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Color name
RGB 220 131 149

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 131 149 it is the complementary color RGB 35 124 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 131 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 131 149 shade: RGB 225 131 144, RGB 242 149 163, RGB 255 167 182, RGB 255 185 201 and RGB 255 203 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 131 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 131 149 shade: RGB 220 131 149, RGB 203 113 130, RGB 186 95 111, RGB 169 77 92 and RGB 152 59 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 131 149 shade: RGB 220 131 149 and RGB 220 131 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 131 149 shade: RGB 220 131 149, RGB 220 131 173, RGB 220 131 197, RGB 219 131 220 and RGB 195 131 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 131 149 shade matches the following richer shades: RGB 220 131 149, RGB 233 118 141 and RGB 245 106 134

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 131 149 shade: RGB 220 131 149, RGB 207 144 157, RGB 194 157 164, RGB 181 170 172 and RGB 169 182 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 131 149 shade: RGB 220 131 198, RGB 220 131 174, RGB 220 131 150, RGB 220 136 131 and RGB 220 159 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 131 149 shade: RGB 202 67 94, RGB 211 99 122, RGB 220 131 149, RGB 229 163 177 and RGB 238 196 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 131 149 shade: RGB 220 131 149, RGB 220 218 131 and RGB 131 186 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 131 149 shade: RGB 220 131 149, RGB 150 220 131 and RGB 131 150 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 131 149 shade: RGB 220 131 149, RGB 220 218 131, RGB 131 220 201 and RGB 131 133 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 131 149 shade: RGB 220 131 149, RGB 195 220 131, RGB 131 220 201 and RGB 156 131 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 32 / 14

HEX #DC8395

RGB 220 131 149

HSL 347.87, 0.56%, 0.69%

LAB 64.66, 36.34, 5.2

 

Complementary color

CMYK 72 / 0 / 15 / 51

HEX #237C6A

RGB 35 124 106

HSL 167.87, 0.56%, 0.31%

LAB 46.73, -30.45, 2.32

 

CMYK 0 / 42 / 36 / 12

HEX #E18390

RGB 225 131 144

HSL 351.7, 0.61%, 0.7%

LAB 65.16, 37.54, 8.84

 

CMYK 0 / 38 / 33 / 5

HEX #F295A3

RGB 242 149 163

HSL 350.97, 0.78%, 0.77%

LAB 71.57, 36.61, 7.61

 

CMYK 0 / 35 / 29 / 0

HEX #FFA7B6

RGB 255 167 182

HSL 349.77, 1%, 0.83%

LAB 77.44, 34.33, 5.79

 

CMYK 0 / 27 / 21 / 0

HEX #FFB9C9

RGB 255 185 201

HSL 346.29, 1%, 0.86%

LAB 81.93, 27.53, 1.99

 

CMYK 0 / 20 / 14 / 0

HEX #FFCBDC

RGB 255 203 220

HSL 340.38, 1%, 0.9%

LAB 86.57, 20.97, -1.39

 

CMYK 0 / 40 / 32 / 14

HEX #DC8395

RGB 220 131 149

HSL 347.87, 0.56%, 0.69%

LAB 64.66, 36.34, 5.2

 

CMYK 0 / 44 / 36 / 20

HEX #CB7182

RGB 203 113 130

HSL 348.67, 0.46%, 0.62%

LAB 58.15, 37.28, 6.46

 

CMYK 0 / 49 / 40 / 27

HEX #BA5F6F

RGB 186 95 111

HSL 349.45, 0.4%, 0.55%

LAB 51.58, 38.26, 7.94

 

CMYK 0 / 54 / 46 / 34

HEX #A94D5C

RGB 169 77 92

HSL 350.22, 0.37%, 0.48%

LAB 44.96, 39.25, 9.69

 

CMYK 0 / 61 / 52 / 40

HEX #983B49

RGB 152 59 73

HSL 350.97, 0.44%, 0.41%

LAB 38.35, 40.17, 11.86

 

