E

RGB 162 223 62

HSL 82.73, 0.72%, 0.56%

LAB 82.27, -42.28, 68.32

 

CMYK 0 / 51 / 72 / 13

HEX #DF6E3E

RGB 223 110 62

HSL 17.89, 0.72%, 0.56%

LAB 59.15, 40.77, 46.28

 

CMYK 0 / 57 / 82 / 5

HEX #F1672B

RGB 241 103 43

HSL 18.18, 0.88%, 0.56%

LAB 60.41, 50.18, 57.31

 

CMYK 0 / 51 / 72 / 13

HEX #DF6E3E

RGB 223 110 62

HSL 17.89, 0.72%, 0.56%

LAB 59.15, 40.77, 46.28

 

CMYK 0 / 43 / 61 / 20

HEX #CD7550

RGB 205 117 80

HSL 17.76, 0.56%, 0.56%

LAB 58.3, 31.1, 35.18

 

CMYK 0 / 33 / 48 / 27

HEX #BB7D62

RGB 187 125 98

HSL 18.2, 0.4%, 0.56%

LAB 58.14, 20.96, 24.51

 

CMYK 0 / 22 / 31 / 34

HEX #A98474

RGB 169 132 116

HSL 18.11, 0.24%, 0.56%

LAB 58.22, 11.83, 14.06

 

CMYK 0 / 7 / 11 / 41

HEX #968B86

RGB 150 139 134

HSL 18.75, 0.07%, 0.56%

LAB 58.67, 3.2, 4.14

 

CMYK 0 / 72 / 56 / 13

HEX #DF3E63

RGB 223 62 99

HSL 346.21, 0.72%, 0.56%

LAB 51.88, 63.78, 16.42

 

CMYK 0 / 70 / 72 / 13

HEX #DF433E

RGB 223 67 62

HSL 1.86, 0.72%, 0.56%

LAB 51.89, 59.87, 38.21

 

CMYK 0 / 51 / 72 / 13

HEX #DF6E3E

RGB 223 110 62

HSL 17.89, 0.72%, 0.56%

LAB 59.15, 40.77, 46.28

 

CMYK 0 / 31 / 72 / 13

HEX #DF993E

RGB 223 153 62

HSL 33.91, 0.72%, 0.56%

LAB 68.62, 18.18, 56.27

 

CMYK 0 / 12 / 72 / 13

HEX #DFC43E

RGB 223 196 62

HSL 49.94, 0.72%, 0.56%

LAB 79.34, -4.53, 66.96

 

CMYK 0 / 59 / 84 / 32

HEX #AE481C

RGB 174 72 28

HSL 18.08, 0.72%, 0.4%

LAB 43.82, 39.44, 44.87

 

CMYK 0 / 59 / 84 / 18

HEX #D25722

RGB 210 87 34

HSL 18.07, 0.72%, 0.48%

LAB 52.55, 46.01, 52.25

 

CMYK 0 / 51 / 72 / 13

HEX #DF6E3E

RGB 223 110 62

HSL 17.89, 0.72%, 0.56%

LAB 59.15, 40.77, 46.28

 

CMYK 0 / 40 / 58 / 10

HEX #E58961

RGB 229 137 97

HSL 18.18, 0.72%, 0.64%

LAB 66.07, 31.33, 36.27

 

CMYK 0 / 31 / 44 / 8

HEX #EBA384

RGB 235 163 132

HSL 18.06, 0.72%, 0.72%

LAB 73.23, 23.05, 26.82

 

CMYK 0 / 51 / 73 / 12

HEX #E06E3D

RGB 224 110 61

HSL 18.04, 0.72%, 0.56%

LAB 59.28, 41.1, 46.98

 

CMYK 36 / 0 / 72 / 13

HEX #8EDF3E

RGB 142 223 62

HSL 90.19, 0.72%, 0.56%

LAB 81.22, -49.39, 66.93

 

CMYK 72 / 65 / 0 / 13

HEX #3E4EDF

RGB 62 78 223

HSL 234.04, 0.72%, 0.56%

LAB 40.9, 42.05, -75.45

 

CMYK 0 / 51 / 73 / 12

HEX #E06E3D

RGB 224 110 61

HSL 18.04, 0.72%, 0.56%

LAB 59.28, 41.1, 46.98

 

CMYK 72 / 0 / 51 / 13

HEX #3EDF6E

RGB 62 223 110

HSL 137.89, 0.72%, 0.56%

LAB 79, -64.6, 43.47

 

CMYK 51 / 72 / 0 / 13

HEX #6E3EDF

RGB 110 62 223

HSL 257.89, 0.72%, 0.56%

LAB 41.36, 57.3, -74.55

 

CMYK 0 / 51 / 73 / 12

HEX #E06E3D

RGB 224 110 61

HSL 18.04, 0.72%, 0.56%

LAB 59.28, 41.1, 46.98

 

CMYK 36 / 0 / 72 / 13

HEX #8EDF3E

RGB 142 223 62

HSL 90.19, 0.72%, 0.56%

LAB 81.22, -49.39, 66.93

 

CMYK 72 / 22 / 0 / 13

HEX #3EAFDF

RGB 62 175 223

HSL 197.89, 0.72%, 0.56%

LAB 67.29, -16.17, -33.3

 

CMYK 36 / 72 / 0 / 13

HEX #8E3EDF

RGB 142 62 223

HSL 269.81, 0.72%, 0.56%

LAB 44.97, 62.57, -68.49

 

CMYK 0 / 51 / 73 / 12

HEX #E06E3D

RGB 224 110 61

HSL 18.04, 0.72%, 0.56%

LAB 59.28, 41.1, 46.98

 

CMYK 58 / 0 / 72 / 13

HEX #5EDF3E

RGB 94 223 62

HSL 108.07, 0.72%, 0.56%

LAB 79.33, -63.53, 64.41

 

CMYK 72 / 22 / 0 / 13

HEX #3EAFDF

RGB 62 175 223

HSL 197.89, 0.72%, 0.56%

LAB 67.29, -16.17, -33.3

 

CMYK 14 / 72 / 0 / 13

HEX #BF3EDF

RGB 191 62 223

HSL 288.07, 0.72%, 0.56%

LAB 51.67, 71.86, -57.35

 

Description

Color code: CMYK 0 / 51 / 73 / 12 | qconv.com Color code: CMYK 0 / 51 / 73 / 12 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 110 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 110 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 73 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 73% 12% C M Y K

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Provide designers and agencies with accurate color values.

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