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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3D15E it is the complementary color #1C2EA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3D15E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3D15E shade: #E8D159, #F9E36C, #FFF57F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3D15E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3D15E shade: #E3D15E, #D2BF4B, #C1AD38, #B09B25 and #9F8912

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3D15E shade: #E2D05E, #E2AD5E, #E2895E, #E2655E and #E25E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3D15E shade: #E2D05E, #D0E25E, #ADE25E, #89E25E and #66E25E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3D15E shade matches the following richer shades: #E2D05E and #F1DB4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3D15E shade: #E2D05E, #D3C56D, #C4BA7D, #B4AF8C and #A5A49B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3D15E shade: #E2885E, #E2AB5E, #E2CE5E, #D3E25E and #B0E25E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3D15E shade: #CAB423, #DCC63B, #E2D05E, #E8DA81 and #EFE5A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3D15E shade: #E3D15E, #5EE265 and #9A5EE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3D15E shade: #E3D15E, #5EE2CE and #CE5EE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3D15E shade: #E3D15E, #5EE265, #5E72E2 and #E25EDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3D15E shade: #E3D15E, #5EE28C, #5E72E2 and #E25EB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 59 / 11

HEX #E3D15E

RGB 227 209 94

HSL 51.88, 0.7%, 0.63%

LAB 83.31, -7.63, 58.06

 

Complementary color

CMYK 83 / 71 / 0 / 37

HEX #1C2EA1

RGB 28 46 161

HSL 231.88, 0.7%, 0.37%

LAB 26.08, 36.72, -63.43

 

CMYK 0 / 10 / 62 / 9

HEX #E8D159

RGB 232 209 89

HSL 50.35, 0.76%, 0.63%

LAB 83.69, -5.9, 60.81

 

CMYK 0 / 9 / 57 / 2

HEX #F9E36C

RGB 249 227 108

HSL 50.64, 0.92%, 0.7%

LAB 89.93, -6.71, 59.79

 

CMYK 0 / 4 / 50 / 0

HEX #FFF57F

RGB 255 245 127

HSL 55.31, 1%, 0.75%

LAB 95.2, -11.75, 57.4

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 8 / 59 / 11

HEX #E3D15E

RGB 227 209 94

HSL 51.88, 0.7%, 0.63%

LAB 83.31, -7.63, 58.06

 

CMYK 0 / 9 / 64 / 18

HEX #D2BF4B

RGB 210 191 75

HSL 51.56, 0.6%, 0.56%

LAB 76.96, -6.78, 59

 

CMYK 0 / 10 / 71 / 24

HEX #C1AD38

RGB 193 173 56

HSL 51.24, 0.55%, 0.49%

LAB 70.53, -5.78, 59.66

 

CMYK 0 / 12 / 79 / 31

HEX #B09B25

RGB 176 155 37

HSL 50.94, 0.65%, 0.42%

LAB 64, -4.56, 59.76

 

CMYK 0 / 14 / 89 / 38

HEX #9F8912

RGB 159 137 18

HSL 50.64, 0.8%, 0.35%

LAB 57.37, -3.1, 58.79

 

CMYK 0 / 8 / 58 / 11

HEX #E2D05E

RGB 226 208 94

HSL 51.82, 0.69%, 0.63%

LAB 82.96, -7.54, 57.65

 

CMYK 0 / 23 / 58 / 11

HEX #E2AD5E

RGB 226 173 94

HSL 35.91, 0.69%, 0.63%

LAB 74.1, 10.7, 47.47

 

CMYK 0 / 39 / 58 / 11

HEX #E2895E

RGB 226 137 94

HSL 19.55, 0.69%, 0.63%

LAB 65.65, 29.91, 37.27

 

CMYK 0 / 55 / 58 / 11

HEX #E2655E

RGB 226 101 94

HSL 3.18, 0.69%, 0.63%

LAB 58.31, 48.18, 28

 

CMYK 0 / 58 / 58 / 11

HEX #E25E5E

RGB 226 94 94

HSL 0, 0.69%, 0.63%

LAB 57.06, 51.45, 26.38

 

CMYK 0 / 8 / 58 / 11

HEX #E2D05E

RGB 226 208 94

HSL 51.82, 0.69%, 0.63%

LAB 82.96, -7.54, 57.65

 

CMYK 8 / 0 / 58 / 11

HEX #D0E25E

RGB 208 226 94

HSL 68.18, 0.69%, 0.63%

LAB 86.31, -23.76, 60.99

 

CMYK 23 / 0 / 58 / 11

HEX #ADE25E

RGB 173 226 94

HSL 84.09, 0.69%, 0.63%

LAB 84.01, -37.24, 57.78

 

CMYK 39 / 0 / 58 / 11

HEX #89E25E

RGB 137 226 94

HSL 100.45, 0.69%, 0.63%

LAB 82.12, -49.7, 55.13

 

CMYK 55 / 0 / 58 / 11

HEX #66E25E

RGB 102 226 94

HSL 116.36, 0.69%, 0.63%

LAB 80.75, -59.7, 53.2

 

CMYK 0 / 8 / 58 / 11

HEX #E2D05E

RGB 226 208 94

HSL 51.82, 0.69%, 0.63%

LAB 82.96, -7.54, 57.65

 

CMYK 0 / 9 / 67 / 5

HEX #F1DB4F

RGB 241 219 79

HSL 51.85, 0.85%, 0.63%

LAB 86.96, -7.81, 68.63

 

CMYK 0 / 8 / 58 / 11

HEX #E2D05E

RGB 226 208 94

HSL 51.82, 0.69%, 0.63%

LAB 82.96, -7.54, 57.65

 

