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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC19C0 it is the complementary color #23E63F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC19C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC19C0 shade: #E119BB, #F22BCE, #FF3DE1, #FF4FF4 and #FF61FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC19C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC19C0 shade: #DC19C0, #CB07AD, #BA009A, #A90087 and #980074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC19C0 shade: #DC18C0, #DC188B, #DC1856, #DC1821 and #DC1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC19C0 shade: #DC18C0, #C318DC, #8E18DC, #5A18DC and #2518DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC19C0 shade matches the following richer shades: #DC18C0 and #F004CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC19C0 shade: #DC18C0, #C82CB2, #B440A3, #A05395 and #8D6787

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC19C0 shade: #8D18DC, #C218DC, #DC18C2, #DC188D and #DC1859

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC19C0 shade: #92107F, #B7149F, #DC18C0, #E835CE and #EC5AD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC19C0 shade: #DC19C0, #DC5918 and #18DCA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC19C0 shade: #DC19C0, #C2DC18 and #18C2DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC19C0 shade: #DC19C0, #DC5918, #18DC32 and #189BDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC19C0 shade: #DC19C0, #DC9418, #18DC32 and #1860DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 13 / 14

HEX #DC19C0

RGB 220 25 192

HSL 308.62, 0.8%, 0.48%

LAB 51.52, 81.73, -39.52

 

Complementary color

CMYK 85 / 0 / 73 / 10

HEX #23E63F

RGB 35 230 63

HSL 128.62, 0.8%, 0.52%

LAB 80.35, -75.31, 64.73

 

CMYK 0 / 89 / 17 / 12

HEX #E119BB

RGB 225 25 187

HSL 311.4, 0.8%, 0.49%

LAB 52.16, 82.03, -35.53

 

CMYK 0 / 82 / 15 / 5

HEX #F22BCE

RGB 242 43 206

HSL 310.85, 0.88%, 0.56%

LAB 57.14, 84.65, -38.48

 

CMYK 0 / 76 / 12 / 0

HEX #FF3DE1

RGB 255 61 225

HSL 309.28, 1%, 0.62%

LAB 61.68, 85.57, -41.95

 

CMYK 0 / 69 / 4 / 0

HEX #FF4FF4

RGB 255 79 244

HSL 303.75, 1%, 0.65%

LAB 64.47, 82.93, -48.15

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 89 / 13 / 14

HEX #DC19C0

RGB 220 25 192

HSL 308.62, 0.8%, 0.48%

LAB 51.52, 81.73, -39.52

 

CMYK 0 / 97 / 15 / 20

HEX #CB07AD

RGB 203 7 173

HSL 309.18, 0.93%, 0.41%

LAB 46.8, 78.05, -36.03

 

CMYK 0 / 100 / 17 / 27

HEX #BA009A

RGB 186 0 154

HSL 310.32, 1%, 0.36%

LAB 42.42, 73.12, -31.78

 

CMYK 0 / 100 / 20 / 34

HEX #A90087

RGB 169 0 135

HSL 312.07, 1%, 0.33%

LAB 38.17, 67.5, -27.07

 

CMYK 0 / 100 / 24 / 40

HEX #980074

RGB 152 0 116

HSL 314.21, 1%, 0.3%

LAB 33.85, 61.79, -22.18

 

CMYK 0 / 89 / 13 / 14

HEX #DC18C0

RGB 220 24 192

HSL 308.57, 0.8%, 0.48%

LAB 51.47, 81.87, -39.6

 

CMYK 0 / 89 / 37 / 14

HEX #DC188B

RGB 220 24 139

HSL 324.8, 0.8%, 0.48%

LAB 49.17, 75.77, -11.77

 

CMYK 0 / 89 / 61 / 14

HEX #DC1856

RGB 220 24 86

HSL 341.02, 0.8%, 0.48%

LAB 47.68, 71.63, 18.55

 

CMYK 0 / 89 / 85 / 14

HEX #DC1821

RGB 220 24 33

HSL 357.24, 0.8%, 0.48%

LAB 46.95, 69.55, 48.56

 

CMYK 0 / 89 / 89 / 14

HEX #DC1818

RGB 220 24 24

HSL 0, 0.8%, 0.48%

LAB 46.89, 69.38, 52.68

 

CMYK 0 / 89 / 13 / 14

HEX #DC18C0

RGB 220 24 192

HSL 308.57, 0.8%, 0.48%

LAB 51.47, 81.87, -39.6

 

CMYK 11 / 89 / 0 / 14

HEX #C318DC

RGB 195 24 220

HSL 292.35, 0.8%, 0.48%

LAB 48.79, 81.67, -60.24

 

CMYK 35 / 89 / 0 / 14

HEX #8E18DC

RGB 142 24 220

HSL 276.12, 0.8%, 0.48%

LAB 40.53, 74.13, -74.04

 

CMYK 59 / 89 / 0 / 14

HEX #5A18DC

RGB 90 24 220

HSL 260.2, 0.8%, 0.48%

LAB 33.97, 68.85, -85.08

 

CMYK 83 / 89 / 0 / 14

HEX #2518DC

RGB 37 24 220

HSL 243.98, 0.8%, 0.48%

LAB 29.95, 66.07, -91.88

 

CMYK 0 / 89 / 13 / 14

HEX #DC18C0

RGB 220 24 192

HSL 308.57, 0.8%, 0.48%

LAB 51.47, 81.87, -39.6

 

CMYK 0 / 98 / 14 / 6

HEX #F004CE

RGB 240 4 206

HSL 308.64, 0.97%, 0.48%

LAB 55.14, 89.07, -41.64

 

CMYK 0 / 89 / 13 / 14

HEX #DC18C0

RGB 220 24 192

HSL 308.57, 0.8%, 0.48%

LAB 51.47, 81.87, -39.6

 

