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Color name
RGB 225 179 29

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 225 179 29 it is the complementary color RGB 30 76 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 225 179 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 225 179 29 shade: RGB 230 179 24, RGB 247 197 43, RGB 255 215 62, RGB 255 233 81 and RGB 255 251 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 225 179 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 225 179 29 shade: RGB 225 179 29, RGB 208 161 10, RGB 191 143 0, RGB 174 125 0 and RGB 157 107 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 225 179 29 shade: RGB 225 179 29, RGB 225 126 29, RGB 225 73 29 and RGB 225 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 225 179 29 shade: RGB 225 179 29, RGB 218 225 29, RGB 165 225 29, RGB 112 225 29 and RGB 59 225 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 225 179 29 shade matches the following richer shades: RGB 225 179 29 and RGB 246 190 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 225 179 29 shade: RGB 225 179 29, RGB 205 168 49, RGB 184 157 70, RGB 163 146 91 and RGB 143 135 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 225 179 29 shade: RGB 225 71 29, RGB 225 124 29, RGB 225 176 29, RGB 222 225 29 and RGB 170 225 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 225 179 29 shade: RGB 152 121 19, RGB 189 150 24, RGB 225 179 29, RGB 230 191 65 and RGB 235 203 102

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 225 179 29 shade: RGB 225 179 29, RGB 39 225 29 and RGB 98 29 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 225 179 29 shade: RGB 225 179 29, RGB 29 225 176 and RGB 176 29 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 225 179 29 shade: RGB 225 179 29, RGB 39 225 29, RGB 29 78 225 and RGB 215 29 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 225 179 29 shade: RGB 225 179 29, RGB 29 225 78, RGB 29 78 225 and RGB 225 29 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 87 / 12

HEX #E1B31D

RGB 225 179 29

HSL 45.92, 0.77%, 0.5%

LAB 75.04, 4.09, 73.21

 

Complementary color

CMYK 87 / 66 / 0 / 11

HEX #1E4CE2

RGB 30 76 226

HSL 225.92, 0.77%, 0.5%

LAB 39.47, 41.76, -79.54

 

CMYK 0 / 22 / 90 / 10

HEX #E6B318

RGB 230 179 24

HSL 45.15, 0.81%, 0.5%

LAB 75.53, 6.16, 74.86

 

CMYK 0 / 20 / 83 / 3

HEX #F7C52B

RGB 247 197 43

HSL 45.29, 0.93%, 0.57%

LAB 81.77, 4.51, 76.15

 

CMYK 0 / 16 / 76 / 0

HEX #FFD73E

RGB 255 215 62

HSL 47.56, 1%, 0.62%

LAB 87.1, -0.71, 75.37

 

CMYK 0 / 9 / 68 / 0

HEX #FFE951

RGB 255 233 81

HSL 52.41, 1%, 0.66%

LAB 91.74, -8.91, 73.1

 

CMYK 0 / 2 / 61 / 0

HEX #FFFB64

RGB 255 251 100

HSL 58.45, 1%, 0.7%

LAB 96.48, -16.64, 70.59

 

CMYK 0 / 20 / 87 / 12

HEX #E1B31D

RGB 225 179 29

HSL 45.92, 0.77%, 0.5%

LAB 75.04, 4.09, 73.21

 

CMYK 0 / 23 / 95 / 18

HEX #D0A10A

RGB 208 161 10

HSL 45.76, 0.91%, 0.43%

LAB 68.69, 5.89, 70.97

 

CMYK 0 / 25 / 100 / 25

HEX #BF8F00

RGB 191 143 0

HSL 44.92, 1%, 0.37%

LAB 62.27, 7.93, 66.95

 

CMYK 0 / 28 / 100 / 32

HEX #AE7D00

RGB 174 125 0

HSL 43.1, 1%, 0.34%

LAB 55.75, 10.18, 61.6

 

CMYK 0 / 32 / 100 / 38

HEX #9D6B00

RGB 157 107 0

HSL 40.89, 1%, 0.31%

LAB 49.11, 12.54, 56.16

 

