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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC84C5 it is the complementary color #237B3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC84C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC84C5 shade: #E184C0, #F296D3, #FFA8E6, #FFBAF9 and #FFCCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC84C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC84C5 shade: #DC84C5, #CB72B2, #BA609F, #A94E8C and #983C79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC84C5 shade: #DC83C5, #DC83AD, #DC8395 and #DC8383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC84C5 shade: #DC83C5, #DB83DC, #C383DC, #AB83DC and #9383DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC84C5 shade matches the following richer shades: #DC83C5, #E976CB and #F56AD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC84C5 shade: #DC83C5, #CF90BE, #C29DB8, #B5AAB2 and #A9B6AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC84C5 shade: #C383DC, #DA83DC, #DC83C6, #DC83AE and #DC8396

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC84C5 shade: #CA43A6, #D363B5, #DC83C5, #E5A3D4 and #EEC4E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC84C5 shade: #DC84C5, #DCAB83 and #83DCCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC84C5 shade: #DC84C5, #C6DC83 and #83C6DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC84C5 shade: #DC84C5, #DCAB83, #83DC99 and #83B4DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC84C5 shade: #DC84C5, #DCC683, #83DC99 and #8399DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 10 / 14

HEX #DC84C5

RGB 220 132 197

HSL 315.68, 0.56%, 0.69%

LAB 66.33, 42.88, -19.43

 

Complementary color

CMYK 72 / 0 / 53 / 52

HEX #237B3A

RGB 35 123 58

HSL 135.68, 0.56%, 0.31%

LAB 45.4, -40.71, 28.04

 

CMYK 0 / 41 / 15 / 12

HEX #E184C0

RGB 225 132 192

HSL 321.29, 0.61%, 0.7%

LAB 66.76, 43.69, -15.92

 

CMYK 0 / 38 / 13 / 5

HEX #F296D3

RGB 242 150 211

HSL 320.22, 0.78%, 0.77%

LAB 73.15, 42.93, -16.63

 

CMYK 0 / 34 / 10 / 0

HEX #FFA8E6

RGB 255 168 230

HSL 317.24, 1%, 0.83%

LAB 79.03, 40.9, -17.98

 

CMYK 0 / 27 / 2 / 0

HEX #FFBAF9

RGB 255 186 249

HSL 305.22, 1%, 0.86%

LAB 83.56, 34.75, -21.34

 

CMYK 0 / 20 / 0 / 0

HEX #FFCCFF

RGB 255 204 255

HSL 300, 1%, 0.9%

LAB 87.81, 26.37, -18.1

 

CMYK 0 / 40 / 10 / 14

HEX #DC84C5

RGB 220 132 197

HSL 315.68, 0.56%, 0.69%

LAB 66.33, 42.88, -19.43

 

CMYK 0 / 44 / 12 / 20

HEX #CB72B2

RGB 203 114 178

HSL 316.85, 0.46%, 0.62%

LAB 59.84, 43.64, -18.74

 

CMYK 0 / 48 / 15 / 27

HEX #BA609F

RGB 186 96 159

HSL 318, 0.39%, 0.55%

LAB 53.28, 44.38, -17.93

 

CMYK 0 / 54 / 17 / 34

HEX #A94E8C

RGB 169 78 140

HSL 319.12, 0.37%, 0.48%

LAB 46.68, 45.06, -16.96

 

CMYK 0 / 61 / 20 / 40

HEX #983C79

RGB 152 60 121

HSL 320.22, 0.43%, 0.42%

LAB 40.06, 45.58, -15.73

 

CMYK 0 / 40 / 10 / 14

HEX #DC83C5

RGB 220 131 197

HSL 315.51, 0.56%, 0.69%

LAB 66.12, 43.4, -19.75

 

CMYK 0 / 40 / 21 / 14

HEX #DC83AD

RGB 220 131 173

HSL 331.69, 0.56%, 0.69%

LAB 65.33, 39.64, -7.42

 

