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Color name
RGB 222 78 133

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 78 133 it is the complementary color RGB 33 177 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 78 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 78 133 shade: RGB 227 78 128, RGB 244 96 147, RGB 255 114 166, RGB 255 132 185 and RGB 255 150 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 78 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 78 133 shade: RGB 222 78 133, RGB 205 60 114, RGB 188 42 95, RGB 171 24 76 and RGB 154 6 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 78 133 shade: RGB 222 78 133, RGB 222 78 94 and RGB 222 78 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 78 133 shade: RGB 222 78 133, RGB 222 78 172, RGB 222 78 211, RGB 195 78 222 and RGB 156 78 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 78 133 shade matches the following richer shades: RGB 222 78 133 and RGB 239 61 129

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 78 133 shade: RGB 222 78 133, RGB 205 95 137, RGB 188 112 141, RGB 171 129 145 and RGB 154 145 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 78 133 shade: RGB 222 78 210, RGB 222 78 172, RGB 222 78 133, RGB 222 78 95 and RGB 222 99 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 78 133 shade: RGB 184 33 91, RGB 216 43 109, RGB 222 78 133, RGB 228 113 157 and RGB 235 148 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 78 133 shade: RGB 222 78 133, RGB 222 196 78 and RGB 78 191 222

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 78 133 shade: RGB 222 78 133, RGB 133 222 78 and RGB 78 133 222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 78 133 shade: RGB 222 78 133, RGB 222 196 78, RGB 78 222 167 and RGB 78 104 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 78 133 shade: RGB 222 78 133, RGB 205 222 78, RGB 78 222 167 and RGB 95 78 222

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 40 / 13

HEX #DE4E85

RGB 222 78 133

HSL 337.08, 0.69%, 0.59%

LAB 54.73, 60.47, 0.12

 

Complementary color

CMYK 81 / 0 / 31 / 31

HEX #21B17A

RGB 33 177 122

HSL 157.08, 0.69%, 0.41%

LAB 64.3, -49.41, 18.03

 

CMYK 0 / 66 / 44 / 11

HEX #E34E80

RGB 227 78 128

HSL 339.87, 0.73%, 0.6%

LAB 55.42, 61.47, 4.18

 

CMYK 0 / 61 / 40 / 4

HEX #F46093

RGB 244 96 147

HSL 339.32, 0.87%, 0.67%

LAB 61.4, 61.09, 2.05

 

CMYK 0 / 55 / 35 / 0

HEX #FF72A6

RGB 255 114 166

HSL 337.87, 1%, 0.72%

LAB 66.56, 58.63, -1.12

 

CMYK 0 / 48 / 27 / 0

HEX #FF84B9

RGB 255 132 185

HSL 334.15, 1%, 0.76%

LAB 70.36, 52.46, -6.21

 

CMYK 0 / 41 / 20 / 0

HEX #FF96CC

RGB 255 150 204

HSL 329.14, 1%, 0.79%

LAB 74.47, 46.12, -10.65

 

CMYK 0 / 65 / 40 / 13

HEX #DE4E85

RGB 222 78 133

HSL 337.08, 0.69%, 0.59%

LAB 54.73, 60.47, 0.12

 

CMYK 0 / 71 / 44 / 20

HEX #CD3C72

RGB 205 60 114

HSL 337.66, 0.59%, 0.52%

LAB 48.79, 60.51, 2.54

 

CMYK 0 / 78 / 49 / 26

HEX #BC2A5F

RGB 188 42 95

HSL 338.22, 0.63%, 0.45%

LAB 43.02, 60, 5.55

 

CMYK 0 / 86 / 56 / 33

HEX #AB184C

RGB 171 24 76

HSL 338.78, 0.75%, 0.38%

LAB 37.54, 58.6, 9.38

 

CMYK 0 / 96 / 63 / 40

HEX #9A0639

RGB 154 6 57

HSL 339.32, 0.93%, 0.31%

LAB 32.47, 55.95, 14.25

 