CMYK 0 / 20 / 87 / 12

HEX #E1B31D

RGB 225 179 29

HSL 45.92, 0.77%, 0.5%

LAB 75.04, 4.09, 73.21

 

CMYK 0 / 44 / 87 / 12

HEX #E17E1D

RGB 225 126 29

HSL 29.69, 0.77%, 0.5%

LAB 62.52, 32.24, 63.25

 

CMYK 0 / 68 / 87 / 12

HEX #E1491D

RGB 225 73 29

HSL 13.47, 0.77%, 0.5%

LAB 52.8, 57.19, 55.54

 

CMYK 0 / 87 / 87 / 12

HEX #E11D1D

RGB 225 29 29

HSL 0, 0.77%, 0.5%

LAB 48.23, 69.94, 51.94

 

CMYK 0 / 20 / 87 / 12

HEX #E1B31D

RGB 225 179 29

HSL 45.92, 0.77%, 0.5%

LAB 75.04, 4.09, 73.21

 

CMYK 3 / 0 / 87 / 12

HEX #DAE11D

RGB 218 225 29

HSL 62.14, 0.77%, 0.5%

LAB 86.43, -22.18, 82.07

 

CMYK 27 / 0 / 87 / 12

HEX #A5E11D

RGB 165 225 29

HSL 78.37, 0.77%, 0.5%

LAB 82.88, -43.38, 77.71

 

CMYK 50 / 0 / 87 / 12

HEX #70E11D

RGB 112 225 29

HSL 94.59, 0.77%, 0.5%

LAB 80.4, -61.16, 74.61

 

CMYK 74 / 0 / 87 / 12

HEX #3BE11D

RGB 59 225 29

HSL 110.82, 0.77%, 0.5%

LAB 78.97, -72.92, 72.82

 

CMYK 0 / 20 / 87 / 12

HEX #E1B31D

RGB 225 179 29

HSL 45.92, 0.77%, 0.5%

LAB 75.04, 4.09, 73.21

 

CMYK 0 / 23 / 97 / 4

HEX #F6BE08

RGB 246 190 8

HSL 45.88, 0.94%, 0.5%

LAB 79.86, 7.12, 81

 

CMYK 0 / 20 / 87 / 12

HEX #E1B31D

RGB 225 179 29

HSL 45.92, 0.77%, 0.5%

LAB 75.04, 4.09, 73.21

 

CMYK 0 / 18 / 76 / 20

HEX #CDA831

RGB 205 168 49

HSL 45.77, 0.61%, 0.5%

LAB 70.32, 1.79, 62.47

 

CMYK 0 / 15 / 62 / 28

HEX #B89D46

RGB 184 157 70

HSL 45.79, 0.45%, 0.5%

LAB 65.55, -0.34, 48.12

 

CMYK 0 / 10 / 44 / 36

HEX #A3925B

RGB 163 146 91

HSL 45.83, 0.28%, 0.5%

LAB 60.87, -1.55, 31.4

 

CMYK 0 / 6 / 22 / 44

HEX #8F876F

RGB 143 135 111

HSL 45, 0.13%, 0.5%

LAB 56.4, -1.13, 14

 

CMYK 0 / 68 / 87 / 12

HEX #E1471D

RGB 225 71 29

HSL 12.86, 0.77%, 0.5%

LAB 52.51, 57.97, 55.32

 

CMYK 0 / 45 / 87 / 12

HEX #E17C1D

RGB 225 124 29

HSL 29.08, 0.77%, 0.5%

LAB 62.09, 33.28, 62.91

 

CMYK 0 / 22 / 87 / 12

HEX #E1B01D

RGB 225 176 29

HSL 45, 0.77%, 0.5%

LAB 74.28, 5.67, 72.61

 

CMYK 1 / 0 / 87 / 12

HEX #DEE11D

RGB 222 225 29

HSL 60.92, 0.77%, 0.5%

LAB 86.74, -20.51, 82.45

 

