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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0E25E it is the complementary color #4F1DA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0E25E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0E25E shade: #B5E259, #C6F46C, #D7FF7F, #E8FF92 and #F9FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0E25E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0E25E shade: #B0E25E, #9FD04B, #8EBE38, #7DAC25 and #6C9A12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0E25E shade: #B0E15F, #D3E15F, #E1CC5F, #E1A95F and #E1865F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0E25E shade: #B0E15F, #8DE15F, #6AE15F, #5FE178 and #5FE19B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0E25E shade matches the following richer shades: #B0E15F and #B4F150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0E25E shade: #B0E15F, #ACD26E, #A9C37E, #A5B38D and #A1A49C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0E25E shade: #E1CC5F, #D4E15F, #B2E15F, #8FE15F and #6CE15F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0E25E shade: #8BC925, #9FDB3C, #B0E15F, #C1E882 and #D2EEA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0E25E shade: #B0E25E, #5FE1A9 and #DD5FE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0E25E shade: #B0E25E, #5FB2E1 and #E15FB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0E25E shade: #B0E25E, #5FE1A9, #8F5FE1 and #E15F97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0E25E shade: #B0E25E, #5FE1D0, #8F5FE1 and #E15F70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 58 / 11

HEX #B0E25E

RGB 176 226 94

HSL 82.73, 0.69%, 0.63%

LAB 84.19, -36.12, 58.03

 

Complementary color

CMYK 51 / 82 / 0 / 37

HEX #4F1DA1

RGB 79 29 161

HSL 262.73, 0.69%, 0.37%

LAB 27.06, 51.21, -61.68

 

CMYK 20 / 0 / 61 / 11

HEX #B5E259

RGB 181 226 89

HSL 79.71, 0.7%, 0.62%

LAB 84.45, -34.66, 60.55

 

CMYK 19 / 0 / 56 / 4

HEX #C6F46C

RGB 198 244 108

HSL 80.29, 0.86%, 0.69%

LAB 90.68, -34.9, 59.66

 

CMYK 16 / 0 / 50 / 0

HEX #D7FF7F

RGB 215 255 127

HSL 78.75, 1%, 0.75%

LAB 94.95, -31.89, 56.4

 

CMYK 9 / 0 / 43 / 0

HEX #E8FF92

RGB 232 255 146

HSL 72.66, 1%, 0.79%

LAB 96.31, -23.64, 49.45

 

CMYK 2 / 0 / 35 / 0

HEX #F9FFA5

RGB 249 255 165

HSL 64, 1%, 0.82%

LAB 97.78, -15.2, 42.38

 

CMYK 22 / 0 / 58 / 11

HEX #B0E25E

RGB 176 226 94

HSL 82.73, 0.69%, 0.63%

LAB 84.19, -36.12, 58.03

 

CMYK 24 / 0 / 64 / 18

HEX #9FD04B

RGB 159 208 75

HSL 82.11, 0.59%, 0.55%

LAB 77.87, -35.87, 58.84

 

CMYK 25 / 0 / 71 / 25

HEX #8EBE38

RGB 142 190 56

HSL 81.49, 0.54%, 0.48%

LAB 71.46, -35.49, 59.32

 

CMYK 27 / 0 / 78 / 33

HEX #7DAC25

RGB 125 172 37

HSL 80.89, 0.65%, 0.41%

LAB 64.96, -34.96, 59.2

 

CMYK 30 / 0 / 88 / 40

HEX #6C9A12

RGB 108 154 18

HSL 80.29, 0.79%, 0.34%

LAB 58.36, -34.2, 57.97

 

CMYK 22 / 0 / 58 / 12

HEX #B0E15F

RGB 176 225 95

HSL 82.62, 0.68%, 0.63%

LAB 83.92, -35.58, 57.29

 

CMYK 6 / 0 / 58 / 12

HEX #D3E15F

RGB 211 225 95

HSL 66.46, 0.68%, 0.63%

LAB 86.27, -22.01, 60.57

 