CMYK 0 / 78 / 11 / 22

HEX #C82CB2

RGB 200 44 178

HSL 308.46, 0.64%, 0.48%

LAB 48.63, 71.98, -36.13

 

CMYK 0 / 64 / 9 / 29

HEX #B440A3

RGB 180 64 163

HSL 308.79, 0.48%, 0.48%

LAB 46.99, 58.24, -30.08

 

CMYK 0 / 48 / 7 / 37

HEX #A05395

RGB 160 83 149

HSL 308.57, 0.32%, 0.48%

LAB 46.75, 41.17, -22.35

 

CMYK 0 / 27 / 4 / 45

HEX #8D6787

RGB 141 103 135

HSL 309.47, 0.16%, 0.48%

LAB 48.4, 20.83, -11.69

 

CMYK 36 / 89 / 0 / 14

HEX #8D18DC

RGB 141 24 220

HSL 275.82, 0.8%, 0.48%

LAB 40.38, 74, -74.29

 

CMYK 12 / 89 / 0 / 14

HEX #C218DC

RGB 194 24 220

HSL 292.04, 0.8%, 0.48%

LAB 48.62, 81.51, -60.52

 

CMYK 0 / 89 / 12 / 14

HEX #DC18C2

RGB 220 24 194

HSL 307.96, 0.8%, 0.48%

LAB 51.57, 82.13, -40.6

 

CMYK 0 / 89 / 36 / 14

HEX #DC188D

RGB 220 24 141

HSL 324.18, 0.8%, 0.48%

LAB 49.24, 75.96, -12.86

 

CMYK 0 / 89 / 60 / 14

HEX #DC1859

RGB 220 24 89

HSL 340.1, 0.8%, 0.48%

LAB 47.74, 71.81, 16.79

 

CMYK 0 / 89 / 13 / 43

HEX #92107F

RGB 146 16 127

HSL 308.77, 0.8%, 0.32%

LAB 34.01, 59.76, -28.94

 

CMYK 0 / 89 / 13 / 28

HEX #B7149F

RGB 183 20 159

HSL 308.83, 0.8%, 0.4%

LAB 42.87, 70.98, -34.12

 

CMYK 0 / 89 / 13 / 14

HEX #DC18C0

RGB 220 24 192

HSL 308.57, 0.8%, 0.48%

LAB 51.47, 81.87, -39.6

 

CMYK 0 / 77 / 11 / 9

HEX #E835CE

RGB 232 53 206

HSL 308.72, 0.8%, 0.56%

LAB 56.25, 80.28, -39.99

 

CMYK 0 / 62 / 9 / 7

HEX #EC5AD7

RGB 236 90 215

HSL 308.63, 0.79%, 0.64%

LAB 61.7, 70.1, -36.51

 

CMYK 0 / 89 / 13 / 14

HEX #DC19C0

RGB 220 25 192

HSL 308.62, 0.8%, 0.48%

LAB 51.52, 81.73, -39.52

 

CMYK 0 / 60 / 89 / 14

HEX #DC5918

RGB 220 89 24

HSL 19.9, 0.8%, 0.48%

LAB 54.48, 48.54, 58.28

 

CMYK 89 / 0 / 24 / 14

HEX #18DCA8

RGB 24 220 168

HSL 164.08, 0.8%, 0.48%

LAB 78.58, -56.13, 13.26

 

CMYK 0 / 89 / 13 / 14

HEX #DC19C0

RGB 220 25 192

HSL 308.62, 0.8%, 0.48%

LAB 51.52, 81.73, -39.52

 

CMYK 12 / 0 / 89 / 14

HEX #C2DC18

RGB 194 220 24

HSL 67.96, 0.8%, 0.48%

LAB 83.3, -29.81, 79.66

 

CMYK 89 / 12 / 0 / 14

HEX #18C2DC

RGB 24 194 220

HSL 187.96, 0.8%, 0.48%

LAB 72.19, -30.19, -24.16

 

CMYK 0 / 89 / 13 / 14

HEX #DC19C0

RGB 220 25 192

HSL 308.62, 0.8%, 0.48%

LAB 51.52, 81.73, -39.52

 

CMYK 0 / 60 / 89 / 14

HEX #DC5918

RGB 220 89 24

HSL 19.9, 0.8%, 0.48%

LAB 54.48, 48.54, 58.28

 

CMYK 89 / 0 / 77 / 14

HEX #18DC32

RGB 24 220 50

HSL 127.96, 0.8%, 0.48%

LAB 77.05, -74.24, 65.67

 

CMYK 89 / 30 / 0 / 14

HEX #189BDC

RGB 24 155 220

HSL 199.9, 0.8%, 0.48%

LAB 60.61, -9.78, -42.12

 

CMYK 0 / 89 / 13 / 14

HEX #DC19C0

RGB 220 25 192

HSL 308.62, 0.8%, 0.48%

LAB 51.52, 81.73, -39.52

 

CMYK 0 / 33 / 89 / 14

HEX #DC9418

RGB 220 148 24

HSL 37.96, 0.8%, 0.48%

LAB 66.87, 18.33, 67.72

 

CMYK 89 / 0 / 77 / 14

HEX #18DC32

RGB 24 220 50

HSL 127.96, 0.8%, 0.48%

LAB 77.05, -74.24, 65.67

 

CMYK 89 / 56 / 0 / 14

HEX #1860DC

RGB 24 96 220

HSL 217.96, 0.8%, 0.48%

LAB 43.84, 26.4, -68.98

 

Description

Color code: HEX #DC19C0 | qconv.com Color code: HEX #DC19C0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 25 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 25 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 13 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 13% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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