CMYK 0 / 65 / 40 / 13

HEX #DE4E85

RGB 222 78 133

HSL 337.08, 0.69%, 0.59%

LAB 54.73, 60.47, 0.12

 

CMYK 0 / 65 / 58 / 13

HEX #DE4E5E

RGB 222 78 94

HSL 353.33, 0.69%, 0.59%

LAB 53.8, 57.07, 21.97

 

CMYK 0 / 65 / 65 / 13

HEX #DE4E4E

RGB 222 78 78

HSL 0, 0.69%, 0.59%

LAB 53.52, 56.04, 30.98

 

CMYK 0 / 65 / 40 / 13

HEX #DE4E85

RGB 222 78 133

HSL 337.08, 0.69%, 0.59%

LAB 54.73, 60.47, 0.12

 

CMYK 0 / 65 / 23 / 13

HEX #DE4EAC

RGB 222 78 172

HSL 320.83, 0.69%, 0.59%

LAB 56.04, 65.08, -20.83

 

CMYK 0 / 65 / 5 / 13

HEX #DE4ED3

RGB 222 78 211

HSL 304.58, 0.69%, 0.59%

LAB 57.73, 70.74, -40.61

 

CMYK 12 / 65 / 0 / 13

HEX #C34EDE

RGB 195 78 222

HSL 288.75, 0.69%, 0.59%

LAB 54.37, 66.36, -52.42

 

CMYK 30 / 65 / 0 / 13

HEX #9C4EDE

RGB 156 78 222

HSL 272.5, 0.69%, 0.59%

LAB 49.24, 57.78, -60.93

 

CMYK 0 / 65 / 40 / 13

HEX #DE4E85

RGB 222 78 133

HSL 337.08, 0.69%, 0.59%

LAB 54.73, 60.47, 0.12

 

CMYK 0 / 74 / 46 / 6

HEX #EF3D81

RGB 239 61 129

HSL 337.08, 0.85%, 0.59%

LAB 55.35, 70.94, 3.76

 

CMYK 0 / 65 / 40 / 13

HEX #DE4E85

RGB 222 78 133

HSL 337.08, 0.69%, 0.59%

LAB 54.73, 60.47, 0.12

 

CMYK 0 / 54 / 33 / 20

HEX #CD5F89

RGB 205 95 137

HSL 337.09, 0.52%, 0.59%

LAB 55.04, 47.97, -2.1

 

CMYK 0 / 40 / 25 / 26

HEX #BC708D

RGB 188 112 141

HSL 337.11, 0.36%, 0.59%

LAB 56.29, 33.83, -2.88

 

CMYK 0 / 25 / 15 / 33

HEX #AB8191

RGB 171 129 145

HSL 337.14, 0.2%, 0.59%

LAB 58.42, 18.74, -2.29

 

CMYK 0 / 6 / 3 / 40

HEX #9A9195

RGB 154 145 149

HSL 333.33, 0.04%, 0.59%

LAB 61.04, 4.07, -0.93

 

CMYK 0 / 65 / 5 / 13

HEX #DE4ED2

RGB 222 78 210

HSL 305, 0.69%, 0.59%

LAB 57.69, 70.58, -40.12

 

CMYK 0 / 65 / 23 / 13

HEX #DE4EAC

RGB 222 78 172

HSL 320.83, 0.69%, 0.59%

LAB 56.04, 65.08, -20.83

 

CMYK 0 / 65 / 40 / 13

HEX #DE4E85

RGB 222 78 133

HSL 337.08, 0.69%, 0.59%

LAB 54.73, 60.47, 0.12

 

CMYK 0 / 65 / 57 / 13

HEX #DE4E5F

RGB 222 78 95

HSL 352.92, 0.69%, 0.59%

LAB 53.82, 57.14, 21.41

 

CMYK 0 / 55 / 65 / 13

HEX #DE634E

RGB 222 99 78

HSL 8.75, 0.69%, 0.59%

LAB 57.08, 46.64, 35.35

 