CMYK 0 / 40 / 32 / 14

HEX #DC8395

RGB 220 131 149

HSL 347.87, 0.56%, 0.69%

LAB 64.66, 36.34, 5.2

 

CMYK 0 / 40 / 40 / 14

HEX #DC8383

RGB 220 131 131

HSL 0, 0.56%, 0.69%

LAB 64.23, 34.19, 14.79

 

CMYK 0 / 40 / 32 / 14

HEX #DC8395

RGB 220 131 149

HSL 347.87, 0.56%, 0.69%

LAB 64.66, 36.34, 5.2

 

CMYK 0 / 40 / 21 / 14

HEX #DC83AD

RGB 220 131 173

HSL 331.69, 0.56%, 0.69%

LAB 65.33, 39.64, -7.42

 

CMYK 0 / 40 / 10 / 14

HEX #DC83C5

RGB 220 131 197

HSL 315.51, 0.56%, 0.69%

LAB 66.12, 43.4, -19.75

 

CMYK 0 / 40 / 0 / 14

HEX #DB83DC

RGB 219 131 220

HSL 299.33, 0.56%, 0.69%

LAB 66.87, 47.1, -31.44

 

CMYK 11 / 40 / 0 / 14

HEX #C383DC

RGB 195 131 220

HSL 283.15, 0.56%, 0.69%

LAB 64.16, 39.91, -35.86

 

CMYK 0 / 40 / 32 / 14

HEX #DC8395

RGB 220 131 149

HSL 347.87, 0.56%, 0.69%

LAB 64.66, 36.34, 5.2

 

CMYK 0 / 49 / 39 / 9

HEX #E9768D

RGB 233 118 141

HSL 348, 0.72%, 0.69%

LAB 63.51, 46.66, 8.34

 

CMYK 0 / 57 / 45 / 4

HEX #F56A86

RGB 245 106 134

HSL 347.91, 0.87%, 0.69%

LAB 62.88, 55.71, 11.7

 

CMYK 0 / 40 / 32 / 14

HEX #DC8395

RGB 220 131 149

HSL 347.87, 0.56%, 0.69%

LAB 64.66, 36.34, 5.2

 

CMYK 0 / 30 / 24 / 19

HEX #CF909D

RGB 207 144 157

HSL 347.62, 0.4%, 0.69%

LAB 66.25, 25.69, 2.78

 

CMYK 0 / 19 / 15 / 24

HEX #C29DA4

RGB 194 157 164

HSL 348.65, 0.23%, 0.69%

LAB 68.21, 14.82, 1.55

 

CMYK 0 / 6 / 5 / 29

HEX #B5AAAC

RGB 181 170 172

HSL 349.09, 0.07%, 0.69%

LAB 70.56, 4.31, 0.38

 

CMYK 7 / 0 / 1 / 29

HEX #A9B6B4

RGB 169 182 180

HSL 170.77, 0.08%, 0.69%

LAB 73.01, -4.89, -0.54

 

CMYK 0 / 40 / 10 / 14

HEX #DC83C6

RGB 220 131 198

HSL 314.83, 0.56%, 0.69%

LAB 66.16, 43.57, -20.26

 

CMYK 0 / 40 / 21 / 14

HEX #DC83AE

RGB 220 131 174

HSL 331.01, 0.56%, 0.69%

LAB 65.36, 39.79, -7.94

 

CMYK 0 / 40 / 32 / 14

HEX #DC8396

RGB 220 131 150

HSL 347.19, 0.56%, 0.69%

LAB 64.68, 36.47, 4.66

 

CMYK 0 / 38 / 40 / 14

HEX #DC8883

RGB 220 136 131

HSL 3.37, 0.56%, 0.69%

LAB 65.33, 31.54, 16.32

 

CMYK 0 / 28 / 40 / 14

HEX #DC9F83

RGB 220 159 131

HSL 18.88, 0.56%, 0.69%

LAB 70.63, 19.19, 23.58

 

