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Color name
HEX #E0B21D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0B21D it is the complementary color #1F4DE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0B21D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0B21D shade: #E5B218, #F6C42B, #FFD63E, #FFE851 and #FFFA64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0B21D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0B21D shade: #E0B21D, #CFA00A, #BE8E00, #AD7C00 and #9C6A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0B21D shade: #E1B31D, #E17E1D, #E1491D and #E11D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0B21D shade: #E1B31D, #DBE11D, #A6E11D, #71E11D and #3CE11D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0B21D shade matches the following richer shades: #E1B31D and #F6BE08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0B21D shade: #E1B31D, #CDA831, #B89D46, #A3925B and #8F876F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0B21D shade: #E1471D, #E17C1D, #E1B01D, #DEE11D and #AAE11D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0B21D shade: #987913, #BD9618, #E1B31D, #E6BF41 and #EBCB66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0B21D shade: #E0B21D, #27E11D and #621DE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0B21D shade: #E0B21D, #1DE1B0 and #B01DE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0B21D shade: #E0B21D, #27E11D, #1D4EE1 and #D71DE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0B21D shade: #E0B21D, #1DE14E, #1D4EE1 and #E11DB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 87 / 12

HEX #E0B21D

RGB 224 178 29

HSL 45.85, 0.77%, 0.5%

LAB 74.68, 4.18, 72.89

 

Complementary color

CMYK 86 / 66 / 0 / 11

HEX #1F4DE2

RGB 31 77 226

HSL 225.85, 0.77%, 0.5%

LAB 39.73, 41.19, -79.12

 

CMYK 0 / 22 / 90 / 10

HEX #E5B218

RGB 229 178 24

HSL 45.07, 0.81%, 0.5%

LAB 75.18, 6.25, 74.55

 

CMYK 0 / 20 / 83 / 4

HEX #F6C42B

RGB 246 196 43

HSL 45.22, 0.92%, 0.57%

LAB 81.43, 4.6, 75.81

 

CMYK 0 / 16 / 76 / 0

HEX #FFD63E

RGB 255 214 62

HSL 47.25, 1%, 0.62%

LAB 86.85, -0.21, 75.14

 

CMYK 0 / 9 / 68 / 0

HEX #FFE851

RGB 255 232 81

HSL 52.07, 1%, 0.66%

LAB 91.49, -8.41, 72.85

 

CMYK 0 / 2 / 61 / 0

HEX #FFFA64

RGB 255 250 100

HSL 58.06, 1%, 0.7%

LAB 96.22, -16.16, 70.31

 

CMYK 0 / 21 / 87 / 12

HEX #E0B21D

RGB 224 178 29

HSL 45.85, 0.77%, 0.5%

LAB 74.68, 4.18, 72.89

 

CMYK 0 / 23 / 95 / 19

HEX #CFA00A

RGB 207 160 10

HSL 45.69, 0.91%, 0.43%

LAB 68.34, 5.98, 70.66

 

CMYK 0 / 25 / 100 / 25

HEX #BE8E00

RGB 190 142 0

HSL 44.84, 1%, 0.37%

LAB 61.91, 8.03, 66.65

 

CMYK 0 / 28 / 100 / 32

HEX #AD7C00

RGB 173 124 0

HSL 43.01, 1%, 0.34%

LAB 55.38, 10.28, 61.29

 

CMYK 0 / 32 / 100 / 39

HEX #9C6A00

RGB 156 106 0

HSL 40.77, 1%, 0.31%

LAB 48.73, 12.65, 55.84

 

CMYK 0 / 20 / 87 / 12

HEX #E1B31D

RGB 225 179 29

HSL 45.92, 0.77%, 0.5%

LAB 75.04, 4.09, 73.21

 

CMYK 0 / 44 / 87 / 12

HEX #E17E1D

RGB 225 126 29

HSL 29.69, 0.77%, 0.5%

LAB 62.52, 32.24, 63.25

 

CMYK 0 / 68 / 87 / 12

HEX #E1491D

RGB 225 73 29

HSL 13.47, 0.77%, 0.5%

LAB 52.8, 57.19, 55.54

 

CMYK 0 / 87 / 87 / 12

HEX #E11D1D

RGB 225 29 29

HSL 0, 0.77%, 0.5%

LAB 48.23, 69.94, 51.94

 

CMYK 0 / 20 / 87 / 12

HEX #E1B31D

RGB 225 179 29

HSL 45.92, 0.77%, 0.5%

LAB 75.04, 4.09, 73.21

 

CMYK 3 / 0 / 87 / 12

HEX #DBE11D

RGB 219 225 29

HSL 61.84, 0.77%, 0.5%

LAB 86.5, -21.76, 82.16

 

CMYK 26 / 0 / 87 / 12

HEX #A6E11D

RGB 166 225 29

HSL 78.06, 0.77%, 0.5%

LAB 82.94, -43, 77.78

 

CMYK 50 / 0 / 87 / 12

HEX #71E11D

RGB 113 225 29

HSL 94.29, 0.77%, 0.5%

LAB 80.43, -60.87, 74.66

 

CMYK 73 / 0 / 87 / 12

HEX #3CE11D

RGB 60 225 29

HSL 110.51, 0.77%, 0.5%

LAB 78.98, -72.76, 72.84

 

CMYK 0 / 20 / 87 / 12

HEX #E1B31D

RGB 225 179 29

HSL 45.92, 0.77%, 0.5%

LAB 75.04, 4.09, 73.21

 

CMYK 0 / 23 / 97 / 4

HEX #F6BE08

RGB 246 190 8

HSL 45.88, 0.94%, 0.5%

LAB 79.86, 7.12, 81

 

CMYK 0 / 20 / 87 / 12

HEX #E1B31D

RGB 225 179 29

HSL 45.92, 0.77%, 0.5%

LAB 75.04, 4.09, 73.21

 

