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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC8DCB it is the complementary color #237234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC8DCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC8DCB shade: #E18DC6, #F29FD9, #FFB1EC, #FFC3FF and #FFD5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC8DCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC8DCB shade: #DC8DCB, #CB7BB8, #BA69A5, #A95792 and #98457F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC8DCB shade: #DC8DCB, #DC8DB6, #DC8DA1 and #DC8D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC8DCB shade: #DC8DCB, #D78DDC, #C28DDC, #AD8DDC and #988DDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC8DCB shade matches the following richer shades: #DC8DCB, #E881D2 and #F475D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC8DCB shade: #DC8DCB, #D099C4, #C4A5BD, #B8B1B6 and #ACBDB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC8DCB shade: #C28DDC, #D78DDC, #DC8DCC, #DC8DB7 and #DC8DA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC8DCB shade: #C84EAE, #D26EBC, #DC8DCB, #E5ADD9 and #EFCCE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC8DCB shade: #DC8DCB, #DCAD8D and #8DDCCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC8DCB shade: #DC8DCB, #CCDC8D and #8DCCDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC8DCB shade: #DC8DCB, #DCAD8D, #8DDC9D and #8DBCDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC8DCB shade: #DC8DCB, #DCC48D, #8DDC9D and #8DA5DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 8 / 14

HEX #DC8DCB

RGB 220 141 203

HSL 312.91, 0.53%, 0.71%

LAB 68.44, 39.16, -19.57

 

Complementary color

CMYK 69 / 0 / 54 / 55

HEX #237234

RGB 35 114 52

HSL 132.91, 0.53%, 0.29%

LAB 42.22, -38.1, 27.34

 

CMYK 0 / 37 / 12 / 12

HEX #E18DC6

RGB 225 141 198

HSL 319.29, 0.58%, 0.72%

LAB 68.85, 39.96, -16.12

 

CMYK 0 / 34 / 10 / 5

HEX #F29FD9

RGB 242 159 217

HSL 318.07, 0.76%, 0.79%

LAB 75.25, 39.22, -16.75

 

CMYK 0 / 31 / 7 / 0

HEX #FFB1EC

RGB 255 177 236

HSL 314.62, 1%, 0.85%

LAB 81.16, 37.22, -18

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 0 / 36 / 8 / 14

HEX #DC8DCB

RGB 220 141 203

HSL 312.91, 0.53%, 0.71%

LAB 68.44, 39.16, -19.57

 

CMYK 0 / 39 / 9 / 20

HEX #CB7BB8

RGB 203 123 184

HSL 314.25, 0.43%, 0.64%

LAB 61.93, 39.91, -18.98

 

CMYK 0 / 44 / 11 / 27

HEX #BA69A5

RGB 186 105 165

HSL 315.56, 0.37%, 0.57%

LAB 55.34, 40.68, -18.3

 

CMYK 0 / 49 / 14 / 34

HEX #A95792

RGB 169 87 146

HSL 316.83, 0.32%, 0.5%

LAB 48.67, 41.44, -17.51

 

CMYK 0 / 55 / 16 / 40

HEX #98457F

RGB 152 69 127

HSL 318.07, 0.38%, 0.43%

LAB 41.94, 42.12, -16.54

 

CMYK 0 / 36 / 8 / 14

HEX #DC8DCB

RGB 220 141 203

HSL 312.91, 0.53%, 0.71%

LAB 68.44, 39.16, -19.57

 

CMYK 0 / 36 / 17 / 14

HEX #DC8DB6

RGB 220 141 182

HSL 328.86, 0.53%, 0.71%

LAB 67.76, 35.72, -8.88

 

CMYK 0 / 36 / 27 / 14

HEX #DC8DA1

RGB 220 141 161

HSL 344.81, 0.53%, 0.71%

LAB 67.16, 32.63, 2.03

 

CMYK 0 / 36 / 36 / 14

HEX #DC8D8D

RGB 220 141 141

HSL 0, 0.53%, 0.71%

LAB 66.66, 30.03, 12.57

 

CMYK 0 / 36 / 8 / 14

HEX #DC8DCB

RGB 220 141 203

HSL 312.91, 0.53%, 0.71%

LAB 68.44, 39.16, -19.57

 

CMYK 2 / 36 / 0 / 14

HEX #D78DDC

RGB 215 141 220

HSL 296.2, 0.53%, 0.71%

LAB 68.51, 40.63, -28.95

 

CMYK 12 / 36 / 0 / 14

HEX #C28DDC

RGB 194 141 220

HSL 280.25, 0.53%, 0.71%

LAB 66.28, 34.15, -32.58

 

CMYK 21 / 36 / 0 / 14

HEX #AD8DDC

RGB 173 141 220

HSL 264.3, 0.53%, 0.71%

LAB 64.24, 27.81, -35.9

 

CMYK 31 / 36 / 0 / 14

HEX #988DDC

RGB 152 141 220

HSL 248.35, 0.53%, 0.71%

LAB 62.42, 21.71, -38.89

 

CMYK 0 / 36 / 8 / 14

HEX #DC8DCB

RGB 220 141 203

HSL 312.91, 0.53%, 0.71%

LAB 68.44, 39.16, -19.57

 

CMYK 0 / 44 / 9 / 9

HEX #E881D2

RGB 232 129 210

HSL 312.82, 0.69%, 0.71%

LAB 67.66, 50.33, -24.54

 

CMYK 0 / 52 / 11 / 4

HEX #F475D9

RGB 244 117 217

HSL 312.76, 0.85%, 0.71%

LAB 67.25, 60.81, -28.93

 

CMYK 0 / 36 / 8 / 14

HEX #DC8DCB

RGB 220 141 203

HSL 312.91, 0.53%, 0.71%

LAB 68.44, 39.16, -19.57

 