CMYK 0 / 67 / 53 / 21

HEX #CA435E

RGB 202 67 94

HSL 348, 0.56%, 0.53%

LAB 48.73, 55.18, 14.54

 

CMYK 0 / 53 / 42 / 17

HEX #D3637A

RGB 211 99 122

HSL 347.68, 0.56%, 0.61%

LAB 56.27, 46.34, 8.6

 

CMYK 0 / 40 / 32 / 14

HEX #DC8395

RGB 220 131 149

HSL 347.87, 0.56%, 0.69%

LAB 64.66, 36.34, 5.2

 

CMYK 0 / 29 / 23 / 10

HEX #E5A3B1

RGB 229 163 177

HSL 347.27, 0.56%, 0.77%

LAB 73.56, 26.39, 2.56

 

CMYK 0 / 18 / 14 / 7

HEX #EEC4CC

RGB 238 196 204

HSL 348.57, 0.55%, 0.85%

LAB 82.92, 16.15, 1.62

 

CMYK 0 / 40 / 32 / 14

HEX #DC8395

RGB 220 131 149

HSL 347.87, 0.56%, 0.69%

LAB 64.66, 36.34, 5.2

 

CMYK 0 / 1 / 40 / 14

HEX #DCDA83

RGB 220 218 131

HSL 58.65, 0.56%, 0.69%

LAB 85.5, -11.75, 42.99

 

CMYK 40 / 15 / 0 / 14

HEX #83BADC

RGB 131 186 220

HSL 202.92, 0.56%, 0.69%

LAB 72.96, -9.28, -22.71

 

CMYK 0 / 40 / 32 / 14

HEX #DC8395

RGB 220 131 149

HSL 347.87, 0.56%, 0.69%

LAB 64.66, 36.34, 5.2

 

CMYK 32 / 0 / 40 / 14

HEX #96DC83

RGB 150 220 131

HSL 107.19, 0.56%, 0.69%

LAB 81.46, -38.45, 36.9

 

CMYK 40 / 32 / 0 / 14

HEX #8396DC

RGB 131 150 220

HSL 227.19, 0.56%, 0.69%

LAB 63.18, 10.78, -37.8

 

CMYK 0 / 40 / 32 / 14

HEX #DC8395

RGB 220 131 149

HSL 347.87, 0.56%, 0.69%

LAB 64.66, 36.34, 5.2

 

CMYK 0 / 1 / 40 / 14

HEX #DCDA83

RGB 220 218 131

HSL 58.65, 0.56%, 0.69%

LAB 85.5, -11.75, 42.99

 

CMYK 40 / 0 / 9 / 14

HEX #83DCC9

RGB 131 220 201

HSL 167.19, 0.56%, 0.69%

LAB 81.96, -31.13, 0.94

 

CMYK 40 / 40 / 0 / 14

HEX #8385DC

RGB 131 133 220

HSL 238.65, 0.56%, 0.69%

LAB 58.76, 20.7, -44.75

 

CMYK 0 / 40 / 32 / 14

HEX #DC8395

RGB 220 131 149

HSL 347.87, 0.56%, 0.69%

LAB 64.66, 36.34, 5.2

 

CMYK 11 / 0 / 40 / 14

HEX #C3DC83

RGB 195 220 131

HSL 76.85, 0.56%, 0.69%

LAB 84.19, -22.39, 40.94

 

CMYK 40 / 0 / 9 / 14

HEX #83DCC9

RGB 131 220 201

HSL 167.19, 0.56%, 0.69%

LAB 81.96, -31.13, 0.94

 

CMYK 29 / 40 / 0 / 14

HEX #9C83DC

RGB 156 131 220

HSL 256.85, 0.56%, 0.69%

LAB 60.31, 28.59, -42.17

 

Description

Color code: RGB 220 131 149 | qconv.com Color code: RGB 220 131 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 131 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 131 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 32 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 32% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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