CMYK 0 / 40 / 32 / 14

HEX #DC8395

RGB 220 131 149

HSL 347.87, 0.56%, 0.69%

LAB 64.66, 36.34, 5.2

 

CMYK 0 / 40 / 40 / 14

HEX #DC8383

RGB 220 131 131

HSL 0, 0.56%, 0.69%

LAB 64.23, 34.19, 14.79

 

CMYK 0 / 40 / 10 / 14

HEX #DC83C5

RGB 220 131 197

HSL 315.51, 0.56%, 0.69%

LAB 66.12, 43.4, -19.75

 

CMYK 0 / 40 / 0 / 14

HEX #DB83DC

RGB 219 131 220

HSL 299.33, 0.56%, 0.69%

LAB 66.87, 47.1, -31.44

 

CMYK 11 / 40 / 0 / 14

HEX #C383DC

RGB 195 131 220

HSL 283.15, 0.56%, 0.69%

LAB 64.16, 39.91, -35.86

 

CMYK 22 / 40 / 0 / 14

HEX #AB83DC

RGB 171 131 220

HSL 266.97, 0.56%, 0.69%

LAB 61.7, 32.86, -39.88

 

CMYK 33 / 40 / 0 / 14

HEX #9383DC

RGB 147 131 220

HSL 250.79, 0.56%, 0.69%

LAB 59.53, 26.11, -43.45

 

CMYK 0 / 40 / 10 / 14

HEX #DC83C5

RGB 220 131 197

HSL 315.51, 0.56%, 0.69%

LAB 66.12, 43.4, -19.75

 

CMYK 0 / 49 / 13 / 9

HEX #E976CB

RGB 233 118 203

HSL 315.65, 0.72%, 0.69%

LAB 65.43, 54.94, -24.02

 

CMYK 0 / 57 / 15 / 4

HEX #F56AD1

RGB 245 106 209

HSL 315.54, 0.87%, 0.69%

LAB 65.22, 64.85, -27.57

 

CMYK 0 / 40 / 10 / 14

HEX #DC83C5

RGB 220 131 197

HSL 315.51, 0.56%, 0.69%

LAB 66.12, 43.4, -19.75

 

CMYK 0 / 30 / 8 / 19

HEX #CF90BE

RGB 207 144 190

HSL 316.19, 0.4%, 0.69%

LAB 67.22, 30.97, -14.3

 

CMYK 0 / 19 / 5 / 24

HEX #C29DB8

RGB 194 157 184

HSL 316.22, 0.23%, 0.69%

LAB 68.78, 18.26, -8.76

 

CMYK 0 / 6 / 2 / 29

HEX #B5AAB2

RGB 181 170 178

HSL 316.36, 0.07%, 0.69%

LAB 70.72, 5.41, -2.69

 

CMYK 7 / 0 / 5 / 29

HEX #A9B6AC

RGB 169 182 172

HSL 133.85, 0.08%, 0.69%

LAB 72.81, -6.42, 3.53

 

CMYK 11 / 40 / 0 / 14

HEX #C383DC

RGB 195 131 220

HSL 283.15, 0.56%, 0.69%

LAB 64.16, 39.91, -35.86

 

CMYK 1 / 40 / 0 / 14

HEX #DA83DC

RGB 218 131 220

HSL 298.65, 0.56%, 0.69%

LAB 66.75, 46.8, -31.63

 

CMYK 0 / 40 / 10 / 14

HEX #DC83C6

RGB 220 131 198

HSL 314.83, 0.56%, 0.69%

LAB 66.16, 43.57, -20.26

 

CMYK 0 / 40 / 21 / 14

HEX #DC83AE

RGB 220 131 174

HSL 331.01, 0.56%, 0.69%

LAB 65.36, 39.79, -7.94

 

CMYK 0 / 40 / 32 / 14

HEX #DC8396

RGB 220 131 150

HSL 347.19, 0.56%, 0.69%

LAB 64.68, 36.47, 4.66

 