CMYK 0 / 7 / 48 / 17

HEX #D3C56D

RGB 211 197 109

HSL 51.76, 0.54%, 0.63%

LAB 78.98, -6.85, 45.6

 

CMYK 0 / 5 / 36 / 23

HEX #C4BA7D

RGB 196 186 125

HSL 51.55, 0.38%, 0.63%

LAB 75.04, -5.53, 32.23

 

CMYK 0 / 3 / 22 / 29

HEX #B4AF8C

RGB 180 175 140

HSL 52.5, 0.21%, 0.63%

LAB 71.05, -4.02, 18.63

 

CMYK 0 / 1 / 6 / 35

HEX #A5A49B

RGB 165 164 155

HSL 54, 0.05%, 0.63%

LAB 67.21, -1.3, 4.79

 

CMYK 0 / 40 / 58 / 11

HEX #E2885E

RGB 226 136 94

HSL 19.09, 0.69%, 0.63%

LAB 65.42, 30.44, 37

 

CMYK 0 / 24 / 58 / 11

HEX #E2AB5E

RGB 226 171 94

HSL 35, 0.69%, 0.63%

LAB 73.61, 11.77, 46.89

 

CMYK 0 / 9 / 58 / 11

HEX #E2CE5E

RGB 226 206 94

HSL 50.91, 0.69%, 0.63%

LAB 82.44, -6.52, 57.06

 

CMYK 7 / 0 / 58 / 11

HEX #D3E25E

RGB 211 226 94

HSL 66.82, 0.69%, 0.63%

LAB 86.53, -22.57, 61.29

 

CMYK 22 / 0 / 58 / 11

HEX #B0E25E

RGB 176 226 94

HSL 82.73, 0.69%, 0.63%

LAB 84.19, -36.12, 58.03

 

CMYK 0 / 11 / 83 / 21

HEX #CAB423

RGB 202 180 35

HSL 52.1, 0.7%, 0.46%

LAB 73.1, -6.33, 69.24

 

CMYK 0 / 10 / 73 / 14

HEX #DCC63B

RGB 220 198 59

HSL 51.8, 0.7%, 0.55%

LAB 79.57, -6.97, 68.17

 

CMYK 0 / 8 / 58 / 11

HEX #E2D05E

RGB 226 208 94

HSL 51.82, 0.69%, 0.63%

LAB 82.96, -7.54, 57.65

 

CMYK 0 / 6 / 44 / 9

HEX #E8DA81

RGB 232 218 129

HSL 51.84, 0.69%, 0.71%

LAB 86.45, -7.22, 45.37

 

CMYK 0 / 4 / 31 / 6

HEX #EFE5A4

RGB 239 229 164

HSL 52, 0.7%, 0.79%

LAB 90.35, -6.21, 32.98

 

CMYK 0 / 8 / 59 / 11

HEX #E3D15E

RGB 227 209 94

HSL 51.88, 0.7%, 0.63%

LAB 83.31, -7.63, 58.06

 

CMYK 58 / 0 / 55 / 11

HEX #5EE265

RGB 94 226 101

HSL 123.18, 0.69%, 0.63%

LAB 80.58, -60.79, 49.78

 

CMYK 32 / 58 / 0 / 11

HEX #9A5EE2

RGB 154 94 226

HSL 267.27, 0.69%, 0.63%

LAB 52.25, 50.21, -58.36

 

CMYK 0 / 8 / 59 / 11

HEX #E3D15E

RGB 227 209 94

HSL 51.88, 0.7%, 0.63%

LAB 83.31, -7.63, 58.06

 

CMYK 58 / 0 / 9 / 11

HEX #5EE2CE

RGB 94 226 206

HSL 170.91, 0.69%, 0.63%

LAB 82.5, -40.88, -1.08

 

CMYK 9 / 58 / 0 / 11

HEX #CE5EE2

RGB 206 94 226

HSL 290.91, 0.69%, 0.63%

LAB 58.62, 62.75, -47.83

 

CMYK 0 / 8 / 59 / 11

HEX #E3D15E

RGB 227 209 94

HSL 51.88, 0.7%, 0.63%

LAB 83.31, -7.63, 58.06

 

CMYK 58 / 0 / 55 / 11

HEX #5EE265

RGB 94 226 101

HSL 123.18, 0.69%, 0.63%

LAB 80.58, -60.79, 49.78

 

CMYK 58 / 50 / 0 / 11

HEX #5E72E2

RGB 94 114 226

HSL 230.91, 0.69%, 0.63%

LAB 51.73, 25.67, -59.47

 

CMYK 0 / 58 / 3 / 11

HEX #E25EDC

RGB 226 94 220

HSL 302.73, 0.69%, 0.63%

LAB 61.08, 66.71, -40.39

 

CMYK 0 / 8 / 59 / 11

HEX #E3D15E

RGB 227 209 94

HSL 51.88, 0.7%, 0.63%

LAB 83.31, -7.63, 58.06

 

CMYK 58 / 0 / 38 / 11

HEX #5EE28C

RGB 94 226 140

HSL 140.91, 0.69%, 0.63%

LAB 81.11, -54.98, 31.46

 

CMYK 58 / 50 / 0 / 11

HEX #5E72E2

RGB 94 114 226

HSL 230.91, 0.69%, 0.63%

LAB 51.73, 25.67, -59.47

 

CMYK 0 / 58 / 20 / 11

HEX #E25EB4

RGB 226 94 180

HSL 320.91, 0.69%, 0.63%

LAB 59.41, 60.6, -20.26

 

Description

Color code: HEX #E3D15E | qconv.com Color code: HEX #E3D15E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 209 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 209 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 59 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 59% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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