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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF4F86 it is the complementary color #20B079. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF4F86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF4F86 shade: #E44F81, #F56194, #FF73A7, #FF85BA and #FF97CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF4F86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF4F86 shade: #DF4F86, #CE3D73, #BD2B60, #AC194D and #9B073A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF4F86 shade: #DE4E85, #DE4E5E and #DE4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF4F86 shade: #DE4E85, #DE4EAC, #DE4ED3, #C34EDE and #9C4EDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF4F86 shade matches the following richer shades: #DE4E85 and #EF3D81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF4F86 shade: #DE4E85, #CD5F89, #BC708D, #AB8191 and #9A9195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF4F86 shade: #DE4ED2, #DE4EAC, #DE4E85, #DE4E5F and #DE634E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF4F86 shade: #B8215B, #D82B6D, #DE4E85, #E4719D and #EB94B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF4F86 shade: #DF4F86, #DEC44E and #4EBFDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF4F86 shade: #DF4F86, #85DE4E and #4E85DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF4F86 shade: #DF4F86, #DEC44E, #4EDEA7 and #4E68DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF4F86 shade: #DF4F86, #CDDE4E, #4EDEA7 and #5F4EDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 40 / 13

HEX #DF4F86

RGB 223 79 134

HSL 337.08, 0.69%, 0.59%

LAB 55.07, 60.47, 0.05

 

Complementary color

CMYK 82 / 0 / 31 / 31

HEX #20B079

RGB 32 176 121

HSL 157.08, 0.69%, 0.41%

LAB 63.95, -49.35, 18.08

 

CMYK 0 / 65 / 43 / 11

HEX #E44F81

RGB 228 79 129

HSL 339.87, 0.73%, 0.6%

LAB 55.76, 61.46, 4.1

 

CMYK 0 / 60 / 40 / 4

HEX #F56194

RGB 245 97 148

HSL 339.32, 0.88%, 0.67%

LAB 61.74, 61.07, 1.99

 

CMYK 0 / 55 / 35 / 0

HEX #FF73A7

RGB 255 115 167

HSL 337.71, 1%, 0.73%

LAB 66.76, 58.29, -1.39

 

CMYK 0 / 48 / 27 / 0

HEX #FF85BA

RGB 255 133 186

HSL 333.93, 1%, 0.76%

LAB 70.58, 52.1, -6.45

 

CMYK 0 / 41 / 20 / 0

HEX #FF97CD

RGB 255 151 205

HSL 328.85, 1%, 0.8%

LAB 74.7, 45.76, -10.85

 

CMYK 0 / 65 / 40 / 13

HEX #DF4F86

RGB 223 79 134

HSL 337.08, 0.69%, 0.59%

LAB 55.07, 60.47, 0.05

 

CMYK 0 / 70 / 44 / 19

HEX #CE3D73

RGB 206 61 115

HSL 337.66, 0.6%, 0.52%

LAB 49.13, 60.53, 2.43

 

CMYK 0 / 77 / 49 / 26

HEX #BD2B60

RGB 189 43 96

HSL 338.22, 0.63%, 0.45%

LAB 43.35, 60.06, 5.41

 

CMYK 0 / 85 / 55 / 33

HEX #AC194D

RGB 172 25 77

HSL 338.78, 0.75%, 0.39%

LAB 37.85, 58.72, 9.19

 

CMYK 0 / 95 / 63 / 39

HEX #9B073A

RGB 155 7 58

HSL 339.32, 0.91%, 0.32%

LAB 32.76, 56.12, 14.01

 

CMYK 0 / 65 / 40 / 13

HEX #DE4E85

RGB 222 78 133

HSL 337.08, 0.69%, 0.59%

LAB 54.73, 60.47, 0.12

 

CMYK 0 / 65 / 58 / 13

HEX #DE4E5E

RGB 222 78 94

HSL 353.33, 0.69%, 0.59%

LAB 53.8, 57.07, 21.97

 

CMYK 0 / 65 / 65 / 13

HEX #DE4E4E

RGB 222 78 78

HSL 0, 0.69%, 0.59%

LAB 53.52, 56.04, 30.98

 

CMYK 0 / 65 / 40 / 13

HEX #DE4E85

RGB 222 78 133

HSL 337.08, 0.69%, 0.59%

LAB 54.73, 60.47, 0.12

 

CMYK 0 / 65 / 23 / 13

HEX #DE4EAC

RGB 222 78 172

HSL 320.83, 0.69%, 0.59%

LAB 56.04, 65.08, -20.83

 

CMYK 0 / 65 / 5 / 13

HEX #DE4ED3

RGB 222 78 211

HSL 304.58, 0.69%, 0.59%

LAB 57.73, 70.74, -40.61

 

CMYK 12 / 65 / 0 / 13

HEX #C34EDE

RGB 195 78 222

HSL 288.75, 0.69%, 0.59%

LAB 54.37, 66.36, -52.42

 

CMYK 30 / 65 / 0 / 13

HEX #9C4EDE

RGB 156 78 222

HSL 272.5, 0.69%, 0.59%

LAB 49.24, 57.78, -60.93

 

CMYK 0 / 65 / 40 / 13

HEX #DE4E85

RGB 222 78 133

HSL 337.08, 0.69%, 0.59%

LAB 54.73, 60.47, 0.12

 

CMYK 0 / 74 / 46 / 6

HEX #EF3D81

RGB 239 61 129

HSL 337.08, 0.85%, 0.59%

LAB 55.35, 70.94, 3.76

 

CMYK 0 / 65 / 40 / 13

HEX #DE4E85

RGB 222 78 133

HSL 337.08, 0.69%, 0.59%

LAB 54.73, 60.47, 0.12

 

