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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC8ECA it is the complementary color #237135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC8ECA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC8ECA shade: #E18EC5, #F2A0D8, #FFB2EB, #FFC4FE and #FFD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC8ECA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC8ECA shade: #DC8ECA, #CB7CB7, #BA6AA4, #A95891 and #98467E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC8ECA shade: #DC8DCA, #DC8DB5, #DC8D9F and #DC8D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC8ECA shade: #DC8DCA, #D98DDC, #C48DDC, #AE8DDC and #998DDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC8ECA shade matches the following richer shades: #DC8DCA, #E881D0 and #F475D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC8ECA shade: #DC8DCA, #D099C3, #C4A5BD, #B8B1B6 and #ACBDB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC8ECA shade: #C38DDC, #D88DDC, #DC8DCB, #DC8DB6 and #DC8DA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC8ECA shade: #C84EAC, #D26EBB, #DC8DCA, #E5ADD8 and #EFCCE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC8ECA shade: #DC8ECA, #DCAE8D and #8DDCCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC8ECA shade: #DC8ECA, #CBDC8D and #8DCBDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC8ECA shade: #DC8ECA, #DCAE8D, #8DDC9E and #8DBBDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC8ECA shade: #DC8ECA, #DCC68D, #8DDC9E and #8DA4DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 8 / 14

HEX #DC8ECA

RGB 220 142 202

HSL 313.85, 0.53%, 0.71%

LAB 68.62, 38.46, -18.74

 

Complementary color

CMYK 69 / 0 / 53 / 56

HEX #237135

RGB 35 113 53

HSL 133.85, 0.53%, 0.29%

LAB 41.88, -37.54, 26.39

 

CMYK 0 / 37 / 12 / 12

HEX #E18EC5

RGB 225 142 197

HSL 320.24, 0.58%, 0.72%

LAB 69.03, 39.27, -15.29

 

CMYK 0 / 34 / 11 / 5

HEX #F2A0D8

RGB 242 160 216

HSL 319.02, 0.76%, 0.79%

LAB 75.44, 38.53, -15.92

 

CMYK 0 / 30 / 8 / 0

HEX #FFB2EB

RGB 255 178 235

HSL 315.58, 1%, 0.85%

LAB 81.35, 36.53, -17.18

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FE

RGB 255 196 254

HSL 301.02, 1%, 0.88%

LAB 85.95, 30.39, -20.37

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 35 / 8 / 14

HEX #DC8ECA

RGB 220 142 202

HSL 313.85, 0.53%, 0.71%

LAB 68.62, 38.46, -18.74

 

CMYK 0 / 39 / 10 / 20

HEX #CB7CB7

RGB 203 124 183

HSL 315.19, 0.43%, 0.64%

LAB 62.11, 39.21, -18.14

 

CMYK 0 / 43 / 12 / 27

HEX #BA6AA4

RGB 186 106 164

HSL 316.5, 0.37%, 0.57%

LAB 55.51, 39.98, -17.46

 

CMYK 0 / 48 / 14 / 34

HEX #A95891

RGB 169 88 145

HSL 317.78, 0.32%, 0.5%

LAB 48.83, 40.75, -16.66

 

CMYK 0 / 54 / 17 / 40

HEX #98467E

RGB 152 70 126

HSL 319.02, 0.37%, 0.44%

LAB 42.1, 41.45, -15.69

 

CMYK 0 / 36 / 8 / 14

HEX #DC8DCA

RGB 220 141 202

HSL 313.67, 0.53%, 0.71%

LAB 68.41, 38.99, -19.07

 

CMYK 0 / 36 / 18 / 14

HEX #DC8DB5

RGB 220 141 181

HSL 329.62, 0.53%, 0.71%

LAB 67.73, 35.56, -8.36

 

CMYK 0 / 36 / 28 / 14

HEX #DC8D9F

RGB 220 141 159

HSL 346.33, 0.53%, 0.71%

LAB 67.1, 32.35, 3.08

 