CMYK 0 / 26 / 6 / 18

HEX #D099C4

RGB 208 153 196

HSL 313.09, 0.37%, 0.71%

LAB 69.6, 27.47, -14.06

 

CMYK 0 / 16 / 4 / 23

HEX #C4A5BD

RGB 196 165 189

HSL 313.55, 0.21%, 0.71%

LAB 71.09, 15.47, -8.07

 

CMYK 0 / 4 / 1 / 28

HEX #B8B1B6

RGB 184 177 182

HSL 317.14, 0.05%, 0.71%

LAB 72.9, 3.4, -1.67

 

CMYK 9 / 0 / 7 / 26

HEX #ACBDB0

RGB 172 189 176

HSL 134.12, 0.11%, 0.71%

LAB 75.01, -8.32, 4.57

 

CMYK 12 / 36 / 0 / 14

HEX #C28DDC

RGB 194 141 220

HSL 280.25, 0.53%, 0.71%

LAB 66.28, 34.15, -32.58

 

CMYK 2 / 36 / 0 / 14

HEX #D78DDC

RGB 215 141 220

HSL 296.2, 0.53%, 0.71%

LAB 68.51, 40.63, -28.95

 

CMYK 0 / 36 / 7 / 14

HEX #DC8DCC

RGB 220 141 204

HSL 312.15, 0.53%, 0.71%

LAB 68.48, 39.33, -20.07

 

CMYK 0 / 36 / 17 / 14

HEX #DC8DB7

RGB 220 141 183

HSL 328.1, 0.53%, 0.71%

LAB 67.79, 35.88, -9.39

 

CMYK 0 / 36 / 26 / 14

HEX #DC8DA2

RGB 220 141 162

HSL 344.05, 0.53%, 0.71%

LAB 67.18, 32.77, 1.51

 

CMYK 0 / 61 / 13 / 22

HEX #C84EAE

RGB 200 78 174

HSL 312.79, 0.53%, 0.55%

LAB 52.71, 59.4, -27.41

 

CMYK 0 / 48 / 10 / 18

HEX #D26EBC

RGB 210 110 188

HSL 313.2, 0.53%, 0.63%

LAB 60.32, 49.52, -23.63

 

CMYK 0 / 36 / 8 / 14

HEX #DC8DCB

RGB 220 141 203

HSL 312.91, 0.53%, 0.71%

LAB 68.44, 39.16, -19.57

 

CMYK 0 / 24 / 5 / 10

HEX #E5ADD9

RGB 229 173 217

HSL 312.86, 0.52%, 0.79%

LAB 77.01, 27.47, -14.23

 

CMYK 0 / 15 / 3 / 6

HEX #EFCCE8

RGB 239 204 232

HSL 312, 0.52%, 0.87%

LAB 85.69, 16.97, -9.24

 

CMYK 0 / 36 / 8 / 14

HEX #DC8DCB

RGB 220 141 203

HSL 312.91, 0.53%, 0.71%

LAB 68.44, 39.16, -19.57

 

CMYK 0 / 21 / 36 / 14

HEX #DCAD8D

RGB 220 173 141

HSL 24.3, 0.53%, 0.71%

LAB 74.21, 12.82, 23

 

CMYK 36 / 0 / 7 / 14

HEX #8DDCCC

RGB 141 220 204

HSL 167.85, 0.53%, 0.71%

LAB 82.49, -27.81, 0.18

 

CMYK 0 / 36 / 8 / 14

HEX #DC8DCB

RGB 220 141 203

HSL 312.91, 0.53%, 0.71%

LAB 68.44, 39.16, -19.57

 

CMYK 7 / 0 / 36 / 14

HEX #CCDC8D

RGB 204 220 141

HSL 72.15, 0.53%, 0.71%

LAB 84.97, -17.79, 37.06

 

CMYK 36 / 7 / 0 / 14

HEX #8DCCDC

RGB 141 204 220

HSL 192.15, 0.53%, 0.71%

LAB 78.47, -16.08, -14.33

 

CMYK 0 / 36 / 8 / 14

HEX #DC8DCB

RGB 220 141 203

HSL 312.91, 0.53%, 0.71%

LAB 68.44, 39.16, -19.57

 

CMYK 0 / 21 / 36 / 14

HEX #DCAD8D

RGB 220 173 141

HSL 24.3, 0.53%, 0.71%

LAB 74.21, 12.82, 23

 

CMYK 36 / 0 / 29 / 14

HEX #8DDC9D

RGB 141 220 157

HSL 132.15, 0.53%, 0.71%

LAB 81.45, -37.2, 23.48

 

CMYK 36 / 15 / 0 / 14

HEX #8DBCDC

RGB 141 188 220

HSL 204.3, 0.53%, 0.71%

LAB 74.06, -7.69, -20.99

 

CMYK 0 / 36 / 8 / 14

HEX #DC8DCB

RGB 220 141 203

HSL 312.91, 0.53%, 0.71%

LAB 68.44, 39.16, -19.57

 

CMYK 0 / 11 / 36 / 14

HEX #DCC48D

RGB 220 196 141

HSL 41.77, 0.53%, 0.71%

LAB 79.96, 0.64, 30.74

 

CMYK 36 / 0 / 29 / 14

HEX #8DDC9D

RGB 141 220 157

HSL 132.15, 0.53%, 0.71%

LAB 81.45, -37.2, 23.48

 

CMYK 36 / 25 / 0 / 14

HEX #8DA5DC

RGB 141 165 220

HSL 221.77, 0.53%, 0.71%

LAB 67.83, 4.93, -30.53

 

Description

Color code: HEX #DC8DCB | qconv.com Color code: HEX #DC8DCB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 141 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 141 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 8 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 8% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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