CMYK 0 / 54 / 33 / 20

HEX #CD5F89

RGB 205 95 137

HSL 337.09, 0.52%, 0.59%

LAB 55.04, 47.97, -2.1

 

CMYK 0 / 40 / 25 / 26

HEX #BC708D

RGB 188 112 141

HSL 337.11, 0.36%, 0.59%

LAB 56.29, 33.83, -2.88

 

CMYK 0 / 25 / 15 / 33

HEX #AB8191

RGB 171 129 145

HSL 337.14, 0.2%, 0.59%

LAB 58.42, 18.74, -2.29

 

CMYK 0 / 6 / 3 / 40

HEX #9A9195

RGB 154 145 149

HSL 333.33, 0.04%, 0.59%

LAB 61.04, 4.07, -0.93

 

CMYK 0 / 65 / 5 / 13

HEX #DE4ED2

RGB 222 78 210

HSL 305, 0.69%, 0.59%

LAB 57.69, 70.58, -40.12

 

CMYK 0 / 65 / 23 / 13

HEX #DE4EAC

RGB 222 78 172

HSL 320.83, 0.69%, 0.59%

LAB 56.04, 65.08, -20.83

 

CMYK 0 / 65 / 40 / 13

HEX #DE4E85

RGB 222 78 133

HSL 337.08, 0.69%, 0.59%

LAB 54.73, 60.47, 0.12

 

CMYK 0 / 65 / 57 / 13

HEX #DE4E5F

RGB 222 78 95

HSL 352.92, 0.69%, 0.59%

LAB 53.82, 57.14, 21.41

 

CMYK 0 / 55 / 65 / 13

HEX #DE634E

RGB 222 99 78

HSL 8.75, 0.69%, 0.59%

LAB 57.08, 46.64, 35.35

 

CMYK 0 / 82 / 51 / 28

HEX #B8215B

RGB 184 33 91

HSL 336.95, 0.7%, 0.43%

LAB 41.27, 61.07, 5.45

 

CMYK 0 / 80 / 50 / 15

HEX #D82B6D

RGB 216 43 109

HSL 337.11, 0.69%, 0.51%

LAB 48.8, 68.33, 5.86

 

CMYK 0 / 65 / 40 / 13

HEX #DE4E85

RGB 222 78 133

HSL 337.08, 0.69%, 0.59%

LAB 54.73, 60.47, 0.12

 

CMYK 0 / 50 / 31 / 11

HEX #E4719D

RGB 228 113 157

HSL 337.04, 0.68%, 0.67%

LAB 62.29, 49.31, -2.69

 

CMYK 0 / 37 / 23 / 8

HEX #EB94B5

RGB 235 148 181

HSL 337.24, 0.69%, 0.75%

LAB 70.99, 37.07, -3.33

 

CMYK 0 / 65 / 40 / 13

HEX #DF4F86

RGB 223 79 134

HSL 337.08, 0.69%, 0.59%

LAB 55.07, 60.47, 0.05

 

CMYK 0 / 12 / 65 / 13

HEX #DEC44E

RGB 222 196 78

HSL 49.17, 0.69%, 0.59%

LAB 79.36, -4.11, 60.6

 

CMYK 65 / 14 / 0 / 13

HEX #4EBFDE

RGB 78 191 222

HSL 192.92, 0.69%, 0.59%

LAB 72.33, -22.5, -24.95

 

CMYK 0 / 65 / 40 / 13

HEX #DF4F86

RGB 223 79 134

HSL 337.08, 0.69%, 0.59%

LAB 55.07, 60.47, 0.05

 

CMYK 40 / 0 / 65 / 13

HEX #85DE4E

RGB 133 222 78

HSL 97.08, 0.69%, 0.59%

LAB 80.62, -50.81, 60.16

 

CMYK 65 / 40 / 0 / 13

HEX #4E85DE

RGB 78 133 222

HSL 217.08, 0.69%, 0.59%

LAB 55.75, 9.85, -50.83

 

CMYK 0 / 65 / 40 / 13

HEX #DF4F86

RGB 223 79 134

HSL 337.08, 0.69%, 0.59%

LAB 55.07, 60.47, 0.05

 

CMYK 0 / 12 / 65 / 13

HEX #DEC44E

RGB 222 196 78

HSL 49.17, 0.69%, 0.59%

LAB 79.36, -4.11, 60.6

 

CMYK 65 / 0 / 25 / 13

HEX #4EDEA7

RGB 78 222 167

HSL 157.08, 0.69%, 0.59%

LAB 79.98, -51.16, 15.87

 

CMYK 65 / 53 / 0 / 13

HEX #4E68DE

RGB 78 104 222

HSL 229.17, 0.69%, 0.59%

LAB 48, 27.73, -63.27

 

CMYK 0 / 65 / 40 / 13

HEX #DF4F86

RGB 223 79 134

HSL 337.08, 0.69%, 0.59%

LAB 55.07, 60.47, 0.05

 

CMYK 8 / 0 / 65 / 13

HEX #CDDE4E

RGB 205 222 78

HSL 67.08, 0.69%, 0.59%

LAB 84.88, -24.13, 65.97

 

CMYK 65 / 0 / 25 / 13

HEX #4EDEA7

RGB 78 222 167

HSL 157.08, 0.69%, 0.59%

LAB 79.98, -51.16, 15.87

 

CMYK 57 / 65 / 0 / 13

HEX #5F4EDE

RGB 95 78 222

HSL 247.08, 0.69%, 0.59%

LAB 43, 46.18, -71.35

 

Description

Color code: HEX #DF4F86 | qconv.com Color code: HEX #DF4F86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 79 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 79 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 40 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 40% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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