CMYK 24 / 0 / 87 / 12

HEX #AAE11D

RGB 170 225 29

HSL 76.84, 0.77%, 0.5%

LAB 83.17, -41.48, 78.07

 

CMYK 0 / 20 / 88 / 40

HEX #987913

RGB 152 121 19

HSL 46.02, 0.78%, 0.34%

LAB 52.28, 2.59, 54.11

 

CMYK 0 / 21 / 87 / 26

HEX #BD9618

RGB 189 150 24

HSL 45.82, 0.77%, 0.42%

LAB 63.92, 3.58, 63.92

 

CMYK 0 / 20 / 87 / 12

HEX #E1B31D

RGB 225 179 29

HSL 45.92, 0.77%, 0.5%

LAB 75.04, 4.09, 73.21

 

CMYK 0 / 17 / 72 / 10

HEX #E6BF41

RGB 230 191 65

HSL 45.82, 0.77%, 0.58%

LAB 78.73, 1.18, 65.46

 

CMYK 0 / 14 / 57 / 8

HEX #EBCB66

RGB 235 203 102

HSL 45.56, 0.77%, 0.66%

LAB 82.56, -0.68, 53.73

 

CMYK 0 / 20 / 87 / 12

HEX #E1B31D

RGB 225 179 29

HSL 45.92, 0.77%, 0.5%

LAB 75.04, 4.09, 73.21

 

CMYK 83 / 0 / 87 / 12

HEX #27E11D

RGB 39 225 29

HSL 116.94, 0.77%, 0.5%

LAB 78.68, -75.46, 72.46

 

CMYK 56 / 87 / 0 / 12

HEX #621DE1

RGB 98 29 225

HSL 261.12, 0.77%, 0.5%

LAB 35.81, 69.36, -84.87

 

CMYK 0 / 20 / 87 / 12

HEX #E1B31D

RGB 225 179 29

HSL 45.92, 0.77%, 0.5%

LAB 75.04, 4.09, 73.21

 

CMYK 87 / 0 / 22 / 12

HEX #1DE1B0

RGB 29 225 176

HSL 165, 0.77%, 0.5%

LAB 80.32, -55.87, 11.49

 

CMYK 22 / 87 / 0 / 12

HEX #B01DE1

RGB 176 29 225

HSL 285, 0.77%, 0.5%

LAB 46.37, 78.75, -67.15

 

CMYK 0 / 20 / 87 / 12

HEX #E1B31D

RGB 225 179 29

HSL 45.92, 0.77%, 0.5%

LAB 75.04, 4.09, 73.21

 

CMYK 83 / 0 / 87 / 12

HEX #27E11D

RGB 39 225 29

HSL 116.94, 0.77%, 0.5%

LAB 78.68, -75.46, 72.46

 

CMYK 87 / 65 / 0 / 12

HEX #1D4EE1

RGB 29 78 225

HSL 225, 0.77%, 0.5%

LAB 39.83, 40.1, -78.39

 

CMYK 4 / 87 / 0 / 12

HEX #D71DE1

RGB 215 29 225

HSL 296.94, 0.77%, 0.5%

LAB 52.69, 84.93, -56.64

 

CMYK 0 / 20 / 87 / 12

HEX #E1B31D

RGB 225 179 29

HSL 45.92, 0.77%, 0.5%

LAB 75.04, 4.09, 73.21

 

CMYK 87 / 0 / 65 / 12

HEX #1DE14E

RGB 29 225 78

HSL 135, 0.77%, 0.5%

LAB 78.85, -72.96, 57.46

 

CMYK 87 / 65 / 0 / 12

HEX #1D4EE1

RGB 29 78 225

HSL 225, 0.77%, 0.5%

LAB 39.83, 40.1, -78.39

 

CMYK 0 / 87 / 22 / 12

HEX #E11DB0

RGB 225 29 176

HSL 315, 0.77%, 0.5%

LAB 51.86, 80.08, -29.58

 

Description

Color code: RGB 225 179 29 | qconv.com Color code: RGB 225 179 29 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 179 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 179 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 87 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 87% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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