CMYK 0 / 67 / 18 / 21

HEX #CA43A6

RGB 202 67 166

HSL 316, 0.56%, 0.53%

LAB 51.06, 63.23, -25.25

 

CMYK 0 / 53 / 14 / 17

HEX #D363B5

RGB 211 99 181

HSL 316.07, 0.56%, 0.61%

LAB 58.14, 54.08, -22.96

 

CMYK 0 / 40 / 10 / 14

HEX #DC83C5

RGB 220 131 197

HSL 315.51, 0.56%, 0.69%

LAB 66.12, 43.4, -19.75

 

CMYK 0 / 29 / 7 / 10

HEX #E5A3D4

RGB 229 163 212

HSL 315.45, 0.56%, 0.77%

LAB 74.58, 31.96, -15.17

 

CMYK 0 / 18 / 5 / 7

HEX #EEC4E3

RGB 238 196 227

HSL 315.71, 0.55%, 0.85%

LAB 83.55, 19.99, -9.76

 

CMYK 0 / 40 / 10 / 14

HEX #DC84C5

RGB 220 132 197

HSL 315.68, 0.56%, 0.69%

LAB 66.33, 42.88, -19.43

 

CMYK 0 / 22 / 40 / 14

HEX #DCAB83

RGB 220 171 131

HSL 26.97, 0.56%, 0.69%

LAB 73.53, 12.74, 27.47

 

CMYK 40 / 0 / 6 / 14

HEX #83DCCE

RGB 131 220 206

HSL 170.56, 0.56%, 0.69%

LAB 82.09, -29.98, -1.52

 

CMYK 0 / 40 / 10 / 14

HEX #DC84C5

RGB 220 132 197

HSL 315.68, 0.56%, 0.69%

LAB 66.33, 42.88, -19.43

 

CMYK 10 / 0 / 40 / 14

HEX #C6DC83

RGB 198 220 131

HSL 74.83, 0.56%, 0.69%

LAB 84.4, -21.26, 41.25

 

CMYK 40 / 10 / 0 / 14

HEX #83C6DC

RGB 131 198 220

HSL 194.83, 0.56%, 0.69%

LAB 76.3, -15.59, -17.64

 

CMYK 0 / 40 / 10 / 14

HEX #DC84C5

RGB 220 132 197

HSL 315.68, 0.56%, 0.69%

LAB 66.33, 42.88, -19.43

 

CMYK 0 / 22 / 40 / 14

HEX #DCAB83

RGB 220 171 131

HSL 26.97, 0.56%, 0.69%

LAB 73.53, 12.74, 27.47

 

CMYK 40 / 0 / 30 / 14

HEX #83DC99

RGB 131 220 153

HSL 134.83, 0.56%, 0.69%

LAB 80.91, -40.85, 24.75

 

CMYK 40 / 18 / 0 / 14

HEX #83B4DC

RGB 131 180 220

HSL 206.97, 0.56%, 0.69%

LAB 71.31, -6.05, -25.24

 

CMYK 0 / 40 / 10 / 14

HEX #DC84C5

RGB 220 132 197

HSL 315.68, 0.56%, 0.69%

LAB 66.33, 42.88, -19.43

 

CMYK 0 / 10 / 40 / 14

HEX #DCC683

RGB 220 198 131

HSL 45.17, 0.56%, 0.69%

LAB 80.32, -1.53, 36.38

 

CMYK 40 / 0 / 30 / 14

HEX #83DC99

RGB 131 220 153

HSL 134.83, 0.56%, 0.69%

LAB 80.91, -40.85, 24.75

 

CMYK 40 / 30 / 0 / 14

HEX #8399DC

RGB 131 153 220

HSL 225.17, 0.56%, 0.69%

LAB 63.98, 9.05, -36.56

 

Description

Color code: HEX #DC84C5 | qconv.com Color code: HEX #DC84C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 132 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 132 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 10 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 10% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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