CMYK 0 / 36 / 36 / 14

HEX #DC8D8D

RGB 220 141 141

HSL 0, 0.53%, 0.71%

LAB 66.66, 30.03, 12.57

 

CMYK 0 / 36 / 8 / 14

HEX #DC8DCA

RGB 220 141 202

HSL 313.67, 0.53%, 0.71%

LAB 68.41, 38.99, -19.07

 

CMYK 1 / 36 / 0 / 14

HEX #D98DDC

RGB 217 141 220

HSL 297.72, 0.53%, 0.71%

LAB 68.73, 41.25, -28.59

 

CMYK 11 / 36 / 0 / 14

HEX #C48DDC

RGB 196 141 220

HSL 281.77, 0.53%, 0.71%

LAB 66.48, 34.76, -32.24

 

CMYK 21 / 36 / 0 / 14

HEX #AE8DDC

RGB 174 141 220

HSL 265.06, 0.53%, 0.71%

LAB 64.34, 28.11, -35.75

 

CMYK 30 / 36 / 0 / 14

HEX #998DDC

RGB 153 141 220

HSL 249.11, 0.53%, 0.71%

LAB 62.5, 21.99, -38.75

 

CMYK 0 / 36 / 8 / 14

HEX #DC8DCA

RGB 220 141 202

HSL 313.67, 0.53%, 0.71%

LAB 68.41, 38.99, -19.07

 

CMYK 0 / 44 / 10 / 9

HEX #E881D0

RGB 232 129 208

HSL 313.98, 0.69%, 0.71%

LAB 67.58, 50.01, -23.54

 

CMYK 0 / 52 / 12 / 4

HEX #F475D7

RGB 244 117 215

HSL 313.7, 0.85%, 0.71%

LAB 67.17, 60.5, -27.93

 

CMYK 0 / 36 / 8 / 14

HEX #DC8DCA

RGB 220 141 202

HSL 313.67, 0.53%, 0.71%

LAB 68.41, 38.99, -19.07

 

CMYK 0 / 26 / 6 / 18

HEX #D099C3

RGB 208 153 195

HSL 314.18, 0.37%, 0.71%

LAB 69.56, 27.29, -13.56

 

CMYK 0 / 16 / 4 / 23

HEX #C4A5BD

RGB 196 165 189

HSL 313.55, 0.21%, 0.71%

LAB 71.09, 15.47, -8.07

 

CMYK 0 / 4 / 1 / 28

HEX #B8B1B6

RGB 184 177 182

HSL 317.14, 0.05%, 0.71%

LAB 72.9, 3.4, -1.67

 

CMYK 9 / 0 / 7 / 26

HEX #ACBDB0

RGB 172 189 176

HSL 134.12, 0.11%, 0.71%

LAB 75.01, -8.32, 4.57

 

CMYK 11 / 36 / 0 / 14

HEX #C38DDC

RGB 195 141 220

HSL 281.01, 0.53%, 0.71%

LAB 66.38, 34.46, -32.41

 

CMYK 2 / 36 / 0 / 14

HEX #D88DDC

RGB 216 141 220

HSL 296.96, 0.53%, 0.71%

LAB 68.62, 40.94, -28.77

 

CMYK 0 / 36 / 8 / 14

HEX #DC8DCB

RGB 220 141 203

HSL 312.91, 0.53%, 0.71%

LAB 68.44, 39.16, -19.57

 

CMYK 0 / 36 / 17 / 14

HEX #DC8DB6

RGB 220 141 182

HSL 328.86, 0.53%, 0.71%

LAB 67.76, 35.72, -8.88

 

CMYK 0 / 36 / 27 / 14

HEX #DC8DA1

RGB 220 141 161

HSL 344.81, 0.53%, 0.71%

LAB 67.16, 32.63, 2.03

 