CMYK 0 / 9 / 58 / 12

HEX #E1CC5F

RGB 225 204 95

HSL 50.31, 0.68%, 0.63%

LAB 81.85, -5.84, 55.92

 

CMYK 0 / 25 / 58 / 12

HEX #E1A95F

RGB 225 169 95

HSL 34.15, 0.68%, 0.63%

LAB 73.03, 12.49, 45.68

 

CMYK 0 / 40 / 58 / 12

HEX #E1865F

RGB 225 134 95

HSL 18, 0.68%, 0.63%

LAB 64.87, 31.17, 35.74

 

CMYK 22 / 0 / 58 / 12

HEX #B0E15F

RGB 176 225 95

HSL 82.62, 0.68%, 0.63%

LAB 83.92, -35.58, 57.29

 

CMYK 37 / 0 / 58 / 12

HEX #8DE15F

RGB 141 225 95

HSL 98.77, 0.68%, 0.63%

LAB 82.02, -47.89, 54.62

 

CMYK 53 / 0 / 58 / 12

HEX #6AE15F

RGB 106 225 95

HSL 114.92, 0.68%, 0.63%

LAB 80.59, -58.2, 52.61

 

CMYK 58 / 0 / 47 / 12

HEX #5FE178

RGB 95 225 120

HSL 131.54, 0.68%, 0.63%

LAB 80.54, -57.61, 40.72

 

CMYK 58 / 0 / 31 / 12

HEX #5FE19B

RGB 95 225 155

HSL 147.69, 0.68%, 0.63%

LAB 81.1, -51.61, 23.75

 

CMYK 22 / 0 / 58 / 12

HEX #B0E15F

RGB 176 225 95

HSL 82.62, 0.68%, 0.63%

LAB 83.92, -35.58, 57.29

 

CMYK 25 / 0 / 67 / 5

HEX #B4F150

RGB 180 241 80

HSL 82.73, 0.85%, 0.63%

LAB 88.54, -42.38, 68.5

 

CMYK 22 / 0 / 58 / 12

HEX #B0E15F

RGB 176 225 95

HSL 82.62, 0.68%, 0.63%

LAB 83.92, -35.58, 57.29

 

CMYK 18 / 0 / 48 / 18

HEX #ACD26E

RGB 172 210 110

HSL 82.8, 0.53%, 0.63%

LAB 79.61, -28.64, 45.22

 

CMYK 13 / 0 / 35 / 24

HEX #A9C37E

RGB 169 195 126

HSL 82.61, 0.37%, 0.63%

LAB 75.43, -20.53, 31.84

 

CMYK 8 / 0 / 21 / 30

HEX #A5B38D

RGB 165 179 141

HSL 82.11, 0.2%, 0.63%

LAB 70.98, -11.68, 17.81

 

CMYK 2 / 0 / 5 / 36

HEX #A1A49C

RGB 161 164 156

HSL 82.5, 0.04%, 0.63%

LAB 66.92, -2.57, 3.77

 

CMYK 0 / 9 / 58 / 12

HEX #E1CC5F

RGB 225 204 95

HSL 50.31, 0.68%, 0.63%

LAB 81.85, -5.84, 55.92

 

CMYK 6 / 0 / 58 / 12

HEX #D4E15F

RGB 212 225 95

HSL 66, 0.68%, 0.63%

LAB 86.34, -21.61, 60.67

 

CMYK 21 / 0 / 58 / 12

HEX #B2E15F

RGB 178 225 95

HSL 81.69, 0.68%, 0.63%

LAB 84.04, -34.84, 57.46

 

CMYK 36 / 0 / 58 / 12

HEX #8FE15F

RGB 143 225 95

HSL 97.85, 0.68%, 0.63%

LAB 82.12, -47.24, 54.76

 

CMYK 52 / 0 / 58 / 12

HEX #6CE15F

RGB 108 225 95

HSL 114, 0.68%, 0.63%

LAB 80.66, -57.67, 52.7

 