CMYK 0 / 82 / 51 / 28

HEX #B8215B

RGB 184 33 91

HSL 336.95, 0.7%, 0.43%

LAB 41.27, 61.07, 5.45

 

CMYK 0 / 80 / 50 / 15

HEX #D82B6D

RGB 216 43 109

HSL 337.11, 0.69%, 0.51%

LAB 48.8, 68.33, 5.86

 

CMYK 0 / 65 / 40 / 13

HEX #DE4E85

RGB 222 78 133

HSL 337.08, 0.69%, 0.59%

LAB 54.73, 60.47, 0.12

 

CMYK 0 / 50 / 31 / 11

HEX #E4719D

RGB 228 113 157

HSL 337.04, 0.68%, 0.67%

LAB 62.29, 49.31, -2.69

 

CMYK 0 / 37 / 23 / 8

HEX #EB94B5

RGB 235 148 181

HSL 337.24, 0.69%, 0.75%

LAB 70.99, 37.07, -3.33

 

CMYK 0 / 65 / 40 / 13

HEX #DE4E85

RGB 222 78 133

HSL 337.08, 0.69%, 0.59%

LAB 54.73, 60.47, 0.12

 

CMYK 0 / 12 / 65 / 13

HEX #DEC44E

RGB 222 196 78

HSL 49.17, 0.69%, 0.59%

LAB 79.36, -4.11, 60.6

 

CMYK 65 / 14 / 0 / 13

HEX #4EBFDE

RGB 78 191 222

HSL 192.92, 0.69%, 0.59%

LAB 72.33, -22.5, -24.95

 

CMYK 0 / 65 / 40 / 13

HEX #DE4E85

RGB 222 78 133

HSL 337.08, 0.69%, 0.59%

LAB 54.73, 60.47, 0.12

 

CMYK 40 / 0 / 65 / 13

HEX #85DE4E

RGB 133 222 78

HSL 97.08, 0.69%, 0.59%

LAB 80.62, -50.81, 60.16

 

CMYK 65 / 40 / 0 / 13

HEX #4E85DE

RGB 78 133 222

HSL 217.08, 0.69%, 0.59%

LAB 55.75, 9.85, -50.83

 

CMYK 0 / 65 / 40 / 13

HEX #DE4E85

RGB 222 78 133

HSL 337.08, 0.69%, 0.59%

LAB 54.73, 60.47, 0.12

 

CMYK 0 / 12 / 65 / 13

HEX #DEC44E

RGB 222 196 78

HSL 49.17, 0.69%, 0.59%

LAB 79.36, -4.11, 60.6

 

CMYK 65 / 0 / 25 / 13

HEX #4EDEA7

RGB 78 222 167

HSL 157.08, 0.69%, 0.59%

LAB 79.98, -51.16, 15.87

 

CMYK 65 / 53 / 0 / 13

HEX #4E68DE

RGB 78 104 222

HSL 229.17, 0.69%, 0.59%

LAB 48, 27.73, -63.27

 

CMYK 0 / 65 / 40 / 13

HEX #DE4E85

RGB 222 78 133

HSL 337.08, 0.69%, 0.59%

LAB 54.73, 60.47, 0.12

 

CMYK 8 / 0 / 65 / 13

HEX #CDDE4E

RGB 205 222 78

HSL 67.08, 0.69%, 0.59%

LAB 84.88, -24.13, 65.97

 

CMYK 65 / 0 / 25 / 13

HEX #4EDEA7

RGB 78 222 167

HSL 157.08, 0.69%, 0.59%

LAB 79.98, -51.16, 15.87

 

CMYK 57 / 65 / 0 / 13

HEX #5F4EDE

RGB 95 78 222

HSL 247.08, 0.69%, 0.59%

LAB 43, 46.18, -71.35

 

Description

Color code: RGB 222 78 133 | qconv.com Color code: RGB 222 78 133 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 78 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 78 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 40 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 40% 13% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

30% - ソフトバンク 法人のお客様向けサービス ...
Link: http://tm.softbank.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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