CMYK 0 / 61 / 14 / 22

HEX #C84EAC

RGB 200 78 172

HSL 313.77, 0.53%, 0.55%

LAB 52.63, 59.1, -26.38

 

CMYK 0 / 48 / 11 / 18

HEX #D26EBB

RGB 210 110 187

HSL 313.8, 0.53%, 0.63%

LAB 60.29, 49.36, -23.12

 

CMYK 0 / 36 / 8 / 14

HEX #DC8DCA

RGB 220 141 202

HSL 313.67, 0.53%, 0.71%

LAB 68.41, 38.99, -19.07

 

CMYK 0 / 24 / 6 / 10

HEX #E5ADD8

RGB 229 173 216

HSL 313.93, 0.52%, 0.79%

LAB 76.98, 27.3, -13.74

 

CMYK 0 / 15 / 3 / 6

HEX #EFCCE7

RGB 239 204 231

HSL 313.71, 0.52%, 0.87%

LAB 85.66, 16.79, -8.75

 

CMYK 0 / 35 / 8 / 14

HEX #DC8ECA

RGB 220 142 202

HSL 313.85, 0.53%, 0.71%

LAB 68.62, 38.46, -18.74

 

CMYK 0 / 21 / 36 / 14

HEX #DCAE8D

RGB 220 174 141

HSL 25.06, 0.53%, 0.71%

LAB 74.45, 12.29, 23.34

 

CMYK 36 / 0 / 7 / 14

HEX #8DDCCD

RGB 141 220 205

HSL 168.61, 0.53%, 0.71%

LAB 82.52, -27.59, -0.32

 

CMYK 0 / 35 / 8 / 14

HEX #DC8ECA

RGB 220 142 202

HSL 313.85, 0.53%, 0.71%

LAB 68.62, 38.46, -18.74

 

CMYK 8 / 0 / 36 / 14

HEX #CBDC8D

RGB 203 220 141

HSL 72.91, 0.53%, 0.71%

LAB 84.9, -18.17, 36.96

 

CMYK 36 / 8 / 0 / 14

HEX #8DCBDC

RGB 141 203 220

HSL 192.91, 0.53%, 0.71%

LAB 78.19, -15.56, -14.74

 

CMYK 0 / 35 / 8 / 14

HEX #DC8ECA

RGB 220 142 202

HSL 313.85, 0.53%, 0.71%

LAB 68.62, 38.46, -18.74

 

CMYK 0 / 21 / 36 / 14

HEX #DCAE8D

RGB 220 174 141

HSL 25.06, 0.53%, 0.71%

LAB 74.45, 12.29, 23.34

 

CMYK 36 / 0 / 28 / 14

HEX #8DDC9E

RGB 141 220 158

HSL 132.91, 0.53%, 0.71%

LAB 81.47, -37.02, 22.99

 

CMYK 36 / 15 / 0 / 14

HEX #8DBBDC

RGB 141 187 220

HSL 205.06, 0.53%, 0.71%

LAB 73.79, -7.16, -21.41

 

CMYK 0 / 35 / 8 / 14

HEX #DC8ECA

RGB 220 142 202

HSL 313.85, 0.53%, 0.71%

LAB 68.62, 38.46, -18.74

 

CMYK 0 / 10 / 36 / 14

HEX #DCC68D

RGB 220 198 141

HSL 43.29, 0.53%, 0.71%

LAB 80.48, -0.41, 31.41

 

CMYK 36 / 0 / 28 / 14

HEX #8DDC9E

RGB 141 220 158

HSL 132.91, 0.53%, 0.71%

LAB 81.47, -37.02, 22.99

 

CMYK 36 / 25 / 0 / 14

HEX #8DA4DC

RGB 141 164 220

HSL 222.53, 0.53%, 0.71%

LAB 67.56, 5.49, -30.95

 

Description

Color code: HEX #DC8ECA | qconv.com Color code: HEX #DC8ECA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 142 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 142 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 8 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 8% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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