CMYK 31 / 0 / 82 / 21

HEX #8BC925

RGB 139 201 37

HSL 82.68, 0.69%, 0.47%

LAB 74.44, -42.48, 68.11

 

CMYK 27 / 0 / 73 / 14

HEX #9FDB3C

RGB 159 219 60

HSL 82.64, 0.69%, 0.55%

LAB 80.94, -41.76, 67.63

 

CMYK 22 / 0 / 58 / 12

HEX #B0E15F

RGB 176 225 95

HSL 82.62, 0.68%, 0.63%

LAB 83.92, -35.58, 57.29

 

CMYK 17 / 0 / 44 / 9

HEX #C1E882

RGB 193 232 130

HSL 82.94, 0.69%, 0.71%

LAB 87.32, -29, 45.35

 

CMYK 12 / 0 / 31 / 7

HEX #D2EEA5

RGB 210 238 165

HSL 83.01, 0.68%, 0.79%

LAB 90.58, -21.29, 32.4

 

CMYK 22 / 0 / 58 / 11

HEX #B0E25E

RGB 176 226 94

HSL 82.73, 0.69%, 0.63%

LAB 84.19, -36.12, 58.03

 

CMYK 58 / 0 / 25 / 12

HEX #5FE1A9

RGB 95 225 169

HSL 154.15, 0.68%, 0.63%

LAB 81.37, -48.78, 16.83

 

CMYK 2 / 58 / 0 / 12

HEX #DD5FE1

RGB 221 95 225

HSL 298.15, 0.68%, 0.63%

LAB 60.78, 65.86, -43.73

 

CMYK 22 / 0 / 58 / 11

HEX #B0E25E

RGB 176 226 94

HSL 82.73, 0.69%, 0.63%

LAB 84.19, -36.12, 58.03

 

CMYK 58 / 21 / 0 / 12

HEX #5FB2E1

RGB 95 178 225

HSL 201.69, 0.68%, 0.63%

LAB 69.26, -11.77, -31.25

 

CMYK 0 / 58 / 21 / 12

HEX #E15FB2

RGB 225 95 178

HSL 321.69, 0.68%, 0.63%

LAB 59.35, 59.59, -19.21

 

CMYK 22 / 0 / 58 / 11

HEX #B0E25E

RGB 176 226 94

HSL 82.73, 0.69%, 0.63%

LAB 84.19, -36.12, 58.03

 

CMYK 58 / 0 / 25 / 12

HEX #5FE1A9

RGB 95 225 169

HSL 154.15, 0.68%, 0.63%

LAB 81.37, -48.78, 16.83

 

CMYK 36 / 58 / 0 / 12

HEX #8F5FE1

RGB 143 95 225

HSL 262.15, 0.68%, 0.63%

LAB 51.22, 46.9, -59.51

 

CMYK 0 / 58 / 33 / 12

HEX #E15F97

RGB 225 95 151

HSL 334.15, 0.68%, 0.63%

LAB 58.44, 56.1, -4.95

 

CMYK 22 / 0 / 58 / 11

HEX #B0E25E

RGB 176 226 94

HSL 82.73, 0.69%, 0.63%

LAB 84.19, -36.12, 58.03

 

CMYK 58 / 0 / 8 / 12

HEX #5FE1D0

RGB 95 225 208

HSL 172.15, 0.68%, 0.63%

LAB 82.29, -39.74, -2.44

 

CMYK 36 / 58 / 0 / 12

HEX #8F5FE1

RGB 143 95 225

HSL 262.15, 0.68%, 0.63%

LAB 51.22, 46.9, -59.51

 

CMYK 0 / 58 / 50 / 12

HEX #E15F70

RGB 225 95 112

HSL 352.15, 0.68%, 0.63%

LAB 57.43, 52.07, 16.39

 

Description

Color code: HEX #B0E25E | qconv.com Color code: HEX #B0E25E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 226 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 226 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 58 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 58% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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