CMYK 0 / 18 / 76 / 20

HEX #CDA831

RGB 205 168 49

HSL 45.77, 0.61%, 0.5%

LAB 70.32, 1.79, 62.47

 

CMYK 0 / 15 / 62 / 28

HEX #B89D46

RGB 184 157 70

HSL 45.79, 0.45%, 0.5%

LAB 65.55, -0.34, 48.12

 

CMYK 0 / 10 / 44 / 36

HEX #A3925B

RGB 163 146 91

HSL 45.83, 0.28%, 0.5%

LAB 60.87, -1.55, 31.4

 

CMYK 0 / 6 / 22 / 44

HEX #8F876F

RGB 143 135 111

HSL 45, 0.13%, 0.5%

LAB 56.4, -1.13, 14

 

CMYK 0 / 68 / 87 / 12

HEX #E1471D

RGB 225 71 29

HSL 12.86, 0.77%, 0.5%

LAB 52.51, 57.97, 55.32

 

CMYK 0 / 45 / 87 / 12

HEX #E17C1D

RGB 225 124 29

HSL 29.08, 0.77%, 0.5%

LAB 62.09, 33.28, 62.91

 

CMYK 0 / 22 / 87 / 12

HEX #E1B01D

RGB 225 176 29

HSL 45, 0.77%, 0.5%

LAB 74.28, 5.67, 72.61

 

CMYK 1 / 0 / 87 / 12

HEX #DEE11D

RGB 222 225 29

HSL 60.92, 0.77%, 0.5%

LAB 86.74, -20.51, 82.45

 

CMYK 24 / 0 / 87 / 12

HEX #AAE11D

RGB 170 225 29

HSL 76.84, 0.77%, 0.5%

LAB 83.17, -41.48, 78.07

 

CMYK 0 / 20 / 88 / 40

HEX #987913

RGB 152 121 19

HSL 46.02, 0.78%, 0.34%

LAB 52.28, 2.59, 54.11

 

CMYK 0 / 21 / 87 / 26

HEX #BD9618

RGB 189 150 24

HSL 45.82, 0.77%, 0.42%

LAB 63.92, 3.58, 63.92

 

CMYK 0 / 20 / 87 / 12

HEX #E1B31D

RGB 225 179 29

HSL 45.92, 0.77%, 0.5%

LAB 75.04, 4.09, 73.21

 

CMYK 0 / 17 / 72 / 10

HEX #E6BF41

RGB 230 191 65

HSL 45.82, 0.77%, 0.58%

LAB 78.73, 1.18, 65.46

 

CMYK 0 / 14 / 57 / 8

HEX #EBCB66

RGB 235 203 102

HSL 45.56, 0.77%, 0.66%

LAB 82.56, -0.68, 53.73

 

CMYK 0 / 21 / 87 / 12

HEX #E0B21D

RGB 224 178 29

HSL 45.85, 0.77%, 0.5%

LAB 74.68, 4.18, 72.89

 

CMYK 83 / 0 / 87 / 12

HEX #27E11D

RGB 39 225 29

HSL 116.94, 0.77%, 0.5%

LAB 78.68, -75.46, 72.46

 

CMYK 56 / 87 / 0 / 12

HEX #621DE1

RGB 98 29 225

HSL 261.12, 0.77%, 0.5%

LAB 35.81, 69.36, -84.87

 

CMYK 0 / 21 / 87 / 12

HEX #E0B21D

RGB 224 178 29

HSL 45.85, 0.77%, 0.5%

LAB 74.68, 4.18, 72.89

 

CMYK 87 / 0 / 22 / 12

HEX #1DE1B0

RGB 29 225 176

HSL 165, 0.77%, 0.5%

LAB 80.32, -55.87, 11.49

 

CMYK 22 / 87 / 0 / 12

HEX #B01DE1

RGB 176 29 225

HSL 285, 0.77%, 0.5%

LAB 46.37, 78.75, -67.15

 

CMYK 0 / 21 / 87 / 12

HEX #E0B21D

RGB 224 178 29

HSL 45.85, 0.77%, 0.5%

LAB 74.68, 4.18, 72.89

 

CMYK 83 / 0 / 87 / 12

HEX #27E11D

RGB 39 225 29

HSL 116.94, 0.77%, 0.5%

LAB 78.68, -75.46, 72.46

 

CMYK 87 / 65 / 0 / 12

HEX #1D4EE1

RGB 29 78 225

HSL 225, 0.77%, 0.5%

LAB 39.83, 40.1, -78.39

 

CMYK 4 / 87 / 0 / 12

HEX #D71DE1

RGB 215 29 225

HSL 296.94, 0.77%, 0.5%

LAB 52.69, 84.93, -56.64

 

CMYK 0 / 21 / 87 / 12

HEX #E0B21D

RGB 224 178 29

HSL 45.85, 0.77%, 0.5%

LAB 74.68, 4.18, 72.89

 

CMYK 87 / 0 / 65 / 12

HEX #1DE14E

RGB 29 225 78

HSL 135, 0.77%, 0.5%

LAB 78.85, -72.96, 57.46

 

CMYK 87 / 65 / 0 / 12

HEX #1D4EE1

RGB 29 78 225

HSL 225, 0.77%, 0.5%

LAB 39.83, 40.1, -78.39

 

CMYK 0 / 87 / 22 / 12

HEX #E11DB0

RGB 225 29 176

HSL 315, 0.77%, 0.5%

LAB 51.86, 80.08, -29.58

 

Description

Color code: HEX #E0B21D | qconv.com Color code: HEX #E0B21D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 178 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 178 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 87 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 87% 12% C M Y K

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Provide designers and agencies with accurate color values.

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